Quotes About Myth

A myth is a fixed way of looking at the world which cannot be destroyed because, looked at through the myth, all evidence supports the myth.

This country has such little sense of itself sometimes, I'm astonished. America is one of the biggest myth-making countries, whether we're talking about how many books are published, how many movies we make. But the greatest myth of all is what America is.

The job of a storyteller is to speak the truth. But what we feel most deeply can’t be spoken in words alone. At this level, only images connect. And here, story becomes symbol; symbol is myth. And myth is truth.

It helps to regard soul as an active intelligence, forming and plotting each person's fate. Translators use "plot" to render the ancient Greek word mythos in English. The plots that entangle our souls and draw forth our characters are the great myths. That is why we need a sense of myth and knowledge of different myths to gain insight into our epic struggles, our misalliances, and our tragedies. Myths show the imaginative structures inside our messes, and our human characters can locate themselves against the background of the characters of myth.

It is not without fear and trembling that a historian of religion approaches the problem of myth. This is not only because of that preliminary embarrassing question: what is intended by myth? It is also because the answers given depend for the most part on the documents selected.

In the native literatures of North America there aren't any novels. Instead, the major genre is myth. And myths are stories that are fundamentally about the world, not about human individuals. A myth needn't include any humans at all. If it does include them, they're usually minor characters - imaginary humans sent out like scouts to report back on what's happening in the mythworld, but not central participants in the action.

The fairy tale, which to this day is the first tutor of children because it was once the first tutor of mankind, secretly lives on in the story. The first true storyteller is, and will continue to be, the teller of fairy tales. Whenever good counsel was at a premium, the fairy tale had it, and where the need was greatest, its aid was nearest. This need was created by myth. The fairy tale tells us of the earliest arrangements that mankind made to shake off the nightmare which myth had placed upon its chest.

If you were a god, how would you like being called a myth, an old story to explain lightning? What if I told you, Perseus Jackson, that someday people would call you a myth, just created to explain how little boys can get over losing their mothers?

The power of both myth and art is this magical ability to open doors, to make connections - not only between us and the natural world, but between us and the rest of humanity. Myths show us what we have in common with every other human being, no matter what culture we come from, no matter what century we live in. . .and at the same time, mythic stories and art celebrate our essential differences.

What does all this mean finally, I kept asking like a college kid. Why does it make me want to cry? Maybe it’s that we are all outsiders, we are all making our own unusual way through a wilderness of normality that is just a myth.

Before I came along, my field was dominated by myth, superstition, deceit, and outright fraud. I overcame it by the simple application of logical thinking.

The Gods and Goddesses of myth, legend and fairy tale represent archetypes, real potencies and potentialities deep within the psyche, which, when allowed to flower permit us to be more fully human.

The great myth of our times is that technology is communication.

Some tropes are universal. Boy meets girl. Betrayal and revenge. The search to discover a hidden truth.... A mother's love isn't cliché, it's universal. These things are archetypes. They're the building blocks of myth and legend. They are a big part about what it means to be human.

After chiding the theologian for his reliance on myth and miracle, science found itself in the unenviable position of having to create mythology of its own: namely, the assumption that what, after long effort, could not be proved to take place today had, in truth, taken place in the primeval past.

In one African myth the word for God is even identical with skill and capacity. The Godhead is defined as that thing which appears in man as the mystery of an unusual skill or capacity. It is something divine, a spark of the divinity in him, not his own possession or achievement, but a miracle.

There's an elegiac quality in watching [American wilderness] go, because it's our own myth, the American frontier, that's deteriorating before our eyes. I feel a deep sorrow that my kids will never get to see what I've seen, and their kids will see nothing; there's a deep sadness whenever I look at nature now.

Myth is an attempt to narrate a whole human experience, of which the purpose is too deep, going too deep in the blood and soul, for mental explanation or description.

I like the fact that we're stripping the icons away. They're the WikiLeaks for the age that we're revealing, with the transparency of the characters. We're unearthing the truth beyond or underneath the myth. I love that aspect.

Every gay person must come out. As difficult as it is, you must tell your immediate family. You must tell your relatives. You must tell your friends if indeed they are your friends. You must tell the people you work with. You must tell the people in the stores you shop in. Once they realize that we are indeed their children, that we are indeed everywhere, every myth, every lie, every innuendo will be destroyed once and all. And once you do, you will feel so much better

Even by proving that a certain view is indispensable for living well, one proves merely that the view in question is a salutary myth: one does not prove it to be true.

When the war (WWI) finally ended it was necessary for both sides to maintain, indeed even to inflate, the myth of sacrifice so that the whole affair would not be seen for what it was: a meaningless waste of millions of lives. Logically, if the flower of youth had been cut down in Flanders, the survivors were not the flower: the dead were superior to the traumatized living. In this way, the virtual destruction of a generation further increased the distance between the old and the young, between the official and the unofficial.

All myth is an enriched pattern, a two-faced proposition, allowing its operator to say one thing and mean another, to lead a double life. Hence the notion found early in ancient thought that all poets are liars. And from the true lies of poetry trickled out a question. What really connects words and things?

I believe that imagination is stronger than knowledge. That myth is more potent than history. That dreams are more powerful than facts. That hope always triumphs over experience. That laughter is the only cure for grief. And I believe that love is stronger than death.

What really terrifies Americans is the prospect that the Indian is very much alive, that the Indian is having nine babies in Guatemala, and that those nine babies are headed this way. This is one reason why Americans hold on so dearly to the myth of the dead Indian.

There is a place where the human enters dream and myth, and becomes a part of it, or maybe it is the other way around when the story grows from the body and spirit of humankind. In any case, we are a story, each of us, a bundle of stories, some as false as phantom islands but believed in nevertheless. Some might be true.

You can't create a myth on your own. People do it for you.

The myth that men are the economic providers and women, mainly, are mothers and care givers in the family has now been thoroughly refuted. This family pattern has never been the norm, except in a narrow middle-class segment.

Myth: There's conflict between selfish free markets and a benevolent world of human sympathy.

rummaging in the storehouses of religious or literary history for myth-matter for ideational uses is of the nature of spiritual vulgarity.

Not in the name of a necessary protection of the white race did the European break into China, but for the benefit of the Jewish-mercantile greed for profit. He thus dishonored himself, destroying a whole civilization, provoking justified indignation. China fights for its myth, for its race, and its ideals, as does the renewal-movement in Germany against the mercantile race that rules all stock markets and the actions of most governments.

Carl Jung put [Orfeo Angelucci] in his last book [Flying Saucers: A Modern Myth of Things Seen in the Sky, Harcourt, Brace & World, 1959]. He said Orfeo had made up a new bible.

The myth of the poor Jesus needs to be destroyed, because it's holding people back.

I think of mythology as the homeland of the muses, the inspirers of art, the inspirers of poetry. To see life as a poem and yourself participating in a poem is what the myth does for you.

Without an understanding of myth or religion, without an understanding of the relationship between destruction and creation, death and rebirth, the individual suffers the mysteries of life as meaningless mayhem alone.

Vulnerability is not weakness. And that myth is profoundly dangerous... I define vulnerability as emotional risk, exposure, uncertainty. It fuels our daily lives.

Mythology is composed by poets out of their insights and realizations. Mythologies are not invented; they are found. You can no more tell us what your dream is going to be tonight than we can invent a myth. Myths come from the mystical region of essential experience.

When someone admits one and rejects another which is equally in accordance with the appearances, it is clear that he has quitted all physical explanation and descended into myth.

You’re like a god from a Greek myth, Saiman. You have no empathy. You have no concept of the world beyond your ego. Wanting something gives you an automatic right to obtain it by whatever means necessary with no regard to the damage it may do. I would be careful if I were you. Friends and objects of deities’ desires dropped like flies. In the end the gods always ended up miserable and alone." — Kate Daniels

In every age 'the good old days' were a myth. No one ever thought they were good at the time. For every age has consisted of crises that seemed intolerable to the people who lived through them.

Everything is grounded in mystery. Everything is swimming, and the stable does not exist. Life is a series of guesses, and there is mystery in a match. The commonplace is the habitual, and the habitual is a mystery that has grown stale from sense-insistence. Life undulates; there is no such thing as a level; a straight line is a myth, and all directions are indirections.

The only thing on my mind is getting into that ring and destroying a boxing myth, someone who has reached a level of infamy through doing a number of stupid things.

It is only myth that attempts to say how the universe came to be, either four thousand or twenty billion years ago.

Every myth is psychologically symbolic. Its narratives and images are to be read, therefore, not literally, but as metaphors.

There is at least one truth to every myth, and it takes one truth to create a lie. Lies can be formed from Truth; however, Truth cannot be formed from lies.

In my neighborhood - West 121st Street in New York, "white Harlem" - there were only two drugs: smack and marijuana. By the time I was 13, some friends and I were using marijuana fairly regularly. The Reefer Madness myth was still very strong then, but I'd been into jazz and those lyrics included so many casual references to pot that it was completely demystified for me.

I learned that myth doesn’t mean a lie; it means a traditional story that tells you something about people and their worldview and what they hold sacred. Interesting.

The problem with memory is that is changes whatever it touches. It is never that accurate. As a result, I end up modifying and revising my own experiences. It's myth making.