Quotes About Hollywood

I still hate making pictures! And I don't like Hollywood any better. I detest the limelight and love simplicity, and in Hollywood the only thing that matters is the hullabaloo of fame. If Hollywood will let me alone to find my way without forcing me and rushing me into things, I probably will change my feelings about it. But at present Hollywood seems utterly horrible and interfering and consuming. Which is why I want to leave it as soon as I am able.

Los Angeles is Hollywood and Hollywood is Hollywood Blvd. It's the first thing you want to see. It's the only thing really that you know about as far as Los Angeles is concerned. And so you go and you look at Joan Crawford's hands and feet and the whole history of American filmmaking is encapsulated in that one little area on that one street. That street, to me, has always been the street of dream.

What does it mean to be too black for Hollywood? It's self-explanatory. Hollywood has certain kinds of blacks that they like.

I went to Hollywood. I put the action in Hollywood. I watched a lot of movies, maybe 100 or something close to that. I have tons of DVDs now at home. I don't know what to do with them because they're not useful anymore. My kids never watched them. I read a lot of autobiographies, listened to a lot of music by classical era composers like Franz Waxman, Max Steiner, Bernard Herrmann, Alfred Newman and Leonard Bernstein. I listened to only that kind of music the entire time I was writing, even at home.

There was a part of me that felt afraid of people in Hollywood going: '**** Hollywood with their total lack of originality!'.

I loved acting as a kid because I was kind of shy, so it brought me out of myself. Acting for kids is like playing house, you know? But growing up in Hollywood, it just made it seem possible. It wasn't like some idea of going to Hollywood; it was in my backyard. I lived two blocks from Grauman's Chinese Theatre growing up. It was what people did. It's an industry town. So it wasn't some far-off fantasy, it was like "Oh yeah, when you grow up, you do this because that's what people do here."

Rome is magic, it's like being in Hollywood. But the difference between Hollywood and Rome is that here you don't have just the movie business. The movie business is so little, so you also have the choice to hang out with people who do different kinds of business.

It's a fact, the majority of films in Hollywood are from the male perspective. And the female characters, very rarely do they get to speak to another female character in a movie, and when they do it's usually about a guy, not anything else. So they're very male-centric, Hollywood films, in general. So I think it's incredible that Ned Benson, when I said I'd love to know where she goes, says okay, I'm going to write another film from the female perspective.

I have no interest in changing Hollywood. Hollywood is a place so consumed by the spirit of the world that I don't even want to try to think about how to infiltrate that.

I'm not a Hollywood basher because enough good movies come out of the Hollywood system every year to justify its existence, without any apologies.

The first thing you notice about women in Hollywood, besides their low percentage of body fat, is how few are married. And the number of great-looking, successful single women without a social life is staggering. ... The most glaring misconception about Hollywood is that it is the romance capital of the world.

When you think about it there's never really been a realistic exposition of Hollywood, I mean - from the inside - showing Hollywood what it can do, what it has done, to people.

To many Congressmen and Senators right now, there's a ceaseless antagonism toward Hollywood because politically, it is high-reward and low-risk. So when you can't do anything about poverty or the budget deficit, and you can't deal with Bosnia or the possibility of nuclear explosions in Russia, what do you do? You bash Hollywood and get on the front pages.

Just as many people flee Hollywood as those who flock to it. Hollywood can be an acquired taste.

Hollywood always represents this big dream and fairy tale in people's minds, but to me, it's just hard work. Of course, we play fairy tale on the red carpet. It's all Cinderella. But when the clock strikes midnight, I turn into a gray mouse and I go home, and I take my dress off and it's over. That's Hollywood.

Television is a great job for a writer in the way that movies used to be, way before my time. Back when writers in Hollywood were on staff or under contract at any given studio and you'd write movie scripts and then the movies would get made within a few weeks, such that you could be a working writer in the movie business back in the '30s and '40s and '50s and have a hand in writing five or six movies a year that actually got produced. The only thing remotely like that in the 21st century here in Hollywood is working in the TV business.

Love and friendship, two of life's abiding rewards, are endangered species in Hollywood. People crave both, mistaking alliance for friendship, lust for love, and ambition for both.

Hollywood has gone from Pola to Polaroid.

Meeting people is difficult, period. LA is a difficult place to meet people anyway, and Hollywood is such a small community. But I don't make it a rule just to date other actors and people in the entertainment industry. It could work out with me and a dentist. It could work out with me and a lawyer.

I was very young, maybe five. The opera was very... I was attracted to opera to the point that I think it's the reason I started to write music for films. I never studied. There are film and music school that teach you how to write music. I never studied that. But the influence of opera, which is a combination of storyline, visuals, staging, plus music... that was perhaps the best school I could have had. That's what gave me the idea of coming to Hollywood to write music for films.

I still pinch myself that I ended up in Hollywood. And I am still surprised at the fans.

Pretty much all comic-book people, like all Hollywood people, for the most part, are pretty liberal. I think especially UK writers. Alan Moore is probably the most radical guy you'll ever meet. I grew up loving those guys, so my heroes, as a kid, were radical cartoonists, essentially. I couldn't help but - I grew up in a left-wing household. But I do think it's fun, writing right-wing characters. I've found it interesting, just as a writer, to get inside their heads and make them likeable.

Having a partner who has nothing to do with Hollywood helps keep things in perspective.

I sort of became infatuated with soldiers. I got to know some of them and got a little perturbed with Hollywood making a spectacle out of them and making them look like they have screwed up somehow.

The Hollywood Foreign Press have just given me a time out from my 20-year midlife crisis. My heartfelt thanks to them.

Mr. Reagan spent World War II, the global conflict fought and won by his generation, making training films in Hollywood.

Hollywood is a cottage industry involving a very small number of people, and around the edges are enormous numbers of people trying to get into it and work.

When I was writing Razor Girl, I thought it would be fun to have a redneck TV family that was really just a bunch of actors who had to be trained to be rednecks. That's not so farfetched, if you know how Hollywood works.

I approach the film business the way I feel about self-esteem. It's something that has to be maintained. That's kind of how I feel about positive roles in Hollywood. They have to be maintained. You have to purposefully, intentionally try to make the right type of films. And the more people that do that, the more things will continue to improve.

I dont know that I want to act 15 years from now. I mean, I love the process of acting, but not the masochism. No matter how successful you get in Hollywood, you cannot rest. Your new movie doesn't open well; they're looking for the next person to replace you; it's always something. You never have true peace.

I don't like the vulgarity of Oscars weekend, but it's also sweet. It's prom weekend for anyone who didn't experience the real prom: the nerds, gay, arty outsiders. Hollywood is high school with money.

Everyone has to pay their child support, and no matter if you're a Hollywood actor or anyone else, it's always a little bit more than you want to pay.

It's all about greed and money and it's the driving force in Hollywood.

It was a pity that movies and live TV left New York for Hollywood. London theater, movies, television - until (Britain's) money ran out - were always better than ours since the city was the political capital of the country, as well as the artistic and literary one. In L.A. we've always been slightly sealed off from real life. It's no accident that two of our most interesting directors, Woody Allen and Bob Altman, are more or less settled in the real world.

Every actor. every director, everybody needs an Oscar. You have to have that little statue in Hollywood or else you are nothing.

Living in Hollywood, you can get disconnected from everybody. You can feel like you are the only one.

In Hollywood, the women are all peaches. It makes one long for an apple occasionally.

Hollywood overstates both the romance of marriage and the prevalence of divorce. Celebrities have divorce rates that are atypical and higher than most couples. I suspect that in celebrity marriages, there are huge egos on both sides and they do seem to encourage unrealistic expectations about falling in love. The problem with our romantic culture is that you can love someone you don't respect and the marriage can run out of gas with that formula. Respect is essential - not just respecting your partner but being sure your partner equally respects you.

I'm not saying that it's wrong to make huge Hollywood films but it's just a different kind of feeling, a different sort of pleasure.

I was minding my own business, really, and then all of a sudden, Hollywood approached me.

I think Hollywood has a habit of developing 100 times more than they actually shoot.

It doesn't matter that the way of life shown by Hollywood was phony. It helped you hope.

There just are not a lot of overweight people in Hollywood.

When I first got into this biz called show, I decided I was going to change my name, make it more Hollywood. And you know how you do that? You take your middle name and the first street that you ever lived on. So when I first started, I actually went by Sue Rural Route 2.

When I hit Hollywood, it was full-blown. I was a party boy. It amazes me that I made it ... to be able to have led this amazing career when I was out every night. Every once in a while I'll see old reruns of myself and I see I'm giving it my comedy best, but with dead eyes - no sparkle. I was in the middle of all that abuse. But now I'm a recovering alcoholic with many years of sobriety.

I think for the last fifteen, twenty years or so, Hollywood has underestimated the appeal of the Western. I think there is still a huge market.

I decided that, somehow, I had to get out of there and go to Hollywood. I had never been to America.

The buried code of many American films has become: If I kill you, I have won and you have lost. The instinctive ethical code of traditional Hollywood, the code by which characters like James Stewart, John Wayne and Henry Fonda lived, has been lost.