Quotes About Singing

My mother was a music teacher and my grandfather was a professor of music, and there was a lot of singing in the family. It wasn't like trained singing or anything like that, but it was singing.

I started singing about three years ago, I entered a local singing competition called Stratford Idol. The other people in the competition had been taking singing lessons and had vocal coaches. I wasn't taking it too seriously at the time, I would just sing around the house. I was only 12 and I got second place.

Church was the thing for me. The fellowship and the message that was given and singing in the choir and singing the solos and really listening to the words that you were singing and seeing how it affected people was huge for me.

My father being in the movie business, I thought being an actor would be great. But when I started singing to people in coffeehouses, you know, singing folk music and then, later, singing songs that I started to write myself, I felt more than an affinity for it.

A lot of people think the blues is depressing but that's not the blues I'm singing. When I'm singing blues, I singing life. People can't stand to listen to the blues, they've got to be phonies.

I think the transition between singing covers on a reality show to being able to do my own thing was really exciting. I'm no longer singing covers every second, and people are actually getting to hear my own original music.

I grew up in an extremely musical atmosphere. There was a lot of music and singing around. I never really thought about one not singing, as a person. I've always sung and made music, it was just self-understood.

What fools we are, eh? What fools, sitting here in the sun, singing. And of love, too! I am too old for it and you are too young, and yet we waste our time singing about it. Ah, well, let's have a glass of wine, eh?

Even when I'm singing on record there's a lot of times when I'll fight for a bit of imperfection. I might not have quite hit the note to the perfect pitch, but there was a soul in there and feeling that,to me, delivers the emotion of that moment. For me, doing a show, the excitement of singing live, and the possibility that you're not going to be perfect - that's the thrill of it.

The only thing that really inspired me for singing was the movie and musical 'Phantom of the Opera.' I went to see it in the theaters, and I loved it so much. And when I got home, I started singing the songs around the house, and my mom thought I was really good, so she asked me if I wanted to do a talent competition. And I said, 'Yes, definitely.'

Wakefulness is not a destination but a song the human heart keeps singing, the way birds keep singing at the first sign of light.

I was like Gene Kelly, it was called singing in the rain. No seriously, I wasn't really born with a singing voice, but my friends Joe and John taught me how to sing.

I love singing. I've never felt I've had a great voice but I feel I've gotten better. It's funny. I can hear my voice aging and getting stronger. I've relaxed about my singing so I'm hearing it the way I like it.

If you look at the other singers of Billie Holiday's time, they were really trying to entertain. They were trying to make people feel good. They were singing fast - and she was singing the blues.

I started singing in church and I was probably around seven and I started singing anywhere that I could. I used to sing at my school. I was in musicals and then it kind of got to a point where I started to - wanted to do my own songs.

When I first organized the King Cole Trio back in 1937, we were strictly what you would call an instrumental group. To break the monotony, I would sing a few songs here and there between the playing. I sang things I had known over the years. I wasn't trying to give it any special treatment, just singing. I noticed thereafter people started requesting more singing, and it was just one of those things.

Seen from the point of view of the composer, the most nonsensical practice is that of casting people in musicals who are unable to sing. No one would cast a dancing part with someone who cannot dance sufficiently to come up to professional standards. The same is true of acting. But when it comes to singing, more often than not it is amateur night. . . . Either musicals should be written for specified performers in the first place, or they should be cast with people who are adequate to its dancing, acting and singing demands.

But I was singing loud, and most singers weren't singing loud.

I have absolutely no dance background at all. Nor a singing background. People, for some reason, think I can. And I don't know why that is. I sort intoned in Moulin Rouge, through facial hair and buck-teeth, but I don't really call it singing.

My uncle was 16, in junior high, and he heard me singing and snatched me off the stage. I thought he was happy and was going to pat me on the head and say I was good. But he took me home and told my grandmother this youngin' was at school singing the blues.

I love singing. The joy of singing live - I don't think I will ever stop that.

The kids (in the Jesus Movement) weren't singing for themselves. It seemed like they were singing TO Someone.

My energy to sing, I get it from my singing. Singing was not a reason to make a living. This is the only thing I wanted to do.

The blues? Why, the blues are a part of me. They're like a chant. The blues are like spirituals, almost sacred. When we sing blues, we're singing out our hearts, we're singing out our feelings. Maybe we're hurt and just can't answer back, then we sing or maybe even hum the blues. When I sing, 'I walk the floor, wring my hands and cry -- Yes, I walk the floor, wring my hands and cry,'... what I'm doing is letting my soul out.

Our shows have always been sort of an all-generations thing, people from 6 to 60. The other night, we played a show and we had a woman who was probably 70 to 75 years old, and she was there alone and she was singing every song. On the other end of the spectrum, there was a 7-year-old on his dad's shoulders and the dad is singing along.

The first one I remember singing on stage was 'Somewhere Out There' from 'An American Tail.' I was around 7, and my choir teacher at school asked me if I would sing it. My parents told me that I needed to move around the stage, so for the entire time I just walked back and forth from side to side while I was singing - there's videotape of it.

I knew I could sing but I always thought everyone could sing, that everyone was born with a singing voice. Even when I was getting interest from singing, I just thought 'what about all these guys?' Yes, I can sing, I have a good voice but there's so many people that can and do.

I love singing some Johnny Cash, which is interesting because it's in a guy's key; I love singing Elvis Presley.

Do we ask what profit the little bird hopes for in singing?

Problem with segregation isn't that people can't live in peaceful harmony singing "Kumbaya" - although that wouldn't be bad. The problem is that many of these Whitopian communities are taking state, local, and federal resources with them.

I came to singing organically.

I did enjoy singing the song, called "The Count", which is Count Olaf's big song that he sings to the kids when they first arrive with his henchpeople. He wrote it himself, and he thinks he's really, really talented, and it's a terrible song. So we had to learn intentionally bad choreography... We did these almost Lady Gaga-ish kind of movements, which were just awful, but that made me laugh

Once you've experienced the warmth of an audience, the achievement of getting your first laugh, and entertaining them, singing or playing piano, it just keeps it all going.

I remember when I first rocked in it was a great big dance hall and Tommy Young was blowing trombone and Louis [Armstrong] was singing a tune and it was just Satchmo and you could hear it resounding through the dance hall and people were dancing. It was a highlight.

If they're singing about heartbreak, they've lived it.

Initially the fashion world was more interested in me than the music world, which was strange when I first started singing.

I don't think I'm singing. I feel like I'm playing a horn...What comes out is what I feel.

If I can't take five years out to serve my country as president, then everything I've been singing about, like equal rights, doesn't mean anything.

When I went to Japan I sang in Japanese; when I went to Greece I sang in Greek. When I went to Spain, I sang in Spanish. I couldn't speak it very well, but I sang, I was beautiful in singing it. These things just constantly attracted people to the uniqueness of who I was and the way in which I performed.

When you're feeling down, did you know that you can change it in an instant? Put on a beautiful piece of music or start singing - that'll change your emotion.

The singing tells everybody what to do musically.

I was trying to do something that seemed very natural and easy but which bridged that gulf between the singing voice and the speaking voice.

This LGBT singing choir has demonstrated how women are investing in tradition to create change, like alchemists turning discord into harmony.

What I like about singing is that, for me, it's a substitute for the psychiatrist's couch.

I'm always doing things that scare me, because I feel like that's how you should live life. If I'm terrified - and I'm often terrified - then I should be doing that. Like trapeze class, or singing in front of 5,000 people.

I think I don't sing as hard as I used to sing. I used to kind of hit the accelerator a lot back in my youth, but now it's just being able to control it, and not work it so hard and use more of an emotional or sub textual kind of approach to singing.

Suddenly I realized that I wanted everything to be as it was when I was younger. When you're young enough, you don't know that you live in a cheap lousy apartment. A cracked chair is nothing other than a chair. A dandelion growing out of a crack in the sidewalk outside your front door is a garden. You could believe that a song your parent was singing in the evening was the most tragic opera in the world. It never occurs to you when you are very young to need something other than what your parents have to offer you.

I knew I wanted to do something creative. I didn't think I'd have the luxury of doing something like that, because I didn't know anyone who had pursued anything they really adored, but I had dreams for singing or writing.