Quotes About Woman

Man may escape from rope and gun; Nay, some have outlived the doctor's pill: Who takes a woman must be undone, That basilisk is sure to kill. The fly that sips treacle is lost in the sweets, So he that tastes woman, woman, woman, He that tastes woman, ruin meets.

The modern woman is the curse of the universe. A disaster, that's what. She thinks that before her arrival on the scene no woman ever did anything worthwhile before, no woman was ever liberated until her time, no woman really ever amounted to anything.

I remember during my lifetime I would meet women, and it was almost like God would say to me, 'Now, this woman here is not the one you are going to end up with, but she is going to be a lot like this woman; look at this woman, study this woman.' And when my wife showed up, He was like, 'You recognize her now?'

Maybe a young woman will go see a show by a woman, or starring a woman about women's issues, and that will help her get to that quiet place inside of herself where she can then explore what it means to be a woman to her.

There are things that a woman sings, and only a woman knows the full meaning. You may sing for men as well as for women, but only a woman knows your full meaning. I am not a feminista. I only think a woman should be true to who she believes herself to be. Or who she wants herself to be. Or who she imagines herself to be. I don't know what I mean, or whether I'm true myself to any of that. I don't think there are many of us who are true to our possibilities.

Women sometimes really love to look at other beautiful women on the screen. But they don't look at a woman the way a man looks at a woman. They want to be that woman. They like if a woman is beautiful or sexy, especially if she's powerful. They like to see her catch a man, or to be powerful in the world. I think this is why a lot of women love noir films and classic films because they can really identify with these really strong, beautiful women. That's the kind of power that women have lost culturally.

If a woman could take care of herself, would she still need a man? Would she even want one? And if she didn't want a man, what kind of woman would she be? Would she even be a woman? Because it seemed if you were a woman, the only thing you were really supposed to want was a man.

I would like to be known as an intelligent woman, a courageous woman, a loving woman, a woman who teaches by being.

No woman who is a woman says of a human body, 'it is nothing' ... On this one point, and on this point alone, the knowledge of woman, simply as woman, is superior to that of man; she knows the history of human flesh; she knows its cost; he does not.

I call her Wild Woman, for those very words, wild and woman, create llamar o tocar a la puerta, the fairy-tale knock at the door of the deep feminine psyche. Llamar o tocar a la puerta means literally to play upon the instrument of the name in order to open a door. It means using words that summon up the opening of a passageway. No matter by which culture a woman is influenced, she understands the words wild and woman, intuitively.

Talk—half-talk, phrases that had no need to be finished, abstractions, Chinese bells played on with cotton-tipped sticks, mock orange blossoms painted on porcelain. The muffled, close, half-talk of soft-fleshed women. The men she had embraced, and the women, all washing against the resonance of my memory. Sound within sound, scene within scene, woman within woman—like acid revealing an invisible script. One woman within another eternally, in a far-reaching procession, shattering my mind into fragments, into quarter tones which no orchestral baton can ever make whole again.

Speaking of opinions, the charming woman does not air hers very freely. The crude woman is eager to let you know what she thinks of every matter, person or object that bobs up. She comments on every passing item - even in public, as you may have noticed. Not only is it bad taste for her to be so desperately interested in her own reactions and opinions - but she throws away the precious aura of reserve and mystery that makes a woman attractive.

I find it really interesting that people are shocked by the raw, natural representation of a woman and a man's body. I guess it's subverting our expectations in terms of how we've come to expect women to present themselves when they're being naked. Also the woman's and the man's role is subverted in that image. You'd expect the man to be carrying the woman.

Suspense is like a woman. The more left to the imagination, the more the excitement. ... The conventional big-bosomed blonde is not mysterious. And what could be more obvious than the old black velvet and pearls type? The perfect ‘woman of mystery’ is one who is blonde, subtle and Nordic. ... Although I do not profess to be an authority on women, I fear that the perfect title [for a movie], like the perfect woman is difficult to find.

I can say that if you're a writer who happens to be a woman, you'll get a book cover that depicts a woman with no head, or a woman turning away, or a pair of high heels. You have to fight to not get stuck with these covers. In the U.S. women are chick-lit writers unless they prove otherwise, and that's frustrating.

I design for the woman I wanted to be, the woman I used to be and to some degree, the woman I'm still a little piece of.

Every woman whether rich or poor, married or single, has a circle of influence within which, according to her character, she is exerting a certain amount of power for good or harm. Every woman, by her virtue or her vice, by her folly or her wisdom, by her levity or her dignity, is adding something to our national elevation or degradation. A community is not likely to be overthrown where woman fulfills her mission, for by the power of her noble heart over the hearts of others, she will raise that community from its ruins and restore it again to prosperity and joy.

The theory that the man who raises corn does a more important piece of work than the woman who makes it into bread is absurd. The inference is that the men alone render useful service. But neither man nor woman eats these things until the woman has prepared it.

The lifting up of the woman does not require the tearing down of the man. In fact, a strong woman appreciates a strong man. Conversely, a strong man is not intimidated by a strong woman.

The real trouble about women is that they must always go on trying to adapt themselves to men's theories of women, as they alwayshave done. When a woman is thoroughly herself, she is being what her type of man wants her to be. When a woman is hysterical it's because she doesn't quite know what to be, which pattern to follow, which man's picture of woman to live up to.

Every woman hates her own body. I don't know a woman who doesn't . . . well, I do know a few who love themselves but in the case of most women it's like, "ugh." And when I dress a woman, my design intention is to give them an attitude or a grace, no matter whether it's a wedding gown or ready-to-wear.

Gay guys like a certain kind of woman. They like a flamboyant woman that's broken. They like a balls-to-the-wall woman, motherly but not; sexual but not. Gay guys are like this: they either love you or they don't even know you're on the planet. Once you have them, you have them.

I'm a tomboy now. I always wanted to fit in with my brother's group, so I climbed trees and played with lead soldiers. But I'm a woman's woman. I never understood women who don't have woman friends.

I want to meet a woman that will make me stop and listen to what she has to say. I want a woman who will make my jaw drop in awe. A woman that has little time for me. One who does not throw herself at me. One who respects herself who has a sense of herself. Where is she

I have seen romanticism outlast the realistic. I have seen men forget the beautiful women they have possessed, forget the prostitutes, and remember the first woman they idolized, the woman they could never have. The woman who aroused them romantically holds them.

It is a woman, and only a woman, — a woman all by herself, if she likes, and without any man to help her, — who can turn a house into a home.

The first rule about a black woman’s hair is you don’t talk about a black woman’s hair. And the second rule is you don’t ever touch a black woman’s hair without getting written permission first.

The woman who appeals to a man's vanity may stimulate him, the woman who appeals to his heart may attract him, but it is the woman who appeals to his imagination who gets him.

I looked like a woman in glasses, but I had dreams of leading a very different kind of life, the life of a woman who would not wear glasses, the kind of woman I saw from a distance now and then in a bar.

When a woman submits to a man, it's the most precious gift she can give. Herself. Unreservedly. The man has to respect and honor that gift above all else. Even if he respects nothing else in the world, he must respect the woman in his care. It's his sworn duty to protect, honor and cherish his submissive. To take care of her and provide a safe haven. Someone who would put his own needs above his woman's is no man.

You know, there's a thing about the woman across the room. You see the woman across the room, you think, She's so poised; she's so together. But she looks at you and you are the woman across the room for her.

Well, Pa, a woman can change better than a man. A man lives, sort of, well, in jerks. A baby's born or somebody dies and that's a jerk. He gets a farm or loses it and that's a jerk. With a woman, it's all in one flow, like a stream. Little eddies and waterfalls, but the river, it goes right on. A woman looks at it that way.

If we're a natural man, we're attracted to a woman. You are our natural partner in the act of procreation. Now there's a time and a place for everything, but when a fine-looking woman, with a fine-looking form walks down the street, a man could be working with a jackhammer, and when he spies that woman, he'll watch her as she walks. What kind of thought comes up in your mind? You don't say, "Oh, what a great creature." Like a dog you may say, "Man, I'd sure like to have some of that!" That's not what you want.

The last speaker alluded to this movement as being that of a few disappointed women. From the first years to which my memory stretches, I have been a disappointed woman. I was disappointed when I came to seek a profession worthy an immortal being - every employment was closed to me, except those of the teacher, the seamstress, and the housekeeper. In education, in marriage, in religion, in everything, disappointment is the lot of woman. It shall be the business of my life to deepen this disappointment in every woman's heart until she bows down to it no longer.

In my opinion, the most important thing as a woman leader-and I learned this early through a whole bunch of great women who were in my life (and men, I have to say)-is that if you have a position of leadership and power and you don't use it in a different way, then you're wasting it. So when people used to say to me when I was the first woman president of PBS, "Well, you know, does that mean that as a woman you're going to be a different kind of president?" And I would say, "Well, I hope so!"

A woman who can eat a real bruschetta is a woman you can love and who can love you. Someone who pushes the thing away because it's messy is never going to cackle at you toothlessly across the living room of your retirement cottage or drag you back from your sixth heart attack by sheer furious affection. Never happen. You need a woman who isn't afraid of a faceful of olive oil for that.

It was better for me when I was joined at the court by a second woman. When I was there alone, there was too much media focus on the one woman, and the minute we got another woman, that changed.

What I'm trying to say is: it gets boring when nothing meaningful is discussed about it. It's the same thing when a woman poet writes about suffering - it's a "woman's tendency to depression and grief." It's not a human, universal tackling of something that exists in all of us. It's suddenly a "woman issue."

When I used a woman in my films or wrote a woman into my film, I wanted her to be a central point and a motivating point or a catalyst to function in the film.

A woman in the depths of despair proves so persuasive that she wrenches the forgiveness lurking deep in the heart of her lover. This is all the more true when that woman is young, pretty, and so decollete as to emerge from the neck of her gown in the costume of Eve.

The first problem for all of us, men and woman, is not to learn, but to unlearn. We are filled with the popular wisdom of several centuries just past, and we are terrified to give it up. Patriotism means obedience, age means wisdom, woman means submission, black means inferior: these are preconceptions imbedded so deeply in our thinking that we honestly may not know that they are there.

Whatever your woman is into, you better be into. Whatever your man is into, you better be N2. Your partner into church, you better be into church. Your man or woman a crack head, you better be a crack head ... Otherwise it just won't work.

I am a Woman Phenomenally. Phenomenal Woman, that's me.

I'm not a woman! Let's make that very clear! Oh I don't know, maybe I am. I am an American woman. Or 65 percent of me is.

I have a beautiful daughter, beautiful wife.They look like me, we all happy and I don't have no trouble. And I ain't that much in love with no woman to go through that hell - ain't no one woman that good.

No man can have anything better after faith than a woman of righteous character, loving and child-bearing. And no man can have anything worse after unbelief than a sharp-tongued woman of bad character.

When a destitute mother starts earning an income, her dreams of success invariably center around her children. A woman's second priority is the household. She wants to buy utensils, build a stronger roof, or find a bed for herself and her family. A man has an entirely different set of priorities. When a destitute father earns extra income, he focuses more attention on himself. Thus money entering a household through a woman brings more benefits to the family as a whole.

It meant something to me – the idea of a coat guarding and hiding a woman’s body. For me, a woman who is absorbed in her work, who does not care about gaining one’s favor, strong yet subtle at the same time, is essentially more seductive. The more she hides and abandons her femininity, the more it emerges from the very heart of her existence.