Quotes About Play

I'm not saying that what the radio plays isn't good. My issue is with what they don't play. You can play Jay-Z, but why don't you play Jurassic 5? You can play Nas and Nelly, but why don't you play J-Live? I want to open up the door to how it was back in the day.

You don't play boxing. You really don't. You play golf, you play tennis, but you don't play boxing.

All you gotta do is think of the song in your head. And it doesn't matter whether you can play it or not, you can get somebody to play it. With songs I've written, there's a song called "The Statue", which I can't play. There are songs that I've written that I've actually just hummed on - there's a song on one of the albums they have there on the Internet called "My Love Was True" and it's almost operatic. I can't play it. But I can sing it.

When I was a child I had a dream to become a football player. I always played as I played when I was a child. I tried to improve. I never dreamt of becoming a professional football player, I dreamed just to play with the best players in the best team. I never dreamed to be paid to play. I would have paid to play an FA Cup Final in front of 80,000 people in Wembley. I just tried to play the wonderful game that football is. So, I hope young players will still have this dream.

I see myself as no color. I can play the role of a man. I can paint my face white if I want to and play the role of white. I can play a green, I can be a purple. I think I have that kind of frame and that kind of attitude where I can play an animal. If you think in color, then everyone around you is going to think in color and that puts limits on the way you think. I don't think like that. A lot of the roles that I'm doing are roles that a man or a person of any color can do.

Bourbon Street is like playing, a tourist, you know? It's just a tourist attraction ... those musicians on Bourbon Street, they play all day. They might start at 12 noon and end at 3 in the morning, like, it's like sets, like a job. You go play, take a break, play again, take a break, then later on that night, the club gets busier, then you play some more. There's pride. They're a group of great musicians- and they're holding it down.

Play Therapy is based upon the fact that play is the child's natural medium of self-expression. It is an opportunity which is given to the child to 'play out' his feelings and problems just as, in certain types of adult therapy, an individual 'talks out' his difficulties.

If I don't channel pain into a song, I play my guitar or play the piano or play my drums, or go swimming.

When I started off as an actress, I did at a play at the Taper Too Theatre here in Los Angeles, called 'In The Abyss Of Coney Island.' That was more of a dramatic play. It was a small theater house. This was the first time I was literally on the road, doing a play, for four months.

Did you know, throughout the cosmos they found intelligent life forms that play to play? We are the only ones that play to win. Explains why we have more than our share of losers.

You cannot play with the animal in you without becoming wholly animal, play with falsehood without forfeiting your right to truth, play with cruelty without losing your sensitivity of mind. He who wants to keep his garden tidy does not reserve a plot for weeds

[John Coltrane] liked my qualities as a person and that's the reason why he let me play with him. It wasn't what I was doing musically or my instrument or anything like that. He let me play whatever I wanted to play.

The Ramones couldn't play in my key. They couldn't switch keys, so Ed Stasium literally had to play all the instruments for my version of "Rock 'N' Roll High School," and I always thought that was so weird, because it's not the Ramones playing. It's the producer, who happened to just be a musician and could play everything.

If you play an instrument, it makes you a better singer. The more you play, the better you sing, the more you sing, the better you play.

I went to a Jesuit school and they did a William Shakespeare play every year. I got to know Shakespeare as parts I wanted to play. I missed out on playing Ophelia - it was an all-boys school. The younger boys used to play the girls, I played Lady Anne in Richard III and Lady Macbeth, then Richard II and Malvolio. I just became a complete Shakespeare nut, really.

I discover that I am thinking about a play, which is the first awareness I have that a new play is forming. When I'm aware of the play forming in my head, it's already at a certain degree in development.

What I enjoy about the live experience is getting onstage, being handed a guitar that is in tune, taking it off mute, knowing that the very moment I want to play a note, I can play it. People are waiting on me and I'm waiting on me, and I have no idea what I'm going to play. That's the biggest joy in life.

Ladies like improv stilts, and I think men like improv giant cocks. But one of the great things about improv is that you get to play some roles you'd never get to play otherwise, you know, like the old Italian pizza-maker who's passing on the business down to his son. You get to play it all when you improvise.

Never play for the win, never play for the draw, just play chess!

The longer you play, the more you realize that you can't lose focus for one play or two plays or an entire drive. Those things are the difference between wins and losses. You have to figure out how to refocus after a bad play or how to stay focused when you're up in a game. Those are things you learn from experience in playing this position. I've learned a ton of ways and have different triggers for how to regain my focus if I've lost it.

Work hard...have fun...be nice...play fair...dream big. We only get one chance at this life. If you're going to play this game, play it to win.

Children need the freedom and time to play. Play is not a luxury; the time spent engaged in it is not time that could be better spent in more formal educational pursuits. Play is a necessity.

The title's so upfront. It gives fair warning about the play's content. I'm writing about a kind of disenchantment, an anger, but quite a cool 90's anger, at a time when we're not very good at openly being angry. . . . I don't think I ever thought the title was titillating. I thought it was incredibly catchy. If the play is about the reduction in human relations down to a consumerist rationale, then thematically, the title is entirely linked into the thesis of the play.

We don't play slow and we don't play fast, we play half fast

Brian is an archetypal character, a bit like Don Juan, which is how I play him. He's a blast to play. He believes unapologetically in his freedom. He holds nothing back. Something I'm learning is, you can't hate the character you play. If I think my character is an asshole, that's all that will come across. He is drawn in an extreme way, but that doesn't mean he's not a person.

There aren't any songs that I would call impossible to play live, but some are difficult. A lot of Queensryche songs are difficult to play live. It's quite a difficult question to answer because everybody (In the band) has their own opinion of what's difficult to play.

When I first met Benny Goodman he wouldn't talk about anything but clarinets, mouthpieces, reeds, etc. When I tried to change the subject, he said 'But that's what we have in common. We both play clarinet.' I said, 'No, Benny, that's where we're different. You play clarinet, I play music.'

And the other was this: the doctor did want to take off my leg because he thought it was necessary. But you must remember boys in those days were raised for two things: work, and then they made their play; and if you couldn't play baseball and box and play football, why, your life was ended. That was in our boyish minds.

Performers should realize they not only have to prepare themselves for concert purposes as far as memorizing their programs goes, but for the business of just walking out before the people …. It is important to play before an imaginary audience too. Before I play in public I very often play a program three or four times as though I were seated before a actual audience.

What kind of role do you play after someone like Stringer, you know what I mean? You play another gangster. What’s the point of that? I’ve played the gangster. I try to keep it really varied; it just makes for more of a fun and interesting career.

Play: It is an an activity which proceeds within certain limits of time and space, in a visible order, according to rules freely accepted, and outside the sphere of necessity or material utility. The play-mood is one of rapture and enthusiasm, and is sacred or festive in accordance with the occasion. A feeling of exaltation and tension accompanies the action.

You have to always keep conditioning. My coach used to say, "You play like you practice." If you practice s - -ty, you're going to play s - -ty.

When actresses play actresses, or actors play actors, they have to find another level.

It actually took me a year to learn how to play running back - to understand what they were doing defensively and then what our guys were doing every single play.

The physical exercise and emotional stretching that children enjoy in unorganized play is more varied and less time-bound than is found in organized sports. Playtime—especially unstructured, imaginative, exploratory play—is increasingly recognized as an essential component of wholesome child development.

Jimmy Page is an excellent producer. Led Zeppelin I and II are classics. As a player he's very good in the studio, but I've never seen him play well live. He's sloppy. He plays like he's got a broken hand and he's two years old. If you put out a good album and play like a two year old, what's the purpose?

I'll always be figuring out what parts I want to play, because I want to play all parts. I'm a very hungry actress.

Here’s the life lesson I’ve learned, Fifi: Some people are born to play the hero, and some are born to play the bad guy. Fighting your destiny only makes life harder than it needs to be. Besides, people remember the villain long after they’ve forgotten the hero.

I don't play favorites with people. My basic philosophy is that the only way to make the world a better place is by bringing something beautiful to every single person you run into at every moment of the day, so how can you play favorites with somebody?

I don't want to restrict the life of a play to a particular production. The original actors might leave after the first six months, and I want the play to last 30 or 40 years. You write for the character, not the actor on the stage.

I don't care who I play to, as long as they enjoy listening to what I play.

There's Pele the man, and then Pele the player. And to play like Pele is to play like God.

Waiting for Godot has achieved a theoretical impossibility — a play in which nothing happens, that yet keeps the audience glued to their seats. What's more, since the second act is a subtly different reprise of the first, he has written a play in which nothing happens, twice.

If you are armed with knowledge, if you are aware that certain dynamics are at play then you have options. You can play defense, you can ignore certain person and take the consequences perhaps with a game plan in mind and it goes on, you've increased your options.

Men play harder than they work; women work harder than they play.

I did a play I think my first six months on the show, called Bullpen. Then I got involved with Theater Forty and did this play called Plastic which is about two male models coming to a casting call.

If you play jazz, then you play with your fingers. If you're playing rock, you use a pick. There's really no rhyme or reason to that other than that's just the way it has been.

I have learned that in a long life we all eventually play the part of the betrayed, and we all eventually play the part of the betrayer, and neither is pleasant because both roles involve pain, inflicting or absorbing it.