Quotes About Emotional

What you consistently speak with emotional intensity, you will experience, you will create, and you will become. The words that you speak with emotional conviction become the life you live - this is your heaven or this is your hell.

I think, being emotional is this thing that people think you're not strong. They don't look at you as a strong person, and it's weird 'cuz honestly being emotional has nothing to do with your strength.

I think that emotional content is an image's most important element, regardless of the photographic technique. Much of the work I see these days lacks the emotional impact to draw a reaction from viewers, or remain in their hearts.

I watched as Humphrey Bogart’s character used beans as a metaphor for the relative unimportance in the wider world of his relationship with Ingrid Bergman’s character, and chose logic and decency ahead of his selfish emotional desires. The quandary and resulting decision made for an engrossing film. But this was not what people cried about. They were in love and could not be together. I repeated this statement to myself, trying to force an emotional reaction. I couldn’t. I didn’t care. I had enough problems of my own.

If our emotional stability is based on what other people do or do not do, then we have no stability. If our emotional stability is based on love that is changeless and unalterable, then we attain the stability of God.

Certain things leave you in your life and certain things stay with you. And that's why we're all interested in movies- those ones that make you feel, you still think about. Because it gave you such an emotional response, it's actually part of your emotional make-up, in a way.

I deal with emotional pain through therapy, writing, therapy in music. I think emotional pain is best dealt with when you use art to express it.

The effect of emotional venting is to sustain an unsatisfactory status quo. Most people think the opposite, that complaining is part of an effort to change an unsatisfying situation. Nope. Complaining lets off pressure so that we neither explode with frustration nor feel compelled to take the often risky steps of openly opposing a difficult person or situation. Keeping emotional pressure tolerably low doesn't change problematic circumstances but rather perpetuates them.

Songwriting is an emotional medium, and rock and roll is an emotional medium.

I guess the most emotional part is when I have that moment when I end up writing something that I really, really love. So not only is there the emotional connection with the music that's being created, but there's also the magic of the fact that you're essentially creating something from nothing.

Names generate meaning in a short amount of space — they provoke thoughts, questions. That's something I like doing. Of course, you have to be careful. Sometimes it can alienate the reader, it can be another level of mediation, to make a character carry the great burden of a metaphoric name. The character can be a device before he or she becomes a person, and that can be a bad thing for a writer who wants to offer up a kind of emotional proximity in the work. It's a constant struggle, the desire to be playful and the desire to communicate on some very stark emotional level.

Love affairs are for emotional sprinters; the pleasures of love are for the emotional marathoners.

What I do respect is that Donald Trump knows that it is an emotional appeal and it might be emotional appeals that I don`t - can`t expect.But he knows that you have to appeal to the voter, and that`s why I may be wrong. I made a big deal about there`s no way he`s going to win.

Emotional sickness is avoiding reality at any cost. Emotional health is facing reality at any cost.

Fashion is emotional, and the way women look at it is emotional, so it's very important to try to connect with a woman's idea of how she might feel.

You know, comedy's hard. With drama, you have a responsibility to the emotional truth, but with comedy, you have emotional truth and you have technique on top of it.

Sometimes it's binge eating as a method to handle emotional pain. I'll also write very sporadically - music, lyrics - to identify the problem. There are a few cathartic processes I've alternated randomly. There's no default. Each emotional experience elicits a different, possibly new response.

The Garden En robe de parade. - Samain Like a skein of loose silk blown against a wall She walks by the railing of a path in Kensington Gardens, And she is dying piece-meal of a sort of emotional anaemia. And round about there is a rabble Of the filthy, sturdy, unkillable infants of the very poor. They shall inherit the earth. In her is the end of breeding. Her boredom is exquisite and excessive. She would like some one to speak to her, And is almost afraid that I will commit that indiscretion.

I try to just be open to what the next experience is and how it makes me feel, just reading a project, or trying to get involved with a project, or thinking about a project, and what particular emotional flavor that brings. To me, it's never really about planning the next thing, or the career arc. It's about investigating how I feel, from project to project, and finding things that I haven't explored and what that would be like.

Emotional excitement reaches men through tea, tobacco, opium, whisky, and religion.

There are records that you just sink into. They coincide with what you’re going through and become an ally. If our records do that for people, that’s the greatest compliment I could ever receive. That’s one of the reasons making music is so important to me, because there’s a very strange emotional reach. For me—more than books or movies or other things—music is like a mainline to your heart.

After being taught sets and reps and working at it for a length of time you can't paint by numbers anymore. It must come from within. Any artist has an emotional contact with their work. A true bodybuilder doesn't just build muscle he creates muscle. You can't be a robot.

I know that the emotional narrative will work in the end, and I just have to play each moment honestly even if the getting from A to B doesn't totally make sense initially.

For any true stickler, you see, the sight of the plural word “Book’s” with an apostrophe in it will trigger a ghastly private emotional process similar to the stages of bereavement, though greatly accelerated. First there is shock. Within seconds, shock gives way to disbelief, disbelief to pain, and pain to anger. Finally (and this is where the analogy breaks down), anger gives way to a righteous urge to perpetrate an act of criminal damage with the aid of a permanent marker.

I tend to think of myself as a highly emotional writer. It's all coming out of the deepest feelings, out of dreams, out of the unconscious.

I've always been a fan of melody and emotional melancholy, whether it was Rites of Spring or Tears for Fears or Neil Young. If I hear a song that has a sweet melody, I'm a sucker for it, whether it's Linkin Park or Little Richard.

There are realities we all share, regardless of our nationality, language, or individual tastes. As we need food, so do we need emotional nourishment: love, kindness, appreciation, and support from others.

The Hollywood atmosphere of crises and continuous anxiety is a kind of hysteria which prevents people from thinking, and is not too different from the way dictators use wars and continuous threats of war as an emotional basis for maintaining their power.

I don't think that anyone can really understand anything until it's understood on a cellular, emotional level.

We have three centers: the emotional center, the intellectual center, and the physical body center. Each one of them has its own intelligence. How much better would we be if all three were working in unison?

They (animals) are not just living things; they are beings with lives... that makes all the difference in the world...next time you are outside...notice the first bird you see…you are beholding a unique individual with personality traits, an emotional profile, and a library of knowledge built on experience…what you are witnessing is not just biology, but a biography.

Learning first occurs as a part of emotional interactions; it involves the split-second initiatives that children take as they try to engage other people,interact with them communicate and reason with them.

There are emotional ties to family that are connected to the sexual experience for women that are very different than men which does make it harder for women to date and not get hurt.

Animators do amazing working translating and interpolating the characters [in the Planet of the apes], the facial performances. What we're creating on set - if you don't get it on the day, in the moment, on set, in front of the camera, with the director and the actors. The emotional content of the scene and the acting choices.

A necessary part of our intelligence is on the line as the oral tradition becomes less and less important. There was a time throughout our land when it was common for stories to be told and retold, a most valuable exercise, for the story retold is the story reexamined over and over again at different levels of intellectual and emotional growth.

From the writing stage, I had envisioned a film that would be bright and light, even if the movie addresses adolescent unrest and self-destructive behavior. Talking about adolescence, I wanted to make a very musical film that was also a love story with a sensorial, sensual dimension and which had a strong emotional impact.

Music, I feel, must be emotional first and intellectual second.

It was just like Howlin' Wolf. Once you arrive at the point that you understand it, the emotional factor is darker than some of the saddest blues stuff.

At the center of the Universe is a loving heart that continues to beat and that wants the best for every person. Anything that we can do to help foster the intellect and spirit and emotional growth of our fellow human beings, that is our job. Those of us who have this particular vision must continue against all odds. Life is for service.

I love acting. I'm actually a very emotional actor.

I stay out of the sun, and if I'm in the sun, I'm wearing SPF. I protect my skin as much as I can; I learned that a long time ago. I also exercise every day and I get the endorphins going. It's important not only for my physical self but also for my mental self and my emotional self. I'm healthy, I eat well most of the time, I take care of myself and I drink a lot of water. But I also enjoy myself. Taking care of yourself doesn't have to be painful, it's about finding the right balance, I think.

As music becomes more computer-based, it's lost some emotional impact.

The woman is skin covered prozac I like to call her. Half the trick to a film like this is keeping a sort of emotional level going and keeping an attitude that induces creativity on the set. You have to be in a good mood for that. You have to be happy to make a comedy I think and Anne sort of ensured that every time by expressing most of her feelings through the exciting medium of dance.

I suppose the nearest equivalent to a bar mitzvah in terms of emotional build-up would probably not even be one's wedding day, but one's coronation.

Conscience is a creator of meaning. As a sense of constraint rooted in our emotional ties to one another, it prevents life from devolving into nothing but a long and essentially boring game of attempted dominance over our fellow human beings, and for every limitation conscience imposes on us, it gives us a moment of connectedness with an other, a bridge to someone or something outside of our often meaningless schemes.

My kids say if there's any family dinner that doesn't result in somebody crying, it's not a good dinner. They cry because it helps relieve them of a guilt or some onerous emotional burden. It's like a family tradition.

My own feelings about the direction in which jazz should go are that there should be much less stress on technical exhibitionism and much more on emotional content, on what might be termed humanity in music and the freedom to say all that you want.

The center for me is my heart, actually, and my emotional connection with the work. That's where authenticity comes from. It's also the first thing that hits me about other people's work, or watching other people perform, "Do I believe the person?" Even if I don't like what someone is doing or if I don't like the sound, if I believe them, I do like them. I am able to appreciate them as an artist.