Quotes About Kind

If you decide to go on a Buddhist path, you have to be careful if you start mixing a lot of different traditions you are not totally familiar with - mixing this kind of meditation with that kind of practice or this kind of visualization with that kind of mantra. Then you really are concocting your own thing, and you have no idea what is going to happen.

I'm not going to say I'm not a fan, but I'm a fan of house music, essentially, and kind of indie, and I was always into the kind of sub-pop Seattle Mud Honey and Pearl Jam kind of sound. But my kind of big love was house music ever since I was 15/16, going to raves when I was 15 or 16 years old and not going to school, like a naughty boy.

Well, it's kind of like that classic sort of trajectory in this kind of movie where there's conflict and they're estranged and they kind of grow to love each other but they don't show it. Then at the end - it's kind of like that. But I think the characters are more interesting than that.

I always want my shoes real clean. The front of my shoe is really like my personality, where off the court I'm kind of calm and kind of shy a little bit - low key. In the back, it's kind of crazy, just like me on the court. I love how both of my personalities are involved into the shoe.

There is no opposition party. And the party that is in power is falling apart. Doesn't that kind of mean the country's falling apart? I don't wanna be accused of being an alarmist, but if there's nothing to replace the government with in terms of an opposition party, and you see it all falling down around you, well doesn't that mean that we're all kind of screwed? It kind of feels that way to me. And I'm pretty worried about it, to be honest with you.

I've been in a few movies that really have the tendency to polarize people, and I kind of like that. I kind of like anything that pushes people's buttons. People will always take things as they want, and project stuff on it - it's just kind of what people do. Whether it's violence or teen pregnancy, whatever.

Everyone who has been to an Olympics says expect the unexpected. That kind of psychology games does go on, so I'm kind of expecting things to happen but I don't know who from. I think it's kind of silly but I'm prepared for it. I'd probably just laugh it off because it means that they are afraid of racing me, so it's like a huge compliment

When I went travelling around Europe there was the Eurovision song contest on, and I got a bit dunk and we missed our train to Budapest the next day. Anyway, when I got back I kind of realised how many songs there were about people giving up things for somebody, so I thought I'd make a song about giving up things I don't have. These elaborate things that I don't have that I could give up to somebody, and I kind of thought there was kind of some sweet sentiment in that.

Acting is doing, because everything you say or do is some kind of an action, some kind of a verb. You're always connected to the other person through some kind of action.

I think the sci-fi world allows for exploration of that that isn't on the nose and that isn't preachy, but it's kind of artful and explores it differently. I think there's more imagination in sci-fi. There's more chance to kind of explore perspective and not have it so grounded in this world that we live in, which is so stuck in a patriarchal kind of system.

I wanted to be the kind of woman who would attract a certain kind of man that I could respect. That was my thinking. It had to do with the kind of couple I would be a part of.

It is futile to judge a kind deed by its motives. Kindness can become its own motive. We are made kind by being kind.

We all have to pick our battles. You've got to draw a line in the sand and stand firm. And it's this squishiness that's really the enemy, like, "Well, I don't know, it's kind of OK but I kind of feel guilty, and I kind of want a bran muffin, I don't know, and I'm wearing a vest; it's crocheted." Shut up. Just pick your battle and just stand there, and whatever you are going to do, own it.

I think that that's the way the music grows and changes and becomes new and creative and vital. It's by synthesizing elements from all around it and not to maintain this kind of rigid myopic kind of tunnel vision, in a sense, trying to maintain a certain kind of purity, or whatever.

It was then that Marvin got religion. Not the quiet, personal kind, that involves doing good deeds and living a better life; not even the kind that involves putting on a suit and ringing people's doorbells; but the kind that involves having your own TV network and getting people to send you money.

The way I look at the top five, (Rod) Laver, (Roger) Federer, myself, Borg and (Ivan) Lendl. I think those five guys dominated their generations better than anyone. Maybe Roger will dominate better than any one of the other four. Maybe I put Andre (Agassi) as kind of six through 10 with, you know, (John) McEnroe and (Jimmy) Connors, kind of those guys. That's kind of how I see it.

There are three ways to ultimate success: The first way is to be kind. The second way is to be kind. The third way is to be kind.

You know, in Los Angeles, you're constantly in your car, you're sealed up, you're not walking around. Whereas in New York, after a while, all your stuff is kind of public, in one way or the other. I'm not saying either one of those is bad; they're both great for a very specific kind of comedian. And I'm glad that they both exist.

Women's humor seems to be a little more supportive. It's just kind of trying to make the other one laugh through funny voices and kind of talking about other people. I respond to that. I feel less like I'm going to get beat up in a room full of women than I do in a room full of guys.

If one is the kind of creature I am and wants to do the kind of writing I want to do, an undisturbed bourgeois existence with no distractions seems in order. A single meeting outside the family upsets one's whole inner web, makes one start off on two-days' thinking and weighing, destroys a delicate balance etc. etc. ... I now have enough friends to last me a lifetime and that is enough. I am going to close the doors and hibernate at least for a couple of years. I am frightfully depressed about my work. It seems to me perfectly mediocre.

I dont really have an office or anything, and I like to have to move location every two hours. So I just kind of write in a park, on a bench, in the library, in a cafe, back to the library, that kind of thing.

My wife is like, You finally get your own TV show, you can have any kind of car you want and you get a darned truck. But my brother and I have the same kind of truck now.

A lot of abstract painters seem to be doing everything all at once now. And so these different styles are jibing and not so jibing, and they're clashing. But they all seem to be working in their own domain. Whereas back in the '60s, man, it was kind of a dull world. It was a vital world. But it was kind of contained and not too recognized by the public. Now art is absolutely recognized by the public.

For me, coming to a fashion house and bringing my love and respect to it - and, hopefully, earning the love and respect of the house - is the only way to do it. I think of it as my own house in that sense as well. So I like not working from a blank piece of paper. I like that there's something from the past, some kind of identity that I have to work with. There are these good ghosts around, these good energies that kind of reinforce what you do.

There's a kind of edge to what you're doing, the kind of leading edge of what you're doing. Inside that edge [are elements you] are familiar with, and are probably becoming slightly bored with, as well, over a period of time. "I've pulled that one out before. Oh, no, I can't I'm just fed up with that. Let's do something else."And you always think "Oh my God I've never done anything at all like that before." But, of course, in retrospect, and to an outsider, they'll say, "Oh, yeah that's typical Eno.

It's my first sort of commercial attempt, but it made sense for me because I'm not that kind of guy and I'm not going to continue to do that kind of movie.

I think probably kindness is my number one attribute in a human being. I'll put it before any of the things like courage or bravery or generosity or anything else. Brian Sibley: Or brains even? Oh gosh, yes, brains is one of the least. You can be a lovely person without brains, absolutely lovely. Kindness - that simple word. To be kind - it covers everything, to my mind. If you're kind that's it.

I believe it, she's a very good person, kind. There's weariness there, but no bitterness or spite. When you're with a girl like that you feel like a different person. You try to be better, and that's a strain. Men prefer to be friends with her kind, flirt a bit, share confidences. They don't often fall in love with girls like that, but everybody loves them.

I think the challenge of climate change in particular is the challenge for us to create and produce new norms for a new kind of world. And that's why I think as important as the issue of climate change is, it's even more important than it seems because if we can't evolve very quickly, new norms to deal with issues like climate change, we're not going to be able to survive in the kind of world we've created. So I think, really, the whole nature of democracy, of governance, of global community and of solving the kinds of problems of the 21st Century are really at stake.

We catched fish, and talked, and we took a swim now and then to keep off sleepiness. It was kind of solemn, drifting down the big still river, laying on our backs looking up at the stars, and we didn’t ever feel like talking loud, and it warn’t often that we laughed, only a kind of low chuckle. We had mighty good weather, as a general thing, and nothing ever happened to us at all, that night, nor the next, nor the next.

I do believe that one of the major ways that we're out of alignment with our souls is in our disconnect from nature. I feel that we have kind of lost our natural way of being connected to the planet. We need to be rooted on the planet. We experience ourselves as kind of isolated from that, and I actually think that's a great cause of the suffering that many of us are experiencing, whether consciously or unconsciously.

The whole Ireland was taken over by greed and materialism. It was extraordinary. The price of every house had skyrocketed. If you were a small farmer and you had two fields outside, if you built 17 bungalows on them all, you become a millionaire, that kind of thing. It was extraordinary to see how rapidly that kind of ethic takes over a whole culture, but that's what's happened to us since the year 1998, about. It's completely extraordinary how little regard the culture had for the landscape. The country is now full of these half-built industrial parks and hotels.

Obviously over the years, it's been America, it's been Europe. It's all been very kind of divided between those two continents. It's nice to kind of see that Asia is starting - and especially China - starting to get recognized in this sport, too.

The impulse to create begins - often terribly and fearfully - in a tunnel of silence. Every real poem is the breaking of an existing silence, and the first question we might ask any poem is, What kind of voice is breaking silence, and what kind of silence is being broken?

With truths of a certain kind, it is not enough to make them appear convincing: one must also make them felt. Of such kind are moral truths.

And to the degree that the individual maintains a show before others that he himself does not believe, he can come to experience a special kind of alienation from self and a special kind of wariness of others.

Every time I make a record, it's kind of like scarification or something. You work 15 hours until you're stupid. You're just kind of all jittery.

It's nice to be able to be whoever you want to be. I moved to New York for that reason. I think I am a very good example of how you really can do whatever you want to do without having any kind of prerequisite experience of any of kind of connection. None of my family members came from this world.

What kind of plan B?" Hale asked. He was almost holding his breath when a voice answered, "My kind." Macey tried to read the look on his face then, but it was gone in a flash. It had been a simple moment of peace and joy and pure happiness. That voice made Hale happy. It kept him calm. It was his backup and his conscience. Macey couldn't help herself, she envied him.

I think that's why it's difficult for women when they watch TV and we see one version of a woman who is attached at the hip to a guy, and that's kind of her whole thing. You kind of go, 'I don't relate to this, I don't feel this.' You know? Maybe somebody does, but not everyone. That's the other thing about storytelling, is you can't represent everybody. You know, you can't seek to do that. You have to tell stories that you're interested in talking about and characters that intrigue you.

I do have the ability to explore life and to be over the moon at the smallest thing - a few pints and a craic in the pub and I'm in heaven. But I have a melancholy side to me as well. Acting allows me to feel things, it kind of buys me human experience. And I don't mean this as acting as higher cause, because it's not, but it does kind of have a higher awareness emotionally.

Everybody's version of style is totally different and that's what I think keeps me going out on the street everyday is going out and kind of seeing the variations and what things maybe I'd never seen quite that way that I find very curious and how people will be able to communicate their own persona through their clothing, their posture, the way they wear their hair. I think all those elements end up becoming very interesting because I don't think I'm really particularly a people person. So for me I think it's interesting to kind of be able to read people in that way.

I think recognition outside of Japan is amazing. I don't feel like that kind of thing would ever happen to me, as I'm not like those kinds of designers - I don't want to express myself in such a categorized way. I kind of want to be in the middle of the majority and the minority. I don't really want people to know what I am.

You know how some people will say to writers, "Why don't you just write a romance novel that sells a bunch of copies and then you'll have the money to do the kind of writing you want to do"? I always say that I don't have the skills or knowledge to do that. It would be just as hard for me to do that kind of writing as it would be to learn how to do any number of productive careers that I can't manage to make myself do.

I don't know if Britain ever really achieved that much glamour. We had post-war austerity rather than post-war prosperity, and our cultural products of the time include some pretty dour kitchen-sink dramas of the A Kind of Loving variety. (This kind of film seems disillusioned with the sixties before they've even really begun.)

Holly: Seriously, you don't like unicorns? What kind person doesn't like unicorns? Justine: What kind of a person doesn't like zombies? What have zombies ever done to you? Holly: Zombies shamble. I disapprove of shambling. And they have bits that fall off. You never see a unicorn behaving that way. Justine: I shamble. Bits fall off me all the time: hair, skin cells. Are you saying you disapprove of me?

I'm a kind person, I'm kind to everyone, but if you are unkind to me, then kindness is not what you'll remember me for

Most of my albums have a concept. They all have some kind of theme, some kind of feeling. I really take pride in that.