Quotes About Feels

The person in peak-experiences feels himself, more than other times, to be the responsible, active, creating center of his activities and of his perceptions. He feels more like a prime-mover, more self-determined (rather than caused, determined, helpless, dependent, passive, weak, bossed). He feels himself to be his own boss, fully responsible, fully volitional, with more "free-will" than at other times, master of his fate, an agent.

If it feels right, do it. If it feels wrong, don't.

In our culture of constant access and nonstop media, nothing feels more like a curse from God than time in the wilderness. To be obscure, to be off the beaten path, to be in the wilderness feels like abandonment. It seems more like exile than a vacation. To be so far off of everyone’s radar that the world might forget about us for a while? That’s almost akin to death…[But] far from being punishment, judgment, or a curse, the wilderness is a gift. It’s where we can experience the primal delight of being fully known and delighted in by God.

I like woman who doesn't necessarily care if other people like her. She is she who she is and figures people can take it or leave it. What I do like is a woman who has the guts to tell exactly as she feels. It's not appealing when a woman dresses to please a man. It's way more attractive if she has her own distinct style and wears what she feels best in.

The difference between guilt and shame is very clear--in theory. We feel guilty for what we do. We feel shame for what we are. A person feels guilt because he did something wrong. A person feels shame because he is something wrong. We may feel guilty because we lied to our mother. We may feel shame because we are not the person our mother wanted us to be.

When I usually use a theremin during a set, it feels...it feels good, because I get to take a break from playing guitar, it's a little rest, really, and I know that it's only five or ten minutes until the show ends and I can get a drink.

Good sense is the most equitably distributed of all things because no matter how much or little a person has, everyone feels so abundantly provided with good sense that he feels no desire for more than he already possesses.

When something feels really big, too big to handle, just go very small. Just go real small, just look at the person next to you and look in their eyes and meet the person next to you, find out their name, change one person's life and make one call, write one letter, give one dollar. Whatever small thing feels like what you can do - it changes the course of the ship and that is all it is.

An atheist is just somebody who feels about Yahweh the way any decent Christian feels about Thor or Baal or the golden calf. We are all atheists about most of the gods that humanity has ever believed in. Some of us just go one god further.

A dance feels finished to me when I suddenly see this moment in the movement that feels like closure and makes me want to cry. And then I'll realize, "Oh, that's the end. This whole thing is working because it all led up to this moment." It pulls all this together and it sends the correct message in a very poetic way.

Women face a lot of challenges every day - we have to stand firm in our walk and our intentions - but there are times when that weight feels too heavy, feels like a load that I just can't bear that day. I try to work through that in my art, whatever medium that might be. My live performance is based around the color red, and all the things that communicates as a woman to the world - fiery, really vocal, present, almost a kind of stubborn color - and redefining it as being very complex. Being able to express that complexity, I'm getting a lot better at that the older I've gotten.

There's lots of bands where somebody will write lyrics and somebody else will sing them. It works for a lot of people, but that feels weird to me. I don't mean this in a bad way at all but it just feels fake.. I guess in my heart of hearts, whether the person has a good voice or not I want [the songs] to come from them. I don't know why.

Victor: What does it feel like to be in love? Creature: It feels like everything is boiling over and spilling out of me; it feels like my lungs are on fire, and my heart is a hammer, and I feel like I can do anything...I feel like I can do anything in the world.

She [me muse] feels most at home in autumn, nonetheless, she is glad of the other seasons and loves them all. Without the others she would be unable to feel most at home in autumn, besides which, she almost feels most at home in all of them.

The more we know the better we forgive. Whoever feels deeply, feels for all who live.

Diversity on the bench is critical. As practitioners, you need judges who 'get it!' We need judges who understand what discrimination feels like. We need judges who understand what inequality feels like. We need judges who understand the subtleties of unfair treatment and who are willing to call it out when they see it!

I'm in love. And I like how that feels. And I hate how that feels. Because love is an invention of fiction writers.

It's more like the inner workings of John Bender. He feels like he's been given a short shrift, he's not been provided the opportunities that maybe these other kids have. So he feels like he begins in a hole. And instead of trying to raise himself up, he wants to bring all of them down. That's a dynamic that's pretty universal. And so that was the real foothold on that. It wasn't like, "Oh, my high school experience is like John Bender's [in St. Elmo's Fire]."

When you're an immigrant, you're at the bottom of the ladder. You might not be at the bottom of the ladder economically. Those contradictions led me to feel that the role in society I was given didn't jive with my sense of myself. I think, in fact, that is the case with most people. Everybody feels themselves to be in an original relationship to creation, and feels confined by their social role.

The idea of some kind of objectively constant, universal literary value is seductive. It feels real. It feels like a stone cold fact that In Search of Lost Time, by Marcel Proust, is better than A Shore Thing, by Snooki. And it may be; Snooki definitely has more one-star reviews on Amazon. But if literary value is real, no one seems to be able to locate it or define it very well. We're increasingly adrift in a grey void of aesthetic relativism.

L.A. to me feels like music industry, and Nashville to me feels like music community.

Ha! Kids! You have no idea what you put your parents through, either. Wait till you have your own, you'll see. That's when you'll know what it really feels like." .. "What what feels like?"..."Love," said Angela.

The part of us that feels anger and depression is the same part that feels peace and love. If you refuse to feel the anger and the pain of a loss, you will not be able to feel anything else until that area heals. In other words, stay out of your own way. Let yourself feel bad if you want to feel bad. Feel joy, too. Healing is taking place. Give yourself the gift of healing.

One already feels like an anachronism, writing novels in the age of what-ever-this-is-the-age-of, but touring to promote them feels doubly anachronistic. The marketplace is showing an increasing intolerance for the time-honored practice of printing information on paper and shipping it around the country.

At the end of any of my project I miss the material. I pick subjects I love and then get very engaged with them, so stopping that engagement often feels odd and arbitrary, but there's a moment when I don't want to change anything else and when the shape and length feels right. At that point, continuing would be destructive.

The only love that feels like love is the doomed kind. (Fun fact.)

Most days it feels as if the world is whirling around me and I am standing still. In slow motion, I watch the colors blur; people and faces all become a massive wash.

Some people spend their entire lives thinking about one particular famous person. They pick one person who's famous, and they dwell on him or her. They devote almost their entire consciousness to thinking about this person they've never even met, or maybe met once. If you ask any famous person about the kind of mail they get, you'll find that almost every one of them has at least one person who's obsessed with them and writes constantly. It feels so strange to think that someone is spending their whole time thinking about you.

If I love you more than you love me, I’m as good as dead. Yet I can’t make myself take it back. I can’t just walk away from you, because every time you pass by me without smiling, without touching my hand, or at least making eye contact, it feels like I’m dying inside.

The only thing that feels worse than being stuck in a situation that makes you unhappy is realizing that you are not ready or willing to change whatever it is.

When the heart no longer feels the truth of hell, the gospel passes from good news to simply news

My theory of composition? Simple: do not release the shutter until everything in the viewfinder feels just right.

I have a lot more writing experience than Paul Dano has, so to be able to put that experience to use in exercising his vision was almost an acting exercise: How would I write if I were Paul? When I look at it, it feels so completely his, but it's also mine.

Because of my compact and muscular body composition, my short hair, and my "Johawk," I have been mistaken for a boy on many occasions. Each time it happens, it feels like I have been punched in the gut. It is extremely discouraging.

A big, sweeping, and rapturous Hollywood love story that could turn out to be the most revolutionary movie of the year! A film in which love feels almost as if it were being invented. It is also a rare crowd-pleaser with the potential to change hearts and minds.

A man never feels more important than when he receives a telegram containing more than ten words.

Every time I see David Giuntoli on set, it feels like there's a huge load off his shoulders, because when it's me, it's real and it's flirtatious and it seems like it's way more fun.

You're an evolving and transforming person, right? And how do we capture that dynamics of sexuality in that complex sense? There may be times when someone feels oneself more overly masculine or maybe more feminine, or where the terms themselves become confused, where passivity and activity also don't maintain their usual meaning.

I don't know if I will ever get sick of performing a song called 'Feels Like Loneliness' from Evolution. It's inspired by one of my favorite songs, 'Fever' by Peggy Lee. It's got a jazzy feel to it and I'm always able to put on a bit of character when I sing it, which is fun.

My house feels like a proper home. It's very relaxed with a hippyish vibe.

The happy man only feels at ease because the unhappy bear their burden in silence. Without this silence, happiness would be impossible.

Maybe not as an idol, but I have influenced some people, including my son Joshua. So that feels good. Wherever I play musicians come to meet me, that is a great compliment to me. I am honored.

What Taika [Watiti] still bring to it [Hunt for the Wilderpeople], it really sums up what life is like in New Zealand, or what our sensibilities, our sense of humor, how we come together, how easy it would be, feels like. You know, we have a small population and so you know the bizarreness of the police getting involved in this manhunt, how the men... And then eventually, the army all get intwines.

Gaiety is forgetfulness of the self, melancholy is memory of the self: in that state the soul feels all the power of its roots, nothing distracts it from its profound homeland and the look that it casts upon the outer world is gently dismayed.

An engaged woman is always more agreeable than a disengaged. She is satisfied with herself. Her cares are over, and she feels that she may exert all her powers of pleasing without suspicion. All is safe with a lady engaged; no harm can be done.

I had brief glimpses of emotional catharsis while writing. I remember reading something Philip Roth wrote about how he writes every single day, but it's almost as if he has amnesia every morning - he has almost zero confidence that anything will come but he just sits down and plugs away. And at the end of the day it feels like a miracle: "How did I do that?" I had a similar experience where it was just about putting in the hours and being present.

The music of Mozart is of such purity and beauty that one feels he merely found it - that it has always existed as part of the inner beauty of the universe waiting to be revealed.

The consciousness of being deemed dead, is next to the presumable unpleasantness of being so in reality. One feels like his own ghost unlawfully tenanting a defunct carcass.