Quotes About Play

It has been our experience that if a young man decides to go on a mission, he can not only play well when he returns, he will often play better. If an athlete could play well before he went on a mission, he will definitely play well when he returns; and, if an athlete could not play well before his mission, he probably won't play well when he returns. However, his chances of playing well are perhaps better if he goes because he will return with . . . better work habits, and a better knowledge of what it takes to be successful.

We have the freedom to either play a tempo or not to play a tempo; to play a note or not to play a note; or to play what some people would say is a sound.

The problem with a lot of comedy clubs is not that they are a comedy club; it's just the cheesy way they're presenting themselves. That's why a lot of people have a problem with them. If you're a relatively unknown comedian, you can play at a comedy club, you might play to hundreds of people every night. But if you try to make a concert event out of it, and try to play a rock club or something, where you might play to 10 people or no people. And the flipside of that is, that's also a great thing, to play to people who are your fans. Some people are too hard on the comedy clubs.

When I was a child I had a dream to become a football player. I always played as I played when I was a child. I tried to improve. I never dreamt of becoming a professional football player, I dreamed just to play with the best players in the best team. I never dreamed to be paid to play. I would have paid to play an FA Cup Final in front of 80,000 people in Wembley. I just tried to play the wonderful game that football is. So, I hope young players will still have this dream.

I find it's very confusing when one critic tells you one thing and one tells you something completely different. Unless all the critics agree on parts of the play that just didn't work. I have stopped reading reviews, because I find writing is all about courage. You must have courage when you start writing a play and you cannot have the voice - you must write things out. You cannot have the voice of a critic telling you, "That didn't work in that play, you cannot make it work in another play." Every time you do a production, it's an experimentation.

I didn't want to play a lawyer. I didn't want to play a doctor. I didn't want to play a single dad. I wanted to do something I felt I could learn from, something that would be a challenge and something that would not dry up.

My number one tip is always to play tight. From my experience, most new players play about 80% of the hands they are dealt in Texas Hold 'em. In fact, the reverse should be the case: they should only play about 20% of them!

You can't outwit fate by standing on the sidelines placing little sidebets about the outcome of life. either you wade in and risk everything you have to play the game or you don't play at all. and if u don't play u can't win.

Just the desire to play a mom, wanting to play someone actually closer to who I am and where I am in my life. People are used to seeing me play the single, hot girl, which has been fun, but at the same time, this role is more akin to my natural proclivities.

I long to play a judge. I long to play a lesbian woman. I long to play a councilman, someone with some chutzpah.

My mind was always set on joining Manchester United. How can you not go to United? I don’t play for money. I play for glory and winning championships. I’m happy here. I hear people complain about the weather, there’s nothing to do and the food. But, for me, it’s not like that. I play for a club I love, the biggest club, and everything else doesn’t matter.

Children do not play because they learn; They play because they play.

My father would say, 'Play a scale,' and I'd play one and he'd say, 'What about the rest? There must be one above,' so we'd figure them out. I'd start the scale on the root of the chord and I'd go as far as my hand would reach without going out of position, say, five frets, and then I'd go all the way back. So when ! practised I'd start right away on scales. As well as the usual ones, I'd play whole tone scales, diminished, dominant sevenths, and chromatic scales. Every chord form, all the way up, and this took an hour.

See, if you put a musician in a place where he has to do something different from what he does all the time, then he can do that - but he's got to think differently in order to do it. He's got to play above what he knows - far above it. I've always told the musicians in my band to play what they know and then play above that. Because then anything can happen, and that's where great art and music happens.

I certainly play people on the edge quite a lot. I am interested in what makes people odd and what makes them different. In life I try to play the edges. I have a horror of the herd. There are many, many different sorts of people. A lot of people are fairly uninteresting. I want to play the interesting ones. The villains are always more interesting to portray. Shakespeare knew that.

The approach to acting is always the same, you try to figure who the guy is and then you try to transition your way into his way of thinking and moving through the world. The rest of it is just accoutrements, you don't play the makeup, you play the guy. If you're not wearing makeup, you just play the guy.

You play, you win, you play, you lose. You play. It’s the playing that’s irresistible. Dicing from one year to the next with the things you love, what you risk reveals what you value.

I play the baritone horn - which is like a mini tuba, and is the least sexy instrument you can choose and I generally say I don’t play one so I don’t have to acknowledge it. I also play fife.

Play is often talked about as if it were a relief from serious learning. But for children play is serious learning. Play is really the work of childhood.

We play melodic music, we play songs, we play all kinds of things and when you improvise you don't just shut out different languages, you use all the languages that you have.

There aren't any songs that I would call impossible to play live, but some are difficult. A lot of Queensryche songs are difficult to play live. It's quite a difficult question to answer because everybody (In the band) has their own opinion of what's difficult to play.

It's like kids playing house: 'You play the father, I'll play the mother.' You know, you dress up, you play, they pay, you go home. It's a game - acting's a game.

And the other was this: the doctor did want to take off my leg because he thought it was necessary. But you must remember boys in those days were raised for two things: work, and then they made their play; and if you couldn't play baseball and box and play football, why, your life was ended. That was in our boyish minds.

... We have quite a large area, and that makes it more fun for us - certainly more satisfying, because it doesn't restrict us to one particular idea or one particular style. The result, I think, is pretty interesting ... we don't expect to make a fortune at it or ever be popular or famous or worshipped or hit The Ed Sullivan Show or the circuses or the big top. As long as we can play, we'll play, regardless of what it's for, who it's for or anything. It's fun for us - that's the important thing.

Our goal is not to win. It's to play together and play hard. Then, winning takes care of itself.

I can play in the 11 positions because a good player can play anywhere on the pitch.

I love my family but my family - they're the type of people that never let you forget anything you ever did... I was in the first grade Christmas play - I'm playing Mary. Now, during the course of the play, I dropped the baby Jesus... They still talk about this. I go to my family reunion, and one of my cousins just had a baby. So I'm like, 'Oh, that's a cute little baby. Let me hold the baby...' And my aunt runs over, 'Don't you give her that baby! You know she dropped the baby Jesus!'

I love Doctor Who and I remember the first one, which was wonderful in its low-tech quality. I also loved the theme song, which sounded like The Cure to me. Which character would I like to play in Doctor Who? Who's the bad guy? The Dalek? OK, I'll play him.

Physically I feel pretty good; that's the main key, is just making sure your body is ready to play every night since you play so many games and I feel like I'm there.

That's one thing you learn as a quarterback: focus. The better you are at focusing and the more you can continue to stay focused for a four-hour stage and really be zeroed in on what is happening, the better you play, the longer you play.

I am not that far away from becoming the No. 1 player in the world. I am only around 1,000 points away from achieving it. The key will be whether I can play better and more consistently on hard courts. If I continue to play well in the European clay court season and then take that form to the hardcourts in the United Sates, I could finish the year as the world No. 1.

I suppose, writing a play is finding out what the play is.

It's how I learned to play guitar - sitting with Led Zeppelin and Cheap Trick records, backing the needle up and learning how to play along. When the band started, by doing something that was very obvious to us and sort of traditional, it set us apart at the time from what was happening musically.

I play an 89-year-old man whose wife has Alzheimer's in a movie called 'Still.' I play a World War II veteran, I acted with my son and it's called 'Memorial Day.'

When I took drum lessons as a kid the teacher would always ask me if I practiced, and I'd be like 'nope' and he'd be like: "Well you're not going to be able to play the beat." So I would ask him to show me, and he'd show me and I'd be able to hear it and play it, so I've always not really been good at reading things.

A play is a parenthesis that contains all the material you think has to be contained for the action of the play. Where do you end that? Where the characters seem to come to a pause... where they seem to want to stop - rather like, I would think, the construction of a piece of music.

Waiting for Godot has achieved a theoretical impossibility — a play in which nothing happens, that yet keeps the audience glued to their seats. What's more, since the second act is a subtly different reprise of the first, he has written a play in which nothing happens, twice.

You know, I think when I reflect on it, I think there's certainly a sense of history. When you have ambitions to play this game, you want to be one of the best ever, and you want to play so well and be so effective that you want people to remember your name 100 years from now.

It is play and only play that makes man complete.

Commerce is a game of skill which everyone cannot play and few can play well.

But we go out as a band because we enjoy each others company, first of all. And its the payoff for me, to go out and play my art and still play guitar, which is my life.

You know that one don't play music just for the hours to pass. But you play music because you are in love with music and luckily if it happens that people like what I'm proposing, then I'm happy. Although music is business, yet you don't start thinking about money from the initial stages when you are in music. First propose to the people what they want and if they like it, then the money comes later.

I know some things when I start. I know, let's say, that the play is going to be a 1970s or a 1930s play, and it's going to be about a piano, but that's it. I slowly discover who the characters are as I go along.

I'd rather play with 10 people and just get penalized all the way until we have to do something else rather than play with 11 when I know that right now that person is not sold out to be a part of this team.

I could call my wandering thoughts together. I had hardly any patience with the serious work of life which, now that it stood between me and my desire, seemed to me child's play, ugly monotonous child's play.

Actors are different. Some actors play themselves very successfully, but I come from the theater. Having done Shakespeare, we sometimes did three or four characters in the same play.

It was a lot of fun to play a character [in Swiss Army Man] with no inhibitions, and with no knowledge of the world, and who comes into the world kind of like a blank slate. It means there's no template or blueprint for how you need to play certain scenes.

"The Fever" is a one-person play. I decided I would perform it myself, and I decided I would not perform it in theaters, because the character in the play says certain things that I meant.