Quotes About Style

In Paris style is everything. That is traditionally understood. Every street, every structure, every shopgirl has style. The style of Parisian architecture has been proved and refined by at least three centuries of academic dictates and highly developed taste. There are few violations of this taste, and there is exemplary architectural consistency. Paris has defined the aesthetics of a sophisticated urban culture.

If you can change style, why stick to one style? Style is a vanity because it gives you product identification.

When I was living in Mexico, I started reassessing my drawing style, and plunged into a period of doing exercises and research to develop a new way to draw. The result was a style that implies more than it shows, and so, ironically, feels more "true" to the scene I want to draw than a style that is more specific. It seems to me that the reader's imagination is able to fill in the gaps more effectively than I ever could. Plus it's a lot faster and more fun to do.

Magazines don't have enough confidence to have their own style, so they use a borrowed style. That is shocking to me, but your perception is very accurate. It's a way to be more commercially viable, but to me, that's not having a style, that's having a schtick.

I think I have a pugnacious style. My style is not pretty. I don't use words like "amber" or "opaque."

After all, it is style alone by which posterity will judge of a great work, for an author can have nothing truly his own but his style.

If one means by style the voice, the irreducible and always recognizable and alive thing, then of course style is really everything.

I don't make comparisons between any movies. I compare characters. All my actions, performances, all my films, they are driven by the characteristic. If I'm playing a cop, then I give him a particular style - I may not know that style, but as an actor I have to be responsible to do your homework and do your research and training and stuff like that.

I don't really have a style -- I'm just me. My style is kinda whatever I feel like wearing. A lot of girls feel like they need to wear what everyone else is wearing. But it's good to have your own trend. People will start following it!

You don't find a style. A style finds you

Hemingway was a prisoner of his style. No one can talk like the characters in Hemingway except the characters in Hemingway. His style in the wildest sense finally killed him.

Properly understood, style is not a seductive decoration added to a functional structure; it is of the essence of a work of art. The necessary elements of style are lucidity, elegance, and individuality; these three qualities combine to form a preservative which ensures the nearest approximation to permanence in the fugitive art of letters.

The only way to always be relevant is to focus on what's eternal. Everything in style will soon be out of style.

I don't have a particular style I like, it just changes daily, depending on the mood or the situation. I don't have a style chosen.

I personally do not believe in the word style. Why? Because, unless there are human beings with three arms and four legs, unless we have another group of human beings that are structually different from us, there can be no different style of fighting.

When the necessary eleven days were added, George Washington’s birthday, which fell on February 11, 1731, Old Style, became February 22, 1732, New Style.

My vocal style is called bel canto, which is an old Italian vocal style going back hundreds of years.

I would say old school cats like Redman and Wu-tang. My style is my style, those are just cats that I liked.

I'm sure any vocal teacher that listens to me would rather cut my throat than do anything - I do everything all wrong - but I think for me that's the best - because I don't think I have a voice so I think what I project would be style - if I learned to sing I'd lose my style.

Work is style, and there is style without thought; not in theory, only in fact. When I take a sentence in my hand, raise it to the light, rub my hand across it, disjoin it, put it back together again with a comma added, raising the pitch in the front part; when I rub the grain of it, comb the fur of it, re-assemble the bones of it, I am making something that carries with it the sound of a voice, the firmness of a hand. Maybe little more.

I think comedians get too much credit or too much criticism for the style of comedy they do, and they generally do the style of comedy that works for them. [...] There's no kind of shrewd calculation going into the type of standup we all do. It's like David Cross is supposed to be doing the David Cross' type of standup.

In animation, you may be working with 20 writers, and everybody has to write the same thing. You can't have episodes that don't feel like they belong. In comics, you're gonna write a whole run, which means it's your style that's coming through. But when you're working on a show that's collaborated with a dozen other writers, you have to have a style that blends the show together. So you can't write it the way you normally would, because your script will stand out from all the others.

Many young people today do not concern themselves with style. They think that what one says should be said simply and that is all. For me, style - which does not exclude simplicity, quite the opposite - is above all a way of saying three or four things in one. There is the simple sentence, with its immediate meaning, and then at the same time, below this immediate meaning, other meanings are organized. If one is not capable of giving language this plurality of meaning, then it is not worth the trouble to write.

Italians know that what matters is style, not fashion. Italian style does not have social or age boundaries.

Every time I start off a book or a story I feel like I'm developing a new style or approach for that individual story alone, and it sometimes feels as if readers are looking for the same style/approach from the same writer over and over again, which hasn't helped me in the publishing biz.

I am a huge comic book fan, and I love everything vintage: cars, movies, music, art, and style - especially the 1950s style.

The generic Canadian style of illustration is different from the generic American style.

I honestly never sat down and said "OK, here's my style," because my whole thing was knowing everyone's style. Everything I've ever written has bits and pieces of everything I've ever heard. Any rapper that tells you different is a liar.

But you see when I play a game of Bobby, there is no style. Bobby played perfectly. And perfection has no style.

Every life is good. This [luxury] doesn't make life. It's a lifestyle. It's a style of life. Style is what you are, but everybody has life. And everybody's life should be good. Some of the happiest people in the world have nothing. Nothing. And they find happiness in being in the world. They wear the world with a smile.

Roger (Kellaway) amazed us all. Blessed with great technique, he could play any style, from ragtime to space music. Whatever style he chose to play at the moment would be filled with wonderful surprises that kept the rest of us continually delighted.

As one of my creative writing professors once said, there are only seven plots. What makes those plots different is how you handle them, your voice, your style, and your way of thinking. That’s all. People can mimic your style, but they can never achieve your unique point of view.

Style is the thing that's always a bit phony, and at the same time you cannot write without style.

We all put obstacles in our own path toward personal style, myself included. If we understood why we constructed these practical and emotional obstacles, we might move beyond it to healthier, happier perceptions of ourselves and, ideally, a better sense of self-esteem.

I think a big part of my job is to make an atmosphere on set and have an attitude that it's about experimentation, and you can't do anything wrong. It's not about judgment, it's not about me kicking over a chair and storming onto set and acting stuff out and telling people to copy what I do. That is a style of directing some people have, but I don't understand it.

This is easy to say with the benefit of hindsight, but I think it once again points out how very important style of leadership, that is the way he does what he does, is to his perception.

Yoga introduced me to a style of meditation. The only meditation I would have done before would be in the writing of songs.

Instead of buying a guitar for $2,000 or $2,500 - I'm not sure how much these are going for - but it's maybe $300 or something like that. It's more for beginners and stuff like that. Obviously it's not hitting the pros. And you can't get the Piezo pickup and the color-changing paint and the inlays and all the fancy things that my signature guitars offer, but you can get the general feel of the guitar - and the body style. It's cool.

Football, a game in which everyone gets hurt and every nation has its own style of play which seems unfair to foreigners.

To me, you can't have style without being inspired. When I design a collection, I am inspired by so many things. The color of a flower. The shape of a butterly's wing. The juxtaposition of an old tenement building next to a shiny new skyscraper.

Just a whole different style, just a whole different way of going about an audience and a way about skating. And they are so brilliant in their own way, which is great, and that's what Brian was saying; is the styles are different, and it's the whole mentality.

They say the average bank robber lives within say about 20 miles of the bank that he robs There's this little bank not so far from here I've been watching now for a while Seems like lately alls I can think about is how bad I wanna go out in style

It's my preferred working style to have bipartisan legislation. I think what the Democrats have made clear is that they don't want to deal with anything that repeals and replaces Obamacare. I think they wouldn't want to do anything that gets rid of the mandates, which is a big part of our proposal, getting rid of the individual employer mandates.

One man's style must not be the rule of another's.

I think style is a fringe benefit that looks like you made it.

The problem of translation is to retreat to a simpler tenor of one's own style and creatively adjust this to one's author.

If someone tells you that George Bush is not the 43rd president of the United States, they might be engaged in wishful thinking, or denial, but if they make that claim, it's either true or false! And you can assess that, regardless of whether there's an omniscient narrator, or an unreliable narrator, or it's shot in vérité, or it's manipulated, it's agitprop, whatever! It makes no difference! It's a style!

The style of studied nonchalance is the psychological triumph of grace over order.