Quotes About Image

Every man carries within himself the eternal image of woman, not the image of this or that particular woman, but a definite feminine image. This image is fundamentally unconscious, a hereditary factor of primordial origin.

As with sound, images are subjective. You and I may not see the same color red as red, but we will probably agree that the image on the screen is a digital image or film image, based on contrast, bit depth, and refresh rate.

If you've noticed that I don't use long takes, it's not because I don't like them, but because no one gives me the necessary means to treat myself to them. It's more economical to make one image, then this image and then that image, and try to control them later, in the editing studio.

The image of the woman as we know it is an image created by men and fashioned to suit their needs.

...The Western 'God-image' is a representation of the collective unconscious, an archetype of the psyche that undergoes a continual process of transformation...The God image evolves through its relationship to humanity. Whoever knows God has an effect on 'him'. For the individual, knowing God, is the process of recognizing and assimilating the pressured and paradoxical contents of the self, which come to consciousness- seek incarnation- within the ego.

Two children of same cruel parent look at one another and see in each other the image of the cruel parent or the image of their past oppressor. This is very much the case between Jew and Arab: It's a conflict between two victims.

What ends up happening is people form images and the image they form is, in some ways, what they want it to be. The idea of trying to correct the image is something I'm not interested in doing.

A beautiful woman looking at her image in the mirror may very well believe the image is herself. An ugly woman knows it is not.

Nature has some perfections to show that she is the image of God, and some defects to show that she is only His image.

All of my early images were really visual experiments to me. They were attempts to answer unasked questions like, what happens if you put images of six men and six women together, or if we combined a monkey's image with a human, would the result approximate an image of early man?

For several years I worried a lot about protecting an image, but today, I have understood that the image cannot be preconceived.

... But all the feelings that evoke in us the joy or the misfortune of a real person are only produced in us through the intermediary of an image of that joy or that misfortune; the ingeniousness of the first novelist was in understanding that, in the apparatus of our emotions, since the image is the only essential element, the simplification which consists of purely and simply suppressing the factual characters is a definitive improvement.

Be human in this most inhuman of ages; guard the image of man for it is the image of God.

We are one of many appearances of the thing called Life; we are not its perfect image, for it has no perfect image except Life, and life is multitudinous and emergent in the stream of time.

I'm very old fashioned. I still believe in the image and the pictorial quality of the image. It seems that I'm still busy with a truth in photography.

People hold an image of you and project that image when they feel you are changing. Disappear for a while. Break up your routines.

As the print of the seal on the wax is the express image of the seal itself, so Christ is the express image - the perfect representation of God.

I mean, Rick James was just a man-made image, the image I created. Just trying to live Rick James almost killed me.

When I was in the US, I felt that the discourse there surrounding Muslims as the other, problematising Muslims and Islam as the other was very similar to what we find in Australia, which is that the image of Islam is a constructed image in the West. We are starting from a point of view that Islam and Muslims - well Islam is a violent, misogynistic, hateful religion and that is where the debate always starts from - that presumption underlies the discourse.

Give the public the 'image' of what it thinks it ought to be, or what television commercials or glossy magazine ads have convinced us we ought to be, and we will buy more of the product, become closer to the image, and further from reality.

You now have to decide what 'image' you want for your brand. Image means personality. Products, like people, have personalities, and they can make or break them in the market place.

Therein lies the social significance of art: It is constantly at work educating the spirit of the age, conjuring up the forms in which the age is more lacking. The unsatisfied yearning of the artist reaches back to the primordial image in the unconscious, which is best fitted to compensate the inadequacy and one-sidedness of the present. The artist seizes on this image and, in raising it from deepest unconsciousness, he brings it into relation with conscious values, thereby transforming it until it can be accepted by the minds of his contemporaries according to their powers.

To visualize an image (in whole or in part) is to see clearly in the mind prior to exposure, a continuous projection from composing the image through the final print.

The person who has a highly evolved will they think, they build an image and they focus on that image.

if networks of women are formed, they should be job related and task related rather than female-concerns related. Personal networks for sociability in the context of a work organization would tend to promote the image of women contained in the temperamental model - that companies must compensate for women's deficiencies and bring them together for support because they could not make it on their own. But job-related task forces serve the social-psychological functions while reinforcing a more positive image of women.

The succession of cheerful, period musicals I made, plus Oscar Levant's widely publicized remark about my virginity, contributed to what has been called my "image", which is a word that baffles me. There never was any intent on my part either in my acting or in my private life to create any such thing as an image.

In 1966, while working on a feature about a Picasso exhibition at the Tel Aviv Museum of Art, I recorded the pre-opening preparations and observed a moment: One of the cleaners stopped, puzzled, in front of the Picassos. I think that this is an image that can be universally understood, but with a grain of salt. I never chose this image in edits before because it seemed to me that it felt posed-the composition was a little too perfect. But, believe me, it was a lucky moment.

The supreme religious challenge is to see God’s image in one who is not in our image.

There is no essential difference between sticking pins into a wax image of an enemy and burning candles in front of a wax image of the Virgin. You may think that both these practices are gross superstition, but you can hardly think that one is real and potent and deny reality and potency to the other.

In the 1920s, everyone wanted to be a celebrity. Everyone wanted to be like Babe Ruth or Charles Lindbergh. ... Businessmen, in particular, in the '20s really believed that to be a success, an entrepreneur needed to have a personality, a sense that you were a success. That's why I think Capone dressed the way he did. And that's why he entertained the press — because he wanted to be perceived as a successful American. Dale Carnegie ... would later cite Capone as a model for creating the public image. Obviously, it went bad in many ways for Capone, but that's the image he was going for.

I think that you have to present an image that is... true to you, and... the way you would like to be perceived, so I think that through the years I've worked really hard at trying to create an image that is true to me.

I start with an image, then I go from the image toward exploring the situation. Then I write a scene, and from the scene I find the character, from the character I find the larger plot. It's like deductive reasoning - I start with the smaller stuff and work backward.

Pictures artists staged their own images or copied or cut out others already in existence. The viewer took them in separately, in sometimes paradoxical waves: an original image, then the manipulations of it, then the places where image and idea intersected. This created a crucial perceptual glitch that irony and understanding filled.

Before me floats an image, man or shade, / Shade more than man, more image than a shade.

The image that the public gets is whatever they perceive it to be. Everybody has an opinion, everybody has their own vision, so I don't know what my public image is. I have no idea.

We have the need to be accepted and to be loved by others, but we cannot accept and love ourselves. The more self-love we have, the less we will experience self-abuse. Self-abuse comes from self-rejection, and self-rejection comes from having an image of what it means to be perfect and never measuring up to that ideal. Our image of perfection is the reason we reject ourselves the way we are, and why we don't accept others the way they are.

It was an image Melody would never forget. Or was it the emotions the image conjured - hope, excitement, and fear of the unknown, all three tightly braided together, creating a fourth emotion that was impossible to define. She was getting a second chance at happiness and it tickled like swallowing fifty fuzzy caterpillars.

As our thought is opened and we behold the image of eternity within ourselves, we are changed by this image into a newness of life.

I often think about image, and image is something that - but in truth, the real artistic process, as I've understood it, is 95 percent intuitive, like seat-of-the-pants, at-the-moment decisions that you can't even explain, you know?

Never confuse the person, formed in the image of God, with the evil that is in him: because evil is but a chance misfortune, an illness, a devilish reverie. But the very essence of the person is the image of God, and this remains in him despite every disfigurement.

Despite the many iniquities that have found entrance into the practices of image-worship as it is in vogue now, I do not condemn it. Ay, where would I have been if I had not been blessed with the dust of the holy feet of that orthodox, image-worshipping Brahmin!

Film is the best way to capture an image and project that image. It just is, hands down.

Before a painter puts a brush to his canvas, he sees his picture mentally.... If you think of yourself in terms of a painting, what do you see?... Is the picture one you think worth painting?... You create yourself in the image you hold in your mind.

May we, as image makers, shapers of the culture, set our sights on things we value, rituals we engage in that heal and serve. May our images honor the ordinary endeavors of common people, and may they make their way to the eyes of the weary - light to the dark, fire to the chill.

How can women be in the image of God if God cannot be imaged in female form?

Fashion is a reflection of our times. Fashion can tell you everything that's going on in the world with a strong fashion image.

The world is part of our own self and we are a part of its suffering wholeness. Until we go to the root of our image of separateness, there can be no healing ... Only when our feet learn once again how to walk in a sacred manner, and our hearts hear the real music of creation, can we bring the world back into balance.

If all are created in the divine image, then our images of God must be fluid and multifarious.