Quotes About Remember

I was 12 and I remember every­thing. I mean, I had done two films before that. The first was actually with Amy Heckerling. It was so brilliant to work with her on my first film. Atonement was the third one I'd done, and I remember how it felt to arrive on set every day. I remember how it felt to get my wig off at the end of the day. I remember how hot it was.

The past is what you remember, imagine you remember, convince yourself you remember, or pretend you remember.

It's an ethical pact I've made with myself and with the reader - not to invent. And when I can't remember, I say I can't remember. I'm just appalled by the memoirs published by people who regurgitate dialogue, conversations from when they were small children, and they go on for three or four pages. I can't even remember what we said to each other ten minutes ago! How can I remember what was said sixty years ago? It's not possible.

The whole notion of passwords is based on an oxymoron. The idea is to have a random string that is easy to remember. Unfortunately, if it's easy to remember, it's something nonrandom like 'Susan.' And if it's random, like 'r7U2*Qnp,' then it's not easy to remember.

Remember the rights of the savage, as we call him. Remember that the happiness of his humble home, remember that the sanctity of life in the hill villages of Afghanistan, among the winter snows, is as inviolable in the eye of Almighty God, as can be your own.

People say you never remember anybody who dies in movies, and it's true, you don't. You don't even remember people who disappear. Although the moment that it happens might be terribly sad and moving, five minutes later, if you're asked to remember that person, you go, "Oh right, yeah, yeah!" 'Cause you're just moving forward.

I just want people to remember me like I remember Buster Keaton. When they talk about Buster Keaton or Gene Kelly, people say, 'Ah yes, they good.' Maybe one day, they remember Jackie Chan that way.

Sometimes the things that may or may not be true are the things a man needs to believe in the most. That people are basically good; that honor, courage, and virtue mean everything; that power and money, money and power mean nothing; that good always triumphs over evil; and I want you to remember this, that love... true love never dies. You remember that, boy. You remember that. Doesn't matter if it's true or not. You see, a man should believe in those things, because those are the things worth believing in.

You can give words, but you can't take them. And when words are given, that is when they are shared. We remember what that was like. Words so real they were almost tangible. There are conversations you remember, for certain. But more than that, there is the sensation of conversation. You will remember that, even when the precise words begin to blur.

We must remember how to love, remember what's important, and remember God's truth as it applies to our relationships.

How we remember, what we remember, and why we remember form the most personal map of our individuality.

All the wrong people remember Vietnam. I think all the people who remember it should forget it, and all the people who forgot it should remember it.

I've always been a lover of classical music ever since I was an early teenager I suppose. I remember the very first piece of classical music that grabbed me was I bought an LP of Daniel Barenboim performing Mozart's piano concertos and I would have been about 14 or 15 at the time and I remember I played it over and over again.

Today, the sun is everywhere, and everything solid is nothing but its own shadow, I know that the real things in life, the things I remember, the things I turn over in my hands, are not houses, bank accounts, prizes or promotions. What I remember is love -- all love -- love of this dirt road, this sunrise, a day by the river, the stranger I met in a café. Myself, even, which is the hardest thing of all to love, because love and selfishness are not the same thing. It is easy to be selfish. It is hard to love who I am. No wonder I am surprised if you do.

Do you remember A Wrinkle in Time? It's a good one example. I think the character's name is Meg. I just remember she was a very logical, intelligent, advanced girl. I wouldn't say that I felt like that was who I was, but I wanted to be around her; I wanted to be like her. She had an understanding of science and was incredibly curious - an interesting, complex young girl.

We remember what it was like to meet someone new. We remember what it was like to grant someone possibility. You look out from your own world and then you step into his, not really knowing what you’ll find there, but hoping it will be something good. Both Ryan and Avery are doing this. You step into his world and you don’t even realize your loneliness is missing. You’ve left it behind, and you don’t notice because you have no desire to turn back.

I remember the day I saw my hair was thinning. I don't remember caring much. I don't care. It's just hair. It never bothered me much. I was pretty young, too. And it happened and is happening very slowly. I have a feeling dead people get really mad when we complain about losing hair.

If you think about Shakespeare, you remember Richard III and Macbeth before you remember Ferdinand, whose role is just to fall in love and be a bit of a wimp. I love the baddies. More important, though, is making the baddies somehow, weirdly, understood.

I compare it to being in a car accident. There's so much adrenaline rushing through you that you remember being in the accident but you don't remember any of the details.

When I'm done skating, I guarantee you that I will not look back and remember standing on the podium. I'm going to remember these days - being with the team. Training alone, in my basement. Training when everybody else is sleeping. Doing things that nobody else is doing. Digging down. Seeing what kind of character I truly have. I love that stuff.

I remember being very smart, which is a form of stupidity. I try not to remember it, but it occurs to me that I may have felt intellectual. I entertained views too noble or too bitter to be true. I must have done some soul-stretching of my mental neck.

I wish other people would write about loneliness more. It's hard to remember that it's not personal. We live in a world that is built to make people lonely... It's difficult to remember that your loneliness is not really about you and everyone has it.

The opposite of esprit d'escalier is the way that life's embarrassments come back to haunt us even after they're long past. I could remember every stupid thing I'd ever said or done, recall them with picture-perfect clarity. Any time I was feeling low, I'd naturally start to remember other times I felt that way, a hit parade of humiliations coming one after another to my mind.

Everyone should remember being born. It doesn't seem fair that we only remember dying.

The happening and telling are very different things. This doesn’t mean that the story isn’t true, only that I honestly don’t know anymore if I really remember it or only remember how to tell it. Language does this to our memories, simplifies, solidifies, codifies, mummifies. An off-told story is like a photograph in a family album. Eventually it replaces the moment it was meant to capture.

When I was a girl, I would make up songs for fun. Then I realized, after making them up, that I could remember how they went a week later - I remember that's when I thought: Maybe I'm gonna be a singer.

It's always good to remember where you come from and celebrate it. To remember where you come from is part of where you're going.

The best way to become a successful writer is to read good writing, remember it, and then forget where you remember it from.

What I know of Steve Trevor is everything that I learned from 'Wonder Woman,' the television series with Lynda Carter. And I don't remember much. I do remember his uniform, though.

People who remember court madness through pain, the pain of the perpetually recurring death of their innocence; people who forget court another kind of madness, the madness of the denial of pain and the hatred of innocence; and the world is mostly divided between madmen who remember and madmen forget.

One extremely important purpose of emotions from an evolutionary perspective is to help us decide what to remember and what to forget. The cavewoman who could remember which cave had the gentle guy who gave her food is more likely to be our foremother than the cave woman who confused it with the cave that held the killer bear. The emotion of love (or something resembling it) and the emotion of fear would help secure her memories.

How do we remember to remember? That's a question I've asked myself often since my time on Duma Key, often in the small hours of the morning, looking up into the absence of light, remembering absent friends. Sometimes in those little hours I think about the horizon. You have to establish the horizon. You have to mark the white. A simple enough act, you might say, but any act that re-makes the world is heroic. Or so I've come to believe.

Different people remember things differently, and you'll not get any two people to remember anything the same, whether they were there or not.

I remember nothing about it except a philological fact. My mother said nothing about the dragon, but pointed out that one could not say 'a green great dragon', but had to say 'a great green dragon'. I wondered why, and still do. The fact that I remember this is possibly significant, as I do not think I ever tried to write a story again for many years, and was taken up with language.

I remember as a little boy I ate one meal a day and sometimes slept in the street. I will never forget that and it inspires me to fight hard, stay strong and remember all the people of my country, trying to achieve better for themselves.

You have your wonderful memories," people said later, as if memories were solace. Memories are not. Memories are by definition of times past, things gone. Memories are the Westlake uniforms in the closet, the faded and cracked photographs, the invitations to the weddings of the people who are no longer married, the mass cards from the funerals of the people whose faces you no longer remember. Memories are what you no longer want to remember.

I write books for teenagers because I vividly remember what it felt like to be a teen facing everyday and epic dangers. I don't write to protect them. It's far too late for that. I write to give them weapons-in the form of words and ideas-that will help them fight their monsters. I write in blood because I remember what it felt like to bleed.

I remember having no money and debating whether I should go get fast food or eat at Mom's for free. Now I'm going to these fancy places on vacation and ordering room service. I treat myself because I remember not having it.

I meet hundreds of people, and I'm not going to remember them. But every single one of them will remember their interaction with me.

I remember the day before my dad died, I was in a hospital room with him, and he had lived a long life. He was 94, and I helped him get up, and there were two windows separated by the partition. I took him to the first window, and he kind of found his way to the second window, and on the way there was a mirror, and he looked into it, and I saw through the corner of my eye, I remember the look on his face. What came over his face was "So I'm here. I've crossed that bridge."

You know that old phrase ‘Those who don’t remember the past are condemned to repeat it’? Well, I think those who remember the past are even worse off.

My father played in high school. My uncles played. From age five or six, I remember watching all the games. And I remember saying to my mom and dad even then that I was going to play in the NFL, and buy them a house and a car.

I've probably failed more often than anybody else in Silicon Valley. Those don't matter. I don't remember the failures. You remember the big successes.

Remember that there is meaning beyond absurdity. Know that every deed counts, that every word is power...Above all, remember that you must build your life as if it were a work of art.

At the end of the day people won't remember what you said or did, they will remember how you made them feel.

The marks humans leave are too often scars. You build a hideous minimall or start a coup or try to become a rock star and you'll think "they'll remember me now," but (a) they don't remember you, and (b) all you leave behind are more scars. Your coup becomes a dictatorship. Your minimall becomes a lesion.

I knew I liked art. I knew I liked photography. I remember seeing photos of Linda Evangelista in Italian Vogue as a teenager, and at the time I didn't know who she was. There were two photos - one shot by Fabrizio Ferri and another one by Steven Meisel. I didn't know who any of those people were. I think it was the first summer I was modeling, I saw these magazines sitting out and looked at them. I remember thinking, These are the kind of images I want to make.

People who take photographs during their whole vacation won't remember their vacation. They'll only remember what photographs they took.