Quotes About Band

Kansas has always considered itself a "rock band" - some people might say "symphonic rock band," others might say a "classical rock band," but we've kind've prided ourselves on being a rock band. Kansas rocks.

Every good band in the world was a cover band first. The Beatles were and the Stones were. Everybody was a cover band.

When we opened Babbo, we were an indie band. Now we're kinda Apple. We have 19 restaurants and 2,800 employees, we are no longer perceived as the indie band although we think of ourselves as the indie band, and we operate our restaurants as individual indie bands.

When I heard the Pixies for the first time, I connected with that band so heavily I should have been in that band - or at least in a Pixies cover band.

I was in bands as a singer-guitarist-songwriter until 1980-81. So, there's a bunch of stuff. A lot of the stuff is hard to come by-stuff by the Special Interest Group and the Zobo Funn Band. The Zobo Funn Band was a big Northeast cult band. We had about a billion skirmishes with the big rock industry.

Every band is different just because of the different combinations of people really are super unique to every band. The way you work together and the personalities that are being brought to the table. Our band is definitely the best combination of personalities I've worked with so far.

We went from being a band that was recording songs in my bandmate's bedroom to a band that's doing extensive touring and had a record on the Billboard charts and everything happened insanely fast, but it's not something that I sought out. It just happened.

I saw the Ramones, early on at a country-rock palace in Denver. They were opening for some record-company band, so the local music establishment, and I emphasize the word "establishment," was there in force, and the handful of us who knew the Ramones were up in front. And half the fun was, you know, not only were the Ramones the most powerful band I had ever seen at that point, but they made it look so simple - that anyone could do it, hell, even I could do it. This is what I should be doing.

Phish is such a good band; they just make stuff up as a jam band.

Whatever our personal differences are, there are no bigger fans of this band than the people who are in this band.

Ultimately, we as a band just write what we write. Some of it's very serious, and even in the serious songs, there's sometimes an angle of levity. I think that's just how we communicate naturally and to shy away from that would be, first of all, boring for me, but also it wouldn't ring true to who I am or the way I relate to people or the way we relate to people as a band or the way we relate to the audience. Humor is a big part of it, but we also take our craft very seriously.

Being in a band is about making the band the priority.

When I go on and listen to the stuff on the websites, I can't tell, it all sounds like the same band, like they should all be in one band together.

It happened to be, from '73 to '78, the five years that, our most glorious years for bass players. We had Larry Graham, with his own band, Stanley Clarke with his own band. We have Bootsy doing his thing. We had Jaco Pastorius. They were all leading their own bands.

In my last band, Soundgarden, I had a couple of different drummers sit in on some stuff and it was fun for me to kind of take a break and watch the band.

I think I would be much more enthusiastic about a band that covered more than just one particular album of mine. I don't ever really intend to record or to do shows with a live band. I don't really have a problem with it, but it doesn't really affect me either way.

Trying to make it and get people to respect your band, being a cool band-all of that stuff-I think we've arrived at a place where we have kids and everything is in perspective and it doesn't matter.

With rock music, it usually revolves around the band. You go in as a band and probably take about a year to record an album. But for a hip-hop song, you can create a track and an idea with verses and choruses in a day, and get three different people on it. It seems like you're able to do more with hip-hop.

My musical background in Tyler, Texas was quite outstanding. Uh, I grew up with, uh, with high school teachers who were in bands, they could play music. And we had a nine piece band there in Tyler, and I joined them when I was about, oh, 15 years old and traveled all over Texas in that band, playing for the elite oil people. Hah. And um, I was making about 50 bucks a night, and uh, it taught me, they taught me how to find my timing and to learn the songs that I wanted.

When I started making films I just decided "I'm the filmmaking equivalent of a garage band and I'll just make my garage band movies." But even the same musicians from garage bands would go to my movies and you could tell what they liked from the way that they dressed and they would be the first ones to walk out.

I'm 13 to 17, 18 years old; I thought that's what the world was like. It never occurred to me that this was a very unusual period in music history. So I went on assuming that one day I'm going to have my band like my heroes had their own band. So people ask me this question all the time - they go, "Bass is basically a background instrument." The other thing is that in urban music, Black music, the bass has a much higher profile.

We care about equality and democracy within the band and outside the band. For us life is about cooperation and solidarity, not about egotism, greed, or competition. This means that we prefer to work with people and bands that have a similar sort of mentality and attitude.

When I was a teenager in a band playing, everything was great. I still don't feel any different. I still wake up with the same love and passion as when I did this with the band. Because my life in music has let me live the kind of life that I've loved, and I've been able to share it with others and take care of the people I love.

Ben was more improvisational, and relied less on methodology, and basically is a guitarist who switched to bass, whereas Jeff has a more traditional approach to playing bass in a band, and has a great sense of what his band sounds like, and we lock up nicely.

My idea for our band is to be influenced by something different for every album. So it's almost like making a new band with every record we make I think. That's kind of the path we're headed down now anyway.

When you first start a band all you think about and spend your time doing is writing songs, play shows, in the simplest way and the simplest formation of the band. It's about the gear, and that guitar that one day you will buy. It's a beautiful time. I'm grateful for having that time. Then life flips upside down, all of a sudden you are strapped to a rocket ship, you get a hit, then it is tough to keep grounded.

We'd rather be a band that some people are going to passionately hate than be a ringtone band.

I was in Hollis' band for eight years, playing drums. At one time we had Barry Beckett, Jimmy Johnson, David Hood - everybody but Roger Hawkins. We had a hell of a band.

When I reissue these Minimal Wave Record songs, I also re-master them. With Oppenheimer Analysis, it turned out that the band still had the master tapes. So, Martin Lloyd from the band and I baked the tapes to restore the quality.

As I said to Ringo, I was in a successful Rock N Roll band. He was in a band that changed the world. That's the difference.

Once again, in the fine tradition of North Texas Lab Bands, this is truly a superb band. Under the artful leadership of Neil Slater, these great musicians have managed to combine small group "openness" with the swinging precision of a classic big band. Very enjoyable!

One of the great things about being in a band is that you meet so many other musicians who will turn you on to stuff you would never have otherwise found out about.

You can't live the Christian life without a band of Christian friends, without a family of believers in which you find a place.

New Kids on the Block are on season two [Full House ], so that was just a huge lifelong dream come true. Joey McIntyre is great. He is a real actor too; he is just not a famous boy-band musician.

I do a lot of curiosity buying; I buy it if I like the album cover, I buy it if I like the name of the band, anything that sparks my imagination. I still like to go to record stores, I like to just wander around and I'll buy whatever catches my attention.

There's so much more subtlety to this new recording. There's a subtlety in the playing. There's also a subtlety in the way I approached the singing. The band was able to really capture the feeling of the songs and not really trade anything that we had sort of arranged for the live presentation, but the songs just aren't as loud.

Yes, I always say that were a National League band. What I mean is, if you play an instrument, you have to sing. So I always call our drummer up. Even the drummer has to take a turn on the microphone.

People want you to produce records. They don't care what it took to make it. When a band is out doing concerts, the fans don't want to know about equipment difficulties. They want their hour-and-a-half release, and that's it.

I used to hang out a lot in jazz clubs, and the groups took to a kid like me who wasn't afraid to get up and sing with a jazz band. Then I started to hang out in rock clubs and learned to carry off different styles.

It wasn't until The Sixth Sense that people started saying, wow, man, you're an actor. People didn't think of me as the guy in a band anymore.

I thought I'd do something nice for the band... I'll hang myself.

My first band, Kid Wicked, we did half covers and half originals.

I might be a completely different kind of songwriter but I definitely think there are some things... I've taken pieces from different people that I've met and worked with along the way from the Killers experience, within the band and without.

I feel vulnerable when my ego is threatened - if I get jealous of another band's good time slot at a big festival, if I'm about to get clobbered in a political debate, if I'm trying to impress someone I have a crush on. It's the opposite of openness, letting go, allowing deep feelings to express themselves. For me, that comes from playing music and from kissing.

In the late summer of 1986, the band I had been in for five years stopped playing. Suddenly, I was on my own. This new state of bandlessness was, at first, traumatic. When your group breaks up, a lot of broken parts hit the ground.

I play mostly guitar, and I played drums in my brother's band for a while growing up.

Hogslop is the real deal groovilicious honkin old-time string band. Guaranteed old-time awesomeness with these fellas around!

If I'll be a President the inaugural balls will be replaced with an inaugural Rock Band party. For expert-level players only. Don't even think about getting on drums. I play drums.