Quotes About Weird

I want girls to feel that they can be sassy and full and weird and geeky and smart and independent, and not so withered and shriveled. (The American Apparel ads) I'm over this weird, exhausted girl. I'm over the girl that's tired and freezing and hungry. I like bossy girls. I like people filled with life. I'm over this weird media thing with all this, like, hollow-eyed, empty, party crap.

I had some pretty weird fan mail growing up, sometimes from prison and wherever else. Nothing too intense. Some superfans that maybe went a little overboard with gifts and whatnot, expecting something other than what it could be with a kid. That's a little weird. But at the same time, it's like, "Hey, I'm getting free video games. I'm not going to return it if you sent it!" Thankfully we never felt unsafe.

Sundance is weird. The movies are weird - you actually have to think about them when you watch them.

It's easy to make up weird stuff. It gets trickier when you want the weird stuff to be interesting and make sense.

It's really nice meeting people after a concert. Still, it's very weird to be at the center of a group of 30 people all listening to what you're saying. When that group turns into 300 people, it goes on from weird. Some people revel in it, and I don't.

I don't go out of my way to write Weird Fiction, or in any other genre. Some of my stuff easily slips into the Weird slot.

That's pretty weird—and when I say something's weird, you know it's serious.

It's a really weird thing, modern divorce. I found out I was getting divorced on television. That was kind of weird.

It was a weird game. There was ugly shooting and a lot of turnovers and mistakes, and we were just fortunate to get the win. I should have done better, but it was just a very ugly and weird game... I knew the game was going to be an ugly game when I saw those three guys at the scorer's table. Ugly people call ugly games.

I grew up doing plays - I went to a stage school after school - and it's always something that I've wanted to do, but, in a weird way, if you do television and film and you didn't go to drama school and don't have a theatrical background, it's hard to get your foot in the door. In the same way that it is for theater actors to get into television and film. There's a weird prejudice that goes both ways.

The thing about being famous is, it's weird. The only people who get how weird it is are other famous people.

It was weird to be in a movie that's very clearly a period piece like Killing Reagan, but that's about a time that's within my own memory. That's really weird. And conscious memory, not just vague.

Let's keep people with weird religious faiths out of government. Especially those who have a weird religious faith IN government.

I know stealing a foot is weird. But, hello, living in a house where a foot is available to be stolen is weird.

The weird, weird thing about devastating loss is that life actually goes on. When you're faced with a tragedy, a loss so huge that you have no idea how you can live through it, somehow, the world keeps turning, the seconds keep ticking.

When people ask me what qualifies me to be a writer for children, I say I was once a child. But I was not only a child, I was, better still, a weird little kid, and though I would never choose to give my own children this particular preparation for life, there are few things, apparently, more helpful to a writer than having once been a weird little kid.

You're weird," Nick grumbled, but he turned his face back to critically examine the new hand. "You're weird," Jamie returned. "As soon as this whole magical war is over, I'm going to make us some friendship bracelets, and we will wear them everywhere because we are best friends." "Drop dead," said Nick, and Jamie looked serenely pleased.

I was able to come up with a couple articles for the magazine, I was able to solicit help from a bunch of my friends to contribute pieces: Patton Oswalt, Seth Green, Emo Phillips, Chris Hardwick, John Hodgman, and more. It's very much a "Weird Al" themed issue, so I'd like to think that there's a lot of "Weird Al" flavor throughout but I think it'd be generous really to call me an editor.

The whole press thing and who you are in the media, or what you have to project yourself to be, it feels very much like another person. People say to me, "Oh, your life must be changing," and I'm like, "Uh, I guess?" For me, it's such a gradual change, and I don't see it from the outside like everybody else does. It's weird, I see my face on a bus or online or somebody has my picture as their picture on Twitter and it's all a bit weird and I feel very disconnected from it and very much, "I guess that's me." It's very surreal.

It's a weird situation, doing interviews. Nowhere else in the world can you talk about yourself and have people listen like they're interested over and over. Most people, if they talked about themselves for a half an hour, you'd go, "I'll give them a miss next time." So it's kind of weird.

If you're weird, it's good to be weird.

Everybody has weird dreams, but a usual weird dream is, okay, so your mom's driving a car and she's a dog.

Anyone who has that weird volition to become an actor probably has a weird volition to do lots of other creative things - to write, to play music, to paint, to cook.

He's like one of those weird birds in India who dissolve themselves into thin air and nip through space in a sort of disembodied way and assemble the parts again just where they want them. I've got a cousin who's what they call a Theosophist, and he says he's often nearly worked the thing himself, but couldn't quite bring it off, probably owing to having fed in his boyhood on the flesh of animals slain in anger and pie.

Obviously I've been reading Kafka for a long long time, since I was really young, and even before I ever read him I knew who he was. I had this weird sense that he was some kind of family. Like Uncle Kafka. Now I really think of him that way, the way we think about an uncle who opened up some path for being in a family that otherwise wouldn't have existed. I think of him that way as a writer and a familial figure.

I did an interview once where I was asked who I found attractive and I went on about cartoons and Nala from 'The Lion King' - and it's a bit weird but various of my ex-girlfriends actually did look like Nala.

When people show me pictures of their kids, it's okay. But when I give them a picture of me, to show to their kids, I'm weird. What kind of one way street is that?

I had [at school] my own little posse of people that all felt weird together so it wasn't so lonely.

If I had a dollar for every time I said that, I'd be making money in a very weird way.

You know, you grow up with the image of John Travolta being super cool - 'Saturday Night Fever,' Brian De Palma, handsome young god... he, in reality, is a very silly man. And I mean that in a good way. He'll walk around the set talking in little weird voices, making people laugh.

It's kind of weird, because I look at myself as just a normal person. My friends get rejected all the time, so why shouldn't I? I don't think I'm anything special.

Movies are so weird. I don't believe anything until it's already done.

When I'm running, I'm looking for contact. It's kind of weird. It brings a fire to me. When I get older I'll probably get wise and not do that.

Makeup is such a weird concept. I'll wake up in the morning and look in the mirror. 'Gee, I really don't look so good. Maybe if my eyelids were blue, I'd be more attractive.

I've noticed that as someone who has done music and creative things in Washington state and Portland, to kind of toot your own horn, or admit, "I'm going for it. I'm hustling," is not exactly the norm. Which is weird, because you go to New York, or LA, or anywhere else, you've got to be gunning for it - and you should be - you're part of a fast-moving stream of other people who are really ambitious. People move here to work less. So, to say that you're hustling all the time, and going for it, is kind of a little bit against the grain here.

Everyone likes to tell stories. And gossip is, of course, even more exciting, if you know the people. But if the gossip's about yourself, it's very weird. They once wrote about me that I had been clubbing with some guys. At the moment I'm a victim and that hurts because it's not me who does something like that. Such stories are just unfair.

It seems like suffering's the only time we can see what's essential. If peace ever comes back I'm making a vow: I'll design myself special glasses. They'll block out whether people are fat or thin or beautiful or weird-looking, whether they have pimples or birthmarks or different coloured skin. They'll do everything suffering's done for us, but without the pain. I'm going to wear those glasses for the rest of my life.

My first professional audition - god, I've never told anybody about this - was for a test commercial, I think it was for Xbox. It involved me getting kidnapped by a granny who wanted to play the Xbox. It was very weird and I definitely had no idea what I was doing. I actually got the gig. It wasn't a commercial; it was what directors did when they wanted to show the company what they would do with a commercial.

It's so weird, not knowing what your life is going to be. I'm being optimistic. And when 'Leverage' comes to an end, I have lots of ideas for other things. You can't really sit and wait for things to come to you.

I don't know why I don't watch the Oscars. It's not bitterness or anything; it just seems weird.

YOU are using a frisbee as a plate." "Uh, what? I'm not using a--oh hang on, this is a frisbee. Weird." Victor glared at me. "Dude, calm down, I'll wash it afterward. It's probably dishwasher safe.

I think that sometimes almost the bigger tragedy in a weird way is all of the future imagined creative projects that could have happened that didn't. I feel the same way about lots of brilliant people who die young, kind of senselessly especially.

Harry and Draco have a very weird love/hate relationship.

That's what all these studios do: They recruit people who've seen certain films. It's this weird, fake science-y thing the studios call a "tool." That's a very scary process, because it can be used in odd ways. But then there's focus groups and stuff like that. I was so nauseous and terrified, and then you get the cards: very good, good, recommend.

I feel like the personal me and the artistic me are separate, but connected. It's almost like a Jekyll and Hyde thing. As much as you try to keep them apart, they end up together. I'm very much aware that when I'm miserable on the creative side - if I can't make things work a certain way - it really detracts from being the father I want to be. So in order to ultimately be a good father and the man I want to be I know I need to keep my creative side in check, or at least a little bit happy. It's weird how it's intertwined that way.

If I said who I was influenced by, it would be really weird and pretentious because it would be people who have nothing to do with what I do. From a listening perspective, there's just something in their playing that I'm inspired by.

Diane Coffee is just the part of me that has always been a performer. It's something that's always been there and Diane Coffee is just the name I've given her for this project. But I was always the one who would raid mom's closet and get all dressed up and put on crazy weird shows in the living room or film little movies.

I think everybody's weird. We should all celebrate our individuality and not be embarrassed or ashamed of it.