Quotes About Read

I've read fantasy my whole life. Quite literally; my mom read me The Hobbit before I could read stuff to myself. So I love fantasy; that's what I read for fun, it's what I read professionally to keep abreast of what's in the genre - it's where my heart is.

When I was 17 or 18 I wanted to become a wine expert, and my parents wouldn't let me drink. So I was devastated. All I could do was read, and I read and I read. And I'd read something like, you know, 'Subtle hints of cassis.

There are many persons of combative tendencies, who read for ammunition, and dig out of the Bible iron for balls. They read, and they find nitre and charcoal and sulphur for powder. They read, and they find cannon. They read, and they make portholes and embrasures. And if a man does not believe as they do, they look upon him as an enemy, and let fly the Bible at him to demolish him. So men turn the word of God into a vast arsenal, filled with all manner of weapons, offensive and defensive.

My first advice would be to read, read, read, which sounds interesting coming in a digital age, but it's so much easier to listen to a poem than it is to sit down and actually read it and to hear it in your head and that is something that every poet or aspiring poet needs to be able to do, I think to hear it in their head.

When I forget the power of the word, I read Frederick Buechner. When I forget the deep relief of telling the truth, I read Frederick Buechner. When I forget to look for the holiness all around me, I read Frederick Buechner. When I forget why the gospel matters, I read Frederick Buechner.

I am a Christian resident of New York City. I simply read things the other Manhattanites read (NY Times, New Yorker magazine, Wall Street Journal, and many of the books they read) plus all my Christian reading. I don't do anything special to understand skeptics. I also talk to a lot of skeptics and read things they point to.

I can read books and news articles about people who have excelled, people who have done extremely well in their chosen field, or made a lot of money, or married well, or what have you. When some people read this stuff, they get inspired, but when I read it, it makes me feel worse. Sometimes I wish I had never learned to read.

Certain readers will read my book not because they are interested in Iraq, but because they read crime fiction. I did want to get beyond just speaking to other Middle East scholars, so I'm happy about that. But this was, nonetheless, a novel I wish I got to read in Arabic and translate.

I read on a Kindle. I must be of the opinion that the new way to read is a pretty good way to read. It's a new way. Those of us who like the smell of books get upset but nevertheless this is the way we're going.

I love general history. That's all I read really. I don't read novels, I read history. I love it. I live in an area that's really rich in Civil War history. I live in Kentucky on a farm. A lot of revolution, a lot of military history I love.

A lot of actors choose parts by the scripts, but I don't trust reading the scripts that much. I try to get some friends together and read a script aloud. Sometimes I read scripts and record them and play them back to see if there's a movie. It's very evocative; it's like a first cut because you hear 'She walked to the door,' and you visualize all these things. 'She opens the door' . . . because you read the stage directions, too.

Normally, when I read a script, I read 30 pages, and then go have a cup of tea and come back. And then, I read 20 pages and go make a phone call, and then go back to it.

We're at an interesting phase of Asian and Asian-American writing, where we might succeed in having readers look at us as creative individuals who write with fury and fire about the world, and in new ways, without having them say things like "I read a really good Indian book," or "That Malaysian fellow writes very well." So I hope by identifying as Indian I can get people who don't usually read "ethnic" or "Indian" literature to read that literature and enjoy it.

Do three things each night before you go to bed: read a poem, read a short story, read an essay.

Reading was my first solitary vice (and led to all others). I read while I ate, I read in the loo, I read in the bath. When I was supposed to be sleeping, I was reading.

I have this theory that people in Hollywood don't read. They read 'Vanity Fair' and then consider themselves terribly well read. I think I can basically write about anybody without getting caught.

Read read read Thats all I can say

[If a book were] very innocent, and one which might be confided to the reason of any man; not likely to be much read if let alone, but if persecuted, it will be generally read. Every man in the United States will think it a duty to buy a copy, in vindication of his right to buy and to read what he pleases.

Poetry and code - and mathematics - make us read differently from other forms of writing. Written poetry makes the silent reader read three kinds of pattern at once; code moves the reader from a static to an active, interactive and looped domain; while algebraic topology allows us to read qualitative forms and their transformations.

I want to read so I can read the Koran read the signs in the street know the number of the bus I'm supposed to take when I one day leave this house.

I never send a story off until I have read it aloud to at least two or three people. Because when I read - and I don't need their criticism, what I need is my own - when I read it aloud, there is a flow, there is a poetry to it.

I like what I read, I find it intellectually engaging and I don't really have that much time, so I gotta make every bit count. I read magazines and stuff like that, but if I'm going to read a book, I want to come out smarter. It's not to escape, it's to learn.

The three practical rules, then, which I have to offer, are, --/ Never read a book that is not a year old./ Never read any but the famed books./ Never read any but what you like.

My father read Günter Grass. He introduced me to German literature. I believe the first book I read by a German author was from Grass. After that, Thomas Mann accompanied me for a few years during my literature studies. I tried again and again to read the original German text, but I never really succeeded.

You can't just skip the boring parts." "Of course I can skip the boring parts." "How do you know they're boring if you don't read them?" "I can tell." "Then you can't say you've read the whole play." "I think I can live a happy life, Meryl Lee, even if I don't read the boring parts of The Tragedy of Hamlet, Prince of Denmark." "Who knows?" she said. "Maybe you can't.

Dune is the bestselling science fiction book of all time. It's something you really need to read in your lifetime. If you're going to read The Lord of the Rings, which everyone should, then you have to read Dune, too.

I still read romance, and I read suspense. I read them both. And part of it is, I like stories with strong characters, and I like stories where there's closure at the end. And I like stories where there's hope. That's a kind of empowerment. I think romance novels are very empowering, and I think suspense novels are, too.

[About Swami Vivekanada:] I am not saying that the message of the Swami was the final word in our nationalism... But it was tremendous - something with an undying glory of its own. If you read his books, if you read his lectures, you are struck at once with his love of humanity, his patriotism, not abstract patriotism which came to us from Europe but of different nature altogether a more living thing, something which we feel within ourselves when we read his writings.

If you can't read, the only thing you can do is enjoy the pictures, not the whole story. Reading is the key to knowledge. Knowledge is the key to understanding. So read on, young man! Read on, young lady!

I was four or five, and my mother gave me a big black tablet, because I kept complaining that I was bored. She said, "Then write something. Then you can read it." In fact, I had just learned to read, so this was a thrilling kind of moment. The idea that I could write something - and then read it!

When I read students’ attempts at creative writing it is obvious immediately that most of them have not read much or widely. The aspiring writer must read everything he or she can to appreciate the myriad ways words are used and to what effect.

I also really loved the friendship between these two women, and watching these two very different women working in this gritty male environment. That was really the reason that I wanted to be a part of it. And, I went in and met with the producer and the director that did the pilot, Mike Robin, and read with them. And then, I did a read with Angie Harmon, who was already cast. From the moment we read together, it just clicked. It was as easy as that.

When I came out, and for many years afterwards, it had become a habit for me to sit and read and read and read, like an obsession. I would take 20 books, and not come out until I'd finished them. It took me a while to change that habit.

If you read only the best, you will have no need of reading the other books, because the latter are nothing but a rehash of the best and the oldest. To read Shakespeare, Plato, Dante, Milton, Spenser, Chaucer, and their compeers in prose, is to read in condensed form what all others have diluted.

The Six Golden Rules of Writing: Read, read, read, and write, write, write.

I never know how to give advice to a writer because there's so much you could say, and it's hard to translate your own experience. But of course, I always try. The main thing that I usually end up saying is to read a lot. To read a great deal and to learn from that.

I am very bad at remembering the books I've read and so recently I had a wonderful experience. I decided I wanted to teach Toni Morrison's The Bluest Eye. I hadn't read it in twenty-five years. I was surprised to find how much I drew from that book. Stole from that book, learned from that book about writing. I had forgotten and there it was. Morrison has called that text faulted. I cannot see how.

My request that my writing be read twice has aroused great indignation. Unjustly so. After all, I do not ask that they be read once.

I have never written a book that I wouldn't want to read. The trouble is, I love to read horror, sf, fantasy, mysteries, hero pulps - romantic fiction, in the original, traditional meaning of that term, as opposed to mimetic fiction. But most of all, I love thrillers.

I've read The Satanic Verses and I thought it a nasty, sneering, free-thinking book... I can understand why the book is offensive and it didn't seem to me to be anything but offensive when I read it.

It used to take me forever to read and comprehend stuff, so I decided not to make the 'Captain Underpants' books too challenging. Don't get me wrong - the humor and ideas are often sophisticated - but the books aren't hard to read. I wanted kids who hate reading to find these books irresistible.

I never heard of anyone who was really literate or who ever really loved books who wanted to suppress any of them. Censors only read a book with great difficulty, moving their lips as they puzzle out each syllable, when someone tells them that the book is unfit to read.

Walt had a seat-of-the-pants approach on what he wanted musically. We kind of 'read' the boss and had a very high batting average, but there were occasions when he felt we had just written the wrong piece for the situation he wanted. We invariably listened to what he wanted - he was very descriptive in what he wanted and we could read him. We'd go back to the drawing board and work out what he wanted. He was a great inspiration, but a tough taskmaster.

I'm reading a lot of different books, but I always think I have to switch it up a little bit. It's like food - everything in moderation, same with my books, same with my reading. You read books that are good for you and you learn a lot of stuff, then you read 'Fifty Shades of Grey,' which is like candy.

You can read minds, and you didn't tell me?” Link stared at me like he just found out I was the Silver Surfer. He rubbed his head nervously. “Hey, man, all that stuff about Lena? I was yankin’ your chain.” He looked away. “Are you doin’ it now? You're doin’ it, aren't you? Dude, get out of my head.” He backed away from me and into the bookshelf. “I can't read your mind, you idiot.

The moment your kid's born you realize no one knows anything. No one goes to classes. You just have a kid. You can read all the books you like, but unfortunately none of our kids have read the books so they don't care. You're basically making it up as you go along.

Hassan couldn't read a first-grade textbook but he'd read me plenty. That was a little unsettling but also sort of comfortable to have someone who always knew what you needed.

Isn't it odd how much fatter a book gets when you've read it several times?" Mo had said..."As if something were left between the pages every time you read it. Feelings, thoughts, sounds, smells...and then, when you look at the book again many years later, you find yourself there, too, a slightly younger self, slightly different, as if the book had preserved you like a pressed flower...both strange and familiar.