Quotes About City

The city is better because the city has an economy of needs and once you're talking about a city, maybe you can start talking about how you manage the climate of that city as a whole. Not by putting a dome over it but by more passive means that can potentially be put together in creative ways.

Since its founding, Detroit has been a place of perpetual flames. Three times the city has suffered race riots and three times the city has burned to the ground. The city's flag acknowledges as much. Speramus Meliora; Resurget Cineribus: We hope for better things; it shall rise from the ashes.

My dad was a New York City cop. His father was a New York City fireman. And my mother's dad was a city taxi driver.

I think the best actors in the world are here in New York City. And this city is just so vibrant the energy is just phenomenal. Great crews here. All the technicians, all the artists that work in this industry. I've just been very happy with the body that we've been able to do, especially those films we shot here in New York City.

There are a lot of car bombs and roadside bombs, house bombs, even, in this city planted by ISIS. So - but it's going to be a tough fight ahead, and the Iraqi generals expect to take the city back, the city of Ramadi, by mid-January.

Europe becomes more and more a province of Islam, a colony of Islam. And Italy is an outpost of that province, a stronghold of that colony... In each of our cities lies a second city: a Muslim city, a city run by the Quran. A stage in the Islamic expansionism.

In a city like London, the fact that cultures live together and cross-fertilize is a beautiful and natural thing. The many cultures in Amsterdam contribute to the city's high level of craziness - something which every interesting city should offer. But sometimes immigrants can live in parallel worlds which can exclude others and not be very attractive.

[On Las Vegas:] ... The City That Never Sleeps. The City That Sins and Smiles and Lives On the Edge. The city where vices become virtues, become what everyone is here to do.

Over the great bridge, with the sunlight through the girders making a constant flicker upon the moving cars, with the city rising up across the river in white heaps and sugar lumps all built with a wish out of non-olfactory money. The city seen from the Queensboro Bridge is always the city seen for the first time, in its first wild promise of all the mystery and the beauty in the world.

The secret to the city is integration. Every area of the city should combine work, leisure and culture. Separate these functions and parts of the city die.

New York City revived around the team. I don't think you can look at the recovery of New York from the 1970s without, on some level, talking about Steinbrenner. Even if you're just talking about the feel of the city, he was part of a creation of a new sense of optimism.

Being in Marin City was like a small town so it taught me to be more [straightforward] with my style. Instead of of being so metaphorical with the rhyme, I was encouraged to go straight at it and hit it dead on and not waste time trying to cover thingsIn Marin City it seemed like things were real country. Everything was straightforward. Poverty was straightforward.

All urbanization, pushed beyond a certain point, automatically becomes suburbanization.... Every great city is just a collection of suburbs. Its inhabitantsdo not live in their city; they merely inhabit it.

For the most part Ho Chi Minh City is safe but like any large city you need to pay attention to what's going on around you.

You can't really succeed with a novel anyway; they're too big. It's like city planning. You can't plan a perfect city because there's too much going on that you can't take into account. You can, however, write a perfect sentence now and then. I have.

We need everyone to participate to make our city safe. And we know that the vast majority of immigrants are contributing positively to our economy and to our society here in the city of New York.

I like to try to shoot in the city in a way that allows the city to go about its business while we're shooting, and that's always a challenge because unfortunately people on the street don't know not to look in the camera or interact with the actors.

In a sense, touring is crazy. You go city to city playing the show over and over again. But there's something magic about being in front of people, so it's not like going through the motions every night. It's a different experience.

An initial impulse of mine was to portray the way in which a city is impacted by war. But this is vague, no? After all, how do you actually have an entire city - or country, for that matter - be a character a reader can follow? One way is by making it smaller and personalizing it, by writing specifically about the citizens and the way they contend with the reality, even minutiae, especially minutiae, of their lives.

[On New York City:] Were all America like this fair city, and all, no, only a small proportion of its population like the friends we left there, I should say that the land was the fairest in the world.

The toughest part for me is the city - the people. They've got burgers named after me in Orlando, they've got a Web site saying, "Please stay." I love the people in the city. I've literally sat on the bench with a towel on my head crying, because I feel the passion in the stands.

I have a love-hate relationship with New Orleans, which is the strongest sort of relationship. I've had some extraordinary, beautiful, poetic experiences in this city and I've had some terrible experiences in this city. I'm drawn to New Orleans, in many ways feel I grew up in New Orleans, even though I'm from the West.

It is ridiculous to set a detective story in New York City. New York City is itself a detective story.

You just let your lower self go, and then it takes on all these aspects of the society - the city with horns blowing, the people yelling things at each other, and the all-in-all violence and chaos of the city. Put that on stage with music, and that's what this is.

I think everyone should live in New York City if they ever get the chance at least once in their life. It's such a great place to live; there's a different energy about living in the city.

When you want to take over a city, you have to destroy the illusion of safety it provides. You have to hit the large well-protected establishments, find the powerful people who run them and are viewed as invincible, and kill them. You want to destroy the morale first. Once the people's resolve is gone and everyone is scared for their own skin, the city is yours.

The right to have access to every building in the city by private motorcar in an age when everyone possesses such a vehicle is actually the right to destroy the city.

A suburb is an attempt to get out of reach of the city without having the city be out of reach.

For the Spartans, it wasn’t walls or magnificent public buildings that made a city; it was their own ideals. In essence, Sparta was a city of the head and the heart. And it existed in its purest form in the disciplined march of a hoplite phalanx on their way to war!

It's been amazing getting to go from city to city and perform for thousands of people. It's an amazing feeling, and the energy is crazy.

I'm obsessed with New York. I just find it so remarkable. You really treasure this city when you go to different countries and you see that there is no mix. When you get back to the city, it's such an exciting place.

I meet you. I remember you. Who are you? You’re destroying me. You’re good for me. How could I know this city was tailor-made for love? How could I know you fit my body like a glove? I like you. How unlikely. I like you. How slow all of a sudden. How sweet. You cannot know. You’re destroying me. You’re good for me. You’re destroying me. You’re good for me. I have time. Please, devour me. Deform me to the point of ugliness. Why not you? Why not you in this city and in this night, so like other cities and other nights you can hardly tell the difference? I beg of you.

To build a city where it is impossible to build a city is madness in itself, but to build there one of the most elegant and grandest of cities is the madness of genius.

There is a dysfunctional strangeness to Los Angeles that doesn't exist in any other western city. The roads are crumbling, no-one knows what they're doing, the city government barely works.

I was a street kid, basically. But really, Mexico City has always been this big, complex monster of a city that has always had real problems and needs, and I've always found my way through it in different ways.

If there's one thing I've learned from traveling, it's that it is definitely more important how you are than where you are. You can say, 'Oh, I hate X city, I hate that country, or I prefer this city,' but it's a little bit up to you to find some kind of happiness.

On some summer days in New York City, the air hangs thickly visible, like the combined exhalations of eight million souls. Steam rising from vents underground makes you wonder if there isn't one giant sweat gland lodged beneath the city.

You have city centre pubs where men go to meet girls, not realising that all girls in city centre pubs have thighs like tug boats and morals that would surprise a zoo animal.

I didn't just start with ...local city officials because I knew that they would understand the problem. I started with them because I knew that our cities, towns and counties would be a key part of the solution to this issue. ...there is no one-size-fits all policy or program that can solve this problem. And Washington certainly does not have all the answers. Instead, many of the best, most innovative, most effective solutions start in our city halls and our towns and our county councils.

If you say city to people, people have no problem thinking of the city as rife with problematic, screwed-up people, but if you say suburbs - and I'm not the first person to say this, it's been said over and over again in literature - there's a sense of normalcy.

The first seastead happened fifteen centuries ago. The result was the most beautiful city in the world, Venice. People who were sick of their violent governments fled to the water, where they built civilization on stilts. That startup society - a free city-state on the water - became so successful it dominated the Mediterranean for a thousand years.

It makes me crazy to think that somebody might attack my city or any other city.

The right to the city is far more than the individual liberty to access urban resources: it is a right to change ourselves by changing the city. It is, moreover, a common rather than an individual right since this transformation inevitably depends upon the exercise of a collective power to reshape the processes of urbanization. The freedom to make and remake our cities and ourselves is, I want to argue, one of the most precious yet most neglected of our human rights.

Almost all Americans would recognize Anchorage, because Anchorage is that part of any city where the city has burst its seams and extruded Colonel Sanders.

Detroit is a city that really stands out. It's been through a very difficult time. There's been a lot of pain here, and the city, physically, has suffered. You can see it in certain neighborhoods, and there's buildings downtown that have been abandoned.

I have this great fear of Mexico City. I won't go to Mexico City unless someone meets me at the airport and is with me. I just feel very vulnerable there.

The only sustainable city - and this, to me, is the indispensable ideal and goal - is a city in balance with its countryside.

As you withdraw energy from the city, you are also giving energy back. People are noticing you. You're doing something, you're there, the species around you absorb your presence into it, and you become part of this animate entity called the city.