Quotes About Image

People have a good image of me. It's not these tramps who are going to tarnish my image. They should stop lying to the French people. It annoys me that people talk about 'your image'. My image is great in France. When I'm abroad, I don't even talk about it. But in France it's just these people, these parasites.

The image cannot be dispossessed of a primordial freshness, which idea can never claim. An idea is derivative and tamed. The imageis in the natural or wild state, and it has to be discovered there, not put there, obeying its own law and none of ours. We think we can lay hold of image and take it captive, but the docile captive is not the real image but only the idea, which is the image with its character beaten out of it.

Spaces may or may not invite the image - if they do, they mostly do it with their spatial layers of time... It is then the image that takes the place of the space; the image in its own right.

For, in truth, an image is only dead matter shaped by the craftsman's hand. But we have no sensible image of sensible matter, but an image that is perceived by the mind alone: God, who alone is truly God.

Why did the old Persians hold the sea holy? Why did the Greeks give it a separate deity, and own brother Jove? Surely all this is not without meaning. And still deeper the meaning of that story of Narcissus, who because he could not grasp the tormenting mild image he saw in the fountain, plunged into it and was drowned. But that same image, we ourselves see in all rivers and oceans. It is the image of the ungraspable phantom of life; and this is the key to it all.

The test of faith is whether I can make space for difference. Can I recognize God's image in someone who is not in my image, who language, faith, ideal, are different from mine? If I cannot, then I have made God in my image instead of allowing him to remake me in his.

My degree was in sculpture. I always think that drawing is a sculptural process. I always feel like I'm carving the image out rather than painting the image. I'm carving it out with erasers and tools like that. I've always had this fondness for sculpture.

When you have terrorism, you have a war. When you have a war, you always have innocent lives that could be the victim of any war, so, we don't have to discuss what the image in the west before discussing the image in Syria. That's the question.

I consider myself a modern-day dad, where I still got rock'n'roll in me, but yet I take being a parent and relationships very seriously in life. I'm tired of the image of the father as a fat, beer-chugging, stupid guy. That image has to change. I'm changing it, baby, one city at a time.

[Ronald Reagan] called the image of [George] Washington praying on his knees in Valley Forge "the most sublime image in American history."

Woman is the future of man. That means that the world which was once formed in man's image will now be transformed to the image of woman. The more technical and mechanical, cold and metallic it becomes, the more it will need the kind of warmth that only the woman can give it. If we want to save the world, we must adapt to the woman, let ourselves be led by the woman, let ourselves be penetrated by the Ewigweiblich, the eternally feminine!

I hate cameras. They interfere, they’re always in the way. I wish: if I could just work with my eyes alone. To get a satisfactory print, one that contains all that you intended, is very often more difficult and dangerous than the sitting itself. When I’m photographing, I immediately know when I’ve got the image I really want. But to get the image out of the camera and into the open, is another matter.

I'm very old fashioned. I still believe in the image and the pictorial quality of the image. It seems that I'm still busy with a truth in photography.

You must squeeze out of yourself every sensation, every thought, every image, - mercilessly, without reserve and without remorse: you must search the darkest corners of your heart, the most remote recesses of your brain, - you must search them for the image, for the glamour, for the right expression. And you must do it sincerely, at any cost: you must do it so that at the end of your day's work you should feel exhausted, emptied of every sensation and every thought, with a blank mind and an aching heart, with the notion that there is nothing, - nothing left in you.

If it be true that God and man are in one image or likeness (and the affirmation that they are so is not unplausible) then it is the duty of man to bring out into its full splendor that Divine Image which is latent, on one side, in the complexity of his own nature.

As we have borne the image of the earthy, let us also bear the image of the heavenly

Mars and Venus and Jupiter, all of the handiwork of God was now placed in the authority of the God of the earth. And here's what He told him. He said I want you to guard it and keep out all intruders. Now that gives us a little insight on why When God made Adam all he did was made an exact imprint of himself. He duplicated himself, he was the image and from his image came himself.

Therein lies the social significance of art: It is constantly at work educating the spirit of the age, conjuring up the forms in which the age is more lacking. The unsatisfied yearning of the artist reaches back to the primordial image in the unconscious, which is best fitted to compensate the inadequacy and one-sidedness of the present. The artist seizes on this image and, in raising it from deepest unconsciousness, he brings it into relation with conscious values, thereby transforming it until it can be accepted by the minds of his contemporaries according to their powers.

We can see from the experience of Odin that the image of the tree was the template within which all of the sacred world could be apprehended. The tree was the framework within which one "flew" to these Otherworlds. And since the exploration of sacred space was also a quest into the nature of human consciousness, the tree was regarded as an image of the ways in which we, humans, are constructed psychically. It was a natural model for our deepest wisdom, our highest aspirations.

In Los Angeles there's, like, this awful image because the girls are so skinny. I don't think it's attractive whatsoever, and I also think that it gives a bad image to kids that are in their early teens. It's not healthy.

Originally man was made in the image of God, but now his likeness to God is a stolen one. As the image of God man draws his life entirely from his origin in God, but the man who has become like God has forgotten how he was at his origin and has made himself his own creator and judge.

The image is an image.

To be completely stripped bare of any image power or my hair. To step onstage and get the response that I got blew any problems I had about self-image out the door.

One's self-image and image of the future have a great deal to do with what that person is motivated to do and able to do, as well as the extent to which he is able to change his behavior.

Rather let us imagine the anima mundi as that particular soul-spark, that seminal image, which offers itself through each thing in its visible form. Then anima mundi indicates the animated possibilities presented by each new event as it is, its sensuous presentation as a face bespeaking its interior image - in short, its availability to imagination, its presence as psychic reality. Not only animals and plants ensouled as in the Romantic vision, but soul is given with each thing, God-given things of nature and man-made things of the street.

I go through life as a transient on his way to eternity, made in the image of God but with that image debased, needing to be taught how to meditate, to worship, to think.

Relationship between human beings is based on the image-forming, defensive mechanism. In our relationships each of us builds an image about the other, and these two images have relationship, not the human beings themselves.

Perhaps it is even a good idea to stir up a rivalry between conceptual and imaginative activity. In any case, one will encounter nothing but disappointments if he intends to make them cooperate. The image can not provide matter for a concept. By giving stability to the image, the concept would stifle its life.

The only times we are consciously aware of the authorship of a photograph, I would argue, are when we contemplate the photographs we ourselves have taken (or those of friends and family) or when we go deliberately to the photographers monograph or exhibition. The signed image - the appropriated, the owned image - is by far the rarest in this pullulating world of pictures.

I often think about image, and image is something that - but in truth, the real artistic process, as I've understood it, is 95 percent intuitive, like seat-of-the-pants, at-the-moment decisions that you can't even explain, you know?

What does open us is sharing our vulnerabilities. Sometimes we see a couple who has done this difficult work over a lifetime. In the process, they have grown old together. We can sense the enormous comfort, the shared quality of ease between these people. It is beautiful, and very rare. Without this quality of openness and vulnerability, partners don't really know each other; they are one image living with another image.

Feel the power of your legs, hear the orchestra playing, see the audience - anything to make the image more real. The image has to be specific. You can't just say to yourself, 'I'll do my best.' You have to have a mental blueprint of that role in your mind.

You get an image after you act in a film, but it is not necessary that you last long because of that image.

When I am kicking around show ideas, or really any idea, usually an image comes to me. I don't really start with a character or a logline like, "What if the electricity turned off?"

We believe that all men are the spirit children of God, created in his image. This concept is supported by the Holy Bible from Genesis to Revelation.

Once allow your soul to be disturbed by any violent emotion and, like the waters of a tempest-tossed lake, it can no longer reflect the divine Image.

Every image is in some way a “portrait,” not in the way that it would reproduce the traits of a person, but in that it pulls and draws (this is the semantic and etymological sense of the word), in that it extracts something, an intimacy, a force.

Comics are a "young" art form, and there is much confusion as to how to treat them. Images have more immediate impact than words, and it is not every reader who can be convinced to relax into experiencing the work for what it is - not words and pictures, but a different form, where the narrative is propelled by the blending of image, word and sequence, and where no element can be extricated and have the same meaning by itself. When this art is shown in a gallery, its "thingness" is called to attention, it is no longer experienced as "story," but rather as an artifact of the artist's process.

With all the arguments and discussions about the Vietnam War, what did the visual image do? It ended the war.

When we're growing up and being teenagers, oftentimes you try so hard to define yourself. You try to create an image of yourself because you don't really know who you are yet. And that can be kind of limiting because you forget that there are actually so many different sides of identity. And it's important to recognize that everyone is completely different.

I believe that God breathed life into every person and that every person is made in the image of God and you have accept them as they are, on their journey. I'm not here to preach hate or push people down.

The first thing Islam does is to destroy the self image of the believers. It convinces them that without Islam they are worthless creatures only fit for hellfire. It tells them that their culture is jahelyyah (ignorance) and their ancestral religion was taaghoti (satanic). They are made to despise their identity and selfhood and seek their glory in their submission to Islam and slavery to its deity who was Muhammad's own alter ego.

If all are created in the divine image, then our images of God must be fluid and multifarious.

There's this idea, particularly in pop music and a lot of these pop father/manager types, that you're selling the person instead of the song. You basically want to create something that the fans relate to because it's exactly like them. So there's a lot of art that's made to be in the image of the audience, but then the audience is imitating this version of themselves. It's a really weird cultural feedback loop, and it's kind of strange to watch. It's a new thing since I was a kid, really a different thing.

If we only look within, we will see he Light as if we were seeing our own image in a mirror. (122)

A painting to me is primarily a verb, not a noun, an event first and only secondarily an image.

The camera has an uncanny ability to capture the world as it is, to seize events as they happen, and also to conjure visions of the future. But by the time the image reaches the eyes of the viewer, it belongs to the past, taking on the status of something retrieved.

Many times, working is kind of like channeling, and I really don't know what's going to fall on the page. I just did this image of a fat girl and put her on a tiny mountain peak of grass that she's walking over. It just amused me.