Quotes About Basically

Well, basically there are two sorts of opera," said Nanny, who also had the true witch's ability to be confidently expert on the basis of no experience whatsoever. "There's your heavy opera, where basically people sing foreign and it goes like "Oh oh oh, I am dyin', oh I am dyin', oh oh oh, that's what I'm doin'", and there's your light opera, where they sing in foreign and it basically goes "Beer! Beer! Beer! Beer! I like to drink lots of beer!", although sometimes they drink champagne instead. That's basically all of opera, reely.

We've got to reach out to Muslim countries.We've got to have them be part of our coalition. If they hear people running for president who basically shortcut it to say we are somehow against Islam, that was one of the real contributions, despite all the other problems, that George W. Bush made after 9/11 when he basically said after going to a Mosque in Washington, we are not at war with Islam or Muslims.

Most people are basically a victim of the circumstances of their life. They have things like 9/11, they have terrorism threats, they have new war threats, they have economy problems, and they think, 'What can I do? I'm basically a victim.'

But remember: All this talk of tolerance and diversity is basically just a way for one group of white people to pursue power over other groups of white people. It's not about actually helping anyone.

It makes you realize how basically everything we do comes down to a) mating or b) competing for resources. It’s just like Animal Planet, only we’ve got Cover Girl and Victoria’s Secret instead of colored feathers and fancy markings, and the violence occurs at the Nordstrom’s Half-Yearly Sale.

I always had a sketchbook with me when I was young. I was hiding behind it, basically, hiding behind drawing because I couldn't cope with people in real life; I was very shy and very nervous around people.

My mom used to tell me, I can't use this phrase on the radio - but basically don't be one of those dudes hanging on the corner.

Real median household incomes in the U.S. were basically the same in 1989 as in 2014. But we are also seeing similar challenges in the U.K. in the stagnation of real wages.

Unfortunately, I don’t actually don’t have any scenes with Michael Bolton. There’s an exposé done on Sue Sylvester, and he pops up on the screen to basically just say he has no idea who I am. That’s the father of my child!

Government want to tell you things you can't say because they're against the law, or you can't say this because it's against a regulation, or here's something you can't say because its a... secret; "You can't tell him that because he's not cleared to know that." Government wants to control information and control language because that's the way you control thought, and basically that's the game they're in.

I was basically 18 when I got offered to join Mister Valentine band and go on tour and leave high school. I was pretty stoked on that, but the band wasn't really my style so after like six months of playing with them I decided to play with the aesthetic of a DIY hardcore band playing pop music. That was the original idea.

I feel I'm just meant to do stop-motion. Live-action is much more glamorous to some, but it's basically a whole army of people focused on one thing.

Being a geek is all about being honest about what you enjoy and not being afraid to demonstrate that affection. It means never having to play it cool about how much you like something. It’s basically a license to proudly emote on a somewhat childish level rather than behave like a supposed adult. Being a geek is extremely liberating.

There's the part that I just want what I want, and I don't want to be bothered by anything else, and sort of the short-term more compulsive self. And then that's the longer-term, aspirational self that wants to be informed about the world and wants to be a good citizen. The best media basically helps us strike a balance between those two things.

I'm basically different things to different people. If it's a guy, I'm-a probably have my guard up because it's a street rule that when men come around that I don't know, I just immediately throw shade on them. But I don't associate with fellas all that much; if it's a girl - a beautiful girl - I be nice.

We are not judged by what we are basically. We are judged by how hard we use what we have been given. Success means nothing to the Lord.

You know how sometimes department stores have these things where, if you win, you get 10 minutes to go in and take anything you want from the store? That's basically what I'm doing. I'm running in and just trying to grab as many characters as possible before they pull the plug on me.

The man and the woman are not really two separate entities, but the personality of the man needs the supporting qualities of the woman. If those supporting qualities are not there, the man will fall apart. And the same will happen to the woman. She cannot exist only on female qualities, she needs male supporting qualities. So each human being is a composite whole of two polarities which appear opposed to each other but are not really opposed; they are basically, absolutely essential components of each other.

The big frustration for me is that people are growing so cynical about politics that you see them basically shrug and say, "Oh, yeah. Who cares that Harper is shutting down debate? Who cares that he's building prisons, and everything? All the politicians are the same so why should we be outraged about one rather than the other?" And my point is Canadians need to wake up. This is not the Canada they'd recognize if they looked closely.

I'm definitely preoccupied by thinking I'm just a biological thing. I want to feel that there's more, but so often I'm reminded of how we're just like baboons, basically.

I went to Catholic school and they basically just said don't have sex, but would never explain anything.

It took us a long time to find out that we had been lied to by our parents' generation. The moralities that were followed during our parents' generation were basically arbitrary. This caused a rift between the two generations, which was brought on by the beatniks

One of the things that I'm so proud of [about] that movie [Brokeback Mountain], was to see, within the past basically 10 years, how much has changed. When the Supreme Court [issued a ruling] just a little while ago, I felt like we had been part, a little part and parcel of that movement.

Book writing is a little different because, in my case, my editor is a year younger than me and basically has the same sensibility as me.

One of the things that neoliberalism does is, it relies on flexible workforces who are hired and fired at will and who are basically disposable labor. You can use them. You can get rid of them. They have no rights; they have no security. Their lives and well-being are made and unmade at the whim of those who are exercising the calculus. So, instead of looking at the institution and objecting to that kind of organization, people just go, "I'm a failure;"; "I'm not working hard enough"; or, "I'm not as smart as the next person."

There was a time, right up until the end of the Second World War and beyond, when white people in Europe thought that they basically owned the world and that everybody else was a sort of servant, or a curiosity, or whatever. And that informed 99 percent of the photographic practice that was done. Without being able to address that, I felt I would have failed in my attempt to explain what the urge to document is.

I'm basically for the whole year just traveling with three suitcases.

I'm a huge fan of basically anything written about complicated, contradictory women. I'm drawn to them really quickly.

I think re-engineering or restructuring or downsizing or rightsizing or whatever you want to call it, it's basically firing, has gone way too far. Employees, as I've talked to them across the country, feel that they are not respected, they are not valued, they are worried about their jobs. They simply feel that the company is no longer loyal to them. Why should they be loyal to the company, they ask me. Why should I go the extra mile? Why should I care?

The word "collective" is not so often used because it has been basically used by socialists and communists and has a different history. The word "cooperative" means the workplace itself is organized cooperatively, rather than in the conventional capitalistic, hierarchical form.

The anti-immigrant logic has basically saturated our world. I'm staying, and I'm fighting.

Look at all the stuff the Existentialists did. You can start with [Pablo] Picasso, you know, and then Francis Bacon and other guys like that. What they were doing is depicting suffering. And that's exactly what a demon is, he's pretending that he isn't. So he can get more people down there. You know, misery loves company, that's the whole thing. So that's basically the pitch that I'm working on.

It is a bit more challenging for the simple fact that now the stories I am writing are relying more on my imagination than on facts, more on research than on memory; so it is basically a slower writing process, more reading, more exploring. On the other hand, this approach is a little bit relieving too, since many times while writing [How the Soldieer Repairs the Gramophone] I felt too close and equal to my character.

I feel like a lot of people involved with celebrity journalism have interesting ideas about the people they want to write about going into the interview. Then as soon as they actually sit down with that person, they basically ask the questions they think journalists are supposed to ask, and they start viewing themselves almost as a peer of the subject. Like they're going to become friends. That's why most celebrity journalism is so terrible.

Basically you come up with the fictional idea and you start writing that story, but then in order to write it and to make it seem real, you sometimes put your own memories in. Even if it's a character that's very different from you.

What I've wanted to do my whole life is just act. When I was younger, I loved to entertain people. I always used to make up dance routines, do little plays. I love to perform, basically. Music, as well, is a passion of mine. I've been singing my whole life. I probably annoy people because I sing all the time on the streets. And I play the drums and I play the guitar. I've been writing music since I was 13.

In Baltimore they can't do police work to save their lives. Now because of Freddie Gray they're not even getting out of the car and policing corners - they're on a job slowdown, basically. Right now if the police stopped being brutal, if we got police shooting under control, and the use of excessive force, if we have a meaningful societal response to all that stuff, and the racism that underlies it, the question still remains: what are they policing, and why?

I think I'm basically the same guy I always was. Maybe I've learned, through experience, to rein in some of the anger and temper they say redheads normally have.

Most of the time I'm by myself finding the next thing. Being an A&R guy, basically. I don't know how long I can do this for. I'm constantly fascinated by actors who are so confident with their career that they do a project and then go on vacation.

I grew up in the suburbs and basically associate the suburbs with cultural death.

Horror, let's face it, is basically pretty dumb. You're writing about events that are preposterous, and the trick is to dress them up in language so compelling that the reader doesn't care.

I went to work for Catholics United for the Faith, and I basically found myself in the midst of the traditionalist branch of the Catholic revival. There is an intellectual rigor that is very much valued there and that I was in awe of.

I feel religion is basically and essentially a communication between a man and his God and I think it is the most personal thing of all and I don't think it concerns too many people.

Basically, I'm a free spirit. I'm kind of an Everywoman.

His advice to me is basically to just love what you do and don't let the fear of failure stop you.

Basically, my deal is that I choose roles based on three criteria. One is the role, obviously, if it's something that speaks to me. Two is, are they gonna pay me? And three is, who am I gonna work with? And, really, if one of those is there, I'm pretty likely to do it, but it's particularly important to me who I'm going to work with, 'cause that's part of the joy.

Basically my influences have been American influences. It's been blues, gospel, swing era music, bebop music, Broadway show music, classical music. It's like making a stew. You put all these various ingredients in it. You season it with this. You put that in it. You put the other in it. You mix it all up and it comes out something neat, something that you created.

You get to have some mischief before you're basically a blackened banana, impotent, and nothing to be afraid of.