Quotes About Television

When you watch television, you never see people watching television. We love television because it brings us a world in which television does not exist.

My fantasy for children's television is that it's not really children's television, it's everybody's television.

I've got a lot to say about television. There's a lot going on in television right now and I feel like a huge part of television.

Television is not the truth! Television is a goddamned amusement park. Television is a circus, a carnival, a travelling troupe of acrobats and story-tellers, singers and dancers, jugglers, sideshow freaks, lion-tamers and football players. We're in the boredom-killing business!

Children from the age of five to ten should watch more television. Television depicts adults as rotten SOB's given to fistfights, gunplay, and other mayhem. Kids who believe this about grownups aren't likely to argue about bedtime.

I describe television as feminine and movies as masculine, in the sense that television wants to examine a problem from all sides and talk about it for a long time, and movies just want to hit the climax and then maybe have a smoke.

Al Bernstein has seen cable television sports grow up. In 30 Years/30 Undeniable Truths he looks at his time in the industry through a prism that is unique to him. This book gives the reader an insight into the sometimes absurd world of television sports. There is a 31st undeniable truth: Al Bernstein is a truly funny man.

I certainly don't feel there's a distinction to be made between a television and a film actor. I think there's a distinction between great actors and not so great actors. But I really think if you watch a person working in television give a wonderful performance, that person is f - ing great, because there is no time.

Television is so cool. Television is proving that we can be sophisticated and that people will watch, if it's good.

I grew up with a dad who hated television, so we had to sneak television. It got ingrained in my head to never follow a show that religiously.

She's television generation. She learned life from Bugs Bunny. The only reality she knows comes to her through the television set.

I'm still going to do television. I'm just not going to do morning television. I would like to do some things that satisfy interests, private interests.

I'm in the art world so I use the art world a lot - or art world people as actors. I've also used television to criticize what I see on television. And now a lot of my work is made from the internet and a lot of it is made on my phone.

I've noticed a lot of people talking about the wealth of roles for powerful women in television lately. And when I look around the room at the women here and I think about the performances that I've watched this year, what I see actually are women who are sometimes powerful and sometimes not. Sometimes sexy and sometimes not. Sometimes honourable and sometimes not. And what I think is new is the wealth of roles for actual women in television and in film. That's what I think is revolutionary and evolutionary and it's what turning me on.

I really like working in television and I like exploring a character over a longer period of time, and I like the consistency of television.

Jeff always says, "In the cinema, everybody goes to sci-fi. Those are the biggest movies. But, in television, nobody wants to touch it with a barge pole." It's strange. I think it's because maybe there's a legacy of television shows that depicted sci-fi in a certain way that turns off a lot of viewers, so maybe there's a negative connotation.

In modern society most of us don't want to be in touch with ourselves; we want to be in touch with other things like religion, sports, politics, a book - we want to forget ourselves. Anytime we have leisure, we want to invite something else to enter us, opening ourselves to the television and telling the television to come and colonize us.

There are many things clogging the television waves. You've got to fight for every bit of television households you can get.

I don't really follow television so much, but in the old days there was a certain way TV was, and it wasn't really like cinema. I don't know how many ways it was different or the same, but it was not quite like cinema. Now, cinema can happen on television.

Hopefully I'll fit the television in there. Maybe it'll be like music and television and movies. I mean, who knows? But hopefully I can be successful at everything I do.

I am of the opinion that there is more high-quality television being produced than at any time in the history of television.

I find with television, you have to play personality, whereas onstage, everyone talks about "the character," and what you do. It's a very different thing, because stage is much bigger, but on television, for things to come across to the public, I think you have to play a bit of your personality.

Every film is a remake of a previous film, or a remake of a television series that everyone loved in the 1960s, or a remake of a television series that everyone hated in the 1960s. Or it's a theme park ride; it will soon come to breakfast cereal mascots.

Television, I love it, everything that happened before television lumped together, never caused folks to turn on a street to stare at me, or waitresses to ask for autographs.

I have no television to go on so I get a lot of writing done. That's my substitute for television.

When I started out, I was a television writer, and we wrote a television show that was on live every week. And you didn't have the luxury of coming in and waiting to be inspired. You came in and you had to write. And you wrote, because it was going to be live on the air. So I can do that.

When people in my generation started to write, we did not actually have much of a movie industry, much of a theater scene, much of a television industry or other creative outlets. But we had a lot of aspiring writers. All that has changed. We now have a movie industry, television industry and lots of theater. But we have retained a large contingent of writers and a dedicated readership. The larger number of people in society who value writing, the larger number of good writers will be produced. That's my belief. It raises the bar.

Radio was, in a way, a very philosophical medium. You could make an argument on the radio, and people listened to it. Television is already harder because people's attention span becomes shorter with television. Cut to a commercial and all that.

In my early teens, I knew I wanted to do television production. I loved cameras, editing and producing, anything that had to do with television production. My friend had a production studio across town, and we'd go over there at night and shoot and edit. I produced my father's televised service for 17 years.

When I sit down, I find that it's much easier for me to want to consume a movie than to dip back into 20 or 40 or 60 hours of a television series. I think a great movie is really amazing. But, television does give you a larger canvas.

We have currently a built-in allergy to unpleasant or disturbing information. Our mass media reflect this. But unless we get up off our fat surpluses and recognize that television in the main is being used to distract, delude, amuse, and insulate us, then television and those who finance it, those who look at it, and those who work at it, may see a totally different picture too late.

The repeat run of Fawlty Towers (BBC2) drew bigger audiences than ever and deservedly so. Statistical surveys reveal that only the television critic of the Spectator is incapable of seeing the joke, which is that Basil Fawlty has the wrong temperament to be a hotel proprietor, just as some other people have the wrong temperament to be television critics.

The program is only the excuse to get you to watch the advertising. Without the ads there would be no programs. Advertising is the true content of television and if it does not remain so, then advertisers will cease to support the medium, and television will cease to exist as the popular entertainment it presently is.

Now, all America sits in front of television sets and those television sets exude, I am sorry to say, a considerable amount of radioactive material. It's not huge, you know, but it's enough so that people who have made a habit of watching TV ... get the TV radiation.

We're enlarging in every single area of the ministry at In Touch. We're on radio and television. We're in over 110 million homes in America plus radio on satellites. We just acquired the NAMB FamilyNet television network, and with that expanding possibilities of the gospel.

I'm a huge fan of television, and it's a really good time to be a fan of television, because there's so much good stuff out there. In every genre, really.

The television business is actually going through a tremendous transition, but I think at the end of the day, television is still paramount.

Now, you always know there's going to be some compromise when you're doing something for television, and especially network television.

My father did think I should get interested in television. But I had very little interest in television and it wasn't something I wanted to do. I really never thought about going to work on big feature films in Hollywood. But when we made The Householder, Columbia Pictures bought it. Who would have ever imagined?

I got tired of doing battle with people thinking I was a little weird because I wasn't in a band making happy, stilted music. The only people who really seem weird to me are people who think they're normal. People who think it's possible to be normal just by doing the same things that most people do. Is there a most people? I don't know. Television makes it seem like there is, but I think that might just be television.

You used to have to make a choice. Is it a serialized television show, or is it a stand-alone or procedural? We were wildly influenced by The X-Files. Even when we created Fringe, it was the same thing. It's the gold standard of all gold standards, in genre television, and it was so wonderful because you felt so much for those characters.

Television and radio are what I call sequential media; they're not simultaneous media. With simultaneous media, you can scan your eye down an electronic or print page and pick among six or seven stories you might like and want to read. With television and radio, you have to wait until the guy's finished talking about the balloon boy, which I don't have the slightest interest in, to find out that all hell's broken loose in Baghdad. Because they've chosen that day to start with the balloon boy.

Nowadays, to be frank, every week is a good week for freakshow television. we might start asking, Why are there so many freaks? And why do they all want to be on television?

I don't. We've had three technological revolutions that have changed the course of human history, all driven by physics. In the first, the industrial revolution, physicists developed Newtonian mechanics and thermodynamics, which gave us the steam engine and machine power. The second technological revolution was the electricity revolution. That gave us radio, television, and telecommunications. Then, physicists developed the laser and the transistor.

When the doors to television were opened to me, that was quite a surprise. It's been such a gift that there was so much TV and independent film happening in New York that I could be a part of. There was something to satiate my desire to be artistic and creative, especially when it wasn't in the way I originally thought it was going to be.

I hate to mention age, but I come from an era when we weren't consumed by technology and television.

I really enjoy doing sitcom television. It allows me to stay in Los Angeles and spend more time with my husband and kids.

What the British seem to like are television historians and naturalists, not public intellectuals. You can't help feeling that's because one supplies narrative and the other supplies facts, and the British are traditionally empiricists so they/we have a resistance to theory and to theoreticians playing too prominent a role in public life.