Quotes About Old

An old market had stood there until I'd been about six years old, when the authorities had renamed it the Olde Market, destroyed it, and built a new market devoted to selling T-shirts and other objects with pictures of the old market. Meanwhile, the people who had operated the little stalls in the old market had gone elsewhere and set up a thing on the edge of town that was now called the New Market even though it was actually the old market.

Do you believe in God? Perhaps you aren't old enough. The reason old people believe in God is because they've given up believing in anything else, and one can't exist without faith in something.... God is a sort of burglar. As a young man you knock him down; as an old man, you try to conciliate him because he may knock you down. Moral: don't grow old.

April is the two-week-old kitten, the month-old lamb, the six-month-old heifer, the two-year-old girl. Too young to know it has either past or future, it wears the ribbon of the fleeting present as part of itself.

With the "old dog" stuff, maybe the term "old" is in there, but I'm 26. I'm not that old. It's mostly like, "Ah, you dirty old dog!" I'm saying it more like that. I'm still ripping. I'm ready to rip. I'll make a bunch more records and have a nice time. We'll see what happens.

People who teach you cram old ideas, old views, old ways, into you. Like covering plants with layer after layer of old earth; it's no wonder the poor things so rarely come up fresh and green.

In moments of spiritual crisis we naturally fall back upon what worked for us, or seemed to work, heretofore. Sometimes this shows up through the reassertion of our old values in belligerent, testy ways. Regression of any kind is just such a return to old presumptions, often after they have been shown to be insufficient for the complexity of larger questions. The virtue of the old presumptions is that they once worked, or seemed to work, and therein lies if not certainty, then nostalgia for a previous, presumptive security. In our private lives, we frequently fall back upon our old roles.

When I naturally write a story and I feel that the guy is sitting across the table from the girl and flirting with her... I think, 'God, that can't be me' because I'm just too old for that part. You need a 30-year-old or a 35-year-old for that part. And so I've given myself less and less roles.

Social Security is a government program with a constituency made up of the old, the near old and those who hope or fear to grow old. After 215 years of trying, we have finally discovered a special interest that includes 100 percent of the population. Now we can vote ourselves rich.

Here I am in the garden laughing an old woman with heavy breasts and a nicely mapped face how did this happen well that's who I wanted to be at last a woman in the old style sitting stout thighs apart under a big skirt grandchild sliding on off my lap a pleasant summer perspiration that's my old man across the yard he's talking to the meter reader he's telling him the world's sad story how electricity is oil or uranium and so forth I tell my grandson run over to your grandpa ask him to sit beside me for a minute I am suddenly exhausted by my desire to kiss his sweet explaining lips.

Be forewarned,' the vamp said, 'if I learn that there's anything romantic happening here, I'm sending him packing...less a few body parts.' Kylie's mouth dropped open. 'Romantic? Oh, please, he's old. He's as old as you.' Burnett's brow creased. 'Which is my point.' His frown deepened. 'Not that I'm *that* old.

You know how old I am? I'm so old, I remember when Letterman used to be funny and it was presidents who were serious. That's how old I am.

[God] arranged that the boy Samuel should be chosen but instead of teaching him directly He had him turn once or twice to an old man. This youngster, to whom He had granted a direct encounter with Himself, had nevertheless to go for instruction to someone who had offended God, and all because that person was an old man. He decided that Samuel was most worthy of a high calling and yet He made him submit to the guidance of an old man so that once summoned to a divine ministry he might learn humility and might himself become for all the young a model of deference.

Marla tells me how in the wild you don't see old animals because as soon as they age, animals die. If they get sick or slow down, something stronger kills them. Animals aren't meant to get old. Marla lies down on her bed and undoes the tie on her bathrobe, and says our culture has made death something wrong. Old animals should be an unnatural exception. Freaks.

Valancy herself had never quite relinquished a certain pitiful, shamed, little hope that Romance would come her way yet - never, until this wet, horrible morning, when she wakened to the fact that she was twenty-nine and unsought by any man. Ay, there lay the sting. Valancy did not mind so much being an old maid. After all, she thought, being an old maid couldn’t possibly be as dreadful as being married to an Uncle Wellignton or an Uncle Benjamin, or even an Uncle Herbert. What hurt her was that she had never had a chance to be anything but an old maid.

Whoever lives for poetry must read everything. How often has the light of a new idea sprung for me from a simple brochure! When one allows himself to be animated by new images, he discovers iridescence in the images of old books. Poetic ages unite in a living memory. The new age awakens the old. The old age comes to live again in the new. Poetry is never as unified as when it diversifies.

If you're gay, you're gay. It's my Dennis Miller theory of homosexuality shot through the movie "Boy and the Dolphin." If you're a 12-year-old boy and you're watching the movie "Boy and a Dolphin" and a 27-year-old Sofia Loren crawls up out of the Aegean Sea after sponge diving, she's standing there in the deck of the boat in a see-through gauze top, rivulets of water dripping off her torso onto the deck of the boat. If you're a 12-year-old boy and you're watching that and you still want to make it with the captain of the boat, you're gay. You can't fight that. So it is what it is.

The Old Ones were, the Old Ones are, and the Old Ones shall be. Not in the spaces we know, but between them. They walk serene and primal, undimensioned and to us unseen.

When anybody, no matter how old they are, loses a parent, I think it hurts the same as if you were only five years old, you know? I think all of us are always five years old in the presence and absence of our parents.

Cities need old buildings so badly it is probably impossible for vigorous streets and districts to grow without them.... for really new ideas of any kind--no matter how ultimately profitable or otherwise successful some of them might prove to be--there is no leeway for such chancy trial, error and experimentation in the high-overhead economy of new construction. Old ideas can sometimes use new buildings. New ideas must use old buildings.

Give people a taste of Old Crow, and tell them it's Old Crow. Then give them another taste of Old Crow, but tell them it's Jack Daniel's. Ask them which they prefer. They'll think the two drinks are quite different. They are tasting images

What I miss today more than anything else - I don't go to church as much anymore - but that old-time religion, that old singing, that old praying which I love so much. That is the great strength of my being, of my writing.

I love watching old movies anyway - I grew up with my mom watching old movies and being immersed in the history of old Hollywood.

I will never give in to old age until I become old. And I'm not old yet!

Old ideas from an old man about an old vision of Europe.

What does it mean for a civilisation to be a million years old? We have had radio telescopes and spaceships for a few decades; our technical civilisation is a few hundred years old ... an advanced civilisation millions of years old is as much beyond us as we are beyond a bushbaby or a macaque

We musn't forget old people with their rotten bodies, old people who are so close to death, something that young people don't want to think about. We musn't forget that our bodies decline, friends die, everyone forgets about us, and the end is solitude. Nor must we forget that these old people were young once, that a lifespan is pathetically short, that one day you're twenty and the next day you're eighty.

I'll start with where we are right now. The map that I'll use is this birthing process, this kind of profound transition that we're going through, where the old narratives, the old story, the old mythology is wearing thin, beginning to fall apart. And as it does so, people hold on to it even more tightly. They haven't let go and won't let go until it becomes simply impossible to hold on to it anymore. And we're nearing that time, but not yet. Right now you can still pretend everything's normal, even though it's greatly hollowed out.

I would have to say that in this sort of feminized atmosphere in which we exist today, guys who are masculine and muscular like that in their private conduct, kind of old fashion tough guys, run some risk.... This guy is very much an old fashioned masculine, muscular guy, and there are political risks associated with that. Maybe it shouldn’t be, but that’s how it is.

Memory offers up its gifts only when jogged by something in the present. It isn't a storehouse of fixed images and words, but a dynamic associative network in the brain that is never quiet and is subject to revision each time we retrieve an old picture or old words.

The first time I knew what I wanted to do with my life was when I was about four years old. I was listening to an old Victrola, playing a railroad song...I thought that was the most wonderful, amazing thing...That you could take this piece of wax and music would come out of that box. From that day on, I wanted to sing on the radio.

I have skipped from style to style from film to film, and I love doing that because it's given me the ability to free myself from the past. Perhaps one of the worst feelings that I can have is the feeling that I'm locked in, like a prisoner of myself, which is something we all feel at some point in our lives. So part of making those stylistic jumps is just to free myself up-to get away from the old or the old Oliver Stone.

Men are made uneasy; they flinch; they cannot bear the sudden light; a general restlessness supervenes; the face of society is disturbed, or perhaps convulsed; old interests and old beliefs have been destroyed before new ones have been created. These symptoms are the precursors of revolution; they have preceded all the great changes through which the world has passed.

Medical research has shown that when an 8 week old human foetus is pricked in the palm of his hand by a needle, he opens his mouth and pulls his hand away. There is also an increase in heart rate as a result. This shows that an 8 week old foetus can feel pain

Old secrets are like old wounds; they fester.

If someone says to you, Go to an old-folks home, thats kind of ridiculous, because a lot of old people are doing terrific things for society.

I'm thirty years old, but I read at the thirty-four-year-old level.

He who would pass his declining years with honor and comfort, should, when young, consider that he may one day become old, and remember when he is old, that he has once been young.

The thing about new things is you feel new when you buy them, you feel as though you are somebody different because you own something different. We are our possessions, you know. There are people who get addicted to buying new stuff. Things. Piles and piles of things. But the new things become old things so quickly. We need new things to replace the old things.

I think being from Iran sharpened my eye as an art dealer. This is why, today, I think the true definition of so-called postmodernism is the acceptance that we cannot go by old models any longer. The old models were based upon a single narrative of development that happened along a singular path. In the 20th century, you have electricity, you have transportation by plane, you have the telephone and all the various media that developed, you have a multiplicity of events and voices and creativities that are happening all around the world-and that multiplicity escalated after the war.

Pop stars are capable of growing old. Mick Jagger at 50 will be marvelous - a battered old roue - I can just see him. An aging rock star doesn't have to opt out life. When I'm 50, I'll prove it.

I just dress like... I'm an old black man. Sorry! Like I'm an old Jewish black man. I just dress like it's still the '50s.

They embrace them because they represent everything that America represents: money, power, and freedom. Why else would you see an old Ugandan woman respectfully listen to a 22-year-old white girl from America telling her what she should or shouldn't believe?

Mitchell Sanders was right. For the common soldier, at least, war has the feel-the spiritual texture-of a great ghostly fog, thick and permanent. There is no clarity. Everything swirls. The old rules are no longer binding, the old truths no longer true. Right spills over into wrong. Order blends into chaos, love into hate, ugliness into beauty, law into anarchy, civility into savagery. The vapors suck you in. You can't tell where you are, or why you're there, and the only certainty is overwhelming ambiguity.

A God out there and values out there, if they existed, would be utterly useless and unintelligible to us. There is nothing to be gained by nostalgia for the old objectivism, which was in any case used only to justify arrogance, tyranny, and cruelty. People [forget] ... how utterly hateful the old pre-humanitarianism world was.

Old places and old persons in their turn, when spirit dwells in them, have an intrinsic vitality of which youth is incapable, precisely, the balance and wisdom that come from long perspectives and broad foundations

I write most of my first drafts on an old manual typewriter, a really old one. It's a big black metal "Woodstock" from about 1920. I try to write everything down at once, in one sitting. The longer stories in this collection are divided up into sections. Each section represents a different sitting, a different idea for the same story.

Many who are convinced that God is non-violent simply dismiss the Old Testament accounts of God commanding or engaging in violence. I don't consider this to be a viable option, for Jesus treats the whole Old Testament as the inspired Word of God. My cross-centered interpretation of these violent portraits allows believers to affirm that God is non-violent while also affirming that all Scripture is "God-breathed.".

You feel like you're an outcast. You're the old man. I promise you, all the kids, none of them have beards. They all just have a little stubble on their face. The girls all look like middle schoolers. I just felt really old. It really reminded me how far removed from college I am.