Quotes About Tradition

The rationale for accepting or rejecting any theory is thus fundamentally based on the idea of problem-solving progress. If one research tradition has solved more important problems than its rivals, then accepting that tradition is rational precisely to the degree that we are aiming to "progress," i.e., to maximize the scope f solved problems. In other words, the choice of one tradition over its rivals is a progressive (and thus a rational) choice precisely to the extent that the chosen tradition is a better problem solver than its rivals.

Tradition is only democracy extended through time; it may be defined as an extension of the franchise. Tradition means giving votes to the most obscure of all classes, our ancestors. It is the democracy of the dead. Tradition refuses to submit to the small and arrogant oligarchy of those who are merely walking about. All democrats object to men being disqualified by accident of birth; tradition objects to their being disqualified by accident of death. Democracy tells us not to neglect a good man's opinion, even if he is our father.

God is not good, or wise, or intelligent anyway that we know. So, people like Maimonides in the Jewish tradition, Eboncina in the Muslim tradition, Thomas Aquinas in the Christian tradition, insisted that we couldn't even say that God existed because our concept of existence is far too limited and they would have been horrified by the ease with which we talk about God today.

Every writer owes something to a particular tradition he/she grew up in. But no serious writer - other than the militantly nationalist ones - would reduce his/her domain of influence to a single tradition. Furthermore, historical breaks are so common and large in Europe that there are ruptures in every tradition which then connect the same generations across national borders. Younger Eastern European writers, for instance, have more in common with other writers of the same age in Europe, than with the previous, communist-era generations in their own countries.

We still have a tradition certainly in English television; it's faded a bit in the last five years, but we still have a tradition where the important thing is the quality and the challenging nature of the programming.

Every tradition grows continually more venerable, and the more remote its origins, the more this is lost sight of. The veneration paid the tradition accumulates from generation to generation, until it at last becomes holy and excites awe.

Tradition means giving votes to the most obscure of all classes, our ancestors. It is the democracy of the dead. Tradition refuses to submit to that arrogant oligarchy who merely happen to be walking around.

I think that voodoo as a spiritual tradition has been demonized for so long in popular culture. I wanted to write against that and write a character who practiced that spiritual tradition who was not evil and intent on creating zombies or causing pain through voodoo dolls or whatever.

Rap comes from the oral tradition. The oral tradition gives voice to those who would've otherwise been voiceless.

The communal experience of sharing something, and being part of it, and watching something visually striking, that's what film is all about. Seeing everything on a big screen, and to be able to see something phenomenal in that way, and being moved by it. We have kind of lost the tradition of that, and we're not nurturing the next generation in that tradition, and maybe that's why they're not turning up.

I may, and I think I represent a tradition that means a lot to me, which has really always been about fighting for others, for middle-class families, for working class - for working people, you know, and that's a tradition and a commitment that I take very seriously.

Many analysts compare Turkey with countries in the Middle East, but I think we need to compare it with Russia. Both countries come from a tradition of empire, and also from a tradition of the strong state.

Does people not asking me about Asian American literature mean they don't see it as its own literary tradition? I certainly believe in it as its own literary tradition, because your race plays a great factor in how you are seen by the world, and how you see the world; the fact that I'm an Asian American isn't incidental to who I am as a writer. Where it becomes difficult is defining what, if anything identifiable at all, makes an Asian American book an Asian American book, other than the fact of its creator being Asian. And I'd argue that there is nothing identifiable beyond that.

Tradition is the living faith of dead people to which we must add our chapter while we have the gift of life. Traditionalism is the dead faith of living people who fear that if anything changes, the whole enterprise will crumble.

There were positive things about the church, that is, in the European cultural sense, the architecture, the liturgy, the music, the art, such as it was, the stations of the cross in the church, the tradition, and the atmosphere of awe and mystery in the mass. The atmosphere of miracle, one of mainly mystery, that's what fascinates me.

'Knowing' is one of those movies where you're going to get the spectacle, and you're going to have the entertainment in the grand science fiction tradition. But also, it will perhaps stimulate some discussion to help you sort out on your own where you might choose to go in terms of your own needs. Now, I say that without preaching.

In the mythic tradition, the Mountain is the bond between Earth and Sky. Its solitary summit reaches the sphere of eternity, and its base spreads out in manifold foothills into the world of mortals. It is the way by which man can raise himself to the divine and by which the divine can reveal itself to man.

In Russia, we have a long tradition of compassion for people who have been put into labor camps or prison.

Refined, intense, wise, stiring, immediate, subtile, all the charmed qualities gather in Dropping the Bow. These translations are precious jewels. Like the erotic moods they investigate, these versions shimmer and startle with a palpable desire to be heard, and a mystical sense of impermanence. This is a transmission of a vital, extraordinary tradition.

Tradition is a very powerful force.

From the very beginning, we bucked tradition. When the experts said that something was "always done" in a certain way, we'd do it our way, which was sometimes the very opposite.

A poet clings to his own tradition and avoids internationalism.

There actually had been a tradition within English music of the '60s of people looking eastwards, maybe in quite a naïve way, but nonetheless, you had musicians like George Harrison or Bryan Jones recording the musicians of Joujouka in North Africa.

For me, the stereoscopic imagery was a new game to play with. Surprisingly enough, it's also a return to tradition. I'm back with paper-looking puppets moving about in several layers of theatrical backgrounds.

The Bible is interpreted by the Talmud. Except, in Rabbinic tradition, a Talmudic law has the weight of the Biblical law. Sometimes we say in a prayer, "Blessed are Thou, O God, who has ordered us and commended us," to do something. But you don't find that "something" in the Bible; you find it in the Talmud. So Talmudic law becomes as important as Biblical law.

They asked me to do a show, and I was planning on showing my figure paintings. But my friends told me I shouldn't - the paintings were good but a little old-fashioned. They said, "Why don't you show the other stuff?" I had also been making rather strange objects, more in the Freudian tradition.

The thinking man must oppose all cruel customs no matter how deeply rooted in tradition or surrounded by a halo. We need a boundless ethics which will include the animals also. My life is full of meaning to me. The life around me must be full of significance to it. If I want others to respect my life, then I must respect the other life I see however strange it may be to mine. Ethics in our western world has hitherto been largely limited to the relation of man to man... but that is a limited ethics.

Using trees as a symbol of peace is in keeping with a widespread African tradition. For example, the elders of the Kikuyu carried a staff from the thigi tree that, when placed between two disputing sides, caused them to stop fighting and seek reconciliation. Many communities in Africa have these traditions.

I would like people to feel that they've understood something more about Siena than the usual Palio as seen by tourists. It is full of beauty, romance and tradition, but also power, schemes and bribery. It's Italy in a nutshell, with all its incredible mixture of beauty and betrayal.

An auctioneer is such a uniquely American thing. I keep thinking in my head, perhaps it's not as American as I think, but it feels so Southern. It feels so American. Like, hundreds of years of American tradition is involved in it.

Classical music is a wonderful 1200 year-old tradition that witnesses everything that it has meant and what it means right now to be human.

People of different religions and cultures live side by side in almost every part of the world, and most of us have overlapping identities which unite us with very different groups. We can love what we are, without hating what – and who – we are not. We can thrive in our own tradition, even as we learn from others, and come to respect their teachings.

The cumulative effect of the Romantic theory of creativity, as played out in the context of belief in the virtue of the avant-garde, is that while the art world has effectively freed itself from the tyranny of artistic tradition and its historic patronage system, it has ended up inhabiting an autonomous but perceived irrelevance.

Men make their own history, but they do not make it just as they please; they do not make it under circumstances chosen by themselves, but under circumstances directly encountered, given and transmitted from the past. The tradition of all the dead generations weighs like a nightmare on the brain of the living.

The youngest metal kids are less impressed by tradition, so you get metal that encompasses everything. It's not a defining kind of lifestyle and look.

To say that the Afro American created jazz doesn't mean anything bad about Anglo Americans, and I always teach my younger jazz musicians that at this point the entirety of the American tradition is your heritage, and you need to know it.

People get strange about whether you've written your own songs, which seems really stupid considering that, especially in Country Music, it's about oral tradition and passing things on and the songs weren't meant to be played by one person and then forgotten.

When I do older folk songs, I'm not doing them because they're old. I have no interest in reviving or continuing a tradition. I'm just doing them because they're great songs.

I do think that that would be fair, but I can understand that people would be a little apprehensive to take that road because there is a tradition of natural-born women, but today where there are so many surgeries and so many people out there who have a need to change for a happier life, I do accept that because I believe it’s a free country.

There is one tradition in America I am proud to inherit. It is our first freedom and the truest expression of our Americanism: the ability to dissent without fear. It is our right to utter the words, 'I disagree.' We must feel at liberty to speak those words to our neighbors, our clergy, our educators, our news media, our lawmakers and, above all, to the one among us we elect - President.

Central to America's rise to global leadership is our Judeo-Christian tradition with the vision of the goodness and possibilities of every human life.

I may love individual people, but I am contemptuous of the arrogance , and in a way, it's both ruined me and fuels me. It's ruined me because nobody cares about these issues, and then it's the source of most of my storytelling now, because I am so preoccupied with it. It fuels me, because this is my outrage. I do believe in that great tradition of literature and storytelling. You know, the downfall and the folly of it all.

If there be a mind that, not perceiving in the narratives we have compared the fingermarks of tradition, and hence the legendary character of these evangelical anecdotes, still leans to the historical interpretation, whether natural or supernatural; that mind must be alike ignorant of the true character both of legend and of history, of the natural and the supernatural.

An authentic updating of sacred music can take place only in the lineage of the great tradition of the past, of Gregorian chant and of sacred polyphony.

I think that what I was talking about was that as a woman growing up in a Mormon tradition in Salt Lake City, Utah, we were taught - and we are still led to believe - that the most important value is obedience. But that obedience in the name of religion or patriotism ultimately takes our souls. So I think it's this larger issue of what is acceptable and what is not; where do we maintain obedience and law and where do we engage in civil disobedience - where we can cross the line physically and metaphorically and say, "No, this is no longer appropriate behavior."

Critics of Consequentialism have often assumed that hedonism (or preference-satisfaction) must be the theory of the good, that the deontic principle must be maximizing, and that the principle should be applied to individual acts. Indeed, this version is often called "classical utilitarianism" and attributed to Bentham and sometimes even to Mill. Rather than a "classical" view it is a recent construction foisted on to the tradition.

In the tradition of Black Hawk Down, Malcolm MacPherson vividly brings to life this harrowing story of courage, pathos, and war at its grittiest. For military history buffs, or those interested in the front lines of the war on terror, Roberts Ridge is a must read.

Irish artists have a tradition of being very heavily engaged in what is happening in their own society. So it was important that they had a voice.