Quotes About French

Eleanor Roosevelt loved to write. She was a wonderful child writer. I mean, she wrote beautiful essays and stories as a child. And Marie Souvestre really appreciated Eleanor Roosevelt's talents and encouraged her talents. Also, she spoke perfect French. She grew up speaking French. She's now at a french-speaking school where, you know, girls are coming from all over the world. Not everybody speaks French.

We need French chaplains and imams, French-speaking, who learn French, who love France. And who adhere to its values. And also French financing.

[Albert] Camus' was born in Algeria of French nationality, and was assimilated into the French colony, although the French colonists rejected him absolutely because of his poverty.

My wife's French. I mean I speak a bit of French but I've lived amongst French, you know, most of my adult life.

The songs of Bizet are by a French peer of Rossini. When Rossini stopped composing, he was living in Paris. He also wrote some beautiful songs in French.

I met my wife through playing golf. She is French and couldn't speak English and I couldn't speak French, so there was little chance of us getting involved in any boring conversations - that's why we got married really quickly.

Strange bent over these things, with a concentration to rival Minervois's own, questioning, criticizing and proposing. Strange and the two engravers spoke French to each other. To Strange's surprize Childermass understood perfectly and even addressed one or twoquestions to Minervois in his own language. Unfortunately, Childermass's French was so strongly accented by his native Yorkshire that Minervois did not understand and asked Strange if Childermass was Dutch.

The most important quote about poetry and politics that I know is from a different situationist, Guy Debord. He was locked in a debate with the French Surrealists, many of whom by the 40s and 50s were part of the French communist party apparatus. Many Surrealists eventually argued for instrumentalizing art for political ends. Debord countered, "I don't want to put poetry in the service of revolution. I want to put revolution in the service of poetry".

It's true that the French have a certain obsession with sex, but it's a particularly adult obsession. France is the thriftiest of all nations; to a Frenchman sex provides the most economical way to have fun. The French are a logical race.

By county, there's like 14 different accents in Mississippi alone. And now, present day, a Mississippi accent is different than in 1963. So we had a dialect coach, which is like going to visit France and having to translate all your emotions into French, and French isn't your first language. I had to go through that filter, so it was interesting.

I have defended the interests of France at the G8 in Washington; afterwards I was at Chicago to announce the withdrawal of French troops from Afghanistan; I have participated in two European summits, so I have fully respected the engagements I made to the French.

I was always interested in French poetry sort of as a sideline to my own work, I was translating contemporary French poets. That kind of spilled out into translation as a way to earn money, pay for food and put bread on the table.

I could wish there were a treaty made between the French and the English theatres, in which both parties should make considerableconcessions. The English ought to give up their notorious violations of the unities, and all their massacres, racks, dead bodies, and mangled carcasses, which they so frequently exhibit upon their stage. The French should engage to have more action, and less declamation, and not to cram and to crowd things together to almost a degree of impossibility from a too scrupulous adherence to the unities.

In order to translate a sentence from English into French two things are necessary. First, we must understand thoroughly the English sentence. Second, we must be familiar with the forms of expression peculiar to the French language. The situation is very similar when we attempt to express in mathematical symbols a condition proposed in words. First, we must understand thoroughly the condition. Second, we must be familiar with the forms of mathematical expression.

I'd rather be thought as an international actress rather than a French one. Because I don't know what's coming up for me, my ambition is not to be typecast. So I'm working on my English accent, as well as my American one. I don't want to be like 'Okay, I'm French, and I want to succeed in Hollywood!'

I don't flatter myself with much dependence upon the present disposition of the Eastern Indians, who are many ways liable to be drawn into a rupture with us by the artifices of the French, their own weakness and the influence which the French Missionary Priests have over them.

Weep not for little Leonie, abducted by a French Marquis. Though loss of honor was a wrench, just think how it's improved her French.

Surround yourself with people who are the ketchup to your french fries-they make you a better version of yourself. Yes french fries are amazing on their own, but combined with ketchup they are a force. Spend time with people who bring out your true flavors, but don't overpower you.

What is jazz? It, It's almost like asking, What is French? Jazz is a musical language. It's a musical dialect that actually embodies the spirit of America.

That amenity which the French have developed into a great art . . . conversation.

The frontiers are not east or west, north or south; but wherever a man fronts a fact, though that fact be a neighbor, there is anunsettled wilderness between him and Canada, between him and the setting sun, or, farther still, between him and it. Let him build himself a log house with the bark on where he is, fronting IT, and wage there an Old French war for seven or seventy years, with Indians and Rangers, or whatever else may come between him and the reality, and save his scalp if he can.

After 10 years of French torture - psychological torture - it's great to do an American movie.

You can't have a novel without real, believable people, and once you get into either too theoretical a novel or too philosophical a novel, you get into the dangers that the French novel has discovered in the past 50 or 60 years. And you get into a sort of aridity. No, you have to have real, identifiable people to whom the reader reacts in a way as if they were real people.

Napoleon had been fighting this army of slaves and free people in Haiti and it depleted his forces. And after the Revolution, when the French were driven out, they stopped and sold this big chunk of North America to the Americans for very little money.

I wanted to destroy everything beautiful I'd never have. Burn the Amazon rain forests. Pump chlorofluorocarbons straight up to gobble the ozone. Open the dump valves on supertankers and uncap offshore oil wells. I wanted to kill all the fish I couldn't afford to eat, and smother the French beaches I'd never see. I wanted the whole world to hit bottom.

There's still a bit of a problem, in that so many leading English roles are taken by American or French actresses.

The stubby French painter Toulouse-Lautrec supposedly invented chocolate mousse - I find that rather hard to believe, but there you have it.

The French want no-one to be their superior. The English want inferiors. The Frenchman constantly raises his eyes above him with anxiety. The Englishman lowers his beneath him with satisfaction.

Just speak very loudly and quickly, and state your position with utter conviction, as the French do, and you'll have a marvelous time!

18th century scientists, the French in particular, seldom did things simply if an absurdly demanding alternative was available.

Let's be honest - Bill Murray was onto something when he laughed at Andie MacDowell's degree in 19th century French poetry in 'Groundhog Day'.

I have made an art form of the interview. The French are the best interviewers, despite their addiction to the triad, like all Cartesians.

My family was blue collar, a middle-class kind of thing. My father was born in Detroit, Italian-American. My mother is English. She acted on the stage with Diana Dors. Her parents were French.

The nation-state became powerful in the wake of the French Revolution, whereas the nation-state has become powerless in light of globalization.

A certain type of critic doesn't really want French movies to be visual. They think movies started from books and they forgot this part of moviemaking, like Chaplin and Buster Keaton, which I didn't forget.

Canadians were the first anti-Americans, and the best. Canadian anti-Americanism, just as the country's French-English duality, has for two centuries been the central buttress of our national identity.

I have a nice little house in LA. Well, the bedroom is nice. I have French doors in the bedroom. They don't open unless I lick them.

So we came to the Ritz hotel and the Ritz Hotel was divine. Because when a girl can sit in a delightful bar and have delicious champagne cocktails and look at all the important French people in Paris, I think it is divine.

Whether it's destiny or fate or whatever, I don't think I could do a French Laundry anywhere else.

I don't even know what being left wing means anymore. I feel that the left/right spectrum has been so fundamentally scrambled primarily by the politics around globalization - and you saw it in Brexit, you saw it in the French election, you see it in our election, it's happening everywhere.

I have no desire to vote for French politicians, and I'm not entitled to vote in Switzerland.

My favorite way to wake up is to have a certain French movie star whisper to me softly at two-thirty in the afternoon that if I want to get to Sweden in time to pick up my Nobel Prize for Literature, I had better ring for breakfast. This occurs rather less often than one might wish.

My home has a split personality. Some of the rooms are very French antique. Think Aubusson rugs, turquoise ceramic jugs, sandbag pillows, and broken birdcages. The other half is very Aztec. Neon ikat fabric pillows, vintage books piled up to the ceiling, and shutters from Bali.

The EU Constitution is something new in human history. Though it is not as eloquent as the French and U.S. constitutions, it is the first governing document of its kind to expand the human franchise to the level of global consciousness. The language throughout the draft constitution speaks of universalism, making it clear that its focus is not a people, or a territory, or a nation, but rather the human race and the planet we inhabit.

[on going to Sunday school:] It looks like rain, and I hope it will rain cats and dogs and hammers and pitchforks and silver sugar spoons and hay ricks and paper-covered novels and picture frames and rag carpets and toothpicks and skating rinks and birds of paradise and roof gardens and burdocks and French grammars before Sunday school time.

When called to the Council of the Twelve, October 4, 1963, he said in the Salt Lake Tabernacle: I think of a little sister, a French-Canadian sister, whose life was changed by the missionaries as her spirit was touched. As she said good-by to me and my wife in Quebec, she said, "President Monson, I may never see the Prophet. I may never hear the Prophet. But President, far better, now that I am a member of this Church, I can obey the Prophet."

Under the dominion of an idea, which possesses the minds of multitudes, as civil freedom, or the religious sentiment, the power ofpersons are no longer subjects of calculation. A nation of men unanimously bent on freedom, or conquest, can easily confound the arithmetic of statists, and achieve extravagant actions, out of all proportion to their means; as, the Greeks, the Saracens, the Swiss, the Americans, and the French have done.

I remember when Lindbergh arrived in Paris, I was one of the first persons to know about his landing, because as the French people know that I was born in St. Louis, thinking I would be very proud to announce it to the public, they gave me the news first. I was then starring in the 'Folies Bergere.'