Quotes About Space

No being exists or can exist which is not related to space in some way. God is everywhere, created minds are somewhere, and body is in the space that it occupies; and whatever is neither everywhere nor anywhere does not exist. And hence it follows that space is an effect arising from the first existence of being, because when any being is postulated, space is postulated.

Empty space is never-wasted space. Wasted space is any space that has art in it.

To view space as, "Well, let's go to Mars now," or "Let's do this now," maybe we should rethink of space as our backyard and have a suite of launch vehicles that can enable any ambition a person has regarding space. It's the same way you can go to buy a car: I want to go offroading, I'll buy this model. I'm a city driver, that's this model. I want to use less fuel, well, that's this model. They're not selling you one car, you have options. So when I think of space, I think of having options.

Man has made remarkable strides in conquering outer space, but how futile have been his efforts in conquering inner space- the space in our hearts and minds of men.

For the first time American astronauts on the International Space Station ate vegetables grown in space. In other words, even space is getting more rain than California.

The space station mission was kind of the culmination of all of my experience of being a NASA Astronaut, so it had brought all of my previous experience into play. I had to learn the Russian language to a fluent level so that I could function as the co-pilot of the Soyuz Spacecraft that we flew up and back from the space station. And then the challenge of being the Commander of the whole expedition, a six and a-half month flight aboard the international space station. I felt the burden of the whole mission on my shoulders, which was fine, and fortunately everything did go well.

The first space walk, it's really got your attention. You know you're travelling eight times faster than a rifle bullet, and you're outside. Second space walk, you're a lot more relaxed, you're looking over your shoulder, admiring the view of Earth. What was funny about the third space walk was that mission control in Houston called and said, "Take a moment and enjoy the view".

... If we consider the difference between William Henry Jackson packing in his camera by mule, and the person stepping for a moment from his car to take a picture with his Instamatic, it becomes clear how some of our space has vanished; if the time it takes to cross space is a way by which we define it, then to arrive at a view of space 'in no time' is to have denied its reality.

When I look at things, I always see the space they occupy. I always want the space to reappear, to make a comeback, because it's lost space when there's something in it.

Despite the campaign rhetoric, the bureaucracies-big business and big government-are here to stay. The centralization effort cannot be checked. but it can be rationally directed towards our species goal: Space Migration, which in turn offers the only way to re-attain individual freedom of space-time and the small-group social structures which obviously best suit our nervous systems. It is another paradox of neuro-genetics that only in space habitats can humanity return to the village life and pastoral style for which we all long.

I'd like to reiterate that the opportunities in space are going to be vastly different than they've been before, so, for young Canadians preparing for their futures, it's important to understand that there are going to be many opportunities to work in either new space industries that are being developed or to actually go to space, to be one of the people to join our team of explorers who are going to leave lower-Earth orbit. That, ultimately, is amazing, the opportunities we'll have.

The theoretical recognition of the split-space of enunciation may open the way to conceptualising an international culture, based not on the exoticism of multiculturalism or the diversity of cultures, but on the inscription and articulation of culture's hybridity. It is the inbetween space that carries the burden of the meaning of culture, and by exploring this Third Space, we may elude the politics of polarity and emerge as the others of our selves.

Musing takes place in a kind of meadowlands of the imagination, a part of the imagination that has not yet been plowed, developed, or put to any immediately practical use…time spent there is not work time, yet without that time the mind becomes sterile, dull, domesticated. The fight for free space — for wilderness and public space — must be accompanied by a fight for free time to spend wandering in that space.

Space is all one space and thought is all one thought, but my mind divides its spaces into spaces into spaces and thoughts into thoughts into thoughts. Like a large condominium. Occasionally I think about the one Space and the one Thought, but usually I don't. Usually I think about my condominium.

From a mathematical standpoint it is possible to have infinite space. In a mathematical sense space is manifoldness, or combinations of numbers. Physical space is known as the 3-dimension system. There is the 4-dimension system, the 10-dimension system.

At first you might find that nothing happens there. But if you have a sacred space and use it, eventually something will happen. Your sacred space is where you find yourself again and again.

there is a place in the heart that will never be filled a space and even during the best moments and the greatest times times we will know it we will know it more than ever there is a place in the heart that will never be filled and we will wait and wait in that space.

Each of us is a moving center, a space of divine mystery. And though we spend most of our time on the surface in the daily details of ordinary existence, most us hunger to connect to this space within, to break through to bliss, to be swept away into something bigger than us.

Change is a journey and the journey is always about change. And if there is no change, why bother with the journey? And the best journeys require lots of space of one sort or another. So for great journeys - just open space.

In some sense, prose fiction is just a way of unlocking a space. If I can unlock the space, it comes out and it's vivid, I find that I care about it, and it's part of me.

Exercise is very important, first of all if you think about it, especially in a long flight like a six month space flight and on the ISS. If you didn't exercise and used the analogy on earth, it would be like laying in bed. So, just imagine laying in bed for several months, and even just trying to get up and walk, you probably wouldn't be able to. But if you got up and you exercised two hours a day, you'd probably be okay, and that's the same in space.

[Electronic newspapers will bring] plenty of ulcers for journalists because they'll have new deadlines every 60 seconds. It'll be a race to file. On the other hand, because space is infinite there will hopefully be more room for thoughtful pieces, longer pieces, the kind that a journalist wishes he or she could do but doesn't have the space.

I want people to look at themselves. I want people to go into a space for meditation. It's funny to use a word like meditation as the music is fairly brutal but there is a hypnotic element to it and the way that I try and create that for someone just happens to be through a fairly heavy form of music. You are constantly barraged and beaten down with a lot of bullshit and I find that heavy and extreme music helps me to go into a very tranquil place and I hope, more than anything, that the music does create a space for people to go inward with.

The photograph contains and constrains within its own boundaries, excluding all else, a microcosmic analogue of the framing of space which is knowledge. As such it becomes a metaphor of power, having the ability to appropriate and decontextualize time and space and those who exist within it.

In regards to live shows, space is very important to me. Space and context should complement the music in some way; you gain so much from it. It enhances the dialogue between audience and performer. I'm very much aware of this when choosing venues. I say no to 90% of booking offers. Somehow I feel the venue needs to make sense.

I think in space or music or art or literature of any kind there has to be some kind of void where the viewer or the spectator or the listener or the reader can insert themselves into it, and there is a certain kind of architectural space which is totalitarian, which does not allow you to do that.

After 1980, you never heard reference to space again. Surface, the most convincing evidence of the descent into materialism, became the focus of design. Space disappeared.

I think going into space would be like going deep into the ocean, like 5,000 meters down. When you go down that far, it's just awfully black. There's not much there except mud and some particles. I imagine space would be a similar thing. The only difference is you're hoping to bump into some sort of intelligent extraterritorial being.

Each space has a role to play, but while to date the majority of media investment and energy has really focused on the bought on the bought space ... this balance is shifting to a much stronger emphasis on owned and generated spaces.

I'd really love to go for a fourth trip into space with maybe Mr. Duceppe and Mr. Boisclair, and I am convinced, I am convinced that after such a trip, Quebec sovereignty will no longer be an issue. Space travel affects us that much.

I was a risk-taker as a young man, and I don't regret it. I'm not adventurous in quite the same way now, but I still love the challenge of testing myself to the limits, flying around the world, or seeing if I can be the first to fly a balloon across the Atlantic, or trying to take people into space at an affordable price in an environmentally friendly way. I'll be going into space with three generations of my family!

Space and silence are two aspects of the same thing. The same no-thing. They are externalization of inner space and inner silence, which is stillness: the infinitely creative womb of all existence.

Art and power will go on as they have done,--will make day out of night, time out of space, and space out of time.

In any relationship, especially marriage, be as free of compulsive thinking as possible. In other words, the more space there is in the relationship - inner space - the more love there is because love arises out of the inner spaciousness.

What binds us to space-time is our rest mass, which prevents us from flying at the speed of light, when time stops and space loses meaning. In a world of light there are neither points nor moments of time; beings woven from light would live "nowhere" and "nowhen"; only poetry and mathematics are capable of speaking meaningfully about such things.

I think it's like that for people who don't remember 1969 first-hand. It's that sense of 'old hat.' Of 'been there, done that.' Space shuttles, space stations, communications satellites, GPS - they're all part of our everyday, taken-for-granted world in 2009, not part of an incredible odyssey.

We're going to see passengers in space stations in 15 years, who will be able to buy a ticket and spend a weekend in space.

His absence will haunt their hallways, and he will be a space they can't fill. And then time will pass, and the hole will be gone, like when an organ is removed and the body's fluids flow into the space it leaves. Humans can't tolerate emptiness for long.

Even as I've become more reticent about the political possibilities of the academic space, I want to note that students have played significant roles in insurrectionary activity across the globe for decades and centuries, and I don't think that we've crossed some threshold where that's never going to happen again. We still need to take the university space quite seriously.

Photons come out of nowhere, they cannot be stored, they can barely be pinned down in time, and they have no home in space whatsoever. That is, light occupies no volume and has no mass. The similarity between a thought and a photon is very deep. Both are born in a region beyond space and time where nature controls all processes in that void which is full of creative intelligence.

I've nothing against eye make-up and lipstick. But the fact is that we’re actually living on a planet in space. For me that’s an extraordinary thought. It’s mind-boggling just to think about the existence of space at all. But there are girls who can’t see the universe for eye liner.

Women are allowed to enter the spaces of the senses, the space of the body, the spaces opened by sensations, all kinds of feelings, but women are not allowed to enter the spaces of reason to the same extent, that is to say the space of ideas, political ideas.

NASA is increasingly not the future of space exploration. I love the fact that we have private sector folks devoting a lot of money to stimulate innovation in space technology.

Charles Bernstein's pairs of jingles of 'public discourse' are 'simultaneous double narrative / the space between's the other narrative/as if they're opposite.' In the space between, outside representation but in the 'presence' of it, we are provoked to laugh. Bernstein alters our language to open a double range that's public and mind at once and inseparable, that is 'Poetry is patterned thought in search of unpatterned mind.' Girly Man is doing it.

I am convinced that of all the people on the two sides of the great curtain, the space pilots are the least likely to hate each other. Like the late Erich von Holst, I believe that the tremendous and otherwise not quite explicable public interest in space flight arises from the subconscious realization that it helps to preserve peace. May it continue to do so!

We are going into space, and we need protection. And in case we need to space walk, we'll have to go outside.

In 1980, during my sophomore year at MIT, I realized that the school didn't have a student space organization. I made posters for a group I called Students for the Exploration and Development of Space and put them up all over campus. Thirty-five people showed up. It was the first thing I ever organized, and it took off!

When an actor plays a scene exactly the way a director orders, it isn't acting. It's following instructions. Anyone with the physical qualifications can do that. So the director's task is just that – to direct, to point the way. Then the actor takes over. And he must be allowed the space, the freedom to express himself in the role. Without that space, an actor is no more than an unthinking robot with a chest-full of push-buttons.