Quotes About Old

I love everything that's old, - old friends, old times, old manners, old books, old wine.

Home. It's being new and old all rolled into one. Measuring your new against old friends, old ways, old places, Knowing that as long as the old survives, you can keep changing as much as you want without the nightmare of waking up to a total stranger.

Other people, including me, have written books with main characters who were old and rich. Or old and brilliant. Old sages, old wizards, old rich people.

Mainly horror movies and exploitation movies and a lot of stuff comes from those press books from those old movies. Lines out of old movies, comic books that we collect, all the old horror comics of the 50s, probably about the only comics that we collect are obscure horror comics, the real sick ones from the 50s. Some stuff comes from there but mainly just old records, old rockabilly records and that stuff, singles mainly, 45s.

If you're talking about mugging little old ladies, you don't say, 'What's our target for the rate of mugging little old ladies?' You say, 'Mugging little old ladies is bad, and we're going to try to eliminate it.' You recognize you might not be a hundred percent successful, but your goal is to eliminate the mugging of little old ladies. And I think we need to eventually come around to looking at carbon dioxide emissions the same way.

With the "old dog" stuff, maybe the term "old" is in there, but I'm 26. I'm not that old. It's mostly like, "Ah, you dirty old dog!" I'm saying it more like that. I'm still ripping. I'm ready to rip. I'll make a bunch more records and have a nice time. We'll see what happens.

If they embark on this course the difference between the old and the new education will be an important one. Where the old initiated, the new merely 'conditions'. The old dealt with its pupils as grown birds deal with young birds when they teach them to fly; the new deals with them more as the poultry-keeper deals with young birds- making them thus or thus for purposes of which the birds know nothing. In a word, the old was a kind of propagation-men transmitting manhood to men; the new is merely propaganda.

It was the 60th anniversary of 'Face the Nation.' During his interview, President Obama said, 'Our country doesn't fear the future. We grab it.' Nothing says you grab the future like going on a 60-year-old show hosted by a 77-year-old-man to speak to a 90-year-old audience.

In conversation the game is, to say something new with old words. And you shall observe a man of the people picking his way along, step by step, using every time an old boulder, yet never setting his foot on an old place.

Sometimes snakes can’t slough. They can’t burst their old skin. Then they go sick and die inside the old skin, and nobody ever sees the new pattern. It needs a real desperate recklessness to burst your old skin at last. You simply don’t care what happens to you, if you rip yourself in two, so long as you do get out.

You know how old I am? I'm so old, I remember when Letterman used to be funny and it was presidents who were serious. That's how old I am.

The Land of Faery, Where nobody gets old and godly and grave, Where nobody gets old and crafty and wise, Where nobody gets old and bitter of tongue.

I don’t have to do nothing you say, you old heifer cow. And you are old. Really, really old. And a cow, too. (Simi)

Longevity in my family's been pretty good. And my grandparents were pretty spry at their age, so I figured I'd probably stay skinny and fairly agile. I used to do old men all the time in sketches. And there used to be an organization called the Gray Panthers. And they would send me, oh, terrible letters about making fun of old people. And I would just always say, "I'm playing the old person I intend to become!"

A daughter of a King of Ireland, heard A voice singing on a May Eve like this, And followed half awake and half asleep, Until she came into the Land of Faery, Where nobody gets old and godly and grave, Where nobody gets old and crafty and wise, Where nobody gets old and bitter of tongue. And she is still there, busied with a dance Deep in the dewy shadow of a wood, Or where stars walk upon a mountain-top.

We might expect intelligent life and technological communities to have emerged in the universe billions of years ago. Given that human society is only a few thousand years old, and that human technological society is mere centuries old, the nature of a community with millions or even billions of years of technological and social progress cannot even be imagined. ... What would we make of a billion-year-old technological community?

As I approve of a youth that has something of the old man in him, so I am no less pleased with an old man that has something of the youth. He that follows this rule may be old in body, but can never be so in mind.

A second Homeland Security official has been arrested, a 49-year-old guy named Frank Figueroa, he was caught exposing and fondling himself to a teenage girl in a shopping mall in Florida. Do you realize? If Osama bin Laden was a 14-year old girl, we would have had him by now. ... Who is going to start protecting us from the Department of Homeland Security? ... It kind of makes you long for the good old wholesome days of the Clinton administration.

Believe me, I know all about bottle acoustics. I spent much of the sixth century in an old sesame oil jar, corked with wax, bobbing about in the Red Sea. No one heard my hollers. In the end an old fisherman set me free, by which time I was desperate enough to grant him several wishes. I erupted out in the form of a smoking giant, did a few lightning bolts, and bent to ask him his desire. Poor old boy had dropped dead of a heart attack. There should be a moral there, but for the life of me I can't see one.

I love watching old movies anyway - I grew up with my mom watching old movies and being immersed in the history of old Hollywood.

I think whatever we've done as a band at The Clientele, we've done because it's so natural. Our "old" sound isn't really like any actual bands from old times. We take elements of past music styles and past sounds as a way to... this is going to sound very pretentious and perhaps overly thought-out, but as a way to strike chords of vague nostalgia, and strike chords of, "I've heard this before somewhere." That's what a lot of our music is about in terms of the words and ideas behind it, so we really use old sounds as a way to serve that agenda.

You know, where I come from, an antique, to be called an antique, it has to be at least a hundred years old. That's a law: before you can call something an antique, it has to be a hundred years old. In L.A., something that's been around for a couple of weeks is an antique. It's true! People are like, Look at this old-fashioned iPod. Look at this! It's the size of a man's hand! Ha ha ha ha. Back then-back then, people thought Mel Gibson was just acting crazy. It was a very different time.

If old consumers were assumed to be passive, then new consumers are active. If old consumers were predictable and stayed where you told them, then new consumers are migratory, showing a declining loyalty to networks or media. If old consumers were isolated individuals, then new consumers are more socially connected. If the work of media consumers was once silent and invisible, then new consumers are now noisy and public.

Each part of life has its own pleasures. Each has its own abundant harvest, to be garnered in season. We may grow old in body, but we need never grow old in mind and spirit. No one is as old as to think he or she cannot live one more year.

When people are dying, they call their old enemies and try to forgive them and try to be forgiven by them. They call their old friends and affirm their love for them, as well as detach themselves from them, and they try to get into as free a space as they can so they're really ready to go. They give away all their possessions and are as generous as possible. They give up old hatreds and grudges, and that's a wise intuitive thing, because it's much freer to live like that.

More than anything, I wanted to make sure that everybody was a pusher of difference. And they had to be able to do it in a communicative way, not esoterically. Because there are a lot of people who push things forward but sometimes only you and two people out of 500 in the room get it, but you want somebody who has mastered their craft so well that an 8-year-old gets it just like an 80-year-old gets it. They get the same visceral feeling.

The life of a thinking man will probably be divided into two parts -- the first in which he desires to exterminate modern thinkers, and the second in which he desires to watch them exterminating each other. ... Suppose, for instance, there is an old story and a new skeptic who is skeptical of the story. We have only to wait a little while for a yet newer skeptic who is skeptical of the skeptic. He will probably find the old notion actually a help in his new notion. This process is an abstract truth applying to anything, apart from agreement or disagreement.

My advice is this. For Christ's sake, don't write a book that is suitable for a kid of 12 years old, because the kids who read who are 12 years old are reading books for adults. I read all of the James Bond books when I was about 11, which was approximately the right time to read James Bond books.

When we are young, we are slavishly employed in procuring something whereby we may live comfortably when we grow old; and when we are old, we perceive it is too late to live as we proposed.

I was raised in bars. My grandmother had one, and when I was 12 years old I'd go stay with her and that's where I got to watch her band play -- she had a seven or eight-piece band, and I would sit in the kitchen and peek through the door. I was kind of a 12-year-old bottle washer.

Age to me means nothing. I can't get old; I'm working. I was old when I was twenty-one and out of work. As long as you're working, you stay young. When I'm in front of an audience, all that love and vitality sweeps over me and I forget my age.

Old men, for the most part, are like old chronicles that give you dull but true accounts of times past, and are worth knowing only on that score.

I started acting when I was five years old. I found it randomly, through listening to my brother study monologues. I auditorally started memorizing them for no reason, and started repeating them to anyone who would listen to me. And then, I begged my mom to let me do whatever that meant because I couldn't put into words exactly what that meant. It just meant me happy. And then, when I was 11 years old, I realized what I was doing and I looked to my mom and said, "Can I make this something I can do for the rest of my life?" She was like, "Yeah, sure, if you want to." And I was like, "Okay, great! I think I might want to do this forever."

If you have ever seen a four-year-old trying to lord it over a two-year-old, then you know what the basic problem of human nature is - and why government keeps growing larger and ever more intrusive.

I have compromised down the line. I've disliked it intensely in the old days when you were trying to talk race relations and they would not allow you to talk about the legitimacies of race relations. In the old days, you didn't talk about black, you talked about Eskimo or American Indian, and the American Indian was assumed not to be a problem area.

You must become an old man in good time if you wish to be an old man long.

I'm thirty years old, but I read at the thirty-four-year-old level.

I have a 10 year old boy and a 6 year old boy and the stuff that they watch, it's always... I mean, it could be because we're a funny family, but they love the humor and combining humor with space action, I mean, you know, there's a winner right there.

The whole of life is a journey toward youthful old age, toward self-contemplation, love, gaiety, and, in a fundamental sense, the most gratifying time of our lives. . . . "Old age" should be a harvest time when the riches of life are reaped and enjoyed, while it continues to be a special period for self-development and expansion.

From Mount Hollywood, Los Angeles looks rather nice, enveloped in a haze of changing colors. Actually, and in spite of all the healthful sunshine and ocean breezes, it is a bad place - full of old, dying people, who were born old of tired pioneer parents, victims of America - full of curious wild and poisonous growths, decadent religious cults and fake science, and wildcat enterprises, which, with their aim for quick profit, are doomed to collapse and drag down multitudes of people.

I was raised to believe that you had to do things better than white people in order to succeed. The old black shows were better than the white shows. "The Jeffersons" (1975) was a lot better. "Good Times" (1974) was way funnier. "Sanford and Son" (1972). Now, though, everyone thinks we're equal, so we submit the same shit that everyone else submits. And then we get mad when they won't air it. You got to go back to the old attitude of it has to be twice as good.

I know these will become old stories someday and our pictures will become old photographs and we'll all become somebody's Mom or Dad, but right now, these moments are not stories. This is happening and I'm here.

When old companions, old lusts, and sins crowd in upon you, and when you feel that you are ready to sink, what can save you, sinking sinner ? This alone - I have a high priest in heaven, and he can support in the hour of affliction. This alone can give you peace-I have a high priest in heaven. When you are dying - when friends can do you no good - when sins rise up like spectres around your bed - what can give you peace ? This - "I have a high priest in heaven"

A man doesn't grow old because he has lived a certain number of years. A man grows old when he deserts his ideal. The years may wrinkle his skin, but deserting his ideal wrinkles his soul.

I know a lot more old drunks than old doctors.

Whatever poet, orator, or sage may say of it, old age is still old age.

I write most of my first drafts on an old manual typewriter, a really old one. It's a big black metal "Woodstock" from about 1920. I try to write everything down at once, in one sitting. The longer stories in this collection are divided up into sections. Each section represents a different sitting, a different idea for the same story.

Many who are convinced that God is non-violent simply dismiss the Old Testament accounts of God commanding or engaging in violence. I don't consider this to be a viable option, for Jesus treats the whole Old Testament as the inspired Word of God. My cross-centered interpretation of these violent portraits allows believers to affirm that God is non-violent while also affirming that all Scripture is "God-breathed.".