Quotes About Basically

Basically, actors arrive in a bubble. They have a little sealed bubble around them and it's basically [comprised of] their agents, their last film, their next film, their press agent, and their per diems - all these things, they cocoon themselves with and you have to puncture that bubble on each of them to make them be in your film.

If our 'message' is anything, it's a positive approach to life. That life is basically good. People are basically good.

The only thing I can say about having this type of success is that you can get yourself in trouble because basically the world is set open for you. People will say yes to anything you ask, so it's basically down to you and what you want or need.

My family was loving... they were very supportive and very affectionate, and basically I could do what I wanted, and basically it wasn't anything dangerous, thank God.

Growing up on Mad Men with so many incredible actors and then going on to other things with amazing people, I never had any formal acting training, but they are all acting schools, basically. Just watching and learning from the best is insane. It's like having an internship and watching all these amazing people doing their work. You just soak it up like a sponge, hopefully.

I had a prior deal in place to do a miniseries for HBO, so I'm not done with TV. But I basically want to stay in movies.

For some roles, like when I was doing Bent, that was harder and I didn't find that helpful because I was so calorie deprived, my brain wasn't getting food. I would end up not being as focused or as clearheaded as I would have liked to be during the run of the performances. I would lose those quality impulses that you lean on when you're acting because of malnutrition. basically. But I looked skinny.

Basically, there can only be two answers. One is to overcome separateness and find unity by regression to the state of unity which existed before awareness ever arose, that is, before man was born. The other answer is to be fully born, to develop one's awareness, one's reason, one's capacity to love to such a point that one transcends one's own egocentric involvement, and arrives at a new harmony, at a new oneness with the world.

I'm basically a sexless geek. Look at me, I have pasty-white skin, I have acne scars and I'm five-foot-nothing. Does that sound like a real sexual dynamo to you?

I have a lot of love to give, and when I give that love and others are able to receive it and show me their vulnerability, I believe that God inhabits that space, which means I basically hang out with God a lot, and that's why I feel hopeful.

I am neither for conformity nor non-conformity. I am for individuality. If one's individuality is in effect non-conformity, then so be it. But basically, one's individuality consists of conformity--to one's self.

When I came up with the character of Wicket for 'Return Of The Jedi', which was my first film, I was a kid of 11 years old, and I basically was playing a very young Ewok.

Government want to tell you things you can't say because they're against the law, or you can't say this because it's against a regulation, or here's something you can't say because its a... secret; "You can't tell him that because he's not cleared to know that." Government wants to control information and control language because that's the way you control thought, and basically that's the game they're in.

A lot of people involved with celebrity journalism have interesting ideas about the people they want to write about going into the interview. Then as soon as they actually sit down with that person, they basically ask the questions they think journalists are supposed to ask, and they start viewing themselves almost as a peer of the subject. Like they're going to become friends. That's why most celebrity journalism is so terrible.

The stuff that I'm saying, they're not really traditional, structured jokes. It's not like I'm talking about growing up in Chicago or anything remotely close to that. It's basically me juggling words and concepts and phrases and being stupid.

Sometimes the public says, 'What's in it for Numero Uno? Am I going to get better television reception? Am I going to get better Internet reception?' Well, in some sense, yeah. ... All the wonders of quantum physics were learned basically from looking at atom-smasher technology. ... But let me let you in on a secret: We physicists are not driven to do this because of better color television. ... That's a spin-off. We do this because we want to understand our role and our place in the universe.

But a large symphony orchestra basically is a repertory company and it has a very enormous repertoire and it is important for the performers to be able to know how to shift focus so that they instantly become part of the sound world that a particular repertoire demands.

As long as a believer is worrying about whether or not they are truly saved, they will never grow up in spiritual maturity. It basically guarantees that a Christian will remain stuck in spiritual infancy. And worse, it paints a picture of God that is not only untrue but also unbiblical. It cheapens the gift of salvation – the gift of grace – and make God look like a finicky human.

That's basically what I'm doing when I'm tapping them - getting my toes to the end of my shoes.

The Federalist Society is this conservative legal organization. And I think, for the Bush administration, being a member of the Federalist Society meant you were - a reliable, ideological, partisan Republican. It wasn't enough just to be registered as a Republican, or to be - have a generally conservative judicial philosophy, or prosecutorial philosophy. It meant that, basically, meant that you were a real movement conservative, a Party regular. That's what being a Federalist Society member means.

I was writing before I met Rick and actually I created the band before Rick Finch. Basically, the first album, I wrote. Who's to say what would've happened? Rick was very talented too.

I've always thought my soundtracks do pretty good, because they're basically professional equivalents of a mix tape I'd make for you at home.

I believe that basically you write for two people; yourself to try to make it absolutely perfect; or if not that then wonderful. Then you write for who you love whether she can read or write or not and whether she is alive or dead.

I'd been assured, at age 21 or so, by a well-known editor who saw the first part of The Secret History in what was basically its final form, that it would never be published because "no woman has ever written a successful novel from a male point of view."

Motivation, basically getting people to be happy at work, everybody - everybody benefits.

Boundaries are basically about providing structure, and structure is essential in building anything that thrives.

Book writing is a little different because, in my case, my editor is a year younger than me and basically has the same sensibility as me.

To work effectively in a film, you have to repeat and work consistently. Basically, you shoot a big master then you do close-ups. You're supposed to be in the same moment, the same 30-second moment, for a day.

Maybe you know it but it's not so easy to finance movies in total. And the reason I am able to do these kind of movies is I have a tax shelter fund in Germany, and if you invest in a movie in Germany you get basically fifty percent back from the government.

Basically what you want in any profession - I would say the same thing if I were a lawyer or a doctor - is you want bright undergraduates to look at your profession as something they would be interested in getting into.

On the other hand when you are someone who records their own songs you are basically stuck writing for one voice and for one style that can stifle you a bit. It's a real trade off.

The Road To Serfdom was written during WWII, and basically it's an anti-Nazi, anti-communist thing, but also it's an anti-Conservative and anti-Labor-party thing aimed at the British. He was an Austrian, writing in Britain. And I feel like now, I guess, everybody pays lip service to libertarian - and, indeed, many conservative - ideas, and yet they keep moving forward with an increasingly bureaucratic state. It shows itself in all sorts of little ways.

I think re-engineering or restructuring or downsizing or rightsizing or whatever you want to call it, it's basically firing, has gone way too far. Employees, as I've talked to them across the country, feel that they are not respected, they are not valued, they are worried about their jobs. They simply feel that the company is no longer loyal to them. Why should they be loyal to the company, they ask me. Why should I go the extra mile? Why should I care?

Being raised on a boat felt like it was totally normal to me. I was just another kid hanging out, doing this and that. My girlfriend and I had a funny period of time where I was always wanting to hug her all the time. I looked at my brother and he's the same way. It wasn't that our family was necessarily more affectionate than others. It was that we were basically sitting on top of each other, or side by side squished in together all the time. Because the boat was that small. It became part of our nature to be close to people.

My life is basically a big chunk of greatness.

It's basically the best job in the world. If you're fortunate enough - and I consider myself fortunate - you get to work with your friends and you get to work on projects that interest you.

Well, the fact is that one imagination is critically important, and if you have had your imagination stimulated by what is basically a variety of subjects, you are much more amenable to accepting, to understanding and interacting with the realities of the world.

Let's say that, in reality, I'm basically very shy when it comes to men.

If a chemical drug like Viagra is accepted by society and by the world to ignite desire, then what is the problem with my audio-visual drug called cinema which ignites desire? Both are basically doing the same thing!

In theory, when you're working with a record label, you're just borrowing their money. And that's basically how the record industry works, right? It's like, you borrow $100,000 from a record label, so you don't make any money until you make back that money for them. In theory, they have you held hostage, so you've got to do every little stupid thing that they want you to do.

So basically, I graduated high school a semester early.

Science fiction without the science just becomes, you know, sword and sorcery, basically stories about heroism and not much more.

Whenever you play a song, you're basically playing with a lot of zeros and ones. These are Western compositional models that other cultures have explored in so many ways.

Basically, the prosecutor who led case against me and that administration were trying to say that an actor can be held responsible for his acting, thousands of miles away from where he did the acting. The analogy would be if an artist painted a nude painting in New York City, and it was met with accolades and great reviews. And suddenly, somebody from Texas bought it and put it in their shoe store and it was found to be obscene in Texas, the artist in New York is responsible, and goes to jail because it's obscene in Texas.

Late night chaining of videos and basically obsessing are rare for me, and often I've never even seen the videos of my favourite songs. That said, in terms of my own personal magic, video has probably rated lower than most music fans.

I still feel like everybody else, that I'm just growing and learning. Basically, I feel pleased to have discovered this thing that's inside me, that's connected to the same thing that's inside everybody and everything.

... placing economic activity in the context of the whole earth requires attention to the question of scale. Bigger is obviously not better, so the optimum scale of human economy in relation to the total economy becomes basically a question of sustainability. When the effects of the economy on the environment undercut the possibility of its own continuance, the scale is too large.

My parents have basically just taught me the rules of the stage and everything since I was eight.