Quotes About Fantasy

I can't say that fantasy instead of the 3D world is fine or good, but I know in my own life I have certain people I've kind of fixated upon to the point of pure fantasy. Then there's such a dilemma when here they are, and they're getting ever less and less like the way the fantasy has them.

Current cant equates fantasy with escapism, and current fashion would have it that fantasy is both easy to read and to write. It isn't. When it is done honestly, by a skillful writer, fantasy takes us far enough beyond our daily perceptions to open us to the essential realities beneath it. This is the true goal of all art.

A mother should have some fantasy about her child's future. It will increase her interest in the child, for one thing. To turn the fantasy into a program to make the child fly an airplane across the country, for example, isn't the point. That's the fulfillment of the parent's own dreams. That's different. Having a fantasy - which the child will either seek to fulfill or rebel against furiously - at least gives a child some expectation to meet or reject.

But basically what I like are the possibilities, and the fantasy element of the show. Not science fantasy so much, but fantasy, the humanistic elements and how people relate when they’re in a dire situation or comedic situation.

At its best, fantasy rewards the reader with a sense of wonder about what lies within the heart of the commonplace world. The greatest tales are told over and over, in many ways, through centuries. Fantasy changes with the changing times, and yet it is still the oldest kind of tale in the world, for it began once upon a time, and we haven't heard the end of it yet.

True balm [of fantasy] takes away the painful irritation of life and simply heals, allowing one to begin anew. And that is what fantasy can do for us.

Acting is not about anything romantic, not even fantasy, although you do create fantasy.

The first rule of world-building is available physics, which basically means that if you want it to feel real, it has to follow the same rules as this world, from gravity to how human behaviour works. If you have a fantasy element that doesnt obey the laws of physics, make sure that it has a fantasy explanation.

If there’s a zeppelin, it’s alternate history. If there’s a rocketship, it’s science fiction. If there are swords and/or horses, it’s fantasy. A book with swords and horses in it can be turned into science fiction by adding a rocketship to the mix. If a book has a rocketship in it, the only thing that can turn it back into fantasy is the Holy Grail.

I define science fiction as the art of the possible. Fantasy is the art of the impossible. Science fiction, again, is the history of ideas, and they're always ideas that work themselves out and become real and happen in the world. And fantasy comes along and says, 'We're going to break all the laws of physics.' ... Most people don't realize it, but the series of films which have made more money than any other series of films in the history of the universe is the James Bond series. They're all science fiction, too - romantic, adventurous, frivolous, fantastic science fiction!

An element of fantasy is needed when falling in love and I was unable to find the fantasy element with any of the male gender

Anthony Ryan is a new fantasy author destined to make his mark on the genre. His debut novel, Blood Song, certainly has it all: great coming of age tale, compelling character, and a fast-paced plot. If his first book is any indication of things to come, then all fantasy readers should rejoice as a new master storyteller has hit the scene.

You'll never be fully engaged in where you are or where you're going by settling for normal. Here's a fact: No one who was normal ever made history. Drop that fantasy like a hot rock!

To call everything that appears illogical, fantasy, fairy tale, or chimera would be practically to admit not understanding nature.

Fantastic fiction covers fantasy, horror and science fiction - and it doesn't get the attention it deserves from the literati.

I'm not reading any kind of fantasy [for young adults] or Hunger Games or anything like that. It's more just like geeks with crushes. It's very sweet, and I'm enjoying how honest they are, and I'm enjoying the humanity in them.

People will get tired of overly retouched images soon and they'll want something different. If people have too much reality, they want fantasy. What matters most is what the image communicates. I remember the first roll of film I shot at high school, the contact sheet went from these really worthy images of cracks in the wall and ended up with all of my dancer friends naked in Renaissance poses.

The photographer and the director are where reality and fantasy meet.

Nature is my springboard. From her I get my initial impetus. I have tried to relate the visible drama of mountains, trees, and bleached fields with the fantasy of wind blowing and changing colors and forms.

... in a history of spiritual rupture, a social compact built on fantasy and collective secrets, poetry becomes more necessary than ever: it keeps the underground aquifers flowing; it is the liquid voice that can wear through stone.

Canadians are fond of darker stories, serious stories, so if you're a Mystery writer or a Romance writer or Fantasy Writer, you will most likely have an American publisher and agent.

Once I knew that I wanted to be an artist, I had made myself into one. I did not understand that wanting doesn't always lead to action. Many of the women had been raised without the sense that they could mold and shape their own lives, and so, wanting to be an artist (but without the ability to realize their wants) was, for some of them, only an idle fantasy, like wanting to go to the moon.

Now every mortal has pain and sweat is constant, but if there is anything dearer than being alive, it's dark to me. We humans seem disastrously in love with this thing (whatever it is) that glitters on the earth-- we call it life. We know no other. The underworld's a blank and all the rest just fantasy.

If the general opinion is pessimistic, fantasy is going to hold its own.

The primordial image, or archetype, is a figure--be it a daemon, a human being, or a process--that constantly recurs in the course of history and appears wherever creative fantasy is freely expressed. Essentially, therefore, it is a mythological figure. . . . In each of these images there is a little piece of human psychology and human fate, a remnant of the joys and sorrows that have been repeated countless times in our ancestral history. . . .

I feel that there is an alternate ending that leaps off too far into fantasy and there is an alternate ending that leaps off too far into pessimism, but that, in fact, the novel as it has developed should, if it's functioning correctly, have equipped you as the reader to make your own decision about where you want to go with that, about where you're going to fall on that continuum. So, the novel is taking you directly up to the point that you have to choose, and it's letting you do that.

That's proof right there that men and women are on different levels because men can watch two women together and that's a turn-on. It doesn't work the same way for us, does it, ladies? No, uh-uh - it doesn't work the same. You ask any woman in here her sexual fantasy, and I will bet you a million dollars that it's NOT to go home and catch your man bent over with some big, burly guy standing behind him.

Love, love, love - all the wretched cant of it, masking egotism, lust, masochism, fantasy under a mythology of sentimental postures.

Most modern fantasy just rearranges the furniture in Tolkien's attic.

I have an unconscious burglar living in my mind: If I read something, it's mine. I can read Middle English stories, Geoffrey Chaucer or Sir Thomas Malory, but once I start moving in the direction of contemporary fantasy, my mind begins to take over.

This mindless tolerance, which places observable scientific facts, subject to proof, on the same level as unprovable supernatural fantasy, has played a major role in the resurgence of both anti-intellectualism and anti-rationalism.

I've always liked sci-fi/fantasy films. I've never really followed any sci-fi television shows though. I wouldn't consider myself a fan. When asked, I think I say the Matrix is my favorite movie.

I do not think we will see a stateless society in my lifetime. But I am sure we will not see a state that conforms to the minarchists' ideals. The closer we get, the better, but I see no reason not to aspire for the best government as Thoreau imagined it: none at all. It's certainly more consistently idealistic than what the minarchists imagine, and yet it's at least possible, whereas the existence of a lasting, minimal state is a hopeless fantasy.

As a child I was really into fantasy books with elves and goblins and swords, and I went through a phase for a few years when I was reading endless series. But in the end I became totally fed-up with all these sub-Tolkien rip-offs because they all end up doing the same old things and there's no rigour to it.

I don't really like politics that much. And I like the order and simplicity of sports. They have an ending. You can argue with your friends about it, but in the end you still like sports. I almost love the fantasy world of sports more than the real world.

What is a fantasy map but a space beyond which There Be Dragons?

I feel like a sailor, or better, like an explorer of the immense universe of art. The artist is a discoverer in search of the keys that open the door to emotions and feelings . Art is the place where rationality, fantasy, truth and fiction mix up in a detonating mixture.

With any sci-fi fantasy storytelling, you must have rules be very clear, otherwise you lose people, like 'OK, they can fly; now they can't fly.'

Growing up, I had the weird fantasy list: I wanted to be Alice Cooper, Steven Spielberg, and Stan Lee. You have to have almost psychotic drive, because you're going to have years of failure.

I loved acting as a kid because I was kind of shy, so it brought me out of myself. Acting for kids is like playing house, you know? But growing up in Hollywood, it just made it seem possible. It wasn't like some idea of going to Hollywood; it was in my backyard. I lived two blocks from Grauman's Chinese Theatre growing up. It was what people did. It's an industry town. So it wasn't some far-off fantasy, it was like "Oh yeah, when you grow up, you do this because that's what people do here."

If you look at any ancient civilization, they've all used fantasy stories to train the young.

A single flight of planes no bigger than a wedge of geese can quickly end this island fantasy, burn the towers, crumble the bridges, turn the underground passages into lethal chambers, cremate millions... Of all targets New York has a certain clear priority. In the mind of whatever perverted dreamer might loose the lightning, New York must hold a steady, irresistible charm.

It was a standard fantasy when you fell in love to imagine you could go back in time and find your beloved growing up, appear there, save him or her, get together as adolescents, by magic, and go on together, fighting for one another, into old age, never wavering.

I grew up loving fantasy, adventure, and children's book series. At the time, I was in a place in LA where I wasn't working and I kind of thought to myself, "What do I really want to do? Like, what kind of role would be really exciting for me?" And I sort of thought about being in an adventurous, magical, fantastical world and a character that was powerful and sophisticated and perhaps even a dandy, that might have even passed in my head, and then I got an audition for the show ["The Magicians"] shortly after.

I get the fantasy league comment a couple of times a series ... that's pretty cool. They might be rooting for the other team, but if I do well it helps them out. It's kind of cool.

Models are there to look like mannequins, not like real people. Art and illusion are supposed to be fantasy.

Every actor, I don't care what they say, their roles are a lot more interesting than we are, and at the end of the day, it's still entertainment or fantasy. I think we can learn a lot from the characters we play and I find that the characters are even more noble than myself.

Fantasy is one of the soul's brighter porcelains.