Quotes About Critics

I read reviews of critics I respect and feel I can learn something from. Right now there are a lot of bottom-feeder critics who just have access to a computer and don't necessarily have an academic or cinema background that I can detect, so I tend to ignore that and stay with the same top-tier critics that I've come to respect. I like reading a good review - it doesn't have to be favorable, but a well-thought-out one - because I very much appreciate the relationship of directors and critics.

People think I'm against critics because they are negative to my work. That's not what bothers me. What bothers me is they didn't see the work. I have seen critics print stuff about stuff I cut out of the film before we ran it. So don't tell me about critics.

There are television critics, movie critics, and theater critics too who I like and who I follow and I get genuinely bummed when they don't like something that I've written because I usually agree with them.

The worst advice? 'Don't listen to the critics.' I think that you really ought to listen to the critics, because sometimes they're telling you something is broken that you can fix.

Critics like Elvis Costello because critics are like Elvis Costello.

I am relatively familiar with getting a good old rumping from the critics. In some cases, the critics just didn't like the film - fair cop. Others, I think, didn't understand it.

I was at the New York Film Critics Circle Awards one year - they called me up when somebody canceled two days before the thing, and asked me to present some awards. So I went, and one of the funniest film moments I've ever had was when they introduced the New York film critics. They all stood up - motley isn't the word for that group. Everybody had some sort of vision problem, some sort of damage - I had to bury myself in my napkin.

To the scientists of the Renaissance, your critic was really your ally, helping you advance upon reality. Critics in science are not like drama critics, determining flops and successes. Criticism to scientists is just another means of finding out whether they're wrong, like running another experiment to see if it confirms or refutes a theory. Along with the advocacy principle of the courtroom, It is one of the best ways human beings have evolved to get closer to the truth.

I have been lucky that some critics joined the mob in loving something I've done, or in appreciating it. I've been lucky. But most of the critics don't like what the people like. I think they have a very strange job, and they are meant to criticize.

People like [Memoirs of a Woman Doctor], whether young people, young women, even critics - male critics - they were not shocked by it. Of course, some parts were cut.

Particularly as a writer, it is my job to ignore social critics, or the response that social critics might have when it comes to the opinions of my characters, the way they talk, or anything that can happen to them.

I think at one point, a whole new younger generation of critics come in and they're really aware of zeitgeist in their group, and the older artists tend to get forgotten as their critics retire and do other things or stop paying attention. So there's a factor of aging that I think is to be considered, too. As a middle-aged artist, you kind of get put on a shelf for the young ones.

Romanticism has never been properly judged. Who was there to judge it? The critics!

The more we refuse to buy into our inner critics - and our external ones too - the easier it will get to have confidence in our choices, and to feel comfortable with who we are.

Some critics saw fit to say that I was a great actress. I thought that was a foolish, wicket thing to say because it put such an onus and such a responsibility onto me, which I simply wasn't able to carry.

It's a culture shock to go from obscurity to notoriety in a flash. Its more to it than talent and money; its pressure, stress, enemies, critics; you have to develop relationships and a team. There are all of these things that go along with taking a leap and following your dreams.

I am pushed by my critics. I don't want to say I want to prove them wrong, but it pushes me on the field to play with a chip on my shoulder, and I play best when I have a chip on my shoulder.

In a world that has gone global, we no longer have a choice. If we don't export freedom, we risk importing the viruses which have corrupted other nations. ... Some critics complained that President Bush was arrogant when he suggested America can and should export freedom to other countries. This implies the people of unfree countries may not wish to be free. Which is the greater arrogance?

When it comes to sitting down and composing, there is no hesitation, no concern, no critics breathing fire down my neck. For me, writing a song is the purest part of all. No one can mess with that.

When the critics come around it's always too late.

America's critics can be heard everywhere. It is too much in love with money - worshipping the god of the marketplace, the golden calf. It has too much money, seven of the top 10 banks, eight of the top 10 companies etc. It is too stingy, giving away less of its wealth than other countries. It is vulgar, a rich barbarian.

Critics in New York are made by their dislikes, not by their enthusiasms.

You may not want to hear it, but your critics are often the ones telling you they still love you and care about you, and want to make you better.

I could never do a show, or be a personality like Howard Stern, where you take all that heat from critics. What he does, he does, but the critical heat would crucify me.

There is probably no hell for authors in the next world - they suffer so much from critics and publishers in this.

I am obsessed by the idea of silence. I went through an entire library studying art, artists and their critics, philosophers, too, on the meaning and significance of the color white. I dreamed of white birds and white bears. I thought about the white pages of my mother's journals. I became enthralled with John Cage and his work, 4'33”, his masterpiece of ambient sound. Rauschenberg, too. And then at some point I let go. What sticks to the soul is what gets placed on the page. Maybe that's the unknown part, the mystery, the power of the empty page.

Since I won't let the critics seal my fate, they keep hollering I'm full of hate. But they don't really hurt me none, 'cause I'm doing good and having fun.

Critics called me 'egregious' - I had to look that one up - and 'creepy', but now I don't read them, I weigh them.

Anticipating attacks, I should like to emphasize that I do not subscribe to the myths propagated by enemies of Israel and I am not blaming Jews for anti-Semitism. Anti-Semitism predates the birth of Israel. Neither Israel's policies nor the critics of those policies should be held responsible for anti-Semitism. At the same time, I do believe that attitudes toward Israel are influenced by Israel's policies, and attitudes toward the Jewish community are influenced by the pro-Israel lobby's success in suppressing divergent views.

The devil's happy when the critics run you off.

If critics want to help me, let them come sit next to me while I'm writing.

We're all our own worst critics and so hard on ourselves, but for me, my biggest insecurity is my arms. I just hate the tops of them. I work out and they still never look good enough for me. So, over the years I've learned to dress to make myself feel better.

I have heard the critics. What they are spewing are lies, nothing more. My defense policy calls for an efficient and strong military for our country. We live in dangerous times, but we must remember that we have to defend the United States against dangerous and modern threats. The Cold War is ending. Defense hawks like Senator Nunn need to understand this.

It used to worry me what people said about me. I'm learning not to worry as much. Sometimes you feel critics are wrong all the time, but I don 't take objection to it, because that's the way it goes. They can be wrong, they can be right. They can be cruel, they can be kind.

Generally people are afraid. They pretend they aren’t; it’s part of the denial. We’re all part of it. As much as we pretend otherwise, we want what’s comfortable, and we’re afraid of the different. We’re afraid of change. It happened in Los Angeles, too, when the first models of Disney Hall were shown. You should have heard the outcry from the public, critics and press. It was called “broken crockery,” “outlandish” and blah blah blah. Of course now the feeling is different.

I often think people don't know what to think of me, and in fact this is precisely the objective of many of my creations. Even back in the days with Lady Starlight, my original partner, we aimed to bemuse. This feeling of bemusement - it's neither good nor bad. It just is. Whether critics realize it or not, they've been in a very long argument since my public birth.

Dear, damned, distracting town, farewell! Thy fools no more I'll tease: This year in peace, ye critics, dwell, Ye harlots, sleep at ease!

I don't have any special advice for America's women, except to know who you are and to put your priorities in order and to not worry about the naysayers and critics say.

See Spot run!' is a perfect sentence in some ways. But I doubt the critics would say it was.

I have always sought to be understood and, while I was taken to task by critics or colleagues, I thought they were right, assuming I had not been clear enough to be understood. This assumption allowed me to work my whole life without hatred and even without bitterness toward criticism, regardless of its source. I counted solely on the clarity of expression of my work to gain my ends. Hatred, rancor, and the spirit of vengeance are useless baggage to the artist. His road is difficult enough for him to cleanse his soul of everything which could make it more so.

It would be so much better if the critics would come, not on first nights, but on last nights, when they could exercise their undoubted flair for funeral orations.

Critics of Donald Trump take him literally, but not seriously. His supporters take him seriously, but not literally.

Most Americans aren't the sort of citizens the Founding Fathers expected; they are contented serfs. Far from being active critics of government, they assume that its might makes it right.

We were 6 feet under. A lot of people gave up on us, including fans and critics and show promoters and record labels.

Women excel more in literary judgment than in literary production,--they are better critics than authors.

More and more in the art world are becoming moralistic, telling artists and critics what they should and shouldn't write, do, or make art about. Never mind the intellectual hypocrisy of this: Those who violate the clublike code are made out to be wrong, immoral, corrupt.

Great critics do not explicate a text; they describe it and then report on what they have described, if the description itself is not the criticism.

The way something looks or sounds is also what it means. Words as visual and aural phenomena, which mainly poets, not critics and prose writers, tend to be obsessed with. I think maybe I'm more of a curator than I am a writer in the strict sense because I am interested in how everything on the page, in a space, works together.