Quotes About Horror

I think the mistake people make with horror movies and what makes them successful is a lot of horror movies get made by people who don't really like them, so they don't respect them. And when you like horror and have admiration for it, that community knows that what's important for a horror movie is important for every other kind of movie.

When you're talking horror or sci-fi, you're working in a genre that has loosely certain thematic elements, or, you could even call them rules. But rules are there to be broken. I think that young filmmakers should go all the way back to the history of horror, from silent films like "Nosferatu", and through to today's horror films, so they understand the history of horror films and what has been done. Understand that, and then add something new or original.

A good horror movie - it doesn't matter how many comedy horror films there have been before. Doesn't matter how much you think it's going to be funny. A good horror movie will scare the hell out of you... the moment you sit down and you start being exposed to that story, it's going to freeze your blood.

The thing is, horror is a big part of 'Sherlock Holmes.' Doyle also wrote a lot of great horror stories, so there's a lot more horror in 'Holmes' that people possibly think of. There's a lot of curses and mysticism and real scares.

I love horror comedies, and I love horror movies. In particular, I love horror movies from the '80s that have practical monsters in them. They're not just slasher movies with people going to kill people in people's houses. I do like these ridiculous monster movies. They're scary, but they're absurd. I had a lot of fun in my 20's, watching a lot of these movies late at night.

Mainly horror movies and exploitation movies and a lot of stuff comes from those press books from those old movies. Lines out of old movies, comic books that we collect, all the old horror comics of the 50s, probably about the only comics that we collect are obscure horror comics, the real sick ones from the 50s. Some stuff comes from there but mainly just old records, old rockabilly records and that stuff, singles mainly, 45s.

There were no horror movies or horror books to speak of in the '40s. I picked the '50s because that pretty well spans my life as an appreciator - as somebody who's been involved with this mass cult of horror, from radio and movies and Saturday matinees and books. In the '40s there really wasn't that much. People don't want to read about horrible things in horrible times. So, in the '40s, there was Val Lutin with The Cat People and The Curse of the Cat People and there wasn't much else.

There are the horror fans that love the Evil Dead because of the humor, but I’m sure it’s not all of them. Not all horror fans love Evil Dead because of the humor, at least not me.

I don't really like horror shows, horror movies, or any of that. I'm really a lightweight, in terms of that.

I thought I could capture the stories of the city on paper. I thought I could write about the horrors of the city. Horror stories you see. I tell you I didn't have to look far for material. Everywhere I looked, there were stories hidden there in the dark corners. . . . I wrote and still there were more. . . . No one would publish them. 'Too horrible,' they said. 'Sick mind,' they said. I thought I could write about the horrors of the city but the horror is too big and it goes on forever.

Somebody pointed out to me that there's no horror film on my resume, which is true, but I also don't really go see those movies. Although when I was thinking about it, I was thinking "I would probably have a really nice beach house if I made a horror movie." They seem to be very popular. I just don't think it's my thing.

I am tired of reading reviews that call A Good Man brutal and sarcastic. The stories are hard but they are hard because there is nothing harder or less sentimental than Christian realism.... when I see these stories described as horror stories I am always amused because the reviewer always has hold of the wrong horror.

Release the demon under promise that I'd be repaid handsomely, my enemies destroyed? Hmm, where had I seen this before? Oh, right. Every demon horror movie ever made. And the horror part started right after the releasing part.

A lot of the main audience thinks video game-based movies are always horror movies but it's totally not true. In video games you have adventure, sci-fi, horror, action and even comedy. I think that people should accept more that video games are kind of like the best-selling books of the new generation.

I like horror movies. Nightmare on Elm Street is my favourite. I even get scared a little bit watching horror.

When you're playing the devil, you're playing the ultimate evil. There are no boundaries. In doing a film in the horror genre or a psychological thriller, you're really pushed as an actress, you're pushed way outside of your comfort zone. Emotionally, mentally, and physically. That's when things really get fun.

I've wanted to work with [Kairo aka Pulse director] Kiyoshi Kurosawa, but he has not been making horror movies recently.

Good evening, Lord Corwin,' said the lean, cadaverous figure who rested against a storage rack, smoking his pipe, grinning around it. Good evening, Roger. How are things in the nether world?' A rat, a bat, a spider. Nothing much else astir. Peaceful.' You enjoy this duty?' He nodded. I am writing a philosophical romance shot through with elements of horror and morbidity. I work on those parts down here.

If you ask around, it's pretty easy to find someone who has a bank account overdraft horror story to tell.

Clary, you're an artist, like your mother. That means you see the world in ways that other people don't. It's your gift, to see the beauty and the horror in ordinary things. It doesn't make you crazy — just different. There's nothing wrong with being different.

When I write my novels, I'm not writing them to make political points. I'm writing them because I passionately love monsters and the weird and horror stories and strange situations and surrealism, and what I want to do is communicate that. But, because I come at this with a political perspective, the world that I'm creating is embedded with many of the concerns that I have. But I never let them get in the way of the monsters.

I think of horror films as art, as films of confrontation.

The rules are very important in a horror movie.

Fear has disappeared. No more fear. In Asia, it is different. They've discovered again the fear and the psychology of the characters. Without psychology, the horror film doesn't exist.

Entourage [movie] really is established as a genre unto itself, much like the thriller or the horror movie or the comedy. And those things trend.

We're gonna try and bring on all the different aspects of horror movie making and bring on guests and show all these old '50's B movies. Not the real corny ones, the real cool ones.

One of my favorite things to do within horror is explore this feeling that a lot of people seem to have from time to time, of there being currents of another reality running beneath, or alongside, what we see and interact with every day.

In most cases we attach ourselves to in order to take revenge on life, to punish it, to signify we can do without it, that we have found something better, and we also attach ourselves to God in horror of men.

Alien is one of my favourite films. I'm a classic horror fan. It's a tough one for me, because I get scared quite easily.

The idea for me is that if the movie connects with you the way I want it to connect with you, you should be experiencing both the horror and the wonder as a child would. From a child's point of view. When we're kids, brutality registers differently than when we are adults. Because as adults, we get too used to violence.

It definitely could have been a horror story [Valley of Violence], oh my God, if the dog was impossible. So could the horses.

It's just person after person in every different country that has a life that I can’t even imagine and has gone through horror that I can’t even imagine.

I started appreciating and valuing different things. Some things just became insufferable to me, and not just literature. I used to like horror movies and now I couldn't stand them.

So even as we see the horror of death, may we be reminded that in the end, love wins. Mercy triumphs. Life is more powerful than death. And even those who have committed great violence can have the image of God come to life again within them as they hear the whisper of love. May the whisper of love grow louder than the thunder of violence. May we love loudly.

I do love old horror, everytime I watch Rosemary's Baby the performances just get richer and richer and more multi-layered, and I see images that are just so politically outrageous. I love it all.

I was carrying two cargoes. Yes, one of them was horror, but the other one was hope.

Part of the public horror of sexual irregularity so-called is due to the fact that everyone knows himself essentially guilty.

Weakness ever sympathizes with vice, because vice is a weakness which assumes the mask of strength. Madness holds reason in horror, and on all subjects it delights in the exaggerations of falsehood. The cause of all bewitchments, the poison of all philtres, the power of all sorcerers are there.

It is only by softening and disguising dead flesh by culinary preparation that it is rendered susceptible of mastication or digestion, and that the sight of its bloody juices and raw horror does not excite intolerable loathing and disgust.

In some ways more painful is the fact that their experience appears to be fading from the collective memory of humankind. Having never experienced an atomic bombing, the vast majority around the world can only vaguely imagine such horror, and these days, John Hersey's Hiroshima and Jonathan Schell's The Fate of the Earth are all but forgotten. As predicted by the saying, 'Those who cannot remember the past are condemned to repeat it,' the probability that nuclear weapons will be used and the danger of nuclear war are increasing.

I think that Michael Myers is an icon. The bad guys, it's always the bad guys that everybody loves. It's Michael Myers, it's Freddy, it's Jason, they're like the Dracula and Frankenstein of our generation. I think it started a new wave of horror films. They're cult classics and they're something that everybody wants to watch on Halloween.

To know one's self, one must go all the way to horror.

People who are afraid to go to horror movies are generally afraid their whole lives. People say to me, 'Do you have nightmares?' I never have nightmares! And I go to movies and see the most bizarre things in the world, and go... Wow that is really sick, how fun is that! And I don't have to carry it around. I think that's very healthy.

To this day I still watch tons of horror.

If a man could understand all the horror of the lives of ordinary people who are turning around in a circle of insignificant interests and insignificant aims, if he could understand what they are losing, he would understand that there can only be one thing that is serious for him - to escape from the general law, to be free. What can be serious for a man in prison who is condemned to death? Only one thing: How to save himself, how to escape: nothing else is serious.

Number one is that it just scares people! Your hair is standing up on your arms, or at least that there's a few moments when you're jumping. That's what makes it a good horror movie.

Edgar Allan Poe is considered the great writer of horror stories, perhaps the greatest - I will say the greatest

I'm not so sure that horror should be dismissed as something less than literature.