Quotes About Horror

When you're talking horror or sci-fi, you're working in a genre that has loosely certain thematic elements, or, you could even call them rules. But rules are there to be broken. I think that young filmmakers should go all the way back to the history of horror, from silent films like "Nosferatu", and through to today's horror films, so they understand the history of horror films and what has been done. Understand that, and then add something new or original.

It is women who bear the race in bloody agony. Suffering is a kind of horror. Blood is a kind of horror. Women are born with horror in their very bloodstream. It is a biological thing.

There were no horror movies or horror books to speak of in the '40s. I picked the '50s because that pretty well spans my life as an appreciator - as somebody who's been involved with this mass cult of horror, from radio and movies and Saturday matinees and books. In the '40s there really wasn't that much. People don't want to read about horrible things in horrible times. So, in the '40s, there was Val Lutin with The Cat People and The Curse of the Cat People and there wasn't much else.

I think readers appreciate those of us who stay in the trenches and fight the good fight even when times get tough. I know that I, personally, lost respect for writers who, when there was a downturn in the market, started shouting from the rooftops that they wrote thrillers and suspense novels rather than horror. As far as I'm concerned, those wussboys should sever all ties with the horror community if that's the way they feel and get out of the way so real horror writers can do their work.

When the Second World War finished, I was 23 and already I had seen enough horror to last me a lifetime. I'd seen dreadful, dreadful things, without saying a word. Seeing horror depicted on film doesn't affect me much.

I think horror comedies tend to skew more comedy than horror, for the most part.

I'm not a fan of horror. I don't think a proper horror movie has been done since The Shining.

It's a very good time for horror. This business certainly has changed, but there's still room for serious horror films. Look at 28 Days Later, that's not a tongue-in-cheek picture.

People don't like to say Horror so they say Dark Fantasy because that's Horror wearing a collar and tie.

I just want to be with great teachers. If that means I'm in a horror film with good teachers, I'll do another horror film. But I would love to branch out and do more comedy or just more straight dramas.

It [horror genre] never dies. It just keeps getting re­invented and it always will. Horror is a universal language; we're all afraid. We're born afraid, we're all afraid of things: death, disfigurement, loss of a loved one. Everything that I'm afraid of, you're afraid of and vice versa. So everybody feels fear and suspense.

This, then, is the ultimate, that is only, consolation: simply that someone shares some of your own feelings and has made of these a work of art which you have the insight, sensitivity, and — like it or not — peculiar set of experiences to appreciate. Amazing thing to say, the consolation of horror in art is that it actually intensifies our panic, loudens it on the sounding-board of our horror-hollowed hearts, turns terror up full blast, all the while reaching for that perfect and deafening amplitude at which we may dance to the bizarre music of our own misery.

I love horror movies. I consider myself a horror author, sometimes.

Certainly, black horror movie fans have, you know, been particularly vocal. I mean, there's the whole Eddie Murphy routine about, you know, black people in a horror movie wouldn't last very long. Right? They just walk in - you hear get out. Too bad we can't stay, baby.

In my own personal time, horror films freak me out too much, so I tend to steer clear of watching horror films on my own.

So I was asked to do horror film after horror film, a series of about five, after that, and some of those were a little too gruesome. I wasn't too comfortable all the time in those. I didn't really care for them.

Horror films are very functional like comedies. The main thing with a comedy, the big question is "is it funny?" And with horror the question is "is it scary?"

I think there's been a gigantic shift in the way we talk to each other, and the way that we communicate with each other. So as a filmmaker, the stuff's always been really interesting to me, and I sort of considered a lot of my films horror films, the ones that were relationship dramas, because I feel like it was very easy to look at modern communication and the Internet and cell phones and all that stuff as horror movies, basically.

From an early age I loved horror movies. I read books about horror, cops, firemen and military. Over the course of the years I started to see that there's a reality to this. The first movie I was really conscious of seeing was THE EXORCIST and I don't know if any of you have seen that but it scared the sh*t out of me. It really frightened me.

Release the demon under promise that I'd be repaid handsomely, my enemies destroyed? Hmm, where had I seen this before? Oh, right. Every demon horror movie ever made. And the horror part started right after the releasing part.

Horror has been very good to me in my career. Doing horror films is for the fans and helps keep that part of my career alive.

Getting sequestered and not really knowing what to do with your time and then discovering, 'Oh, I can watch a bunch of horror movies' has probably played out in a lot of people's discovery of horror.

I guessed his name was Face of Horror. I wondered how long it had taken his mom to think of that. Bob? No. Sam? No. How about Face of Horror?

The idea of bringing someone into the world fills me with horror. I would curse myself if I were a father. A son of mine! Oh no, no, no! May my entire flesh perish and may I transmit to no one the aggravations and the disgrace of existence.

I woke up one day and I realized I wasn't born beautiful, but my wife was, so I decided to make a horror film about it: what it would be like to be born beautiful.

The advantage of horror books is to take the reader and cut him out of the pack and work on him one on one. It has its advantages because the people that are there in the movie theater really are a mob. If you get one guy alone you can do a more efficient job of scaring him.

I'm not really a horror movie fan.

Ultimate horror often paralyses memory in a merciful way.

Horror is the removal of masks.

Will's Father's gaze went immediately to Gabriel, and then to Cecily, his eyes narrowing. "And who is this gentlemen?" Will's grin widened. "Oh him," he said. "This is Cecliy's friend, Mr. Gabriel Lightworm." Gabriel, half in the act of stretching his hand to greet Mr. Herondale, froze in horror. "Lightwood," he sputtered. "Gabriel Lightwood.

I think of horror films as art, as films of confrontation.

Yes, people pull the trigger - but guns are the instrument of death. Gun control is necessary, and delay means more death and horror.

My life has been like all the lives, long and hard and full of sadness and confusion and horror, a frightening, difficult dream punctuated by brief moments of joy. And as is the case with all people's lives, the moments of joy are never often enough and never long enough.

I think it goes without saying that a lot of big horror fans are just nerds and geeks.

...the music seems creepy, like when children sing in a horror movie

I have been blessed to have been working since I was 11. I think horror is an underrated genre. When done really well like in 'The Ruins', it pays homage to some of the stuff I really love in the '70s and incurs some of that energy the fanbase really wants to see.

France at the dinner table in faraway places; but here, among ourselves, in the family, let us face the facts: France is not poetic; to tell the truth, she even feels a congenital horror of poetry. Among the writers who use verse, those whom she will always prefer are the most prosaic.

It is not that fathers are better or worse, not that they are more loved or criticized, but rather that they are viewed with far less intensity. There is no Philip Roth or Woody Allen or Nancy Friday who writes about fathers with a runaway excess of humor, horror ... feeling. Most of us let our fathers off the hook.

I am like the perfect horror movie viewer because I do not get scared very easily.

I am very happy making lower budgeted horror movies.

A glimpse into the world proves that horror is nothing other than reality.

While vegans and meat-eaters disagree, we can all be united in our fear and hatred for the horror that is factory farming.

Horror is a feeling that cannot last long; human nature is incapable of supporting it. Sadness, whether it be from bereavement, or disappointment, or misfortune of any kind may linger on through life

I come to present the strong claims of suffering humanity. I come to place before the Legislature of Massachusetts the condition of the miserable, the desolate, the outcast. I come as the advocate of helpless, forgotten, insane men and women; of beings sunk to a condition from which the unconcerned world would start with real horror.

Hell is out of fashion - institutional hells at any rate. The populated infernos of the 20th century are more private affairs, the gaps between the bars are the sutures of one's own skull. A valid hell is one from which there is a possibility of redemption, even if this is never achieved, the dungeons of an architecture of grace whose spires point to some kind of heaven. The institutional hells of the present century are reached with one-way tickets, marked Nagasaki and Buchenwald, worlds of terminal horror even more final than the grave.

I am coming to the end of acting. I have a list: another stage production, maybe one or two more movies, one more season of American Horror Story. . . and then that is it for me. Because I think that's enough. I want to go out with a bang. . . or should I say, a scare?

Suddenly you’re ripped into being alive. And life is pain, and life is suffering, and life is horror, but my god you’re alive and its spectacular.

People come back from flights and tell you a story like it's a horror story. That's how bad they make it sound. They're like, 'It was the worst day of my life. We didn't board for 20 minutes and they made us sit there on the runway for 40 minutes.' Oh really? What happened next? Did you fly in the air, incredibly, like a bird? Did you partake in the miracle of human flight you non-contributing zero?'