Quotes About Critics

Never surrender to cynicism, even if you suspect it would get the critics on your side.Never surrender to cynicism, even if you suspect it would get the critics on your side.

To the scientists of the Renaissance, your critic was really your ally, helping you advance upon reality. Critics in science are not like drama critics, determining flops and successes. Criticism to scientists is just another means of finding out whether they're wrong, like running another experiment to see if it confirms or refutes a theory. Along with the advocacy principle of the courtroom, It is one of the best ways human beings have evolved to get closer to the truth.

Doing what is right in the face of adversity is not always easy or popular. Critics may assail you, but the critics don't always realize what they don't know or don't understand, because they don't have access to all the information.

Have you ever noticed how most critics disagree with the public? That should tell you a lot about critics.

Sometimes the critics will like a film, and the public doesn't come. Sometimes the critics won't like the film, and the public will come. It's completely spontaneous. It's a hazard.

Thank your readers and the critics who praise you, and then ignore them. Write for the most intelligent, wittiest, wisest audience in the universe: Write to please yourself.

[John Calvin's] treatment of the person and work of Christ, of the Holy Spirit in the life of the believer, of prayer and liturgy, of the sacraments, and of the way in which we have an in-built sense of the divine that we suppress to our great sorrow - these are all immense contributions to Christian thought. The same could be said of his commentaries, which are still regularly consulted by biblical critics today.

The biggest critics of my books are the people who never read them.

If you're a young person, like I used to be and you're at home and you're being called weird or different, I'm here to tell you your critics do not count. Their words will fade. You won't.

Never defend yourself; agree with your critics, it takes the wind out of their sails.

As the book writer for one big smash and one big smelly flop, I always wondered if anyone knows just what goes into making a great musical. When a show is a hit, the critics trip over themselves not knowing who to laud and applaud the loudest. It's that marvelous score, those urbane lyrics, that irreplaceable star. But only when a show is a flop, does anyone notice the book writer. And then it's always our fault.

Whatever you do, you need courage. Whatever course you decide upon, there is always someone to tell you that you are wrong. There are always difficulties arising that tempt you to believe your critics are right. To map out a course of action and follow it to an end requires some of the same courage that a soldier needs. Peace has its victories, but it takes brave men and women to win them.

It's a culture shock to go from obscurity to notoriety in a flash. Its more to it than talent and money; its pressure, stress, enemies, critics; you have to develop relationships and a team. There are all of these things that go along with taking a leap and following your dreams.

I've been among their critics [MBA programs]. Much of what I've seen in business schools is quite non-rigorous. Anecdotal histories are stretched to illustrate favored slogans. Evidence of their effectiveness is similarly anecdotal.

I don't know what to say about literary critics. I think it's probably best to say nothing.

Well, they are critics of the Bush administration generally on the human rights record of the administration, and in particular, they are very, very critical of this use of science.

Reviewers and critics can be overly cynical. If something the least bit sentimental comes up, they'll often start flying off the handle. But I'm like, 'Wait a minute, you've had those times in your life. Everybody has.

Critics haven't taught me my cricket, and they don't know what my body and mind are up to.

Critics in New York are made by their dislikes, not by their enthusiasms.

The feeling persists that no one can simultaneously be a respectable writer and understand how a refrigerator works, just as no gentleman wears a brown suit in the city. Colleges may be to blame. English majors are encouraged, I know, to hate chemistry and physics, and to be proud because they are not dull and creepy and humorless and war-oriented like the engineers across the quad. And our most impressive critics have commonly been such English majors, and they are squeamish about technology to this very day. So it is natural for them to despise science fiction.

As I look back, I understand what [the record company] was getting at. They were trying to market a record and make it as commercially acceptable as possible. It hurt me and my credibility with critics.

I reach my readers regardless of what the critics have written

If the men of wit and genius would resolve never to complain in their works of critics and detractors, the next age would not know that they ever had any.

Anybody who helps the poor is delighted. So naturally, they (critics) are not very happy with us.

Your destiny is not determined by your critics. Focus on running your own race.

I don't like critics; I really don't like them. I think most of them are ignorant and don't have a clue!

But at 42, 1 don't care what critics think.

It's [Into the Badlands] something that's very, very different and I think that's why it divided critics initially because they didn't understand it or get it. They didn't understand or have a knowledge of what we were trying to do. Bringing in the Asian martial arts aesthetic to American television. For us, these are the people who will make the show a hit or a failure in future seasons. So it's for us to respect them and interact and see what they have to say.

If I read or listened to critics of our music. I'd have been discouraged a long time ago.

But the truth is that critics are by definition critical. That's their job.

Critics of consumer capitalism like to think that consumers are manipulated and controlled by those who seek to sell them things, but for the most part it's the other way around: companies must make what consumers want and deliver it at the lowest possible price.

Critics have a problem with sentimentality. Readers do not. I write for readers.

I feel that the task of criticizing my poetry is best left to others (i.e. critics) and would much rather have it take place after I am dead. If at all.

There are good and bad critics like good or bad artists. A good critic says why they didn't like it. A bad critic gives it away that they don't like you as a person. I quite like that as well, because it means that I've won.

Critics only make you stronger. You have to look at what they are saying as feedback. Sometimes the feedback helps, and other times, it's just noise that can be a distraction.

Criticism didn't really stop us and it shouldn't ever stop anyone, because critics are only the people who can't get a record deal themselves.

I've encountered a lot of people who sound like critics but very few who have substantive criticisms. There is a lot of skepticism, but it seems to be more a matter of inertia than it is of people having some real reason for thinking something else.

It is healthier, in any case, to write for the adults one's children will become than for the children one's 'mature' critics often are.

We all have known good critics, who have stamped out poet's hopes; Good statesmen, who pulled ruin on the state; Good patriots, who, for a theory, risked a cause; Good kings, who disemboweled for a tax; Good Popes, who brought all good to jeopardy; Good Christians, who sat still in easy-chairs; And damned the general world for standing up. Now, may the good God pardon all good men!

I never know who's influencing me at any time. I mean, I can take a play by Brecht and adapt it, I'm consciously adapting that play, or, as I've done with the Greek classics, Euripides and Oedipus, and I'm consciously adapting that play. Whether it influences me or not, I think it's the critics, the analysts who have to decide that. Me, I don't feel that I'm under the influence of any such sources.

I often think people don't know what to think of me, and in fact this is precisely the objective of many of my creations. Even back in the days with Lady Starlight, my original partner, we aimed to bemuse. This feeling of bemusement - it's neither good nor bad. It just is. Whether critics realize it or not, they've been in a very long argument since my public birth.

I thought it would fit a niche. I didn't anticipate, nor do I think anybody did, that it would become this global phenomenon, the way that it has. The critics have been so kind and favorable, it has really garnered such wonderful praise, and the numbers have been through the roof. It's actually been quite surreal. I'm still pinching myself because it's amazing. For me, we went to Atlanta and we spent our summer shooting this little zombie show, and it was ours. It was our sweet little zombie show [The Walking Dead], and the world has embraced us.

You don't want to dwell on your enemies, you know. I basically feel so superior to my critics for the simple reason that they haven't done what I do. Most book reviewers haven't written 11 novels. Many of them haven't written one.

The world looks very different to me now at twenty. I have outgrown my early opinions and ideals with my short dresses, just as Mrs. Walton said we would. Now the critics can say 'Thou waitest till thy woman's fingers wrought the best that lay within thy woman's heart.'

As the great naturalist Charles Darwin saw clearly, individual and collective interests often coincide, as in the invisible hand narrative. But he also saw that in many other cases, interests at the two levels are squarely in conflict, and that in those cases, individual interests generally trump. That simple observation suggests that market failure is often the result not of insufficient competition (the traditional charge from social critics on the Left), but of the very logic of competition itself.

I don't believe that anyone is not bothered by critics. I think that everybody cares.

When critics or art historians or curators ask me why I still paint, the answer is that I am not naive.

Somehow I wasn't completely crucified by the critics. I don't know how or why, I probably should've been.