Michael Eric Dyson Quotes

Even when you don't know, you're supposed to know.

There is no conscious choice of heterosexual identity any more than there is a homosexual one. The last person in the world who wants to be homosexual, for the most part, are homosexuals.

I received my calling and accepted it at around 18.

There are many things that black women can continue to do to help black folk. First, black women have historically been among the most vocal advocates for equality in our community. We must take full advantage of such courage by continuing to combat the sexism in our communities. Black women, whether in church, or hip-hop, don't receive their just due. Second, when black women are in charge of child-rearing, they must make ever so sure to raise black children who respect both men and women, and who root out the malevolent beliefs about women that shatter our culture.

My empathy for poor people comes from having been one of them for so long, from knowing that their humanity is more complex and that the truths of their suffering have to be told honestly.

You cannot hear the name Martin Luther King, Jr., and not think of death. You might hear the words 'I have a dream,' but they will doubtlessly only serve to underscore an image of a simple motel balcony, a large man made small, a pool of blood. For as famous as he may have been in life, it is - and was - death that ultimately defined him.

That kind of peer learning, that peer teaching, that peer evaluation, and then administration of insight.

I have no interest in romanticizing poor black people, having been one of them myself in our beloved hometown of Detroit.

Black people watch more television than anybody else, which makes it legitimate to talk about television. Its anesthetizing effect has been quite real. But that concern isn't new.

..And the same rapper who revels in a woman's finely proportioned behind may also speak against racism and on behalf of the poor, even as he encourages them not to look at hip-hop as their salvation.

America certainly has made extraordinary progress. The collective unconscious of the nation has certainly shifted as a result of the civil rights movement and the developments in the '70s and '80s. We have witnessed a great expansion of the black middle class.

I'm just challenging white supremacy at its intellectual heart every day. It's a pedagogy that I deploy against some of the most vicious resistance to blackness that whiteness is able to throw up. I engage in a lot of intellectual combat with supremacists and with the predicate of white supremacy and white indifference to black identity, and brown and red and yellow identity too, for that matter.

Donald Trump amplifies the worst instincts. And his nationalism is really a white racist supremacist nationalism.

Mrs. James, my fifth-grade teacher, introduced us to some of the great literature of African American culture. I won my first blue ribbon reciting the vernacular poems of Paul Lawrence Dunbar, in particular "Little Brown Baby."

I grew up on the West Side - the "near West Side," [in Detroit], as they say - in what would be considered now the inner city.

Hip-hop has globalized a conception of blackness that has had a political impact, whether or not it had a political intent.

We began to connect literacy and learning and the lively effects of biblical knowledge and preaching pretty early. That was a tremendous impact.

I'm in bed, so to speak, more with those people who consider themselves atheists but who are concerned about the same things, ideas, and politics I'm concerned with than those who claim to be religious in the same way that I am but have no interest in the political reorganization of society, which needs to be talked about from the pulpit.

What disturbs or assures us about race has very little to do with blood or biology. Race is about how you use language, understand your heritage, interpret your history, identify with your kin, figure out what your meaning and worth to a society that places values on you beyond your control. And it's also about what people see you as - or take you to be.

Originality doesn't consist of saying it first, originality consists of saying it in a way that is specifically tailored to the moment in which you are addressing - and at the moment when the complications arise, challenging the logic of what you're doing.

My church is the world! I want to bring the gospel to as broad and as interesting an audience as possible.

White-on-white crime is a devastation in America like so-called black-on-black crime. It's not black or white-on-white crime. It's proximity murder.

I didn't get to college until my 20s, because I was a young father on welfare and had to take all kind of jobs to support my young son. There's what frames my view on the topics I discuss on my shows, and the average person relates to that. No matter how many degrees I have now, I lived that life, and that comes through to the people watching.

There is a consciousness as an agent of one's own destiny as a person in America, there are things that can be done, there are advantages and benefits which exist that are directly related to - and even rest upon - white privilege.

The consequences of whiteness are particularly lethal right now. And the ignorance about it, especially on the part of white people themselves, makes them unavoidably complicit in a system that has to be unmasked, unveiled, undressed in order to be reformed or destroyed.

I used to tell people when I preached at a church, 'If you want a great sermon, be a great audience.'

Social media itself is not protest. To tweet is not to protest physically. To do a Facebook post, and though it's critical and crucial, is not to show up and embody the anger you feel, to embody the righteous outrage you feel, to embody the concern you feel. This is about putting feet to pavement and to register in the consciousness of America that this is something that's problematic.

I think it's extremely important to challenge white brothers and sisters and think more systematically and strategically about the whiteness that they possess.

It's not enough to be against something.

I think sometimes younger people - not necessarily thinkers and intellectuals and the like, but people who are on social media and who are not as informed as journalists or professional thinkers - may get a bit, you know, impatient with the necessity of sustained thinking, sustained argumentation, sustained dialogue.

I suppose that I inherited the same vocabulary and world view as most black Christians do, most Christians in general, to be sure. It was heterosexist in the sense that it took the heterosexual orientation as the norm from which to start as the given. And everything that fell outside of that was not acceptable.

I think we have to face right in the center of the hurricane, if you will, Martin Luther King, Jr.'s foibles and faults. I think that we do no good to ourselves and do no honor to him by pretending that he did not fail, that he did not wrestle greatly and, at times, surrender to his own sins and his own faults and failures.

New Orleans invented the brown paper bag party - usually at a gathering in a home - where anyone darker than the bag attached to the door was denied entrance. The brown bag criterion survives as a metaphor for how the black cultural elite quite literally establishes caste along color lines within black life.

The emphasis on personal responsibility is something we've had in black America from the get-go. Every major leader and intellectual worth her salt has advocated for black folk to better ourselves and push ourselves to the limits of our abilities and gifts. At the same time, we've got to focus on creating a society that recognizes our worth, regardless of race and other factors.

When I was 12 years old, my pastor came to the church: Dr. Fredrick Samson. And that was revolutionary because he mentored me and I got a chance to see up close the impact of a rhetorical genius.

I think there's no question that Michael Jackson was the foremost entertainer of his generation; perhaps of all time, arguably, taking the skills of a Sammy Davis, Jr., bringing together the street dance of African American urban culture, joining them to the politics of dance, of Fred Astaire and Gene Kelly on that sphere alone.

We must continue to insist to our better off brothers and sisters that they are in the same racial boat as their less better off kin. Even elevated class status and superior financial standing cannot ward off the effects and consequences of racism.

Blackness is an ocean, a universe, a possibility that can never be exhausted. And so we have to constantly reaffirm the necessity of excavation, of archiving and curating, but also exploring, and understanding afresh and learning for the first time what it is that we need to know, and what the limits and boundaries are, and what the themes and preoccupations should be, and what the redemptive character of that erudition is. I find myself in the exciting position of doing all that, and at the same time having the obligation to explain to white people what the deal is.

Comedy is to force us to observe ourselves in ways that are humorous and yet, at the end of the day, that cause us enough discomfort with the status quo to make a change.

Gangsta rap often reaches higher than its ugliest, lowest common denominator, misogyny, violence, materialism and sexual transgression are not its exclusive domain. At its best, this music draws attention to complex dimensions of ghetto life ignored by most Americans. Indeed, gangsta rap's in-your-face style may do more to force America to confront crucial social problems than a million sermons or political speeches.

America is capable at single moments of receiving the depth and the breadth of the homiletical vision of black America when a black preacher rises to his or her craft at the height of his or her ambition and the desire to tell America the truth.

Hip hop scholarship must strive to reflect the form it interrogates, offering the same features as the best hip hop: seductive rhythms, throbbing beats, intelligent lyrics, soulful samples, and a sense of joy that is never exhausted in one sitting.

I have written 13 books, full of my ideas about a variety of issues - from black women, to hip-hop culture, to the civil rights struggle. Even when I address such figures as Tupac Shakur and Bill Cosby, my ideas are quite evident.

I think that the over-incarceration of black and brown folk is one of the great crimes of American society.

I believe in a God of a second chance and a God of love and mercy, because I need so much more of it myself.

The writer's gift can make us see ourselves and our morals differently than our reality suggests.

There's a dark underside to philanthropy. People who give a bunch of money are deferred to, even when they are wrong. The emperor cannot be shown to have no clothes.

I've been a social gospel-er and a person who sees politics as a central dynamic to the encoding of religious rhetoric.