Quotes About Anymore

Now, granted, there are still as many heartbreaking things going on. There are so many things in the Obama administration to be sick over that certainly didn't change. And also our media, if it's possible, seems to be getting even worse. The alleged news media. And then there are the teabag racists adding insult to injury. But I don't have that same heartbreak anymore, because it's not fresh heartbreak anymore. It's like I'm used to it. I'm sure we all are just used to it.

Violence doesn't seem to bother people anymore - they're inured to it. And I think it has a lot to do with the violence in movies and video games - it doesn't bother people as much. I'm not so sure it evokes a reaction anymore.

Bob Dylan was really mad with my wife. I had asked by Rolling Stone - the only assignment I ever had for them - to do a story on the Rolling Thunder Review, which was Bob Dylan, Alan Ginsberg, Joan Baez and a host of stars. My wife, some weeks before, had written in The New York Times that The Kid wasn't The Kid anymore and he wasn't all that winning anymore.

Walter Benjamin has this notion of the angel of history and in a way that's paradoxical itself. We don't have angels in history anymore. We don't believe in these mythical creatures anymore.

I’m not at peace anymore. I just want him like I used to in the old days. I want to be eating sandwiches with him. I want to be drinking with him in a bar. I’m tired and I don’t want anymore pain. I want Maurice. I want ordinary corrupt human love. Dear God, you know I want to want Your pain, but I don’t want it now. Take it away for a while and give it me another time.

You see all the young girls, and they're so skinny. I actually don't even twirl anymore. They say, "Twirl, let us see your back." I just tell 'em, "I do not twirl. If you want to see my back, when I walk away, you can take a picture of it. I'm not twirling." You know, I twirled once, and I almost fell. It looks ridiculous. So I said I'm not twirling anymore.

I have this thing. I've always been uncomfortable going to any party where people don't understand why I'm there. One of the best things about partaking in a show like this is, when I show up to events and parties now, they know me. I don't have to hear, 'Oh, you're an actor? Have I seen you in anything?' anymore. I used to have to start listing things off of my resume'. It's really nice not to have to do that anymore.

Of course the concept is to give people samples to get them hooked, I get that. But to continuously give away our music, that's the reason why you don't see [many] rap award shows anymore, the reason that you don't see rappers in commercials anymore; because we have allowed our music to be devalued.

I think '60s are appealing to creative people, because it seemed to be a time of endless possibilities, when the boundaries of what could be considered popular culture were being expanded almost by the week. It doesn't feel like that anymore. At times, I wish it were so. Radio is a perfect example; good God, I mean, back then the most interesting songs were also hits, and that's just not true anymore. It hasn't been true in a long time.

Narratives that were taken for granted when I was a kid are still there, but they don't have the same depth and fervor anymore. Even the makers of the propaganda don't fully believe the propaganda. The surface structures are more frozen than they ever were, but the core is hollowing out, and it's becoming very fragile. People don't believe in the system anymore. But they're still going along with it because, one, they don't know what else is possible, they don't even know anything else is possible. Secondly, everybody else is doing it. So they go through the motions.

People don't hijack planes anymore because that old system of hijacking in order to barter for a prison release or get to a different country no longer works, exactly, because 9/11 recoded the hostage's interpretation of a hijack. If a hijacker isn't trying to use the plane as a missile, then he is in danger of being killed by the hostages. There is no minor terror threat anymore. No mid-level terrorism.

I'm pretty much a realist. There's a certain age you get to when you're not really going to be shown anymore.

Smart businesses do not look at labor costs alone anymore. They do look at market access, transportation, telecommunications infrastructure and the education and skill level of the workforce, the development of capital and the regulatory market.

But, number one, I think traditional noir doesn't work in contemporary storytelling because we don't live in that world anymore

There comes a point when you need to get over the fear and get on with your life, and a lot of people don’t seem to be capable of that anymore. From blood tests to gated communities, we have embraced the cult of fear, and now we don’t seem to know how to put it back where it belongs.

I entered high school she[ my mother] said, "Well, you're a teenager now, and comics are for kids, so you shouldn't read them anymore," and I went, "Oh, okay," and I gave away what, of course, would now be thousands of dollars worth of comics to the neighborhood kids.

I'm glad I don't play anymore. I could never learn all those handshakes.

Press information is serious information, but press information is also manipulated by people who want you to think that this and that happened. So it's the old thing that you still cannot trust photography at all or you have to know who is distributing the photograph. In terms of cell phone photography, I think nobody cares about a photograph anymore because they're taking so many pictures just for fun.

Now it seems like there is no culture. The school of fish are all separate. Everybody's just randomized, listening to their own thing in their earbuds... That's going to be the downfall of music, if anything. Nobody enjoys one thing anymore.

I don't much care where I am anymore, nor expect very much from places.

If you're in despair, you don't know how to be part of your own life anymore.

For me, there is a strong hypnotic power in noise-music, and that's something I don't want to leave out of my music anymore.

You can take a look at the enrollment at major institutions of higher learning. It's 65% female, 35% male. One of the reasons is, men don't want to go there anymore.But this is a manifestation... Remember our old buddy James Brown addressing men, said that it's time to shape up or ship out. He said we have got to stop this business of making fun of men who "throw like girls."

I really enjoy forgetting. When I first come to a place, I notice all the little details. I notice the way the sky looks. The color of white paper. The way people walk. Doorknobs. Everything. Then I get used to the place and I don't notice those things anymore. So only by forgetting can I see the place again as it really is.

You start to realize that the things that are different about you are the things that make you special. And, as cliche as at that sounds, you realize that if you are lucky enough to have something that is different about you...don't try to hide it. I don't try to blend in anymore, it's all about standing out.

I'm just going to keep going and goind and going until I can't go anymore.

Friendships that don't fit my life anymore have faded away, and new ones have come in.

My own experience as a reader and writer has been that the more I read, and the more I live, the more different "types" of poetry I grow to love. I might not even believe anymore that there are "types" of poetry at all. I've come to love things I once would snootily have dismissed. Of course I still have my likes and dislikes, and there are things I think are just plain old bullshit, but more and more I am far more trusting of my loves than my dislikes.

I ended up in college by accident. Everything in my life, I ended up in by accident. I was down south in this high school doing whatever. It could just not contain me. I quit school and took off and traveled around. Nobody knew where I was I just couldn't handle it anymore. It was a big scandal, I was gone. I left.

I have a suspicion that the definition of "crazy" in show business is a woman who keeps talking even after no one wants to f*** [sleep with her] anymore.

The idea of a youth-based society that you live in for a certain time and then you no longer live anymore is an interesting idea for a movie, but you need young people that people want to go see.

Part of my role at T-Mobile is the ability to just be myself, because I'm 58 years old and I've done very well, and I don't need to fight my way up the hierarchy with my suit and hair anymore.

Publishing is not evolving. Publishing is going away. Because the word "publishing" means a cadre of professionals who are taking on the incredible difficulty and complexity and expense of making something public. That's not a job anymore. That's a button. There's a button that says "publish," and when you press it, it's done.

I know from the elders that it's not so easy to sustain a life in music, a presence in the music world, for decades on end. And that's what we're here for: we're thinking about the long game. If that is dependent on other people's desire for me, then it becomes extremely vulnerable to change. Rather than subject myself to that vulnerability, I'd rather embrace change and allow myself to transform, and maybe that means that what I do next week, the people who liked me last week won't like anymore, but maybe that will also lead people to like something else.

Sometimes you are forced to defend your beliefs. Sometimes you are forced to look at relationships that aren't positive anymore. There are times when I have had to make peace with the fact that I am at war. And sometimes you have to fight those who do not want love to conquer all.

It's not my story anymore: whenever I speak about the past now, I feel as if I were talking about something that has nothing to do with me. All that remains in the present are the voice, the presence, and the importance of fulfilling my mission. I don't regret difficulties I experienced; I think they helped me to become the person I am today, I feel the way a warrior must feel after years of training; he doesn't remember the details of everything he learned, but he knows how to strike when the time is right.

Many Americans don't mourn in public anymore - we don't wear black, we don't beat our chests and wail.

I've learned that nobody's perfect, and I don't expect myself to be perfect anymore.

I just think Barack [Obama], he doesn't dig being asked at all. He's got a bit of an imperious nature about him. I guess nobody has told him that nobody reads newspapers anymore. That is a dying art form.

I don't bother to look for parking space anymore. As soon as I get near Hollywood Boulevard ... I sell.

You can't ask the women to do anymore. It's time for us as Black men to step up and be what we're supposed to be.

If you play it safe in life, you've decided that you don't want to grow anymore.

Having cakes as a business certainly changes things for me - I don't now sit at home doing a cake for the fun of it anymore. But it's an extremely happy and pleasureable business to run because people are generally buying cakes for celebrations.

The next time you see John Stossel or Glenn Beck or Rush Limbaugh or Sean Hannity, these flat-Earthers, these corporate toadies, lying to you, lying to the American public, and telling you that global warming doesn't exist. You send an e-mail to their advertisers and tell them that you're not going to buy their products anymore.

When kids can't afford to see it anymore maybe we'll have a whole resurgence of garage bands all over America and this New Wave thing will start to mean something on a grass roots level.

A weird sort of awareness set in, like, 'Wow. My stand-up isn't just separate from everything else I do anymore.' With Twitter and Face book, everything is universal that everything everybody says gets seen.

America is stagnant. We've lost our jobs. We've lost our businesses. We're not making things anymore, relatively speaking. Our product is pouring in from China, pouring in from Vietnam, pouring in from all over the world.

The difference between writing where you know where to draw the line and writing where you're being way too mean is whether you can tell that the writer is not talking to family or friends anymore. Generally, if you say something bad about somebody on stage, you need to say two bad things about yourself. A lot of times, I think I'm the worst person in the room.