Quotes About Want

We want character but without unyielding conviction; we want strong morality but without the emotional burden of guilt or shame; we want virtue but without particular moral justifications that invariably offend; we want good without having to name evil; we want decency without the authority to insist upon it; we want more community without any limitations to personal freedom. In short, we want what we cannot possibly have on the terms that we want it.

To show you how radical I am, I want carjackers dead. I want rapists dead. I want burglars dead. I want child molesters dead. I want the bad guys dead. No court case. No parole. No early release. I want 'em dead. Get a gun and when they attack you, shoot 'em.

Lord Jesus,' Christy whispered, 'I want You to hold the key. I want You to decide what should happen in my heart's garden. I want You to let in or send out anything or anybody You want. Especially with guys. I don't want to ever unlock that gate again. I want you to open it only when the right man comes along. Take the key, Lord. Take all my keys. I'll wait for you.

I want to be magic. I want to touch the heart of the world and make it smile. I want to be a friend of elves and live in a tree. Or under a hill. I want to marry a moonbeam and hear the stars sing. I don't want to pretend at magic anymore. I want to be magic.

I want to retire in New York, let's be quite frank. I think a lot of people jumped the gun when I said I wanted to be a free agent. And yeah, I want people to come to play in New York. I want them to want to play in New York. I want New York to be that place where guys want to come play.

I don't want somebody who writes like me [in my writing staff]. Because I can write like me. I know what I'm capable of and what my limitations are. If you're going to build an orchestra, you don't want all tubas - you want a violin and you want a cello and you want a drum set.

We live in this society where you must constantly be reinventing yourself. The big question is what are you doing next. The only thing they want is composed of these three elements: They want you to do it the exact same way because they want more of it; but they want it to be totally different; and they want it to be better. That's all you have to do. You just have to do something that's exactly the same, totally different, and better.

I decided that I want to live the rest of my life happy with what I'm doing. So when I play tennis again, I have to play it for the right reason. I don't want to play to get my No. 1 ranking back. I don't want to play for the attention, or to earn more. I don't even want to play because the world wants to see me do it, even though it's nice to know that the world is interested. I only want to play because I love the game, which is the reason I began to play at age seven in the first place.

There's a lot of pressure to look good, have the gun, know what you're doing and be one of the boys. I was like, "I don't want to be one of the boys. I want to be a doctor. I want to be cerebral. I want to sit back and just use something else. I don't want to do the stunts. Let the boys do that. I'm just going to be the doctor who's about taking care of other people."

I know who I am supposed to be with. Im just waiting until the time is right. I know what i want. I want to be so sure of everything in my life and be so good on my own that someone just comes in to compliment it. I want somebody who is happy. I dont want to meet someone who needs me. I want someone who is good on his own.

Then finally I said, 'Okay, well, I want to know all the details. I want creative input. I want to be consulted. I want to know what they're doing and who's involved. And I want to see the space.' So they took me to see it, and then I realized it was major! All these red flags on the Rue de Rivoli with my name on them right by the Louvre!

Darling, I don't want you; I've got no place for you; I only want what you give. I don't want the whole of anyone.... What you want is the whole of me-isn't it, isn't it?-and the whole of me isn't there for anybody. In that full sense you want me I don't exist.

What is it to you if I don't want others to want for me, if I want to want myself - if I want the impossible.

I think it's a dance that people want to see. It's a chemistry that people want to see. In the same way that people don't want to see a perfect hero with no flaws who can handle anything, people don't want to see a perfect relationship. There's nothing interesting about that. People want to see you fail.

When you're young - when I was young - you want your emotions to be like the ones you read about in books. You want them to overturn your life, create and define a new reality. Later, I think, you want them to do something milder, something more practical: you want them to support your life as it is and has become. You want them to tell you that things are OK. And is there anything wrong with that?

Have you ever longed for someone so much, so deeply that you thought you would die? That your heart would just stop beating? I am longing now, but for whom I don't know. My whole body craves to be held. I am desperate to love and be loved. I want my mind to float into another's. I want to be set free from despair by the love I feel for another. I want to be physically part of someone else. I want to be joined. I want to be open and free to explore every part of them, as though I were exploring myself.

It's okay if you want to go. Everyone wants you to stay. I want you to stay more than I've ever wanted anything in my life. But that's what I want and I could see why it might not be what you want. So I just wanted to tell you that I understand if you go. It's okay if you have to leave us. It's okay if you want to stop fighting.

A big part of making an album is that you want to have enough material - you want to have enough stuff for people to hear and know that it represents you. So it does sometimes turn into a situation where you're saying to the person you're working with, "Well, what do you want?" But then there are other times when I work with people and they'll turn to me and say, "How do you want to do this?" And that's actually when I work best.

I want you to love me. I want you to trust me enough to let me love you, and I want you to stay here with me so we can build a life together. That's what I want

What do you want to want to be, anyway?" "I don't know; I guess what I want to be is a good Catholic." "What you should say"--he told me--"what you should say is that you want to be a saint.

And what do you want right now?" Right now I itch to heal his wounds and forget my own. He touches my cheek with the tips of his fingers. My breath hitches. "Do you want to kiss me, Alex?" I whisper. "Dios mio, I want to kiss you ... to taste your lips, your tongue." He gently traces my lips withthe tips of his fingers. "Do you want me to kiss you? Nobody else would know but the two of us.

When I'm awake, I don't want to go to sleep. I don't want the hassle of turning the light off, putting my head down and then all the thoughts. I don't want all those thoughts... thoughts feed on thoughts feed on thoughts feed on thoughts feed on thoughts and I'm: 'I don't want this'. I have to knock myself out to go to sleep.

Freshman want to play. Sophomores want to start. Juniors want to score. Seniors want to win

I like whomever to come to my shows. I want people who want to see me to come see me. I don't want to force people. I don't want it to feel like a job!

What is so weird is that young people who want to be 'celebrities' do not want to put in the hard work. They don't want to do the training, go to drama school, read Shakespeare, try different accents and study technique. They just want to be famous. It is not just in England; it's the same in America and all over Europe.

We want to make sure children aren't left without any books. We want to make sure our children have the books, that they have a place in the castle. We want to make sure that their mothers have affordable day care. We want to make sure we give the older people the care that they need.

Kids don't care what party they have, right? They want cake and they want to run around. Nothing else matters. But in this escalation, all the kids want parties like their friends. So, if all the friends have an amazing, expensive party, they all want the same thing. If we all got to scale down as a coordinated effort, all the kids would have been just as happy.

I have been heart broken. You can't breathe, your eyes are pouring a thousand tears a second and you can't foresee going on with love because you never want to feel this way again. But then you have to look in the mirror and say 'Shut up, eat some ice cream, be by yourself for a while and think about who you are and who you want to be - then, go out and find someone compatible.' A broken heart feels like the worst thing in the whole world, but it really helps you decide what you want and don't want. You learn a lot from a broken heart.

I always try to stick to the script because I want to respect the writers, and I want to respect the director. But if the director and my fellow actors are okay with me playing with it a little bit, then I definitely want to play with it. I definitely want to do that, because I tend to... when I put things in my own words, it comes out way better. It flows naturally, it just feels better. I can put some weight into the words. Even in comedy, it just comes better.

Next year, Equality Now will celebrate - if that’s the word - will clock its twentieth year. Two decades of fighting the good fight, fighting the cause, and in case I haven’t been the clear, the cause is that one half of the human race is given the same basic equal rights that the other half enjoys. Or, not given. Given back. That is not a milestone, twenty years, that I intend to go unnoticed. I want to make some noise. I want to make a joyful noise, I want to make too much noise. I want the neighbors to complain. I’m tired of being polite about something that matters so much.

The Beatles, they had it all figured out, okay? "I Want to Hold Your Hand." The first single. It's effing brilliant, right?... That's what everybody wants, Nicky. They don't want a twenty-four-hour hump sesh, they don't want to be married to you for a hundred years. They just want to hold your hand.

. . I have written a couple of screenplays for studios, and each time has been less gratifying than the last. In my experience, they want no real representations of homosexuality, they want no complexity, they are terrified of ambiguity and unanswered questions - they don't know what they want, except that they want to make lots of money. The only freedom I've ever had as an artist has been in the theatre.

Why would the God of the universe want to be submitted to me?' Because we want you to join us in our circle of relationship. I don't want slaves to my will; I want brothers and sisters who will share life with me.

But this is what I know about people getting ready to walk of the edge of their own lives: they want someone to know how they got there. Maybe they want to know that when they dissolve into earth and water, that last fragment will be saved, held in some corner of someone's mind; or maybe all they want is a chance to dump it pulsing and bloody into someone else's hands, so it won't weigh them down on the journey. They want to leave their stories behind. No one in all the world knows that better than I do.

I don't want to be a slave to electronic devices. I don't want to be connected to my friends. I don't want to send snapshots of my dog and cute pictures of my family life to my friends and family. I don't want to be liked, by pushing a button. I use all of this technology to basically replace devices that I had in the past which worked just fine.

It'd be negligent to say that I don't want to be at the top of the charts. Of course I do, it's proof that your song is being heard. But I think it's more about the work for me and being proud of what I'm doing in music than what people think about my music. I want to like my music before you like it. I don't want to sell anything that I don't really like. I don't want to sell myself short just to get to the top of the charts. It doesn't feel that great. Feeling proud of your work feels greater than being at the top of the charts.

I have no patience with people who want to tell me what's wrong. I only want to hear from the person who first tells me the solution and then fills me in on the problem. I don't want to hear that your basement is flooded. I want to hear that you've found the number to the cleanup company. Then tell me why you're calling them.

The issue of torture, connected to American soldiers, is not somewhere most people want to linger. We may not want to confront this issue so much in the U.S. because of how we want to think about our veterans. There's the sense that we want to think of our veterans as - if they're damaged, damaged by something glamorous, like a firefight.

[Kirk] Johnson throws some heavy punches and is a knockout fighter. This is what people want to see. They want to see a fight, they want to see punches and they want to see action.

We want to be special. We want our place in the cosmos to be central. We want evolution-even godless evolution-to have been directed toward us so that we stand at the pinnacle of nature's ladder of progress. Rewind the tape of life and we want to believe that we (Homo Sapiens) would appear again and again. Would we? Probably not.

You know how a lot of people say, 'I lose myself in music,' or 'I like to escape,' but I want my music to be more of an awakening. I want it to make people to be aware of life; I don't want my music to be a distraction. I want to light a path.

Yeah, I think we have to. If we want our shows to be - if we want the quality of the shows to be good, and we want the energy to be high, and if we want to be in good enough physical shape to do them, and not exhaust ourselves on the road, and not get stale, we have to pace.

There was always resistance and there was always a counter-narrative, but we were told all through the early twentieth century that black people in the South don't want an education, they don't want to vote, they're simple people, they don't want this, they don't want that.

We've got to be able to have a conversation and recognize we're all Americans; we all want the best for this country. We may have some disagreements in terms of how to get there, but all of us want to make sure that our economy is strong, that jobs are growing. All of us want to make sure that people aren't bankrupt when they get sick. All of us want to make sure that young people can afford an education.

If you want to know who God is, look at Jesus. If you want to know what it means to be human, look at Jesus. If you want to know what love is, look at Jesus. If you want to know what grief is, look at Jesus. And go on looking until you’re not just a spectator, but you’re actually part of the drama which has him as the central character.

I just want to be at peace with myself, personally and professionally. I want to lead my life the way I want to without having to worry about what the other person may be thinking. Professionally again, I would like to be able to just do films that I want to without having to explain my reasons to my friends, family and fans.

I just know that right now, we want to be proud. For once. We want to take the struggle and rise above it. We want to frame it, live it, survive it. We want to put it in our mouths and taste it and never forget it, because it makes us strong.

Because that's the thing about depression. When I feel it deeply, I don't want to let it go. It becomes a comfort. I want to cloak myself under its heavy weight and breathe it into my lunges. I want to nurture it, grow it, cultivate it. It's mine. I want to check out with it, drift asleep wrapped in its arms and not wake up for a long, long time.