Quotes About Feel

The people need to feel the music. That's what's so important, and that's what is missing. You have to let the audience feel you, you have to let them feel the love, feel the rock 'n' roll, feel the energy.

Being healthy is feeling the same way as little children feel. Little children are bursting with energy every day. Their bodies feel light and flexible; moving is effortless. They're light on their feet. Their minds are clear; they're happy, and free of worry and stress. They sleep deeply and peacefully every night, and they wake up feeling completely refreshed, as if with a brand-new body. They feel passionate and excited about every new day. Look at little children and you will see what being healthy really means. It is the way you used to feel, and it is the way you should still feel.

Fashion to me is very emotional. It's my strongest form of self-expression, and I love wearing a piece of clothing where I feel like I can run around at any moment and dance in it. So you know, I guess when I'm designing, I want the clothes to feel celebratory and feel very light and fun and feel like you could move seamlessly.

The reason I speak out is because it's necessary. I feel like it's my responsibility. I feel like it's what I'm put here to do. Even on a simpler level, I feel like why can't we speak on what we feel is right or what's wrong? What's wrong with that?

One of the most common words in the invalidating, self-blaming stories we believe about ourselves or our situations is the word "should." The psychologist Albert Ellis has coined the phrase "Stop shoulding on yourself." When you tell yourself that you should feel or be another way, you are likely to feel bad about yourself. As an alternative, try telling yourself that it is okay to feel or be the way you are, even though you have some idea that you should feel or be different.

Think thoughts that make you happy. Do things that make you feel good. Be with people who make you feel good. Eat things that make your body feel good. Go at a pace that makes you feel good.

You hear a lot of people, they turn 40 and it really bugs them and they get depressed or whatever. I don't know - I just don't feel that way. I feel 19 years old all the time. I mean, it's not a lie. I could easily say, God, I feel 70. Or maybe I seem like I'm 70 or 200 or something to other people, I don't know. My brain feels 19 all the time. And that's a good spot.

We feel crowded by other people; we feel crowded by social rules; we feel crowded by ourselves, mainly.

If I feel like doing something, I do it. If I feel like saying something, I say it. If I feel like dancing, I do. If I don't, I don't.

I think, with music in general, people just inevitably connect with feeling. The opportunity to hear expressed feeling. And that's what has always drawn me towards music. It's something where, by connecting to someone else's voice, I feel less lonely. I feel more alive. I feel more connected to the world and to the rest of humanity. Sometimes a voice can be like a lifeline.

I have always felt that books help me feel less alone in the world. They make our lives bigger - they help us to feel feelings we wouldn't otherwise feel and to understand feelings that we don't have a framework for.

I don't feel like I possess a particular political intelligence, and when I read work that does, I feel like somebody else is going to have the right political thing to say. As a citizen, I feel an enormous need to respond, and immediately post-election, I felt like, What is my work worth? Should I quit what I'm doing and go work on the 2018 election now? How is what I'm putting into the world meaningful?

When you are insecure, it turns people off. To spend money, people have to give away a part of their security. When they make the transfer of money to you, they have to feel solid; they have to feel they are getting something that will make them more, because they are paying out and becoming less right now. If you are solid and contained and secure, it helps them feel solid, so they transfer their cash more readily.

The capacity to create [visual] effects in the computer has made the job easier, but it has also introduced the complexity that you can with a few more keystrokes generate such a busy canvas that the eye doesn't know where to go. You lose human scale on an event and you're just wowed by the kinetics and the visualization. But, often in those cases I feel you lose touch with the human characters and what it is that they would feel and how they might feel, and that's still the most important part.

A lot of people say they feel tired, and I think that's why we have a prevalence of coffee shops. I don't remember seeing coffee shops on every corner when I was growing up, so there's something going on these days. As an alternative to reaching for that 50th cup of coffee for the day, Archangel Michael is a wonderful angel to call on if you feel tired. You say, "Archangel Michael, I ask that anything draining my energy and vitality be now removed from me." It is a simple prayer. Say it, take a breath, and you will feel your energy being revived.

My red patent-leather, 5-inch peep-toe slingbacks are not mere shoes. They are fine art. They make me feel tall. They make me feel sexy. They make me feel powerful. I call them my 'special-day shoes.'

When you meditate you have to try to quiet and calm the mind. There should be no thought within the mind. Right now you feel that if you can cherish twenty ideas at a time, then you are the wisest man on earth. The more thoughts that enter into our minds, the more clever we feel we are. But in the spiritual life it is not like that. If consciously we can make the mind calm and quiet, we feel that a new creation dawns inside us.

Being blonde is definitely a different state of mind. I can't really put my finger on it, but the artifice of being blonde has some incredible sort of sexual connotation. Men really respond to it. I love blonde hair but it really does something different to you. I feel more grounded when I have dark hair, and I feel more ethereal when I have light hair. It's unexplainable. I also feel more Italian when my hair is dark.

I'm honest with myself how I feel. If I feel good, I feel good. If I don't - if I'm tight - I don't just try to muscle through everything, because you've got to be a little bit smarter.

When you are ecstatic and in love, you feel buoyant, you feel life, you feel like you are dancing in the sky.

Now I know I'll never be numb again. A mother is condemned to feel everything forever. And I'm finally afraid, condemned to fear everything forever. But that makes sense: feel someone else's pain, feel someone else's everything.And he's my baby, so everything's okay.

I think I feel vulnerable most of the time. I feel on guard. I've gotten pretty good at putting my fists down and kind of allowing the world to be, so that I don't feel threatened as much.

How you feel? How you feel? How you feel? 25 sittin on 25 mill.

You start doing the addictive behavior to feel good and then your receptors get overloaded with dopamine, then you stop doing the addictive thing and some of the receptors have shut down and you don't have enough dopamine to feel good. So then you feel bad and go back to the addictive behavior to get more dopamine. The strange thing is that it works with what we think of as uppers and downers and whatever you call gambling - sidewaysers.

I think in theater it demands that you say the same words every night and make it feel fresh and new. Improv demands that you be operating at the highest level of your creativity intelligence. So these two skills are both very important but I've seen people who are very skilled at one area struggle with the other. Either improvisers feel constrained by having to say the same thing over and over again or people who are really good at doing scripted work feel intimidated and exposed doing improvisation.

The personal boundaries, I think for comedians they're a little bit different anyway, but I think people - feel free to do stuff - It's interesting with comedians because when we walk on stage, oftentimes we're talking about ourselves for an hour and we're talking about very intimate details, so after hearing us for an hour, a lot of people feel very comfortable with us because they feel like they know us and they're our friends because we just told them our innermost secrets and details of our lives for an hour. What they forget is we know absolutely nothing about the audience.

When you talk to a young teenage girl, they're just full of self-loathing. The reason they feel self-loathing is they don't feel normal. It is a world that has not been built for them. It's been built for men, and that's why they feel bad.

You experience that you are cut off by being in your mind, and there is a quality that is starving in an individual that is locked in their mind. So when you move to another plane of consciousness which is no longer controlled by your intellect, which is really the sub-system and you move into the meta-system, what you feel at that moment is... you are the universe, you feel merged with it, you feel thick with the moment, and that richness is so fulfilling.

The idea that somehow "no self, no problem"- I don't exist because I don't have a self- would be a mistaken understanding. However, the selflessness teaching is not that hard to understand. What it means is a type of self that people feel they have, like a fixed, unchanging identity. Either they know they have it, or for some, they feel they need to seek it, and possibly have an experience where they feel like they found something. That type of fixed, unchanging, essential self, or absolute self doesn't exist. That's what "no self" means.

What made you feel that stomach-churning agony for one person and not another? If Bridget were God, she would have made it against the law for you to feel that way about someone without them having to feel it for you right back.

I don't want to recover from writing this book [The Onion]. I feel very poised. I feel like I'm with my mother for the first time ever. I feel like I've confronted her, and the confrontation goes on.

At that time, I feel sad, and I feel no one knows how hard I work and how many tears. They only know the score. At that time, I feel very lonely because no one understands since they haven't been world No. 1 before.

We won't let ourselves feel our anger, rage, and pain. We push it down or anesthetize it through drugs, alcohol, shopping, or whatever we do in order not to feel it. When that memory and the associated feelings get lodged down there in our soul, the feelings are still there. They don't just magically go away. We have to give ourselves the opportunity to feel them.

This very deep, soothing voice came on, saying: "You now have permission to be strong and healthy and calm and relaxed. There's no place else to go. There's nothing else to do." I could feel it in every cell of my body, and I immediately realized, there's something here. I could feel my heart rate slow down. I could feel stress melting out of my body.

I feel like my strong side is not being technically perfect at the piano, but at curating my own work. It's not painful for me. I don't feel sad when I have to leave things out, put them in the safe, and not have them in public. I realize many artists feel sad about this process, but for me that's the most exciting part: By losing the weaker moments you make the strong moments stronger.

We don't want to feel less when we have finished a book; we want to feel that new possibilities of being have been opened to us. We don't want to close a book with a sense that life is totally unfair and that there is no light in the darkness; we want to feel that we have been given illumination.

It is amazing that we hesitate to talk about the wrath of God, for fear of making sinners feel fearful. The fear they feel this side of the grave will be nothing compared to the fear they feel when they stand before Almighty God.

Once you are in that ring things happen that you don't expect. There is nothing you can plan for. At the end of the day, you've just got to go in there and feel the guy's spirit. You've got to listen to him breathe, look into his eyes, feel his power and feel his speed. You can't think too much. It is instinctive. It is on-the-fly. But at the same time I go in there and I think it doesn't matter what this guy does, I'm going to have my way. In whatever situation we end up, I am always going to come out on top. That is the one thing that is the same for every single fight.

I get bored with things easily. I always have to change something to keep myself excited. When I feel like I did a really good classical and acoustic album, the next thing I want to do is the opposite. And then I want to do the opposite of that. When I work alone after that, I feel like I should work with a lot of people. When I work with a lot of people after that, I feel that I should work alone.

To live is to be someone else. Feeling is impossible if we feel today as we felt yesterday: to feel today the same thing we felt yesterday is not to feel at all--it's merely to remember today what we felt yesterday, since today we are the living cadaver of yesterday's lost life.

I don't ever feel a full transition to my character. I don't ever feel like I have left myself, because if I did, I would need professional medical attention. I always have to keep my own wits about me, or I would miss a mark on the floor, or be unable to follow the director's advice from the last take. However, when I'm at my best, I feel like I'm doing an impression of a person I've never met. It feels complete, and yet improvised.

I always grew up around acting. I did commercials as a kid and all that kind of stuff and my oldest brother did theatre in High School. It's funny, when I was 15 I had a friend of mine who dragged me away to a camp at Boston University. It was the first time truthfully that acting didn't feel presentational; it felt very personal. I didn't just feel like I was singing and dancing for my friends in High School. It felt like I was doing a scene and all of a sudden I started to feeling something - I started to feel emotional.

If you feel bad at 10 miles, you're in trouble. If you feel bad at 20 miles, you're normal. If you don't feel bad at 26 miles, you're abnormal.

How necessary it is to cultivate a spirit of joy. It is a psychological truth that the physical acts of reverence and devotion make one feel devout. The courteous gesture increases one's respect for others. To act lovingly is to begin to feel loving, and certainly to act joyfully brings joy to others which in turn makes one feel joyful. I believe we are called to the duty of delight.

I always feel a responsibility to the people I write about. I feel obligated to portray them in the way they feel is proper.

In concert, I often try to feel the audience and feel their way of hearing. If I feel that there is no contact between the audience and the music, I try to look stronger within myself, hoping that this will lead to a better contact.

I never thought that the possession of money would make me feel rich: it often does seem to have an opposite effect. But then, I have never had the opportunity of knowing, by experience, how it does make one feel. It is something to have been spared the responsibility of taking charge of the Lord's silver and gold.

I think that I'm still very enthusiastic about every single thing that I do. I'm still very passionate. I never feel tired because I feel so involved and so com- mitted, so I enjoy it. And you know what? I have a lot of irony. I love the humor, and when I really, really want to just say, "You know what? I can't stand all this," I find an ironical way. I say, "You know, maybe you presume to be more intelligent than you are." So I respond in a more humoristic way.