Quotes About Artistic

What is an artistic picture? An artistic picture is very simple. The creator is not the producer. The creator is not the star. The creator is the director, the person who realizes the picture, like a poet, like an artist. The creator of the picture is free to do whatever he wants, how he wants to do it. That is an artistic picture.

The ability to make a truly artistic photograph is not acquired off-hand, but is the result of an artistic instinct coupled with years of labor.

What I want to try to prove is that artistic games, when done properly, can still be a commercial success. By doing that, I will be able to essentially shift the industry and create more opportunity for people to create artistic games. In a way, making money is important for us right now. Not because we need it, but because the industry needs it.

Well, I definitely have an artistic side to me as well. I write, I act, I draw. With that artistic mind I have, a lot of doors have opened for me. I can try to pursue, like - if it's something using my writing skills, maybe a book. Or maybe if it's my drawing skills, some clothing designs.

Being a Catholic, I was drawn to the mystery of the Latin and the smoke and the mirrors and all of that. That part of my disposition definitely did lend itself to finding my way to the back door of some artistic pursuit.

Religious life is not going to go away. It will take a different form. Why am I so sure it's not going to go away? Because there are people whose personalities and gifts, and interests and soul, are simply immersed in living this kind of a spiritual lifestyle. That only makes sense. If you can live an artistic lifestyle, why can't somebody live a spiritual lifestyle? We've always, in every single great tradition, had a percentage of the population that stands in the middle of us being the beacon that calls us to realize that the spiritual life is an essential part of every life.

That very concentration of vision and intensity of purpose which is the characteristic of the artistic temperament is in itself a mode of limitation. To those who are preoccupied with the beauty of form nothing else seems of much importance.

Both sex and death are eternal themes. You could make thousands of movies on this theme, and whether you have a human being who is painting, singing, making a film, writing, these are the themes that you will come back to and return to. If you don't have any of these artistic expressions, sex is one of the only gifts that nature gave you for free, so it is very important to celebrate it. And then, with death, we are condemned to that. This is absolutely present in our lives.

The first expert said he had attention deficit disorder. The second expert said the first was out of order. One said he was autistic, another that he was artistic. One said he had Tourette's syndrome. One said he had Asperger's syndrome. And one said the problem was that his parents had Munchausen syndrome. Still another said all he needed was a good old-fashioned spanking.

The artistic capability of reinforced concrete is so fantastic - that is the way to go.

It is not easy to build a great brand. It takes leadership to persuade the rest of the company to follow your vision. It takes an artistic sense of proportion and timing. It takes a ruthless willingness to distinguish yourself from competing brands and, hopefully, bury them in the process.

We don't fight about music. We don't fight about artistic direction. The things like that we could fight about, we really don't. We are pretty lucky for that.

Being taken seriously, for a young writer, is a wonderful form of encouragement, but at the same time, I don't think one should ever feel like attempting a kind of artistic endeavor is beyond your scope just because of age or inexperience.

Since the Greeks, Western man has believed that Being, all Being, is intelligible, that there is a reason for everythingand that the cosmos is, finally, intelligible. The Oriental, on the other hand, has accepted his existence within a universe that would appear to be meaningless, to the rational Western mind, and has lived with this meaninglessness. Hence the artistic form that seems natural to the Oriental is one that is just as formless or formal, as irrational, as life itself.

The stage is the opposite: you are talking loud so you can project to the back row and you know the whole play. In a movie, you are scene-to-scene; you only know the purpose of that scene. On the stage, that is artistic science. It is real, it is loving, it is truthfully you. It is two different formulas to make two different art pieces, but it is all about truth.

There are many kinds of movies in Hong Kong. Some are commercial and others are more artistic.

Genre categorization is a capitalist (rather than artistic) thing, a symptom of marketing and major-chain bookshelf placement.

The artistic desire reveals itself in dark form - in karaoke bars [or] trolling on the Internet.

The basis of artistic creation is not what is, but what might be; not the real, but the possible. Artists create according to the same principles as nature, but they apply them to individual entities, while nature, to use a Goethean expression, thinks nothing of individual things. She is always building and destroying, because she wants to achieve perfection, not in the individual thing, but in the whole.

Every director is different. One of the great things about getting to work with so many directors in one TV series is collaborating with different artistic visions and voices. And they all have something to offer and making the story better and bringing their vision to what you see in the frame.

Memories of the last nine years have turned Ground Zero from a site of horror, to a reminder of grief, to an occasion for ludicrous artistic posturing - and now to something very close to parody.

Cinema has no boundaries...we all belong to the same artistic community.

With The Pogues, at least the first three albums I'll stand by completely, yeah? Because I was in artistic control then, yeah? And the last couple of albums I'll stand by anything that's got my name on it, yeah? But I'll stand by anything that is on The Popes' albums, you know? I wouldn't put stuff out that I didn't like. I don't put out bad music. And I can tell the difference. I know that.

We are not saying that all women should be thin like these very thin and young girls. We are creating a show, with its artistic codes and rules, and we have to try not to mix up all the codes together.

The secret of artistic creation and the effectiveness of art is to be found in a return to the state of 'participation mystique' - to that level of experience at which it is man who lives, and not the individual.

What I love about design is the artistic and scientific complexity that also becomes useful . . . Great designers also pursue a mission. Great designers design with mankind in mind . . . The crossroads of science and art, innovation and inspiration are what I love about design.

I think that the audience should not be able to tell if it is real or not real - it should be an enhanced version of reality, or an artistic view of reality, that captures not only what is physically there, but what is not visible - the mood.

My fashion is my most prized possession for two reasons: 1) because it is a visualization of all the hard work I've put in to get where I am today; 2) because it is a legend to the encyclopedia of my life. It is exactly what I've aimed to seep into the artistic consciousness of people all over the world - that life is an art form.

I have always thought that the photographer does artistic work and that art consists of working with fictional premises.

Every separate sector of artistic creation has its own basic rules . . . data which govern it. They are contained in the textbooks on these subjects. A professional knows the rules of the game as a matter of course so that he can achieve, in the upper strata above that, a high quality of art.

A book is worth a few francs; we Germans can afford to destroy those. We all may not appreciate artistic merit, but cash value is another matter.

When I look back on the past two decades of my journey today, I guess many people would interpret my artistic practice as a kind of cross-media attempt. I have indeed tried many different kinds of media over the past 20 years and collaborated in many different ways with people from many different fields. However, I like to understand this process as a kind of compensation for having once lost my "right of choice," an exercise of free choice and taking responsibility for any consequences that might result from it. To be honest, it's a bit of a paranoid act.

I try to keep my artistic opinions not so much "to myself" but "on myself."

I have very little interest in endlessly telling people about my artistic process. It sounds like throwing yourself against a wall and crying. It's not interesting to most people. It's interesting to yourself. But it's your problem, not anyone else's.

I think the idea of the lone tormented artist - which we can apply to others - I think that it needs to be revisited. Jack Kerouac needs to be seen in the context of a lot of other artistic activity.

Experiment is necessary in establishing an academy, but certain principles must apply to this business of art as to any other business which affects the artistic tic sense of the community. Great art speaks a language which every intelligent person can understand. The people who call themselves modernists today speak a different language.

Doing things the way you see it, going by your own heart and soul, that is pure artistic integrity. Whether the hair is six or sixty inches long, the eyes have make-up or not, the riffs are in 'E' or 'F' sharp, the amps are Marshall or not, all those things don't matter if you are doing it for the right reason, which to me means doing it for yourself!!

The satisfaction of physical needs is indeed the indispensable pre-condition of a satisfactory existence, but in itself it is not enough. In order to be content, men must also have the possibility of developing their intellectual and artistic powers to whatever extent accords with their personal characteristics and abilities.

I come from an art history background. I studied at a master's degree level; I chose to dork out on art for much of my adult life. A lot of my heroes are artists and a lot of my musical heroes have an artistic side.

My greatest passion has always been connecting with creative people, appreciating the artistic and discovering fresh perspectives on the world. I came on board to use my experience in building an international community of photographers, illustrators and video artists at iStockphoto who learned, grew and sold their work to millions around the world. Building a community that large requires personality, a keen sense of what both the contributing artists and the buying audience need, and an ability to balance both. I wanted very much to transfer those skills to the fine art world.

I was always a bit of a loose cannon, then again I was always the artistic one: bit of a social misfit. I probably still am.

THE ARTISTIC IMAGE IS ALWAYS A METONYM, WHERE ONE THING IS SUBSTITUTED FOR ANOTHER, THE SMALLER FOR THE GREATER. TO TELL OF WHAT IS LIVING, THE ARTIST USES SOMETHING DEAD; TO SPEAK OF THE INFINITE, HE SHOWS THE FINITE.

Knowledge passes from dance teacher into the student through the process of mane, which is often translated as imitation, but learning to dance is more a process of total identification than of simple copying. We repeat the movements of our teachers until we can duplicate them exactly, until, in a sense, we have absorbed the teacher's mastery into ourselves. Artistic technique must be fully integrated into the cells of our bodies if we are to use it to express what is in our hearts, and this takes many years of practice.

What inspires me today is a desire to get closer to an understanding of what my artistic capacities are with the hope of organically sharing my gifts with an audience in the most heightened way I possibly can.

Keeping your artistic self as creative as possible is a balancing act.

Anxiety is the essential condition of intellectual and artistic creation and everything that is finest in human history.

Giving style” to one’s character - a great and rare art! It is exercised by those who see all the strengths and weaknesses of their own natures and then comprehend them in an artistic plan until everything appears as art and reason and even weakness delights the eye.

Like Richard Ellmann on James Joyce, Arnold Rampersad on Ralph Ellison is in a class of its own. His masterful and magisterial book is the most powerful and profound treatment of Ellison's undeniable artistic genius, deep personal flaws, and controversial political evolution. And he reveals an Ellison unbeknownst to all of us. From now on, all serious scholarship on Ellison must begin with Rampersad's instant and inimitable classic in literary biography.