Quotes About Memory

You have to begin to lose your memory, if only in bits and pieces, to realize that memory is what makes our lives. Life without memory is no life at all... Our memory is our coherence, our reason, our feeling, even our action. Without it we are nothing.

My biggest fear is losing memory because memory is what we are. Your very soul and your very reason to be alive is tied up in memory.

Loss brings pain. Yes. But pain triggers memory. And memory is a kind of new birth, within each of us. And it is that new birth after long pain, that resurrection - in memory - that, to our surprise, perhaps, comforts us.

A strange thing is memory, and hope; one looks backward, and the other forward; one is of today, the other of tomorrow. Memory is history recorded in our brain, memory is a painter, it paints pictures of the past and of the day.

Mostly what you lose with time, in memory, is the specificity of things, their exact sequence. It all runs together, becomes a watery soup. Portmanteau days, imploded years. Like a bad actor, memory always goes for effect, abjuring motivation, consistency, good sense.

I could still smell her on my fur. It clung to me, a memory of another world. I was drunk with it, with the scent of her. I'd got too close. The smell of summer on her skin, the half-recalled cadence of her voice, the sensation of her fingers on my fur. Every bit of me sang with the memory of her closeness. Too close. I couldn't stay away.

Thought assists memory in enabling it to order the material it has assembled. So that in a systematically ordered memory every idea is individually followed by all conclusions it entails.

To be a liar, you've got to have a great memory, and I don't have a memory.

When the starry sky, a vista of open seas, or a stained-glass window shedding purple beams fascinate me, there is a cluster of meaning, of colors, of words, of caresses, there are light touches, scents, sighs, cadences that arise, shroud me, carry me away, and sweep me beyond the things I see, hear, or think, The "sublime" object dissolves in the raptures of a bottomless memory. It is such a memory, which, from stopping point to stopping point, remembrance to remembrance, love to love, transfers that object to the refulgent point of the dazzlement in which I stray in order to be.

We have populations now in the West with a very short memory span. One reason for this short memory span is that television over the last fifteen years has seen a big decline in the coverage of the rest of the world.

I learned that I never really know the true story of my guests' lives, that I have to content myself with knowing that when I'm interviewing somebody, I'm getting a combination of fact and truth and self-mythology and self-delusion and selective memory and faulty memory.

Friedrich Hayek .. seems to have been the first to postulate what is the core of this paper, namely, the idea of memory and perception represented in widely distributed networks of interconnected cortical cells. Subsequently this idea has received theoretical support, however tangential, from the fields of cognitive psychology, connectionism and artificial intelligence. Empirically, it is well supported by the physiological study and neuroimaging of working memory.

I think all writing is political. All writing shows a preoccupation with something, whatever that thing might be, and by putting pen to paper you are establishing a hierarchy of some sort - this emotion over that emotion, this memory over that memory, this thought over another. And isn't that process of establishing a hierarchy on the page a kind of political act?

One often feels as though something had happened before, I remember. It comes quite close to you and stands there and you know it was just this way once before, exactly so; for an instant you almost know how it must go on, but then it disappears as you try to lay hold of it like smoke or a dead memory. "We could never remember, Isabelle," I say. "It's like the rain. That has also become one, out of two gasses, oxygen and hydrogen, which no longer remember they were once gasses. Now they are only rain and have no memory of an earlier time.

We're all just a bundle of habits shaped by our memories. And to the extent that we control our lives, we do so by gradually altering those habits, which is to say the networks of our memory. No lasting joke, or invention, or insight, or work of art was ever produced by an external memory. Not yet, at least.

Intelligence is an extremely subtle concept. It's a kind of understanding that flourishes if it's combined with a good memory, but exists anyway even in the absence of good memory. It's the ability to draw consequences from causes, to make correct inferences, to foresee what might be the result, to work out logical problems, to be reasonable, rational, to have the ability to understand the solution from perhaps insufficient information. You know when a person is intelligent, but you can be easily fooled if you are not yourself intelligent.

The most vital things in the look of a landscape endure only for a moment. Work should be done from memory; memory of that vital moment.

To fire a bullet into the heart or brains of one's fellow man even a fellow man striving to do the same to you creates what might be called an unassimilable memory: a memory that floats on daily life the way an oil stain floats on rainwater. Stir the rain barrel, scatter the oil into countless drops, disperse it all you like, but it will not mix; and eventually the slick comes back, as loathsomely intact as it ever was.

What you think of as they past is a memory trace, stored in the mind, of a former Now. When you remember the past, you reactivate a memory trace -- and you do so now. The future is an imagined Now, a projection of the mind. When the future comes, it comes as the Now. When you think about the future, you do it now. Past and future obviously have no reality of their own. Just as the moon has no light of its own, but can only reflect the light of the sun, so are past and future only pale reflections of the light, power, and reality of the eternal present. Their reality is "borrowed" from the Now.

I sell ideas. Actually, if you think about it, everything is really no more than idea. The past is nothing more than a memory, which is one kind of idea. The future is still a hope, another kind of idea. The present is fleeting and becomes a memory before you can put your hands on it. All ideas. I sell ideas.

I suppose identity depends on memory. And if my memory is blotted out, then I wonder if I exist - I mean, if I am the same person. Of course, I don't have to solve that problem. It's up to God, if any.

When I did "Top of the Pops" for the first time, Ace of Base was one of the other bands, and I have a memory of them on a small stage next to me in the TV studio. A memory of their performance is burned into my mind. Seared.

I have a good memory for early life. My visual memory is good about childhood and adolescence, and less good in the last 10 years. I could probably tell you less what happened in the last 10 years. I remember what houses looked like, sometimes they just pop into my head.

We have everywhere an absence of memory. Architects sometimes talk of building with context and continuity in mind, religious leaders call it tradition, social workers say it's a sense of community, but it is memory we have banished from our cities. We have speed and power, but no place. Travel, but no destination. Convenience, but no ease.

The mammalian brain evolved exquisite place memory because that was essential for survival. This is why squirrels have such a good memory for where they buried their nuts.

Life," Garp wrote, "is sadly not structured like a good old-fashioned novel. Instead an end occurs when those who are meant to peter out have petered out. All that is left is memory. But even a nihilist has memory.

Postmodern theatre seems unwilling to listen to talk about textual or theatrical heritage, which it treats as no more than memory in the technical sense of that word, as an immediately available and reusable memory bank.

It's a fusion of almost everything, in the way that I think society today tends to take cultural memory. Because there's an internet, it's on there forever. I think that's the way kids see the world today. They actually speak to each other using retro concepts now because the internet culture has kept that memory alive, constantly.

There are three side effects of acid: enhanced long-term memory, decreased short-term memory, and I forget the third.

What a glorious night. Every face I see is a memory. It may not be a perfectly perfect memory. Sometimes we had our ups and downs. But we're all together and you're mine for a night. And I'm going to break precedent and tell you my one-candle wish...that you would have a life as lucky as mine, where you can wake up one morning and say, 'I don't want anything more'. Sixty-five years. Don't they go by in a blink?

A person without a memory is either a child or an amnesiac. A country without a memory is neither a child nor an amnesiac, but neither is it a country.

I listen to people talking sometimes, that great river that is language, with all its undercurrents of grammar and nuance, and I wonder how we all learn so quickly to speak it, given that we begin when we are barely old enough to stand upright. I have no memory of finding it hard. Indeed, I have no memory of it at all.

I hope that memory is valued - that we do not lose memory.

As with most fine things, chocolate has its season. There is a simple memory aid that you can use to determine whether it is the correct time to order chocolate dishes: any month whose name contains the letter A, E, or U is the proper time for chocolate.

Memory offers up its gifts only when jogged by something in the present. It isn't a storehouse of fixed images and words, but a dynamic associative network in the brain that is never quiet and is subject to revision each time we retrieve an old picture or old words.

It really is easy to forget the unpleasant if we simply refuse to recall it. Withdraw only positive thoughts from your memory bank. Let the others fade away. And your confidence, that feeling of being on top of the world, will zoom up-ward. You take a big step forward toward conquering your fear when you refuse to remember negative, self-deprecating thoughts.

But it's also true that my memory is a card shark, reshuffling the deck to hide what I fear to know, unable to keep from fingering the ace at the bottom of the deck even when I'm doing nothing more than playing Fish in the daylight with children.

To be honest, everyone thinks that a digital camera is more reliable and every single time I work on any movie, it's just as many problems, the memory card doesn't work or blah blah blah, it overheats; it's the same volume as another camera. I think people are bit taken in by it.

When the voice of your friend or the page of your book sinks into democratic equality with the pattern of the wallpaper, the feel of your clothes, your memory of last night, and the noises from the road, you are falling asleep. The highly selective consciousness enjoyed by fully alert men, with all its builded sentiments and consecrated ideals, has as much to be called real as the drowsy chaos, and more.

The senses at first let in particular Ideas, and furnish the yet empty Cabinet: And the Mind by degrees growing familiar with some of them, they are lodged in the Memory, and Names got to them.

Some people have this really clear memory of making that decision, and I don't. My earliest memories of being involved with drama or acting were in elementary school. My sister and I got dropped off at an after-school improvisation class, a time-killer for kids while parents were doing the groceries. I'm 6 years old, and I remember running amok and playing these games.

A new day is here. Yesterday is a memory. Tomorrow is unknown. Now is the knowing.

Memory and the imagination are almost identical. It's the same place in the brain and the same thing is happening. When you think about your own life, there are no memories without place. You are always situated somewhere. I think the imagination - the narrative imagination at least - situates you in a specific space when you start to think of a story. I often use places I know. I put my characters inside rooms and houses that I'm familiar with - sometimes the houses of my parents or grandparents or previous apartments I've lived in.

Memory is the scribe of the soul.

He also tried to block the doorway when she left him. My mother ducked under his arm, ran to her car, and drove away. I remember thinking that this was somehow romantic, as it pinpointed the actual memory of my mother's departure, something you don't see a lot of in television. Real people don't slam doors without opening them five minutes later because it's raining and they forgot their umbrella. They don't stop dead in their tracks because they realize they're in love with their best friend.They don't say, "I'm leaving you, Jack," and fade to a paper towel commercial.

[in the true mad north] of introspection, where 'falcons of the inner eye' dive and die, glimpsing in their dying fall, all life's memory of existence.

Let your memory be your travel bag.

Memory is a great deceiver: it embroiders until naught is left but the glory and the pleasure.