Quotes About Dance

In that last dance of chances I shall partner you no more. I shall watch another turn you As you move across the floor. In that last dance of chances When I bid your life goodbye I will hope she treats you kindly. I will hope you learn to fly. In that last dance of chances When I know you'll not be mine I will let you go with longing And the hope that you'll be fine. In that last dance of chances We shall know each other's minds. We shall part with our regrets When the tie no longer binds.

Doing photo booths and signings, and doing all of that for charity, and having dance parties every night, is so much fun. I like to dance, and I know other people that like to dance. It's a great way to celebrate the time that we're all down there together.

The peoples influenced by the animal dance have a variety of movements and dance with enthusiasm; those who do not know the animal dance have few movements and show little zest for dancing.

That is what they call being reconciled to die. They call it reconciled when pain has strummed a symphony of suffering back and forth across you, up and down, round and round you until each little fibre is worn tissue-thin with aching. And when you are lying beaten, and buffeted, battered and broken - pain goes out, joins hands with Death and comes back to dance, dance, dance, stamp, stamp, stamp down on you until you give up.

There's no thinking involved in my choreography... I don't work through images or ideas. I work through the body... If the dancer dances, which is not the same as having theories about dancing or wishing to dance or trying to dance, everything is there. When I dance, it means: this is what I am doing.

I urge you to be bold. Life isn't changed from the balcony. Get onto the floor and dance, dance, dance.

When I started Fool's Gold and producing consistent records that were like electro beats with rapping on it that was experimental and weird. I made a mixtape called Dirty South Dance where I put rap vocals over dance music. That was literally an experiment. Now all these rappers are rapping on dance music. This is something I've been trying to build for a while.

Many of my songs were dance orientated from way back. That's because I love dance! When I hear a dance number, just hearing the first eight bars, it immediately makes my bod start moving and dancing.

I think a lot of times when people hear the word dance, they think 'oh, that's something that I can't do.' But dance really lives in our bodies and the thing that I've come to learn, embrace and lift up is that we have history in our bodies that's living and breathing. We have our own individual history but we also have our heritage. Each one of us has our movement language and it's about tapping into that and pulling that out. That's the thing that I try to encourage everybody because it's not about dance, it's about the movement and the gesture and how we honor it.

Dancing is really a way of working out and it can actually be fun. In dancing there might be a certain dance move that requires you to do a squat. Certain dance moves will require you to move your core. That's what people don't understand.

We dance with women in groups, but it is very rare that you have a partner that is a woman. The dance world is very macho - woman, boy, always couples, and it's very standardized.

Dance music will always be around. People around the world love to dance.

Of course, Ginger was able to accomplish sex through dance. We told more through our movements instead of the big clinch. We did it all in the dance.

I had fun. That’s what I believe in. Fun, flings, the sizzle. It starts as a shiver, when you see a man for the first time. And then he meets your eye and the shiver runs down your back and becomes a sizzle in your stomach and you think 'I want to dance with that man.' You dance, you have a cocktail or two, you flirt.

...there is a celebrated aphorism insisting that the best way to live is to 'work like you don't need the money, dance like nobody is watching, and love like you've never been hurt.'...After years of hearing and reading these lines I have decided to tell the truth: the original version is wrong. There is a grave error in the wording of this adage. The correct version should go as follows: Love like you don't need the money, Work like nobody is watching, Dance like you've never been hurt. See? Doesn't that make more sense?

You know I very much respect Yvonne Rainer, she is very important - in American dance, the entire development of modern dance, and creating a wonderful physical language.

Dance is communication, and so the great challenge is to speak clearly, beautifully, and with inevitability. Dance is the only art of which we ourselves are the stuff of which it is made. Dancing is like dreaming with your feet!

Though I soon became typecast in Hollywood as a gangster and hoodlum, I was originally a dancer, an Irish hoofer, trained in vaudeville tap dance. I always leapt at the opportunity to dance in films later on.

We look at the dance to impart the sensation of living in an affirmation of life, to energize the spectator into keener awareness of the vigor, the mystery, the humor, the variety, and the wonder of life. This is the function of the American dance.

Hundreds of years ago, Indian artists created visual images of dancing Shivas in a beautiful series of bronzes. In our time, physicists have used the most advanced technology to portray the patterns of the cosmic dance. The metaphor of the cosmic dance thus unifies ancient mythology, religious art and modern physics.

The future of dance will always be tied up with the public's acceptance of the star. If they accept the star, then they'll accept the dance.

For me, dance is a nutrient, you know, it's something that I need, it's something like, you know, the air we breath, the food we eat. These are things that we need for survival. For me, dance is a nutrient. It's my nourishment.

I did a dance sequence in my second short film, which was my best short film, called 'Hairway to the Stars,' and I think Chris Wink, the founder of Blue Man Group, was in that. It's a black-and-white dance sequence. We were Glorious Food waiters together.

I was often the only white girl in the Indian dance class. That felt funny, but doing Indian dance was great.

My music is a reflection of what I really love to listen to, pop, dance, mid tempo dance and ballads.

Lost love is still love. It takes a different form, that's all. You can't see their smile or bring them food or tousle their hair or move them around a dance floor. But when those senses weaken another heightens. Memory. Memory becomes your partner. You nurture it. You hold it. You dance with it.

I could dance with you till the cows come home. Better still, I'll dance with the cows and you come home." Groucho Marx was never one to pass up an opportunity for a play on words and this occurs in his dialogue of the 1933 film Duck Soup.

Dance, and make joyous the love around you. Dance, and your veils which hide the Light shall swirl in a heap at your feet.

I'm writing about the things I see all around me. Growing up in Mississippi, I've seen how these backward ideas about class and race and healthcare and education and housing and racism impact everyday lives. For example, my mother wouldn't let me go to my homecoming dance because the yacht club where they were having the dance threw a fundraiser for David Duke, an ex-Klan member, when he was running for governor of Louisiana. So I grew up seeing how personal politics could be.

I have a strong dance background. I danced from age five until 18, and that helps a lot. Doing a fight routine is like doing a dance routine.

Lady Gaga? She's cool! She works really hard. When we would have our dance rehearsals, she wasn't the singer that was like, 'Oh, I'll just stand in front'. She wanted to learn everything - she was doing the dance moves. She's a good dancer.

When I was really young, my mom enrolled me in dance classes. "Mom, I'm too young to dance," I told her. She kind of forced me, but I ended up loving it, and after the first lesson I came back and said, "Come on, Mom, I'll show you the box step." That introduced me not just to dancing but also to working with someone without having a goal.

I've never been to a prom or a dance; so it's funny, because we have dances on the show, and I'll be like, 'Oh yay! It's my school dance!'

I'm the guy that stands out in all the crowds, so I don't get out there and dance, but I can dance.

We dance, we dance. You hold the thread of my soul. You spin, you spin. And you unravel the part from the whole. We laugh, we laugh. I'm so far from where I began. I fall, I fall. And I forget that I am.-from Golden Tongue:The Poems of Steven Slaughter

He [Michael Jackson] would choose specific moments. They were art history books that I prefer. They were paintings that he prefers. It's this dance back and forth. We were halfway through the dance. He died.

Only the tango has continued to enjoy undiminished favor for more than twenty years in spite of polishing and refinement. To be sure, it is no pure Negro dance and owes its best qualities to the unusual dance talents of the Spaniards.

You've got this amazing creature- yourself- that can breathe, dance, and cry. And you have a certain amount of moments (maybe a few million moments-but moments they are) and you have this chance to do absolutely anything- to reach out to another vulnerable & true. To dance on the roof of euphoria and pray beside the ocean to let go. We have the chance every moment to Be Alive and give to this world who needs each one of us so badly.

I'd been taking singing lessons and I had taken dance, because I loved to dance, but I had never considered myself a professional at all.

I think every time I said, "I'm working with Nile [Rodgers]," the reaction was, "Oh, great. I love 'Let's Dance.' " I think that's pretty expected. I'm not sure Nile and I went in consciously not to make "Let's Dance." We just wanted to work together again.

If you ask an Auin Bushman what realty happens at the puberty ceremonials, he will tell you, "We dance." In the initiation customs of all peoples the dances play an especially important part. The dance is the center of wedding festivities.

In order to understand the dance one must be still. And in order to truly understand stillness one must dance.

Dance has become an exclusionary enterprise. To participate, one must be thinner than thin, of pleasing form, flexible, athletic and young. If you are not all these things, you will be allowed to dance in the privacy of your own living room. You just wouldn't dare to put yourself onstage.

Dance brings out the best in me and makes me feel infinite. It helps me relax and express myself, and it clears my head. Plus, dance keeps me fit!

Dance is not an exercise. Dance is an art.

Life is a spiritual dance and that our unseen partner has steps to teach us if we will allow ourselves to be led. The next time you are restless, remind yourself it is the universe asking 'Shall we dance?

[... Dance] involves every possible feeling (as potential), because it is of the body, which is lived (inescapably) as a body of feeling. Some of these feelings we can name, and some we cannot, since we associate feelings with language only when we name them. The body lives sentience on a preverbal level. Dance exists first on this primordial level, not on an intellectual plane (even though it requires skill and intelligence). Its inmost substance cannot be reasoned, only experienced.

I get really bored really easily, so I'm a big believer and advocate of changing it up. One day, I'll do a power yoga or hot yoga day, and then go into a more intense day of HIIT training or boxing. I always have a bit of dance in there too.