Quotes About Horror

I love horror comedies, and I love horror movies. In particular, I love horror movies from the '80s that have practical monsters in them. They're not just slasher movies with people going to kill people in people's houses. I do like these ridiculous monster movies. They're scary, but they're absurd. I had a lot of fun in my 20's, watching a lot of these movies late at night.

Mainly horror movies and exploitation movies and a lot of stuff comes from those press books from those old movies. Lines out of old movies, comic books that we collect, all the old horror comics of the 50s, probably about the only comics that we collect are obscure horror comics, the real sick ones from the 50s. Some stuff comes from there but mainly just old records, old rockabilly records and that stuff, singles mainly, 45s.

I've always wanted to do a horror movie, and I grew up watching a lot of horror. I now, recently in life, don't have the stomach for it because I spend so much time in it.

You have to have horror that is entertaining, where you can laugh. Most people don't want you to laugh at horror. They just want you to just be disgusted and terrified.

Oh, filmmakers, please don't take my soft book and turn it into a horror, or take my horror and make it soft.

I definitely gravitate towards quality genre projects and genre of any kind whether it's science fiction, horror or really anything. I'm just drawn to quality. I don't think 'Darkness Falls' is horror; there isn't any gore by any stretch of the imagination.

Somebody pointed out to me that there's no horror film on my resume, which is true, but I also don't really go see those movies. Although when I was thinking about it, I was thinking "I would probably have a really nice beach house if I made a horror movie." They seem to be very popular. I just don't think it's my thing.

Because I am known in the horror genre now, I try and do at least one horror movie a year for my fans, my fans have been so good to me.

People ask me, 'Is 3D a good medium for horror movies?' I think it's the perfect thing for horror movies because it really puts you into it.

To me, making a horror movie is about how you can present similar genre familiarities, but present them a little bit differently. Part of what interests me is the nonchalant realism of it, because you don't get that in the big studio horror movies. I like seeing someone walk around a house and sift through the drawers, and things like that, because that reminds me of what I would do, and of weird personal choices that people would make. That, in contrast to seeing someone get chased with a knife, makes it all the more interesting.

Horror is a reaction; it's not a genre. Somebody's life would have to be in danger for it [story] to be a horror story.

People would always say horror movies always thrive during times of war; that's just what people would say. And I don't know if they thrived during World War II or Vietnam, but I thought that's kind of strange, why would that happen. I don't know if people rearrange their priorities; in good times, they freak out and start pointing the fingers at video games and TV, but when horrible things are happening in the world, a horror movie just seems a little ridiculous.

Anyone who says that life matters less to an animal than it does to us has not held in his hands an animal fighting for its life. The whole of the being of the animal is thrown into that fight, without reserve. When you say that the fight lacks a dimension of intellectual or imaginative horror, I agree. It is not the mode of being animals to have an intellectual horror: their whole being is in the living flesh...I urge you to walk, flank to flank, beside the beast that is prodded down the chute to his executioner.

I've always been fascinated by horror films and genre films. And horror films harbored a fascination for me and always have been something I've wanted to watch and wanted to make.

I love horror movies in space. I love it when the genre switches over and what was sci-fi becomes horror.

I laugh a lot in horror films. If I'm scared in a horror film, I try to think about what's scaring me... particularly, if it's a bad movie, but something they're doing still works. It's the same way I look at comedy. I've always had an intellectual view of comedy, and what makes people laugh, and how does it work.

I like horror movies. Nightmare on Elm Street is my favourite. I even get scared a little bit watching horror.

I can't talk about Hollywood. It was a horror to me when I was there and it's a horror to look back on. I can't imagine how I did it. When I got away from it I couldn't even refer to the place by name. ''Out there,'' I called it.

I like making sci-fi movies because I like watching sci-fi movies. I like watching horror. I like being in a horror movie. I'm a fan. My perspective's a little different just because I get to participate as well as spectate.

The single combats of the heroes of history or fable amuse our fancy and engage our affections: the skillful evolutions of war may inform the mind, and improve a necessary, though pernicious, science. But in the uniform and odious pictures of a general assault, all is blood, and horror, and confusion . . .

Horror is like a serpent; always shedding its skin, always changing. And it will always come back. It can't be hidden away like the guilty secrets we try to keep in our subconscious.

As an actor, whatever I get the opportunity to do, if it has a good story then I'm in. I thought 'Dead End' had a great story; 'Nightmare on Elm Street,' of course, was probably the first real horror film I was in.

But it is Bella, not the supernaturals she falls in with, who is the true horror show here, at least as a female role model.

I think there can always be beauty in struggle. I mean, as far as childbirth, I had my son in the hospital, but then I had my daughter at home. There's no doubt that there's a struggling in birth, and a beauty and a horror and fear and joy too.

The gross perversion and destruction of motherhood by the abortionist filled me with indignation, and awakened active antagonism. That the honorable term 'female physician' should be exclusively applied to those women who carried on this shocking trade seemed to me a horror. It was an utter degradation of what might and should become a noble position for women.

Tantra is the perception of the oneness and the perfection of all things. Not just the perception of light, but the perception of darkness, seeing God in both beauty and horror.

I have never written a book that I wouldn't want to read. The trouble is, I love to read horror, sf, fantasy, mysteries, hero pulps - romantic fiction, in the original, traditional meaning of that term, as opposed to mimetic fiction. But most of all, I love thrillers.

In the absolute sense - kind of from the God's-eye view - God might feel like, "I made this thing that has all of that in it, all the horror and all the beauty."

What's inspiring me the most [is] injustice. My own growth as a member of the human race, in terms of the veils being lifted, seeing more of the beauty and also the horror. A sense of my own purpose in this life. Love...

Nuclear weapons will not be gotten rid of until the United States confronts the magnitude of the horror, the tragedy, and the long-term suffering of the victims

I think because mothers usually are the people who take care of us when we're little, and when we're little those mothers are omnipotent, perhaps men even more than women don't like to think about that dependency. That dependency is horror.

Horror is beyond the reach of psychology.

I'm a goner, a kid who stays up half the night trying to figure out the horror of the world and trying to survive it.

There are so many stories to tell in the worlds of science fiction, the worlds of fantasy and horror that to confine yourself to even doing historical revisionist fiction, whatever you want to call it - mash-ups, gimmick lit, absurdist fiction - I don't know if I want to do that anymore.

Promise me you’ll marry me. Not now. Someday. Because I need to know.” Claire felt a flutter inside, like a bird trying to fly, and a rush of heat that made her dizzy. And something else, something fragile as a soap bubble, and just as beautiful. Joy, in the middle of all this horror and heartbreak. “Yes,” she whispered back. “I promise.” And she kissed him, and kissed him, and kissed him, while the sun came up and bathed Morganville in one last, shining day.

I read a lot of articles about young women in the resistance. All of a sudden, I felt that if I go too much into this horror, then I won't be able to start as a fresh character.

It's just person after person in every different country that has a life that I can’t even imagine and has gone through horror that I can’t even imagine.

I use as high SPF as I can get, and I live under a hat like a mushroom all the time. Someone said they're worried about their kids getting older and doing drugs, and I got this look of horror on my face and thought, 'What if my girls don't wear hats?' But at 13 months old, they could say 'hat.

But once a dead God, always a dead God, even resurrected. The Son must have the taste of death forever in his mouth. The Trinity must be tainted by it; there must be a certain stench at the right hand of God the Father. The horror must be real. Why would God wish that upon Himself? Why not leave death to mortals? Why make dirty what is beautiful, spoil what is perfect? -- Love. That was his answer.

I was carrying two cargoes. Yes, one of them was horror, but the other one was hope.

Obama has seen to the passage of the most radical legislation in recent American history and so-called 'progressives' should be thanking him for it - even as many of the rest of us rear in horror from its implications.

When I try to write love, it only turns into horror. Thinking about it with a clear head, feeling such deep emotions to some other person you don't even know is truly a terrifying thingI wonder if love isn't a manifestation of madness in some way.

I don't rush out the first day to see every horror movie, but I do keep up on them, because I want to talk intelligently with the fans about them.

I love horror films, but it's more than an adrenaline rush for me. I love them because I know they scare me. It's kind of like I go on roller coasters, but I'm terrified of roller coasters, sort of thing.

I think that Michael Myers is an icon. The bad guys, it's always the bad guys that everybody loves. It's Michael Myers, it's Freddy, it's Jason, they're like the Dracula and Frankenstein of our generation. I think it started a new wave of horror films. They're cult classics and they're something that everybody wants to watch on Halloween.

San Francisco is a breathtakingly beautiful city, with lots of great contrasts between dark and light, often overlapping each other. It's a great setting for a horror story.

Typical horror movies of the 1930s were often given a period setting in what looked like a kind of stylized 19th century... the sense of 'elsewhen', of distance, lent to many of these movies by their settings. They exist, as it were, in a 19th century of the mind.

If it's comedy, you taken an absurd comedic notion and you apply it to reality. If it's horror, if it's a thriller, you do the same thing.