People do complain about the way I act on stage... They think on stage I act too arrogant, too self-obsessed, solecistic, self-contained, synonyms.

Bitches and hoes don't exist because the hoes know Bo's a feminist.

I've been doin' drive-bys all of my life. Except the bullets are newspapers, the car is my bike.

I remember being superyoung, like nine or ten years old, and thinking, 'Man, I wonder what famous people eat for breakfast. They must have some special kind of cereal!' My mind was so warped by the idea of fame.

Then the challenge is, once you left brain it and build it, then when you're on stage you have to know it so well that you can get lost in it. I don't want to be onstage looking like a robot, I want to be at the end of the day very emotional and what feels like someone being up there rather than reciting things. That's always the challenge, to analyze and then somehow lose yourself in something you absolutely know backwards and forwards. And nothing's going to surprise you, but you have to be surprised by it and let it surprise you.

I know it's the comedian's instinct to say, "Do it, man, nothing's off-limits! It's cool, bro!" I don't know if that's the answer for me. "Do I really want to make a joke about a miscarriage when a woman in the audience might have had one?" I don't worship comedy; at the end of the day I don't fall to the altar of comedy unquestioningly.

I have a pretty good math mind, so I can see patterns, but I don't have a great ear. It's like a tragedy - I can see so much more natural musical ability in so many other people.