Quotes About Feels

You think to yourself, “If one drink feels really good and two feels really, really good, a hundred ought to feel fantastic.” As sane people know, it doesn't work that way. A hundred drinks feels terrible. Bad things happen. But the addict keeps at it, thinking at some point it's going to get good again The point is to not feel what you're feeling. The problem is, you become someone you never thought you would become, and you have no idea how you got there.

The album feels like a new era for me -- emotionally, lyrically, sonically. It feels fresh, it feels new. It's still me. It's still stuff that fans know and love but it's a new chapter 100 percent.

Love and appreciation are identical vibrations. Appreciation is the vibration of alignment with who-you-are. Appreciation is the absence of everything that feels bad and the presence of everything that feels good. When you focus upon what you want - ;when you tell the story of how you want your life to be - you will come closer and closer to the vicinity of appreciation, and when you reach it, it will pull you toward all things that you consider to be good in a very powerful way.

Work is external to the worker. . . . It is not part of his nature; consequently he does not fulfill himself in his work but denies himself. . . . The worker therefore feels himself at home only during his leisure time, whereas at work he feels homeless.

Domesticity is the enemy of art. I don't know if that's true. You can write good happy songs. So, I don't think it's necessarily happiness. But I think self-satisfaction is maybe the enemy. It's kind of better to think, "Tomorrow night I'm gonna sing it better." There is this forward effort. It feels to me right, it feels human.

As we blossom or awaken, we begin to notice there is a force in the world that seems to be operating and leading us into a certain destiny. And it's very much a kind of detective effort on our own part to figure out what these things mean. The synchronicity is essentially a meaningful coincidence that brings us information at just the right time. While leading us forward, it also feels very inspiring and destined in a way. It feels like we're on a path of unfolding in our own personal evolution.

I totally love my job, and I wake up every day basically thinking about how can I do my job better. It never feels like a job. It's hard, and it's exhausting sometimes, but it never feels like - I would do this even if they didn't pay me to do it. That's a pretty amazing feeling.

A little girl loves her bird--Why? Because it lives and feels; because it is helpless and harmless? A toad, likewise, lives and feels, and is equally helpless and harmless; but though she would not hurt a toad, she cannot love it like the bird, with its graceful form, soft feathers, and bright, speaking eyes.

In our culture of constant access and nonstop media, nothing feels more like a curse from God than time in the wilderness. To be obscure, to be off the beaten path, to be in the wilderness feels like abandonment. It seems more like exile than a vacation. To be so far off of everyone’s radar that the world might forget about us for a while? That’s almost akin to death…[But] far from being punishment, judgment, or a curse, the wilderness is a gift. It’s where we can experience the primal delight of being fully known and delighted in by God.

There's a constant contradiction between what feels good and what feels right. But you live with decisions that you make in your life.

The difference between guilt and shame is very clear--in theory. We feel guilty for what we do. We feel shame for what we are. A person feels guilt because he did something wrong. A person feels shame because he is something wrong. We may feel guilty because we lied to our mother. We may feel shame because we are not the person our mother wanted us to be.

The greatest feeling you can get in a gym or the most satisfying feeling you can get in the gym is the pump. Let's say you train your biceps, blood is rushing in to your muscles and that's what we call the pump. Your muscles get a really tight feeling like your skin is going to explode any minute and its really tight and its like someone is blowing air into your muscle and it just blows up and it feels different, it feels fantastic.

What I love about Neill's Blomkamp work is that his stories are small human stories. But what's interesting about Neill's movies is that they're set in the future but they're so incredibly timely that it feels like maybe in the present in the next dimension. It feels like it's happening now. The universe is very recognizable, in many ways.

It feels like we've grown enough as musicians over the last few years to go new places, and our conceptual and compositional abilities have developed along with it, so we're pushing all the envelopes we can at the same time and it still feels like cutting edge work to us. It seems to resonate with people.

I've been a performer in the public eye for many years now and it's much darker. It feels so worse now. It feels heavy; it's difficult to deal with. The hatred is unbelievable, but I actually feel a lot more compassion for the journalists and people who aren't used to that. At least on some level, it's been a part of my world for a long time, so I can handle it. I'm not going to say that I'm used to it, because I'm not. I think it's really difficult for people who are just doing journalism and receiving death threats on a very consistent basis.

A humorist is a person who feels bad, but who feels good about it.

We are so trained in the thought system of fear and attack that we get to the point where natural thinking - love - feels unnatural and unnatural thinking - fear - feels natural. It takes real discipline and training to unlearn the thought system of fear.

It feels like a rash. It suddenly seems like I've got a contagion of diseases, I mean awards. But it's nice, it's a nice feeling. It's so weird, because I'm only 46. A lifetime Achievement award... it feels like 'I'm not over yet'. I hope they're not trying to say it's time to stop. I'm only just getting the gist of it.

It's more like the inner workings of John Bender. He feels like he's been given a short shrift, he's not been provided the opportunities that maybe these other kids have. So he feels like he begins in a hole. And instead of trying to raise himself up, he wants to bring all of them down. That's a dynamic that's pretty universal. And so that was the real foothold on that. It wasn't like, "Oh, my high school experience is like John Bender's [in St. Elmo's Fire]."

The more one makes spiritual advancement, one feels humble and as one's devotion is superficial that much he feels that he is a great devotee.

I guess part of my ambivalence about pursuing music as well as acting is that acting is already one of the most difficult careers to create for yourself, I must be insane to embark on creating two careers in two of the most difficult fields. But I have really different ambitions with music; I just want to stay in love with music. I want it to continue to be a means of expression for me that feels like it's mine, and something that feels community-based.

It feels like every person is using their whole brain and heart to figure out these nearly impossible dilemmas about how we do our work, with our principles, in the current conditions. And it feels like the thing we know to be true about working collectively - that we have better ideas together than we do individually.

Every time I write a song it feels like it could be the last one I do, or it always feels like a fluke.

Do the work and then let the rest speak for itself and know that it feels personal, I knew it for me when I was younger. It all feels so personal, but if it's for you, it's for you. And if it's not, that's okay because the other door will open. The right door will open.

I like the little chess match of how people move through space. I'm not comparing myself to Michelangelo with this analogy, but he said when he sculpts it's like finding the sculpture within. It feels that way when you are with actors, too. There's a natural way to do this with a natural language that flows and feels like real people talking. And you've just got to find it. So I enjoy that part of the process.

In finding love, I think it's important to be patient. In being in a relationship, I think it's important to be honest, to communicate, to respect and trust, and to strive to give more than you take. As for heartbreak. . .there's no easy way out, but it's important to remember that even though everything feels awful now, it will get better, you will meet someone else, and in the meantime, you can continue to grow and learn and live life surrounded by people that love you.

Most days it feels as if the world is whirling around me and I am standing still. In slow motion, I watch the colors blur; people and faces all become a massive wash.

A man never feels more important than when he receives a telegram containing more than ten words.

I don't know if I will ever get sick of performing a song called 'Feels Like Loneliness' from Evolution. It's inspired by one of my favorite songs, 'Fever' by Peggy Lee. It's got a jazzy feel to it and I'm always able to put on a bit of character when I sing it, which is fun.

Man's characteristic privilege is that the bond he accepts is not physical but moral; that is, social. He is governed not by a material environment brutally imposed on him, but by a conscience superior to his own, the superiority of which he feels. Because the greater, better part of his existence transcends the body, he escapes the body's yoke, but is subject to that of society.

We are challenged to develop a world perspective. No individual can live alone, no nation can live alone, and anyone who feels that he can live alone is sleeping through a revolution. The world in which we live is geographically one.

That is one thing I am sure of amid my many uncertainties regarding the literary vocation: deep inside, a writer feels that writing is the best thing that ever happened to him, or could ever happen to him, because as far as he is concerned, writing is the best possible way of life, never mind the social, political, or financial rewards of what he might achieve through it.

Because I don't have a child and as much as you can sort of imagine it it's always nice to hear from all different walks of life what motherhood is like and what that feels like. And particularly young mothers.

A weaver who has to direct and to interweave a great many little threads has no time to philosophize about it, but rather he is so absorbed in his work that he doesn't think but acts, and he feels how things must go more than he can explain it.

He, who loves the bristle of bayonets, only sees in their glitter what beforehand he feels in his hand.

There are so many Al Anon fans and friends who have shown me wonderful love, prayers, thoughts! I thank everyone for this. It feels great to have wonderful people behind you, pushing and praying for you. Mostly, I don't want to let myself down, but they encourage me not to let them down.

When you're a father in a marriage, you sort of become the mother's assistant, and you sort of get a list from her every day, and you do, you know, you run down the list, and it feels very much like a chore. And a lot of fathers live in kind of an avoidance. They sit on the toilet for several hours a day... Oh, honey, it took me 40 minutes to go to the post office... But once you become a dad without the mom there, you have to take it all on, and you sort of activate male skills that you didn't know you could apply to fatherhood.

That's the one thing I say about the great British shows. You know, I see it on the series on HBO where the season is shortened to like 12 or 6 or whatever it is. You know there's a reason why there's a quality behind that. Because I think the writers as well as the crew and the cast do get burnt out after doing continuous episodes after and over and it feels like a factory rather than something of a creative process. And we get tapped out. That's just my opinion.

...Help me let go of my need to stay immersed in negativity. I can change the energy in myself and my environment from nega­tive to positive. I will affirm the good until it sinks in and feels real. I will also strive to find one quality that I like about someone else who's important to me, and I will take the risk of telling him or her that.

I can spend two hours grubbing about in my garden, dazed with pleasure and intent, and it feels like five minutes.

When you only hang out with performers, you start to feel like movies and TV and comedy is everything. Especially being in LA, where it feels like you walk into a coffee shop and you see 15 laptops with screenplays being written.

Music deals with time and timing. It's so magical, but when you get into it, every little sound and every little space between the sounds, it's critical, so critical. And if it's not there, it not only feels wrong, but it ruins things.

A bull market is like sex. It feels best just before it ends.

I don't put a lot of pressure on myself when I'm writing. It feels like if I come up with something good, or I come up with something bad, I'm not too worried.

People ascribe a certain kind of silliness to the movie business. Everybody feels like, "In the movies, they do crazy stuff."

There is a greater a sense of pride - like when we did Kill the Messenger - and that was probably one of my more fun experiences on a movie set. Having everyone there on the same team, it just feels really great.

If we are not using our brains' capacity for challenge it feels to me as though it atrophies like an unused muscle.

When each thought absorbs your attention completely, it means you identify with the voice in your head. Thought then becomes invested with a sense of self. This is the ego, a mind-made "me." That mentally constructed self feels incomplete and precarious. That's why fearing and wanting are its predominant emotions and motivating forces.