Quotes About Twitter

We should look at the Twitter records of Andrew Fraser. Clearly, the ship was on remote control, because he spent all of his time on Twitter. He used to Twitter in the chamber. He used to Twitter at night. He used to Twitter probably in bed at home, but I am not going to go any further there.

Twitter is the only brand of social media that I have ever taken to at all. I like the feeling of having my perception of the world expanded daily, 24/7, by being able to monitor the reactions of 100-and-some people throughout the world that I personally follow so I have some sense of who they are. There has never really been anything like that before, at least in terms of the digestible 140-character bandwidth that Twitter is based on. I am able to wake up, open Twitter, and sort of glance across the psychic state of the planet.

Everybody has something now. It's become very over-saturated, and it's hard to weed out what's good, what you should watch and what you have time to watch. And Twitter was much less crowded, at the time, and it was an easier way to reach people. So, the combination of having a great video, a lot more access to people through Twitter, and having Kickstarter be this new thing in. We tapped into it, at its inception, and got people interested in it just based on the concept of what Kickstarter was. The timing was right.

If you look at companies with upside potential, Twitter's right there. They've established a brand in a world where it's extremely difficult to establish a brand. It's a global brand, people recognize it, people want to let you know what their Twitter handles are, etc.

With Twitter and other social networking tools, you can get a lot of advice from great people. I learn more from Twitter than any survey or discussion with a big company.

[According to Twitter] 24 percent of American Twitter users are African-American. That's about twice as high as African-Americans are represented in the population.

I don't really use YouTube that much. I am a very Internet-oriented person, but I'm more of a Twitter freak - I'm always on Twitter. Or chatting with friends.

I do not Twitter. I don't want to Twitter, and I don't see any point in Twittering. The last thing I want to do is tell people what I'm doing at the moment because I'm probably not doing what I'm supposed to be doing.

Twitter is very impulsive and impermanent and you only have 140 characters. There is no greater 'Emperor' of Twitter than Stephen Fry.

We'd all survive if Twitter shut down for a short while during major riots. Social media isn't any more important than a train station, a road or a bus service. We don't worry about police temporarily closing those. Common sense. If riot info and fear is spreading by Facebook and Twitter, shut them off for an hour or two, then restore.

A Twitter update is simple and fast and gets the information and news, and it spreads it very quickly, and it can contain links so you can then link to this whole context of information.

People are morons. I don't do any social media stuff. I have people telling me all the time, "You should do Twitter, you should do this, you should get on Facebook." Are you insane? I'm not doing any of that crap. I stay the hell off that thing. Every once in a while, I send a business email, and that's it.

But as far as Twitter, I'll be in a restaurant and I'll get home and somebody tweeted and they talked about what I ordered and what I was wearing. In some cases, that could be dangerous, because you don't want everybody to know where you are every second of every day.

You talk about sexual abuse? Bill Clinton's wife ran the bimbo eruptions units when he was in the White House to seek and find the women who might accuse Bill Clinton of sexual abuse (and other things) and destroy them. And advertisers never leave the Clintons, and donors never leave the Clintons. Why is that? Because donors and advertisers never receive massive numbers of complaint emails from all of these Twitter and Facebook bots.

We spend so much time, these days, on forms of literature that don't rise to be literature, and I'm speaking about Twitter posts and quick and hot takes on different websites. We sort of zoom from thing to thing like a hummingbird.

I'm not a Facebook/Twitter gal, but my husband is.

I don't Twitter, I don't MyFace, I don't Yearbook...

I'm active on Twitter, and I love my iPad and my Kindle.

The internet, Facebook and Twitter have created mass communications and social spaces that regimes cannot control.

I think of Twitter as a messaging system that you didn't know you needed until you had it. Think about when cell phones first started coming out. People said, "Why would I carry my phone around?" And now you'll drive back to your house thirty miles if you forget your cell phone.

There is a person that says they invented the podcast and they are suing Adam Carolla, because he is the top of the hill, for patent infringement. If this person wins, Adam Carolla, Marc Maron, Joe Rogan, Jay Mohr, Chris Hardwick, it will all go away. So, it's kind of like when someone takes your name so you can't get it on Twitter, magnified times a billion.

If Mark Twain had had Twitter, he would have been amazing at it. But he probably wouldn't have gotten around to writing Huckleberry Finn.

You should see some of the things people tweet me. There have been death wishes on my Twitter timeline.

I flood the Internet with what I think is quality content. That's why I did things like giving out a song every 100,000 Twitter followers because I am just looking for ways to get my fans to hear all this music without over saturating things.

I'm still here. I'm a force to be reckoned with... you have to come take my spot, and not through Twitter and not through the media, come take my spot. I'm ready to go. As big men in the league, there are two who have done something special during this millennium. I'm one and Tim Duncan is the other. Anyone else has to come upstairs and see the Shogun. I'm still the Shogun.

With Twitter and Instagram and all of these vehicles where fans can directly interact with you and get your attention, there's a little bit of an entitlement. Like, "Why won't you follow me or write me back?" Well, if I write you back, then I have to write everyone back.

Thanks to social media such as Facebook and Twitter, a far wider range of people take part in gathering, filtering and distributing news.

I make sure to use both Twitter and Facebook a lot which helps me connect to the fans.

People would publish their websites; other people would read them. But there was no real back and forth other than through e-mail. Web 2.0 was what they called the collaborative web - Facebook, Twitter, the social media.

It was one of those cases where you approve the broad, general principle of an idea but can't help being in a bit of a twitter at the prospect of putting it into practical effect. I explained this to Jeeves, and he said much the same thing had bothered Hamlet.

Social cohesion was built into language long before Facebook and LinkedIn and Twitter - we're tribal by nature. Tribes today aren't the same as tribes thousand of years ago: It isn't just religious tribes or ethnic tribes now: It's sports fans, it's communities, it's geography.

Social media, where I'm head and shoulders above everybody else. I've read now 22 million people on Twitter, Facebook and Instagram. More than 22 million people. Nobody else is even close.

The notion of people commenting on you, the notion of people saying things about you, people liking or disliking you and getting into your business, has become more of a reality for the general public over the last years, as people have dipped further into Facebook, Twitter, Instagram and social media.

Narcissism really spreads its wings and soars on twitter. It's like watching a dragon hatch and learn to fly.

I think it will be very challenging for someone who has not been in prominent public life in the age of Twitter to go out on the campaign trail.

Don't slag off other creators or companies. We'll cheerfully mock dumb politicians on Twitter, but we try to never slam another creator's work or make fun of another company's projects or initiatives. First, because life's too short. We'd rather use that time to celebrate the fantastic work of colleagues and friends. Second, because it's a small world, and people have long memories. A few snarky words today can ruin a chance for an incredibly rewarding creative partnership tomorrow.

Twitter's designed to reduce the language, directly out of 1984! It's Ingsoc!

Now everyone's main objective of taking photographs is to have a photograph for Twitter or Facebook. I find that troubling. If you have an opportunity to meet the Dalai Lama, don't work out your camera or iPhone issues. Sit and a listen to what the man is saying, because nine times out of 10, you're not going to look at that photo. You're not going to look at the video. As a photographer, I don't carry a camera. I have my iPhone, but I don't carry a camera. I want to live.

Me and my bandmates grew up with the internet music scene. So we're well versed in how to interact with the online fan base. Obviously MySpace several years back was the main mode of transportation. I found out about so many great bands through the Myspace band of the week feature, it was my goal to be on there. But it's changed a lot. We have a couple social media people helping us out, but for the most part we always oversee our Twitter. We look at a lot of our Facebook stuff. We try and keep in touch with as many people as possible.

I tried to be a ski bum when I stepped away from Twitter, and I wasn't a very good skier.

I'm not really big into Twitter and stuff, but I like to post really cool music videos, just sort of spread a positive light on things that interest me. As opposed to, "I hate so-and-so because they were wearing the same hat as me." That's just so pointless.

I'm always mystified by the day-to-day workings of entities like Twitter that provide framework but not content, but I suppose it could be compared to the U.S. Postal Service, which manages to keep a lot of people employed doing lots of stuff other than writing letters.

Artists are all giving so much of ourselves to the work and the people and the press and the media and Twitter and all that now. For me, being able to create from a genuine place is really difficult lately because there's so much going on all the time, but when all that stuff gets quiet, you can explore your ideas without any ego or mental chatter.

Bridget [Jones] was always, at heart, about the gap between how you feel you're expected to be and how you actually are and that gap has only widened. Young people now are entering an uncharted sea, where there's huge pressure to judge yourself on how many Likes or Followers you get on Facebook, Twitter, or Instagram, rather than the on important things like being kind, honest, resilient, funny and a good friend.

The new contract between writers and readers is one I'm prepared to sign up to. I've met some fascinating people at events and online. Down with the isolation of writers I say! And long live Twitter.

Some people are mean, and when you look at their page, they only write mean things, but I have a great time with a twitter person. It's not even to promote myself, just to entertain me.

What's interesting about Twitter is the unmediatedness of it, the directness of it. I'm on a train somewhere in New York and I send out a tweet. Somebody sitting at dinner in Bombay checks their phone and they see it.

Friends, haters, it's Twitter poll time. What do you think most holds back justice and equality for women? All thoughts welcome!