Quotes About Old

If a thing is old, it is a sign that it was fit to live. Old families, old customs, old styles survive because they are fit to survive. The guarantee of continuity is quality. Submerge the good in a flood of the new, and good will come back to join the good which the new brings with it. Old-fashioned hospitality, old-fashioned politeness, old-fashioned honor in business had qualities of survival. These will come back.

Old friends, like old shoes, are comfortable. But old shoes, unlike old friends, tend not to be supportive: it is easier to stumble and sprain an ankle while wearing a pair of old shoes than it is in new shoes, with their less yielding leather.

Do you believe in God? Perhaps you aren't old enough. The reason old people believe in God is because they've given up believing in anything else, and one can't exist without faith in something.... God is a sort of burglar. As a young man you knock him down; as an old man, you try to conciliate him because he may knock you down. Moral: don't grow old.

April is the two-week-old kitten, the month-old lamb, the six-month-old heifer, the two-year-old girl. Too young to know it has either past or future, it wears the ribbon of the fleeting present as part of itself.

As long as there's a place for sundials and gardening and beautiful things, there's a place for the harpsichord. I completely reject the idea that harpsichord is old. And I reject the idea that something old is therefore not good or not popular. Lots of things are old. Lots of traditions are old - cooking, art. I like it because it's beautiful.

Age appears to be best in four things; old wood best to burn, old wine to drink, old friends to trust, and old authors to read.

[T]his free and easy old-bachelor sort of life is quite full of fun and jollity. Pease and myself room together; and everything like order and neatness is banished from our presence as a nuisance--old letters and old boots and shoes, duds clean and duds dirty, books and newspapers, tooth-brushes, shoe-brushes, and clothes-brushes, all heaped together on chairs, settees, etc., in dusty and "most admired confusion." Now, what is there imaginable in clean, tidy private life equal to this?

What's it like then?" asked Old Bailey. "Being dead?" The marquis sighed. And then he twisted his lips up into a smile, and with a glitter of his old self, he replied, "Live long enough, Old Bailey, and you can find out for yourself.

We don't have to remain in this radically destructive mind-set and institutional-set. We can change, and the natural order of things could emerge in all of our societal organizations-government, commerce, religion-it's right there, waiting to happen. I often tell people that every mind is like a room in an old house, stuffed with very old furniture. Take any space in your mind and empty it of your old conceptions and new ones will rush in, good or bad. So change is more a getting rid of rather than an adding to or an acquiring.

In conversation the game is, to say something new with old words. And you shall observe a man of the people picking his way along, step by step, using every time an old boulder, yet never setting his foot on an old place.

When I naturally write a story and I feel that the guy is sitting across the table from the girl and flirting with her... I think, 'God, that can't be me' because I'm just too old for that part. You need a 30-year-old or a 35-year-old for that part. And so I've given myself less and less roles.

Since a good part of my life has been wasted dealing with fools just like them, it's not worry I feel but weariness as I watch the approach of one more episode in the old, tired story of men who try to beat life, the smart ones who think they know it all and die with a look of surprise on their faces: at the final moment they always see the truth - they never really understood anything, never held anything in their hands. An old story, old and boring.

There are three things that grow more precious with age; old wood to burn, old books to read, and old friends to enjoy.

Sometimes you lose your way; you walk in the twilight of a forest; and suddenly you see an old but a beautiful house. And that old mossy house is a good quotation! It is old because it has wisdom; it is beautiful because it gives you a hope!

Old Magic, Old Ways, the Old Ones themselves often seem powerless in a new place.

I just think if you're 44 years old and you're not smarter than you were when you were 35 years old or 25 years old, just stay in your room.

Here I am in the garden laughing an old woman with heavy breasts and a nicely mapped face how did this happen well that's who I wanted to be at last a woman in the old style sitting stout thighs apart under a big skirt grandchild sliding on off my lap a pleasant summer perspiration that's my old man across the yard he's talking to the meter reader he's telling him the world's sad story how electricity is oil or uranium and so forth I tell my grandson run over to your grandpa ask him to sit beside me for a minute I am suddenly exhausted by my desire to kiss his sweet explaining lips.

I don’t have to do nothing you say, you old heifer cow. And you are old. Really, really old. And a cow, too. (Simi)

Longevity in my family's been pretty good. And my grandparents were pretty spry at their age, so I figured I'd probably stay skinny and fairly agile. I used to do old men all the time in sketches. And there used to be an organization called the Gray Panthers. And they would send me, oh, terrible letters about making fun of old people. And I would just always say, "I'm playing the old person I intend to become!"

Doing new stuff live is tough just simply because I pay my money, I stand in my seats, and I see the guys I love. And if I paid that ticket, there's a good chance that I'm there to hear the stuff that made me fall in love with 'em - we call it the "old stuff." And if an artist comes in town and dumps his entire new album on me, as a listener in a concert venue, it happens to miss out on the old stuff that I came there for. That doesn't work too well for me as a listener. Most of the time for concerts, it's the old stuff.

Cities need old buildings so badly it is probably impossible for vigorous streets and districts to grow without them.... for really new ideas of any kind--no matter how ultimately profitable or otherwise successful some of them might prove to be--there is no leeway for such chancy trial, error and experimentation in the high-overhead economy of new construction. Old ideas can sometimes use new buildings. New ideas must use old buildings.

I am aware that I am very old now; but I am also aware that I have never been so young as I am now, in spirit, since I was fourteen and entertained Jim Wolf with the wasps. I am only able to perceive that I am old by a mental process; I am altogether unable to feel old in spirit. It is a pity, too, for my lapses from gravity must surely often be a reproach to me. When I am in the company of very young people I always feel that I am one of them, and they probably privately resent it.

Old ideas from an old man about an old vision of Europe.

I would love to take an old space and restore it to exactly the way I want it. Like an old factory, just something with great bones and lots of character. I'd take an old house and flip it into something very modern inside, or the other way around.

I'm always scouring the universe for great old instruments from the '50s and early '60s. That's really, for me, the golden age of basses, when they had just been invented within 10 years of that period and they had just started to come into their own, especially the old Fender jazz basses and old Rickenbackers and Gibsons. I'm always on the lookout. It's fun.

How evanescent those loves and friendships seem at this distance in time…We move on, make new attachments. We grow old. But sometimes, we hanker for old friendships, the old loves. Sometimes I wish I was young again. Or that I could travel back in time and pick up the threads. Absent so long, I may have stopped loving you, friends; but I will never stop loving the Day I loved you.

Old people, with other old people, are not so old.

Each part of life has its own pleasures. Each has its own abundant harvest, to be garnered in season. We may grow old in body, but we need never grow old in mind and spirit. No one is as old as to think he or she cannot live one more year.

Demographics show that we are entering a battle between young and old. I call it the 'Age War.' The young want to hang onto their money to grow their families, businesses, and wealth. The old want the tax and investment dollars of the young to sustain their old age.

The thing that keeps me going is that I love what I am doing. And I stay young because I don't hang around old people, if you hang around old people you are going to become old!

Spain is so different from the United States. It seemed to have a history, and the buildings are years and years and years old. Here in the United States an old building is about 17 (years old), and over there it's from 500 B.C., it's incredible.

I remind myself that the universe is 15 billion years old, and I'm only 46 years old, so my perspective is sort of limited and fear-based and skewed.

A certain critic -- for such men, I regret to say, do exist -- made the nasty remark about my last novel that it contained 'all the old Wodehouse characters under different names.' He has probably by now been eaten by bears, like the children who made mock of the prophet Elisha: but if he still survives he will not be able to make a similar charge against Summer Lightning. With my superior intelligence, I have out-generalled the man this time by putting in all the old Wodehouse characters under the same names. Pretty silly it will make him feel, I rather fancy.

As you're growing up, it's odd, because directors don't expect you to grow up. They think you'll be young forever, but as an actor, there is an awkward period when you're too young for old or too old for young, and it can be an odd time.

Old secrets are like old wounds; they fester.

That's definitely my goal, and always has been through the Universal Zulu Nation, is to show that music breaks down all that foolishness and can bring all types of people together, especially when you can mix it and shape it. That's the beauty of sampling: taking the old sound and recreating it and making something new, or bringing back the old sounds, mixed with some heavy grooves and beats, so people can remember. "Oh, I remember that, back in the day."

I always thought old age would be a writer’s best chance. Whenever I read the late work of Goethe or W. B. Yeats I had the impertinence to identify with it. Now, my memory’s gone, all the old fluency’s disappeared. I don’t write a single sentence without saying to myself, ‘It’s a lie!’ So I know I was right. It’s the best chance I’ve ever had.

In the late nineteenth and early twentieth centuries, old people in America had prayed, "Please God, don't let me look poor." In the year 2000, they prayed, "Please God, don't let me look old." Sexiness was equated with youth, and youth ruled. The most widespread age-related disease was not senility but juvenility.

If you have ever seen a four-year-old trying to lord it over a two-year-old, then you know what the basic problem of human nature is - and why government keeps growing larger and ever more intrusive.

I have compromised down the line. I've disliked it intensely in the old days when you were trying to talk race relations and they would not allow you to talk about the legitimacies of race relations. In the old days, you didn't talk about black, you talked about Eskimo or American Indian, and the American Indian was assumed not to be a problem area.

You must become an old man in good time if you wish to be an old man long.

Once I was looking through the kitchen window at dusk and I saw an old woman looking in. Suddenly the light changed and I realized that the old woman was myself. you see, it all happens on the outside; inside one doesn't change.

I turn 30 next month, and in my 20s, I've been in this limbo of being too old to play the young lead, and too young to play the 30, 35 - year - old. I've always had an older head on my shoulders because I've hung out with older people. I was in television shows with older actors, and when I was 15, 16, 17, I sat up in hotel lobby bars with older actors until the early hours of the morning hearing them tell stories. I've always been drawn to older characters and I've always struggled to get into the younger roles. It feels good to be finally getting to an age where I'm playing my age.

To me, when you got a 20-year-old running back or 21-year-old receiver that's just coming out of college and you're out working these guys, age really don't matter. So it's easy for me to see what it is. People say it's all about age, but to me, it's mind over matter.

The young cast that's coming in now, Dylan Sprayberry and Khylin Rhambo, they're great! Dylan Sprayberry came out to surf with me a couple of weeks ago and he's such a good kid and he's a kid! I mean he's 16 years old, and you forget the energy and the dynamics and the mindset of a real 16-year-old. It's just beautiful! It's limitless energy and just a whole different kettle of fish. I think that they're a great addition to the show.

We want Old Town Square to be a focal point for fun in Bandera, a place where locals can hold their special events and meetings, or just visit us for a relaxing dinner with friends on the patio. Likewise, tourists can use Old Town Square as a home base during their visit to Bandera. They can stay overnight and dine with us, but also explore all that Bandera has to offer. This was the place to come to. We want to make it that kind of place again.

All your female friends are either old or ugly; nay, more ugly than old women usually are. These you lead about in your train, and drag with you to feasts, porticos and theaters. Thus, Fabulla, you seem handsome, thus you seem young.

I know a lot more old drunks than old doctors.