Quotes About Poets

The problem with describing poets as legislators is that at that level of politics - politics as political invention - poets have no special skills and are not apt to.

I think that what's happening today, with all the young poets rushing from one college to another, lecturing at the drop of a hat and so on, is not too good; I think it might have a bad effect on a great many of the young poets. They - to quote Mark Twain - "swap juices" a little too much, so that they are in danger of losing their own identity and don't give themselves time enough in which to work out what's really of importance to them - they're too busy.

In general, I find that poets spend a lot of time thinking about themselves, and not a lot of time thinking about other poets, or other poetry. Unless they think about how it affects them, or how it could impact them.

Immature poets imitate; mature poets steal.

Someone in Ireland asked me how many Republican poets there were in the U.S., and I thought maybe two. Maybe there are 10,000 poets, and maybe there are two Republicans among them.

Poets are the hierophants of an unapprehended inspiration; the mirrors of the gigantic shadows which futurity casts upon the present; the words which express what they understand not; the trumpets which sing to battle, and feel not what they inspire; the influence which is moved not, but moves. Poets are the unacknowledged legislators of the world.

I see that you believe in love such as the poets and romancers have represented... The poets represent love as the sculptors design beauty, as the musicians create melody; that is to say, endowed with an exquisite nervous organization, they gather up with discerning ardor the purest elements of life, the most beautiful lines of matter, and the most harmonious voices of nature.... To try to find in real life such love as this, eternal and absolute, is the same thing as to seek on the public squares such a woman as Venus or to expect nightingales to sing the symphonies of Beethoven.

I definitely have favorite books by favorite poets, but poets' books also vary. I could like some books, but not like another book.

When poets die, other poets take it personally, almost as an affront. A lot of us "left behind" are thinking that poetry is the one thing keeping us alive and present, so what does it mean when one of our ranks chooses to end his or her life? There's an anger beneath the grief, you know? That anger and grief, in turn, breeds other poems from those of us left behind.

Of course, a psychologist would find it more direct to study the inspired poet. He would make concrete studies of inspiration in individual geniuses. But for all that, would he experience the phenomena of inspiration? His human documentation gathered from inspired poets could hardly be related, except from the exterior, in an ideal of objective observations. Comparison of inspired poets would soon make us lose sight of inspiration.

A poet once said, "The whole universe is in a glass of wine." We will probably never know in what sense he meant that, for poets do not write to be understood... How vivid is the claret, pressing its existence into the consciousness that watches it! If our small minds, for some convenience, divide this glass of wine, this universe, into parts - physics, biology, geology, astronomy, psychology, and so on - remember that nature does not know it! So let us put it all back together, not forgetting ultimately what it is for. Let it give us one more final pleasure: drink it and forget it all!

There are no mute, inglorious Miltons, save in the hallucinations of poets. The one sound test of a Milton is that he functions as a Milton.

Just as we don't spend a lot of time worrying about how all those poets out there are going to monetize their poetry, the same is true for most bloggers.

A Shakespeare could have arisen only on English soil. In the same way, your great dramatists and poets express the nature and essence of the Norwegian people, but they also express that which is universally valid for all mankind.

Be yourself. Don't imitate other poets. You are as important as they are.

Poets use metaphors and symbolism to construct images. I construct my images in the same way, except that I am using a different form.

Poetry, even that of the loftiest, and seemingly, that of the wildest odes, [has] a logic of its own as severe as that of science; and more difficult, because more subtle, more complex, and dependent on more and more fugitive causes. In the truly great poets... there is a reason assignable, not only for every word, but for the position of every word.

If I were a teacher, I would like to teach freshman English - so I could be the Robin Williams type in Dead Poets Society. I wanna be that guy. I couldn't teach seniors because they'd be smarter than me.

Poets in our civilization, as it exists at present, must be difficult...The poet must become more and more comprehensive, more allusive, more indirect, in order to force, to dislocate if necessary, language into its meaning.

I know that in some ways I operate from a kind of antiquated interest in imagery, while many contemporary poets are not so interested in imagery. I think part of it is my training, and just my visual sense of things.

Horace, when he wrote the Ars Poetica, recommended that poets keep their poems home for ten years; don't let them go, don't publish them until you have kept them around for ten years: by that time, they ought to stop moving on you; by that time, you ought to have them right.

In the end, time is the best ally of poets. It clarifies their works and makes them accessible to an ever widening circle of readers.

Some people are suspicious of others who have more than one talent. I've had poets tell me to my face that an actress can't be a poet.

Of what violences, murders, depredations, have not the epic poets, from all antiquity, been the occasion, by propagating false honor, false glory, and false religion?

The great philosophers are poets who believe in the reality of their poems.

And mighty poets in their misery dead.

Virtue is as little to be acquired by learning as genius; nay, the idea is barren, and is only to be employed as an instrument, in the same way as genius in respect to art. It would be as foolish to expect that our moral and ethical systems would turn out virtuous, noble, and holy beings, as that our aesthetic systems would produce poets, painters, and musicians.

Drew Dellinger is one of the most creative, courageous and prophetic poets of his generation. I love his spirit. Don't miss him!

People were usually much better in their letters than in reality. They were much like poets in this way.

It's just that very few poets disturb the peace to any degree.

I fell in love. It felt exactly like a fall, a head-over-heels tumble into a state of unbearable lightness. The earth tilted on its axis. I did not believe in romantic love at the time, thinking it a human construct, an invention of fourteenth century Italian poets. I was as unprepared for love as I had been for goodness and beauty. Suddenly, my heart seemed swollen, too large for my chest.

I don’t worry anymore about writing. There are times that I go through dry periods. I never go through a block. I’m always writing, but there are times where I’m just not on my game, and I’ll use that time to read some new poets, go see some art, walk down to the river and just stare at it, or have a conversation with my sister, or whatever—do whatever it is that I do in my life, hoping that I’ll get filled up enough. And something will happen, some juggling will happen and boom.

The noblest art is the nude. This truth is recognized by all, and followed by painters, sculptors and poets. Only the dancer has forgotten it, who should remember it, as the instrument of [the dance] art is the human body itself.

There was nothing to do but wait. It is always like this for naturalists, and for poets--the long hours of travel and preparation, and then the longer hours of waiting. All for that one electric, pulse-revving vision when the universe suddenly declares itself.

Men of great talents, whether poets or historians, seldom escape the attacks of those who, without ever favoring the world with any production of their own, take delight in criticising the works of others.

It is hard to compare cultures without overgeneralizing, but I think a lot of American poetry has an assertiveness - an upbeat quality - that's less typical of Canadian poetry. Of course there are poets in both countries to whom that generalization does not apply. Speaking broadly, I'd describe Canadians as being a bit more reserved than Americans. Not less opinionated - just less direct.

Why are poets so apt to choose their mates, not for any similarity of poetic endowment, but for qualities which might make the happiness of the rudest handicraftsman as well as that of the ideal craftsman of the spirit? Because, probably, at his highest elevation, the poet needs no human intercourse; but he finds it dreary to descend, and be a stranger.

I took to wearing a black tie known as the Ascot, with long drooping ends. I had seen pictures of painters, sculptors, poets, wearing this style of tie.

The South produced statesmen and soldiers, planters and doctors, lawyers and poets, but certainly not engineers or mechanics. Let the Yankees adopt such low callings.

In dreams we are true poets; we create the persons of the drama; we give them appropriate figures faces, costumes; they are perfect in their organs, attitudes, manners; moreover they speak after their own characters, not ours; and we listen with surprise to what they say.

if you think it so easy to be a critic, so difficult to be a poet or a painter or film experimenter, may I suggest you try both? You may discover why there are so few critics, so many poets.

Rumi is perhaps the greatest mystical poet who ever lived, one of the greatest poets of the Persian language. He was able to express practically all aspects of the spiritual life and our existential situation in the world today as human beings in beautiful Persian poetry.

Most poets in their youth begin in adolescent sadness. I find it more rewarding to end in gladness.

Like many modern poets, I tend to conceal rhymes by placing them in the middle of lines, and to avoid immediate alliteration and assonance in favor of echoes placed later in the poems.

I was reading Emily Dickinson and Edwin Arlington Robinson, but these weren't the poets that influenced me. I think Gwendolyn Brooks influenced me because she wrote about Chicago, and she wrote about poor people. And she influenced me in my life by giving me a blurb. I would see her in action, and she listened to every single person. She didn't say, "Oh, I'm tired. I gotta go." She was there, and present, with every single person. She's one of the great teachers.

Film relates to almost every other form of expression, but poetry is a bit abstract in its strength and sometimes even the white spaces on the page are evocative almost as much as where the text is. Certain poets have played with that.

This act [creation], as it is for God, must always remain totally inconceivable to man. For we--even our poets and musicians and inventors--never, in the ultimate sense make. We only build. We always have materials to build from. All we can know about the act of creation must be derived from what we can gather about the relation of the creatures to their Creator

There is some reason to believe that when a man does not write his poetry it escapes by other vents through him, instead of the one vent of writing; clings to his form and manners, whilst poets have often nothing poetical about them except their verses.