Quotes About Figure

I have a scenario but almost always it's entwined with at least one person to begin with. Then I sort of expand from there and I'm thinking about books novels. I've got these scrolls of paper that I hang up in my office and this is my idea room, my nightmare factory, and I have a big title at the top of the scroll and on the left hand side I have these character sketches on the characters, and then once I figure out who they are I can figure out what they want and once I figure out what they want I'm able to put obstacles in the way of that desire, and that's where plot springs from.

Kids don't know the language of figure skating. If you ask them to do a compulsory figure, they don't know how to, and that's so important for the edge quality. I think that's why the older skaters are still as popular as they are - because they have that quality that people are missing in this generation.

I learned as a really young kid, when my dad was telling me one story and my mom was telling me another that, even as a 5-year-old boy, there was no way that both of these stories are true. Something in the middle is true, and I have to figure out what it is, what the truth is, and I never did quite figure that out.

The easiest way to figure out who the customer is in an online space is to figure out who is paying for the thing. Usually, the people paying are the customers. So on Facebook, the people paying are marketers. That makes them the customers. And it means we are the product being delivered to those customers.

It's OK to figure out murder mysteries, but you shouldn't need to figure out code. You should be able to read it.

Trying to make certain things on the Internet totally private unless you subscribe. It's not going to work. If you can figure out how to close something down, somebody can figure out how to open it up. That's art.

Fighters used to be afraid of the Russians, Cubans but then I'd figure them out and figure out how to beat them.

I had no idea what philosophy was until I went to college at UBC. I first read Hume and Plato, so naturally I was under the misapprehension that philosophers are trying to figure out what is true, and that contemporary philosophers are mainly trying to figure out what is true about the mind. Of course Hume and Plato were trying to do that, hence my misapprehension.

I used to enjoy the anonymity of being a literary figure and occasionally a public radio figure.

If it's work, we try to figure out how to do less, If it's art, we try to figure out how to do more

In a closed urban fantasy, the magical world is secret and no one knows about it. In an open urban fantasy, everyone knows about it. So with a closed fantasy, you have to figure out how the world keeps itself secret, and with an open one, you have to figure out how knowledge of magic has altered the world we know.

I have a lot of books optioned. This one sat around for a while - part of that was just because I was trying to figure it out, and I didn't realize I needed Pam to figure it out - but I'm not somebody that likes to option books and then sit on them.

With a wonderful business, you can figure out what will happen; you can't figure out when it will happen. You don't want to focus on when, you want to focus on what. If you're right about what, you don't have to worry about when

Get me selling and I can figure out the industry. Once I can figure out the industry I can start a business in that industry.

You would hardly believe how difficult it is to place a figure alone on a canvas, and to concentrate all the interest on this single and universal figure and still keep it living and real.

Donald Trump is sort of an Orwellian figure, an authoritarian figure who is twisting words in an Orwellian manner, "1984," to exercise power and control people's minds, or is he a 5-year-old who has an ego that needs to be fed, and the universe has to warp around his ego needs so he can feel good about himself, and everybody has to produce photos to make the monarch feel like he's made of gold.

I went to a school where everyone was smarter than me. And I'm not blowin' smoke, I, my, I was surrounded by genius, genius kids. What's interesting about growing up in a culture like that is you go, "All right, I gotta figure out what my thing is. Because I'm not smarter than these kids. I'm not funnier than half of them, so I better figure out what it is I wanna do and work really hard at that because intellectually I'm treading water to, to be here."

Fill in any figure you want for that boy (Mickey Mantle). Whatever the figure, it's a deal.

When I paint figures it's never the idea of painting the beauty of the figure, it is using the figure to get across how I feel.

I thought he was an interesting central figure, central character, one who is definitely not your typical central character figure in a film, who's easy to like. He's not easy to like. It forces you to involve yourself with what's going on.

Evening attend two "fandangos." Girls not very pretty but exceedingly graceful. [You] pay a dime for a figure and refreshments foryour doxy, who instead of eating prudently stores her cakes, etc., in a basket to be taken home for the family.

Do not tell people how to live their lives. Just tell them stories and they will figure out how those stories apply to them.

It's about time that we as Arabs take things into our own hands and figure out our own future, rather than [keep depending] on some outside force to do it for us... particularly when intervention by this outside force has not particularly been beneficial to the region in recent history.

I try to write for highest common denominator. I don't write for dumb people. I figure if everybody doesn't get it, that's OK. Someone bright enough will get it, and that's who I write for. It's probably not the way to make million-sellers. What can I say? I won't apologize for trying to write for smart people.

Theatrical times are different from concert times, to put it simply. Taking a figure like [Mahatma] Gandhi and setting him on a stage requires thinking about what theater is about and what the whole experience is about and what we're trying to communicate in that way, so you get into certain less abstract considerations.

The totality of our so-called knowledge or beliefs, from the most casual matters of geography and history to the profoundest laws of atomic physics or even of pure mathematics and logic, is a man-made fabric which impinges on experience only along the edges. Or, to change the figure, total science is like a field of force whose boundary conditions are experience.

Filmmaking is like any kind of art form. You have to try to figure it out, and you're going to do that by trying. It's like teaching a child to walk. It may start by walking, but eventually it will fall. And I have kids, but I know that that will enable them to stand up again and understand why they fell, and how they can avoid that. They will walk better and faster, and stronger. Filmmaking is the same.

Involve yourself every day. Work hard and figure out how to love acting all day, every day. It's getting into a made-up situation and making it good and making it real and just playing, just practicing and playing. Like the musicians that I played piano with: they never expect to be rich or famous, but they, for the sheer joy of it, play every day, all day.

I'm going to be who I really am. I'm going to figure out what this is.

We improv-ed scenes that didn't happen in the movie. We improv-ed the scenes that are written in the movie without the dialogue as written. We played around a lot to try and figure out just how we could flow with what was already written in the story and how we could highlight those imbalances and those points at which we came to loggerheads.

If something is meant to be, it's gonna work. If two people believe in something really strongly, I think a longdistance relationship is easy. They just make the time to be together. And you have to remember that any relationship is going to be hard...mostly because you're two different people and you have to figure stuff out.

Figure out what you are meant to contribute to the world and make sure you contribute it. If this requires public speaking or networking or other activities that make you uncomfortable, do them anyway. But accept that they're difficult, get the training you need to make them easier, and reward yourself when you're done.

The tourist debauches the great monuments of antiquity, a comic figure, always inapt in his comments, incongruous in his appearance; ...avarice and deceit attack him at every step; the shops that he patronizes are full of forgeries... But we need feel no scruple or twinge of uncertainty; 'we' are travelers and cosmopolitans; the tourist is the other fellow.

I figure there are enough self-opinionated assholes trying to get their ugly little faces in front of you as it is. You ask a lot of kids today what they want to be when they grow up, and they say, 'I want to be famous.' You ask them, 'For what reason?' and they don't know or care. I think Andy Warhol got it wrong - in the future, so many people are going to become famous that one day everybody will end up being anonymous for 15 minutes.

A clearer and more conventional narrative would have helped the film without, in my opinion, lessening its beauty and its impact. Frankly, I'm still trying to figure out what I'm doing there and what I was supposed to add in that context! What's more, Terry Malick himself never managed to explain it to me clearly.

During my 18 years I came to bat almost 10,000 times. I struck out about 1,700 times and walked maybe 1,800 times. You figure a ballplayer will average about 500 at-bats a season. That means I played 7 years without ever hitting the ball.

As to the number of novels I've abandoned... I shudder to think. I have thrown away five completed novels, and that's a gruesome enough figure. But not necessarily a waste of effort.

Long-term, we must figure out a way that the Kurdish territory within Iraq operates with a certain amount of autonomy so that they feel comfortable and safe going back.

Haters are just confused admirers because they can't figure out the reason why everyone loves you.

All these delusions of Divination have their root and foundation from Astrology. For whether the lineaments of the body, countenance, or hand be inspected, whether dream or vision be seen, whether marking of entrails or mad inspiration be consulted, there must be a Celestial Figure first erected, by the means of whole indications, together with the conjectures of Signs and Similitudes, they endeavour to find out the truth of what is desired.

I don't think I've had a rocky love life. I'm just trying to figure out what I want.

Well, the experience for me making a film is the most profound one. I really don’t have any business watching the movie so much. Maybe I could watch it for entertainment purposes, but you have so little input and control of the final product once you’re done that I feel like I just would rather leave it alone. It kind of leaves me in a place where every film I do, I’m kind of having to reinvent and figure out how to start again fresh, and hopefully not repeat myself.

You're able to use a search engine, like Google or Bing or whatever. But those engines don't understand anything about pages that they give you; they essentially index the pages based on the words that you're searching, and then they intersect that with the words in your query, and they use some tricks to figure out which pages are more important than others. But they don't understand anything.

I’m supposed to figure out if the glass is half full or half empty,” I told her. Without a moment’s hesitation, in a split second, my grandmother shrugged and said: “It depends on if you’re drinking or pouring.

The spirit is the true self, not that physical figure which can be pointed out by your finger.

I felt that there's an obligation when writing a piece about an urban expressway made in the 50s to acknowledge the context, and Robert Moses is sort of an iconic figure in New York, and he influenced the shape of the city more than anyone else before or after him. He was one of the most powerful and influential civic architects in the world, because of how much he transformed the city. He built multiple bridges and highways and parks and recreational spaces, beaches - in the course of a few decades, he completely changed the city

Thousands of children are killed by handguns in the United States each year. What is that about? What are we doing? We accept that? And we accept the presence of these weapons that are in silos and on submarines and airplanes? If any madman gets hold of them - and certainly there are madmen out there who will figure out how to get hold of them, they always have - what are we even making such things for?

And books are such an empowering way to give voice to some of these kids who aren't yet ready to tell their story. Or don't know what their story is, or are trying to figure it out.