Quotes About Myth

A ritual is the enactment of a myth. And, by participating in the ritual, you are participating in the myth. And since myth is a projection of the depth wisdom of the psyche, by participating in a ritual, participating in the myth, you are being, as it were, put in accord with that wisdom, which is the wisdom that is inherent within you anyhow. Your consciousness is being re-minded of the wisdom of your own life.

As a child I became a confirmed believer in the ancient gods simply because as between the reality of fact and the reality f myth, I chose myth...Myth is the truth of fact, not fact the truth of myth.

Myths are about the human struggle to deal with the great passages of time and life--birth, death, marriage, the transitions from childhood to adulthood to old age. They meet a need in the psychological or spiritual nature of humans that has absolutely nothing to do with science. To try to turn a myth into a science, or a science into a myth, is an insult to myths, an insult to religion, and an insult to science. In attempting to do this, creationists have missed the significance, meaning, and sublime nature of myths. They took a beautiful story of creation and re-creation and ruined it.

Sellars's "myth of Jones" is deployed against what Sellars calls "the myth of the categorial Given": the idea that to be aware of something is to be aware of it as something. This short circuit between "awareness of" and "awareness as" inhibits the project of self-understanding because it perpetuates the assumption that there is a point where being and knowing coincide.

A myth is a fantasy, a preferred lie, a foundational story, a hypnotic trance, an identity game, a virtual reality, one that can be either inspirational or despairing. It is a story in which I cast myself; it is my inner cinema, the motion picture of my inner reality - one that moves all the time. No diagnosis can fix the myth, no cure can settle it, because our inner life is precisely what, in us, will not lie still.

It helps to regard soul as an active intelligence, forming and plotting each person's fate. Translators use "plot" to render the ancient Greek word mythos in English. The plots that entangle our souls and draw forth our characters are the great myths. That is why we need a sense of myth and knowledge of different myths to gain insight into our epic struggles, our misalliances, and our tragedies. Myths show the imaginative structures inside our messes, and our human characters can locate themselves against the background of the characters of myth.

The myth is the public dream and the dream is the private myth.

Just as the introduction of the irrational numbers ... is a convenient myth [which] simplifies the laws of arithmetic ... so physical objects are postulated entities which round out and simplify our account of the flux of existence... The conceptional scheme of physical objects is [likewise] a convenient myth, simpler than the literal truth and yet containing that literal truth as a scattered part.

Freud becomes one of the dramatis personae, in fact, as discoverer of the great and beautiful modern myth of psychoanalysis. By myth, I mean a poetic, dramatic expression of a hidden truth; and in placing this emphasis, I do not intend to put into question the scientific validity of psychoanalysis.

Greatness is a transitory experience. It is never consistent. It depends in part upon the myth-making imagination of humankind. The person who experiences greatness must have a feeling for the myth he or she is in. That person must reflect what is projected upon him or her.

You need more people to perpetuate a myth because if the people stop the myth is known to all.

What flows into you from myth is not truth but reality (truth is always about something, but reality is that about which truth is), and therefore, every myth becomes the father of innumerable truths on the abstract level.

I was interested first of all in trying to capture this myth that was always changing and to create some sort of a master story, some version of the myth that resonated with me, since I could have taken more or less any detail that I wanted or the opposite and try to put that down on the page in a way that I could express from that outset for myself and for our readers what it was that was so magical about [Buckminster] Fuller's way of putting together the world.

The Wheel of Time turns, and Ages come and pass, leaving memories that become legend. Legend fades to myth, and even myth is long forgotten when the Age that gave it birth comes again. In one Age, called the Third Age by some, an Age yet to come, an Age long past, a wind rose in the Mountains of Mist. The wind was not the beginning. There are neither beginnings nor endings to the turning of the Wheel of Time. But it was a beginning.

Writer's block is a myth. I never see the gardeners suffering from gardening block.

Ritual and myth are like seed crystals of new patterns that can eventually reshape culture around them.

Evolution is a myth. God creates the future the way he wants it.

In one African myth the word for God is even identical with skill and capacity. The Godhead is defined as that thing which appears in man as the mystery of an unusual skill or capacity. It is something divine, a spark of the divinity in him, not his own possession or achievement, but a miracle.

Things we are accustomed to regard as myth or fairy story are very much present in people's lives. Nice people behave like wicked stepmothers. Every day.

as for the possibility of 'having it all,' career and family with no sacrifice to either, that is a myth we would do well to abandon, together with the pernicious notion that a woman who chooses one of the other is somehow deficient.

Trickle-down economics is a myth. Enriching corporations - as the TPP would - will not necessarily help those in the middle, let alone those at the bottom.

The myth of the self-sufficient individual and of the self-sufficient, protected, and protective familytells us that those who need help are ultimately inadequate. And it tells us that for a family to need help--or at least to admit it publicly--is to confess failure. Similarly, to give help, however generously, is to acknowledge the inadequacy of the recipients and indirectly to condemn them, to stigmatize them, and even to weaken what impulse they have toward self-sufficiency.

Myth is an attempt to narrate a whole human experience, of which the purpose is too deep, going too deep in the blood and soul, for mental explanation or description.

The fall [of your soul] from perfection into duality...was naturally followed by the discovery of the duality of good and evil...This is the Biblical version of a myth known to many lands.

If we want liberation, we must rewrite the Sleeping Beauty myth. No one is coming and no one else is to blame.

Capitalism’s grow-or-die imperative stands radically at odds with ecology’s imperative of interdependence and limit. The two imperatives can no longer coexist with each other; nor can any society founded on the myth that they can be reconciled hope to survive. Either we will establish an ecological society or society will go under for everyone, irrespective of his or her status.

In many college English courses the words “myth” and “symbol” are given a tremendous charge of significance. You just ain’t no good unless you can see a symbol hiding, like a scared gerbil, under every page. And in many creative writing course the little beasts multiply, the place swarms with them. What does this Mean? What does that Symbolize? What is the Underlying Mythos? Kids come lurching out of such courses with a brain full of gerbils. And they sit down and write a lot of empty pomposity, under the impression that that’s how Melville did it.

Bands that I've loved over the years are the ones that have a certain myth around them.

Today, aid to Colombia is given under the pretext of a drug war. That's pretty hard to take seriously. Ten years ago, Amnesty International flatly called it a myth.

My child, you have a flawed grasp of the nature of myth-making. I am a poet and storyteller, a creator of ballads and sagas. Pray do not confuse the exercise of the imagination with mere mendacity. I am a master of the mysteries of words, their meanings and music and mellifluous magic.

Whereas Absurdism in Europe seemed a logical, almost inevitable response to the irrationality of war, the analogous elements that surfaced in American drama seemed more a response to a materialist society run amok. The American-style Absurdism seemed to spring full-blown out of television advertisements and situation comedies, which had become new myth-making machines.

Arthuriana has become a genre in itself, more like TV soap opera where people think they know the characters. All that's fair enough, but it does remove the mythic power of the feminine and masculine principles. So I prefer it in its original form, even if you have to wade through Mallory's 'Le Morte d'Arthur' - people smashing people for pages and pages! It still has the resonances of myth about it, which makes it work for me. I don't want to know if Mordred led an unhappy childhood or not.

Each religion, by the help of more or less myth, which it takes more or less seriously, proposes some method of fortifying the human soul and enabling it to make its peace with its destiny.

Stumbling upon the next great invention in an 'ah-ha!' moment is a myth.

The idea of eternal return is a mysterious one, and Nietzsche has often perplexed other philosophers with it: to think that everything recurs as we once experienced it, and that the recurrence itself recurs ad infinitum! What does this mad myth signify?

Wherever the poetry of myth is interpreted as biography, history, or science, it is killed.

There is a myth that the purpose of education is to give one the means for upward mobility and success. The plain truth is that the planet does not need more successful people. But it does need desperately more peacemakers, healers, restorers, story tellers, and lovers of every shape and form.

Nothing endures unless it has first been transposed into a myth, and the great advantage of myths is that they are ladies with portable roots.

I absolutely believe the past had its share of warrior women who fought like men. Whether some of these were the actual Amazons from Greek myth is another matter.

We need to stop buying into the myth about gender equality. It isn't a reality yet. Today, women make up half of the U.S. workforce, but the average working woman earns only 77 percent of what the average working man makes. But unless women and men both say this is unacceptable, things will not change.

Is it not grotesque when the representatives of an antiquated myth-sorcery, who believes in trinity, angels, devils, hell, virgin-birth, bodily Ascension, making of water into wine, wine to blood, - when they want to impress us with their "science"?

The myth holds us, therefore, not through its romantic flavor, not the remembrance of beauty of some bygone age, not through the possibilities of fantasy, but because it expresses to us something real and existing in ourselves, as it was to those who first stumbled upon the symbols to give them life.

The myth of the poor Jesus needs to be destroyed, because it's holding people back.

I always thought what if you took a myth of childhood like the tooth fairy and made it a central scary thing. We did it on Hellboy and we did it on 'Don't be afraid of the dark'.

We must refuse to submit to those institutions which are by definition sexist - marriage, the nuclear family, religions built on the myth of feminine evil.

Is it a bad sign when the thought of your x-girlfriend makes you say things like, Satan is a myth... I guess.

The Enlightenment was an attempt to liberate myth and base truth claims on evidence, not just dogma. But when science threw out the church, they threw out the baby with the bath water.

A large part of how an actor works and their process is the stimulation of what's around you, and none more so than in a period piece. This is a modern piece, as much as it is set in a different time, age and myth. If it wasn't relevant, it wouldn't have been made and we wouldn't be putting our energy into it. It's relevant for us today because, in some ways, it throws up a mirror to all of us. As an actor, you get stimulus and you're effected by that, whether it's costumes or funny beards or castles.