Quotes About Stories

The Nigerian storyteller Ben Okri says that ‘In a fractured age, when cynicism is god, here is a possible heresy: we live by stories, we also live in them. One way or another we are living the stories planted in us early or along the way, or we are also living the stories we planted — knowingly or unknowingly — in ourselves. We live stories that either give our lives meaning or negate it with meaninglessness. If we change the stories we live by, quite possibly we change our lives.’

I try to do stories that make a difference -- stories that affect the way people think, stories that people need to hear -- and usually what drives me is to do stories about people who have no voice, people who have no political power, people who are overlooked by society.

I would not know how I am supposed to feel about many stories if not for the fact that the TV news personalities make sad faces for sad stories and happy faces for happy stories.

I don't think it's going to be possible for the next generation of writers to tell stories without telling stories about telling stories.

We tell stories. We tell stories to pass the time, to leave the world for a while, or go more deeply into it. We tell stories to heal the pain of living.

Yet again, an ancient answer echoes across the centuries: Listen! Listen to stories! For what stories do, above all else, is hold up a mirror so that we can see ourselves. Stories are mirrors of human be-ing, reflecting back our very essence. In a story, we come to know precisely the both/and, mixed-upped-ness of our very being. In the mirror of another's story, we can discover our tragedy and our comedy-and therefore our very human-ness, the ambiguity and incongruity, that lie at the core of the human condition.

I write my own stories. I like telling stories to little children. I think the good thing about stories is they carry you to another place which you've never been. And you feel like you're just enveloped by the book and the characters.

We are told not to privilege one story above another. All the stories must be told. Well, maybe that's true, maybe all stories are worth hearing, but not all stories are worth telling.

I still read romance, and I read suspense. I read them both. And part of it is, I like stories with strong characters, and I like stories where there's closure at the end. And I like stories where there's hope. That's a kind of empowerment. I think romance novels are very empowering, and I think suspense novels are, too.

If you want your children to be smart, tell them stories. If you want them to be really smart, tell them more stories. If you want your children to be brilliant, tell them even more stories.

I have found that the person with a sense of story built in from childhood is in better shape than one who has not had stories . . One knows what stories can do, how they can make up worlds and transpose existence into these worlds. . . .One learns that worlds are made by words and not only by hammers and wires.

Memory is the way we keep telling ourselves our stories - and telling other people a somewhat different version of our stories.

I read a lot of detective stories because they always deliver. They give you a beginning, a middle, and an end - a resolution. The modern novels I read don't always deliver because I'm looking essentially for a story. As in Shakespeare, "The play's the thing." In particular I read detective stories for pacing, plot and suspense.

Diversity in literature is, in part, about representation - who is telling the stories and who stories are told about.

Good stories flow like honey but bad stories stick in the craw [gullet]. What is a bad story? It's a story that cannot be absorbed in the first time of reading. It's a story that leaves questions unanswered.

I know these will become old stories someday and our pictures will become old photographs and we'll all become somebody's Mom or Dad, but right now, these moments are not stories. This is happening and I'm here.

The British were doing crime stories first, but the British thing is a very different thing. There, the stories are about restoring a break in the fabric of society. The American thing has never been worrying about breaks in the fabric of society, but about people doing their job, whether it's police procedurals or criminals or whatever.

I just think it's a great world to tell stories in, to tell cool stories: money, sex, fame, and scandal. Those are great subject matters to work with.

...these stories are a kind of beacon. By making stories full of empathy and amusement and the sheer pleasure of discovering the world, these writers reassert the fact that we live in a world where joy and empathy and pleasure are all around us, there for the noticing.

When we tell stories about things that are important - love, fear, beauty - we change the way people think about the world. Writers are, or should be, truth-tellers even when the stories themselves are fantasy.

Nobody knows what will work until they try it. Some of comics' biggest success stories in recent years have explored subjects that no one was writing about at the time - stories no one had any reason to think would succeed. My advice? Write what you want to read. You'll have more fun doing it - and if all else fails, you'll always have at least one loyal reader.

Life is painful sometimes. It touches everyone, so you may as well try to look for other answers and find peace. So, it is difficult to write those types of things because nobody wants to tell sad stories. I think that I'll always tell stories about human hope. I would love to be able to tell somebody, "It's okay. It's all right. Be a good person." That's what my job is, in life.

The Mole was bewitched, entranced, fascinated. By the side of the river he trotted as one trots, when very small, by the side of a man who holds one spellbound by exciting stories; and when tired at last, he sat on the bank, while the river still chattered on to him, a babbling procession of the best stories in the world, sent from the heart of the earth to be told at last to the insatiable sea.

I want hard stories, I demand them from myself. Hard stories are worth the difficulty. It seems to me the only way I have forgiven anything, understood anything, is through that process of opening up to my own terror and pain and reexamining it, re-creating it in the story, and making it something different, making it meaningful - even if the meaning is only in the act of the telling.

I tend to only be able to obsess about one thing at once, and become fully engaged in and only interested in that thing. But in the longer term, a lot of my stories also give birth to other stories.

Love is the answer to everything. It's the only reason to do anything. If you don't write stories you love, you'll never make it. If you don't write stories that other people love, you'll never make it.

I love when I get stories of young women that have overcome things such as birth defects that they've been hated on for or even just their own body confidence stories.

Children, only animals live entirely in the Here and Now. Only nature knows neither memory nor history. But man - let me offer you a definition - is the storytelling animal. Wherever he goes he wants to leave behind not a chaotic wake, not an empty space, but the comforting marker-buoys and trail-signs of stories. He has to go on telling stories. He has to keep on making them up. As long as there's a story, it's all right. Even in his last moments, it's said, in the split second of a fatal fall - or when he's about to drown - he sees, passing rapidly before him, the story of his whole life.

A story works when there's momentum, life behind the words. Some stories have this and others don't, and it's difficult to say why this is. If all stories "worked," though, writing wouldn't be much of a challenge; it wouldn't be art.

Stories are living and dynamic. Stories exist to be exchanged. They are the currency of Human Growth.

"Stories don't always have happy endings." This stopped him. Because they didn't, did they? That's one thing the monster had definitely taught him. Stories were wild, wild animals and went off in directions you couldn't expect.

I dont look for good-news stories or bad-news stories.

I'm a storyteller. I love to tell stories about brands. I love to tell stories, period. I like painting pictures through the words, and that's what I do.

I had these cheap alien toys and I made up stories for them. They were space pirates. They didn’t have names so I made up names. These were the first stories I wrote. Even as a little kid I was thinking about torture.

I have a book in the pipeline of short stories. You want to hear an agent scream, say 'I'm thinking about doing a collection of short stories set in the Ozarks.

Essentially, the life of expression is the ongoing journey of how we heal each other... for by telling our stories and listening to the stories of others, we let out who we are and find ourselves in each other, and find that we are more together than alone.

I love stories. When I'm writing, what I pretend subconsciously is that we're cavemen, we're sitting around the fire, and I'm telling you stories. If I bore you, you're probably going to pick up a big club and hit me over the head.

Stories open up new paths, sometimes send us back to old ones, and close off still others. Telling and listening to stories we too imaginatively walk down those paths - paths of longing, paths of hope, paths of desperation.

He loved telling stories. He had been everywhere in the world. The northwest frontier, the landscape of the Hindu Kush, was one of the great landscapes of my childhood because he used to evoke it with his stories. He taught me the sequence of ranks in the British army when I was about eight. I was in the bed with him while he told me everything about his life - except, probably, the real things, because of course you couldn't go there.

Witness protection just makes for exciting stories and it's a really rich sort of place to grab stories from... people starting over completely, saying goodbye to their lives before... it never ends in terms of story opportunities.

Good writing, in my opinion, is writing that looks really easy, so easy that a person who has never written more than a grocery list might convince themself that they could also write a book. That being said, it's always a lot of work, as you know. And then there's this: you have no idea how many failed stories and novels I've attempted. I have files full of stories that didn't work for whatever reason.

All human stories are migration stories because everyone is a refugee from their own childhood.

Everybody is a story. When I was a child, people sat around kitchen tables and told their stories. We don't do that so much anymore. Sitting around the table telling stories is not just a way of passing time. It is the way the wisdom gets passed along. The stuff that helps us to live a life worth remembering.

I love telling stories; I always have, and I think women need to be more proactive about telling their own stories and sharing their points of view. So that's definitely a goal for me.

We have heard stories about white men who make the powerful guns and the strong drinks and took slaves away across the seas, but no one thought the stories were true.

I'm an interpreter of stories. When I perform it's like sitting down at my piano and telling fairy stories.

As a young woman, Ama Ata Aidoo the freedom fighter vowed never to write love stories. Let’s delight in the fact that over the years she has changed her mind about the value of writing about love, as her rich edited collection of highly original and diverse ‘African Love Stories’ demonstrates. She has traveled her path and had the courage to grow and change while retaining her deep commitment to Pan- Africanism. Love flourishes, after all is said and done.

We create an image of happiness and success and then we are beholden to it. We tell ourselves stories and sometimes these stories become so strong as to imprison us. Breaking free from our personal fortresses is a long, hard journey, but ultimately what allows one to grow.