Quotes About Aesthetic

My intention, certainly, is to create something which is aesthetic but many things are implicit in the work that I do. For me photography is writing, it is history; it can be aesthetic, it can be many things though it does not have to be art.

Aesthetic value emanates from the struggle between texts: in the reader, in language, in the classroom, in arguments within a society. Aesthetic value rises out of memory, and so (as Nietzsche saw) out of pain, the pain of surrendering easier pleasures in favour of much more difficult ones ... successful literary works are achieved anxieties, not releases from anxieties.

I find that deadlines form part of the aesthetic. I don't have that "It could only have been this way" kind of thing. I tend to rewrite it and say that after the fact, but on the way there, there are just some routes that you have to give up and make decisions, and that decision-making I find torturous. But I'm used to that torture.

The short story, free from the longuers of the novel is also exempt from the novel's conclusiveness--too often forced and false: it may thus more nearly than the novel approach aesthetic and moral truth.

A dramatic experience concerned with the mundane may inform but it cannot release; and one concerned essentially with the aesthetic politics of its creators may divert or anger, but it cannot enlighten.

The best and most innovative products don't always win...(it's an) aesthetic flaw in how the universe worked

In the end, I believe that the most important influence on my aesthetic has been the photographs I have taken.

A handful of men working within the Zen sect of Buddhism created gardens in fifteenth-century Japan which were, and still are, far more than merely an aesthetic expression. And what is left of the earlier Mogul gardens in India suggests that their makers were acquainted with what lay behind the flowering of the Sufi movement in High Asia and so sought to add further dimensions to their garden scenes.

I was also always interested in the aesthetic realm - architecture and that kind of stuff - but music was my first love.

Punk can be a mental ghetto. People get into it and make all these rules and pretty soon they're worse than born again Christians and have stupid three hour conversation about things like, which band is a sellout and is straight edge cool or un-cool and it's just completely idiotic. So punk has taught me the aesthetic of the outsider, which is great, but it's also taught me not to get involved in petty little cults.

Of course it would depend on the project, but I don't think I could ever separate myself from my aesthetic.

The true traveller is the one urged to move about for physical, aesthetic, intellectual as well as spiritual reasons.

The people who work in the fashion industry and the people who work in the film industry have a lot in common. They're very creative. Their eye is very aesthetic.

With writing and publishing, my only aim is to live in the aesthetic pleasure dome.

About 1998, when 'Wide World of Sports' and the 'Footy Show' came to an end for me, I couldn't type. When I started architecture, it was a very aesthetic, creative, an almost art process, where lettering and thick line were how you expressed yourself on the paper.

The laws against public nudity make no sense. The idea that Jerry Falwell can go topless while Cindy Crawford cannot is an absolute affront to logic, common sense and the 5000 year human struggle for aesthetic taste.

It starts with the writing. We have to think of all these characters - we have to treat them all equally. We have to think of them as having an interior life and having motivations. When I'm drawing female characters, I'm looking for that. I'm looking for subtext. I'm looking for ways to make the reader relate to them in a way that goes beyond the pure aesthetic value. You know, just drawing an attractive woman really gets kind of boring after a while.

"Girly" can be limiting if you're told it's the only option. I don't think the solution is to get rid of the girly stuff or decide it's oppressive and get mad at a singer or book for not ACCURATELY REPRESENTING ALL WOMEN. There just needs to be more options for girls who don't identify with the girly aesthetic, and can broaden the idea of what being a girl means. Similarly, there needs to be more of that stuff that can be aesthetically girly, but feminist in the actual message.

I guess when I look over my shoulder at other designers, I feel like people are so definitive. It's so clear to me what their aesthetic is, what they're projecting. And I look at my own work and I think, Who could ever decipher what the hell is going on?

In a way, the political cartoon drawings are things that are small and have humor and a childhood aesthetic and are often stronger to spread an opinion.

In architecture, to do anything beyond object form is often treated as something extra-disciplinary - something outside the discipline that has nothing to do with art. So I'm making it clear that this is an artistic choice. It's not everyone's artistic choice. Some people should choose only to make object form because that's what gives them pleasure. But there are people for whom aesthetic pleasure comes from doing something else, and why would you deny that choice? It's another autonomous choice.

A film fable so structured that all alchemical searchings are clearly filmwise (gold being discovered cinematically in each sequence ot mixed black-and-white and color) so that when the drama-discovery is actually made, it acts as a deliberate anti-climax of aesthetic perfection.

On the aesthetic level, decolonized music presents itself as a direct antagonist to the traditional values promoted by the culture industry.

Espresso consumption is an aesthetic experience,like tasting a vintage wine or admiring a painting.

It's odd that there is a high level of appreciation of nature. There is the aesthetic side that really loves nature and beauty.

I mean, putting women in the center of a movie and not talking about men, that's already political, right? And you know, political doesn't mean that it sends this message or that is has a statement. It's also political in its aesthetic project.

For art to exist, for any sort of aesthetic activity to exist, a certain physiological precondition is indispensable: intoxication.

I'd always liked the idea that drama acts at its best as a kind of arena for debate, not just about the thing itself, but also producing aesthetic, stylistic, political and moral discussions. The Jungian view would be that it affects all of our imaginations and somehow taps into our hidden, ancient, primordial memories.

We were a small group of weirdos and baby punks and gays and free spirits who had to use our imaginations a lot. We only saw pictures and read zines, so we could only interpret the aesthetic and message of punk scenes around the world. We were basically the duck-billed platypuses of punk.

My fascination for studies proved highly beneficial, it assisted the development of my aesthetic understanding of chess, and improved my endgame play.

The collection under my name is an exciting opportunity to really express my own aesthetic and connect with a very different consumer.

Writing is the act of creation. Put words on page. Words to sentences, sentences to paragraphs, paragraphs to 7-book epic fantasy cycles with books so heavy you could choke a hippo. But don't give writing too much power, either. A wizard controls his magic; it doesn't control him. Push aside lofty notions and embrace the workmanlike aesthetic. Hammers above magic wands; nails above eye-of-newt. The magic will return when you're done. The magic is what you did, not what you're doing.

I would hate to think I'm promoting sadness as an aesthetic. But I grew up in not just a family but a town and a culture where sadness is something you're taught to feel shame about. You end up chronically desiring what can be a very sentimental idea of love and connection. A lot of my work has been about trying to make a space for sadness.

For the first time in his life, he stopped worrying about results, and as a consequence the terms “success” and “failure” had suddenly lost their meaning for him. The true purpose of art was not to create beautiful objects, he discovered. It was a method of understanding, a way of penetrating the world and finding one’s place in it, and whatever aesthetic qualities an individual canvas might have were almost an incidental by-product of the effort to engage oneself in this struggle, to enter into the thick of things.

Many of our greatest musicians abandoned all of their aesthetic objectives to try to become pertinent. And, at the end of the day, they never became pop stars. I counter stated that very strongly, and I continue to do that.

It's asking a great deal that things should appeal to your reason as well as your sense of the aesthetic. - Of Human Bondage

Almost every work of art is an analogy. When I make a representation of something, this too is an analogy to what exists; I make an effort to get a grip on the thing by depicting it. I prefer to steer clear of anything aesthetic, so as not to set obstacles in my own way and not to have the problem of people saying: 'Ah, yes, that's how he sees the world, that's his interpretation.'

The aesthetic dimension of the ideal state comes out in the idea of harmony, which is the classical idea of beauty as "concinnitas" or "unity-in-variety".

If you add something to a painting, never let it be for aesthetic reasons. Only let it be for reasons of expression.

I’m interested in things which suggest the world rather than express the personality... The most conventional thing, the most ordinary - it seems to me that those things can be dealt with without having to judge them; they seem to me to exist as clear facts, not involving aesthetic hierarchy.

The music that I have always liked has always been more rooted in anger or sadness or alienation or any of those inspirational factors that drove rock'n'roll, gospel, and blues. I tend not to value a more pop aesthetic.

Elegance? It may seem odd to non-scientists, but there is an aesthetic in software as there is in every other area of intellectual endeavour. Truly great programmers are like great poets or great mathematicians - they can achieve in a few lines what lesser mortals can only approach in three volumes

There is a “yoga body” aesthetic, which is long and sinewy. I am curvy. I get praised on a regular basis, with people telling me, “Wow, you're so brave,” simply for showing my curvy body. Being brave is going to war; being curvy is not brave. We need to be careful with how we use our words.

The superhero aesthetic is all about the human form and showing the body, whether they be female or male.

It is an assumption that there is always one single dimension for assessing persons and their actions that has canonical priority. This is the dimension of moral evaluation; "good/evil" is supposed always to trump any other form of evaluation, but that is an assumption, probably the result of the long history of the Christianisation and then gradual de-Christianisation of Europe, which one need not make. Evaluation need not mean moral evaluation, but might include assessments of efficiency, ... simplicity, perspicuousness, aesthetic appeal, and so on.

Who can forget the music of the French composer Germaine Tailleferre? These are just a few composers whose aesthetic ideals we all share, and there are many more women creators writing stunning and exciting music, and I wish I had space to list them all!

...The men eyed her with the automatic mix of curiosity, lust, and aesthetic judgment they always gave young women, subject to object, the way you'd stare at an animal. She pretended not to notice. To remind them she was a person was too much effort. Objects bore no guilt.

Aesthetic culture is not the high-road to all the virtues, and, indeed, certain of the vices have been known to infest it. Neither, on the other hand, is there any special grace in ugliness. Art is only utterance. It must express something; and the vital question is, what does it express?