Quotes About Feels

I always have this fear that one day you are going to discover that I'm not as great as you once thought I was. Nothing feels as good as skinny feels.

Domesticity is the enemy of art. I don't know if that's true. You can write good happy songs. So, I don't think it's necessarily happiness. But I think self-satisfaction is maybe the enemy. It's kind of better to think, "Tomorrow night I'm gonna sing it better." There is this forward effort. It feels to me right, it feels human.

If some woman tells me how she feels about something, my immediate assumption is that she wants an answer, or that she wants me to solve her problem. In fact, all she wants to do is share, or show how she feels.

The animal tends to eat with his stomach, and the man with his brain. When the animal's stomach is full, he stops eating, but the man is never sure when to stop. When he has eaten as much as his belly can take, he still feels empty, he still feels an urge for further gratification.

What feeling feels like over time. An attempt to screw up what feeling feels like over time. Heartbreak and a high C.... The often welcome melodic lie.... The soul's undersong. The orchestration of randomness, a flirtation with the boundaries of silence and space.... a reminder that the self wants to disappear, be taken away from itself and returned.

In our culture of constant access and nonstop media, nothing feels more like a curse from God than time in the wilderness. To be obscure, to be off the beaten path, to be in the wilderness feels like abandonment. It seems more like exile than a vacation. To be so far off of everyone’s radar that the world might forget about us for a while? That’s almost akin to death…[But] far from being punishment, judgment, or a curse, the wilderness is a gift. It’s where we can experience the primal delight of being fully known and delighted in by God.

There is a lovable quality about the actual tools. One feels so kindly to the thing that enables the hand to obey the brain. Moreover, one feels a good deal of respect for it; without it the brain and the hand would be helpless.

What I love about Neill's Blomkamp work is that his stories are small human stories. But what's interesting about Neill's movies is that they're set in the future but they're so incredibly timely that it feels like maybe in the present in the next dimension. It feels like it's happening now. The universe is very recognizable, in many ways.

I think that people are built the way that they’re built. There’s that Kate Moss quote that’s like ‘Nothing tastes as good as skinny feels’ and I can name a lot of things that taste better than skinny feels: bread, potatoes … a Philly cheesesteak and fries.

The individual feels the vanity of human desires and aims, and the nobility and marvelous order which are revealed in nature and in the world of thought. He feels the individual destiny as an imprisonment and seeks to experience the totality of existence as a unity full of significance.

I know how it feels to go into a studio to start a record, and eight weeks later it's finished. I know how an intense schedule feels.

It's more like the inner workings of John Bender. He feels like he's been given a short shrift, he's not been provided the opportunities that maybe these other kids have. So he feels like he begins in a hole. And instead of trying to raise himself up, he wants to bring all of them down. That's a dynamic that's pretty universal. And so that was the real foothold on that. It wasn't like, "Oh, my high school experience is like John Bender's [in St. Elmo's Fire]."

Being where I'm at, standing in these shoes, it feels amazing. It feels like a weight has been lifted.

My approach is that we are not searching for experiences here. We are trying to know the one who experiences all experiences. Our search is for the witness. Who is this observer? Who is this consciousness? Sometimes it feels sad, sometimes it feels happy; sometimes it is so high, flying in the sky, and sometimes so down. Who is this watcher of all these games? - high and low, happy, unhappy, in heaven and hell. Who is this watcher? To know this watcher is to know God. And you are already it - just a little awakening is needed... no search but only awakening.

There's nothing that feels better than to do something nice for somebody. I mean nothing feels better.

A negative and toxic person never feels teased with the genuine presence of the pretenders in his network and he always feels pleased with the absence of the genuine leader in his circle.

Do the work and then let the rest speak for itself and know that it feels personal, I knew it for me when I was younger. It all feels so personal, but if it's for you, it's for you. And if it's not, that's okay because the other door will open. The right door will open.

L.A. to me feels like music industry, and Nashville to me feels like music community.

There's a marvelous sense of mastery that comes with writing a sentence that sounds exactly as you want it to. It's like trying to write a song, making tiny tweaks, reading it out loud, shifting things to make it sound a certain way... Sometimes it feels like digging out of a hole, but sometimes it feels like flying. When it's working and the rhythm's there, it does feel like magic to me.

A lot of America is kind of done. People have been making films about it for 100 years. Everything to me feels used up. But Jo-Burg feels unbelievably inspirational to me.

Do not, on a rainy day, ask your child what he feels like doing, because I assure you that what he feels like doing, you won't feel like watching.

The only love that feels like love is the doomed kind. (Fun fact.)

If someone's lying to us, then it's rare that we know that they're lying to us. It's only in bad films that you recognize immediately that an actor's playing in such a way that you can see that he's lying, and that's simply dumb. But to reach that, it requires that you make a film in such a way that a spectator feels compelled to find his own explanation. You want to lead the spectator to find his own interpretation. To ask questions rather than provide all of the answers. Doing that leads to open endings and open dramaturgy.

God promises the Holy Spirit to us who believe in Christ, and the Spirit guides us in understanding. But within this life our understanding is limited, and contaminated by sin. Just because a person feels Spirit-led does not mean that he is. Pride remains, and our hearts easily deceive us.

The really intelligent person keeps his childhood alive to his last breath.He never loses it-the wonder the child feels looking at the birds,looking at the flowers,looking at the sky...Intelligence also has to be,in the same way,childlike.

A big, sweeping, and rapturous Hollywood love story that could turn out to be the most revolutionary movie of the year! A film in which love feels almost as if it were being invented. It is also a rare crowd-pleaser with the potential to change hearts and minds.

Every time I see David Giuntoli on set, it feels like there's a huge load off his shoulders, because when it's me, it's real and it's flirtatious and it seems like it's way more fun.

We are challenged to develop a world perspective. No individual can live alone, no nation can live alone, and anyone who feels that he can live alone is sleeping through a revolution. The world in which we live is geographically one.

I don't know if this is the kind of retrospective analysis that people are fond of applying to their work or actions, but it feels like I knew I was going to be famous and I knew that an element of that would be traumatic, so that if I could make myself something big and otherworldly, it would be a kind of defence.

That is one thing I am sure of amid my many uncertainties regarding the literary vocation: deep inside, a writer feels that writing is the best thing that ever happened to him, or could ever happen to him, because as far as he is concerned, writing is the best possible way of life, never mind the social, political, or financial rewards of what he might achieve through it.

I suppose that the sympathetic/unsympathetic debate about characters sometimes feels to me like a misstatement of purpose. I always think of truly complex characters are falling between the cracks in that debate.

We are ashamed of our fear; for we know that a righteous man would not suspect danger nor incur any. Wherever a man feels fear, there is an avenger.

I had brief glimpses of emotional catharsis while writing. I remember reading something Philip Roth wrote about how he writes every single day, but it's almost as if he has amnesia every morning - he has almost zero confidence that anything will come but he just sits down and plugs away. And at the end of the day it feels like a miracle: "How did I do that?" I had a similar experience where it was just about putting in the hours and being present.

Sometimes there are paparazzi that take photos and you don't know they're there. So you're laughing, kicking up your heels and doing silly things. You don't even realize it. And then there's other times where they're two feet away from your face and it's invasive and it feels threatening, so you don't want to be smiling. You just want to get out of that situation.

I don't have perfect teeth, I'm not stick thin. I want to be the person who feels great in her body and can say she loves it and doesn't want to change anything.

I fell in love with it. Walking around just feels so cinematic. I find the aris- tocratic parts of London so unattractive and angular; the architecture is so white and gated. But in New York, it’s different—even uptown it’s really grand, and there’s no real segregation there. It’s all mixed up.

There is a time in a boy’s life when the sweetness is pounded out of him; and tenderness, and the ability to show what he feels, is gone.

My mother's the youngest of 10 children too, so we have sort of a special bond in that we know what that feels like. It's a strange spot to be in.

It is only when we possess ourselves that we can give ourselves to others. If what we possess feels wrong, bad, or wicked, then we try not only to hide it from others, but we also try to hide it from ourselves.

There are so many Al Anon fans and friends who have shown me wonderful love, prayers, thoughts! I thank everyone for this. It feels great to have wonderful people behind you, pushing and praying for you. Mostly, I don't want to let myself down, but they encourage me not to let them down.

That's the one thing I say about the great British shows. You know, I see it on the series on HBO where the season is shortened to like 12 or 6 or whatever it is. You know there's a reason why there's a quality behind that. Because I think the writers as well as the crew and the cast do get burnt out after doing continuous episodes after and over and it feels like a factory rather than something of a creative process. And we get tapped out. That's just my opinion.

I'm not the only one who feels the sting of continually losing.

I just find that I enjoy the music that feels like there's a journey to the top of this mountain, then you're at the top of the mountain finally with this magical feeling, and you're stoked because you made it, and you're up there, but there's a little bit of sadness to think of all that you lost along the way to get there. I guess I relate and enjoy the path and the struggle very much.

I think when you're really passionate about something, and maybe not every person is like this, but I think there's a large group that feels deep inside, I want something different, I want something more, I want to go on my own path. It's being comfortable being uncomfortable. Because to do that, you're going to have to jump outside of the comfort zone and it isn't going to be perfect. It's going to be scary. And to me, that's when great things happen.

One listens to a piece of great music, say, and feels deeply moved by it, and wants to put this feeling into words, but it can't be put into words. That's what - the music has already supplied the meaning, and words will just be superfluous after that. But it's that kind of verbal meaning that can't be verbalized that I try to get at in poetry.

All my life, I thought of love as some kind of voluntary enslavement. Well, that's a lie: freedom only exists when love is present. The person who gives him or herself wholly, the person who feels freest, is the person who loves most wholeheartedly.

Most great art is created when the artist feels they are channeling something rather than trying to communicate something.

The tailoring may be a softer, more draped, but I don't believe it's any less smart. For sure it feels more relaxed, it's a different kind of elegance, but I'd never call it casual.