Quotes About Figure

If you don't watch your figure, you'll have more figure to watch.

I think my favorite scenes [in Night Music] are the ones that kind of happen when the handsome Englishman shows up.. He doesn't quite figure out she is from the 1920s because he doesn't really figure out she is a ghost, because she has manifested into physical form.

When you innovate no one else can figure out how to do what you're doing because you're too far ahead of them. And the day they do figure out, you're on to the next object, the next widget, the next concept in innovation. And so America has benefited economically from the space race even though it was driven by military.

I'm not saying I know everything about love. I'm still trying to figure out girls... I don't think we'll ever totally figure out girls.

I'm trying to figure out what I can do creatively. It's about trying to find new things and trying to figure out voices and borrowing from things and learning as much as possible so that I have an archive of things to borrow from.

Matter of fact, I watch tons of tube, but I also read tons of books so I can figure out what's true and what's fake, which isn't always easy. Books are like truth serum--if you don't read, you can't figure out what's real.

I still make paintings and use the figure; it's hard to do and hard to succeed. On some levels, because I am working with black figures and black pigment, it's even harder because I have to be more responsible for the image. I try to be really careful about the presence the figure projects.

Occasionally, as children, we might figure out how to call somebody a name, and they would figure out how to call us. But it wasn't - it was so light. It was so fluffy. I didn't really have a strong awareness of segregation and the separation of races until I left Lorain, Ohio.

We spend a lot of time and effort trying to figure out who's going to be a good NFL quarterback, and we do a very bad job of it. We don't really know. And we also spend a lot of time trying to figure out who will be a good teacher, and we're really bad at that too. We don't know if someone is going to be a good teacher when they start teaching. So what should we do in those situations in which predictions are useless?

My job is to cover the hell out of the story, very aggressively. The real place to be courageous if you're a news organization is where you put your people to cover the story. It's making sure that you have people going to Baghdad. It's making sure that you figure out how to cover the war in Afghanistan. While the journalist in me completely stands with them, the editor of the New York Times in me thinks my job is to figure out what the hell happened and cover the hell out of it, and that's more important than some symbolic drawing on the front page.

I just started trying to figure out how to write [something] which was unlike anything anybody had ever seen, and once I felt like I had figured that out I tried to figure out what kind of book I could write that would be unlike anything anybody had ever seen. When I started writing A Million Little Pieces I felt like it was the right story with the style I had been looking for, and I just kept going.

After all, when you're talking about an authority figure oppressing against people, it's the people that hold that authority figure up. If you want to get free of this bondage, then we need to think about ways to free ourselves, rather than looking to the oppressors to free us.

Nothing comes easy. I know that people joke all the time and try to figure out, you know, what it is that I do, but I work really hard. I get up every day at 5 a.m. and start my day. I think as long as you work really hard and figure out what you want to do and stay motivated and have a plan and stay committed - just don't be lazy. That's my best advice. It's the most simple advice, but it really worked for me. I think that for some reason, I see people that think things will come easy and it doesn't really come easy.

I like my job because it involves learning. I like being around smart people who are trying to figure out new things. I like the fact that if people really try they can figure out how to invent things that actually have an impact.

When I paint figures it's never the idea of painting the beauty of the figure, it is using the figure to get across how I feel.

Drug warriors' staunch opposition to needle exchanges to prevent the spread of HIV in addicts delayed the programs' widespread introduction in most states for years. A federal ban on funding for these programs wasn't lifted until 2009. Contrast this with what happened in the U.K. At the peak of the AIDS epidemic in the mid-1990s, the HIV infection rate in IV drug users in the U.K. was about 1%. In New York City, the American epicenter, that figure was 50%. The British had introduced widespread needle exchange in 1986. That country had no heterosexual AIDS epidemic.

It's difficult to talk to people who whisper even at home, afraid of Americans eavesdropping on them. It's not a figure of speech, not a joke, I'm serious.

I think one of the problems in determining the ending for a television series is that you don't know how long the show is gonna last. Particularly because we were in the unique position of adapting Tom's Perrotta novel The Leftovers, it always felt like the first season was gonna end with the end of Tom's novel, and then we would figure things out from there and look back.

People know where romantic comedies are going. It's not brain surgery to figure out the end of a romantic comedy.

I am a Jew, but I am enthralled by the luminous figure of the Nazarene….No one can read the Gospels without feeling the actual presence of Jesus.

Filmmaking is like any kind of art form. You have to try to figure it out, and you're going to do that by trying. It's like teaching a child to walk. It may start by walking, but eventually it will fall. And I have kids, but I know that that will enable them to stand up again and understand why they fell, and how they can avoid that. They will walk better and faster, and stronger. Filmmaking is the same.

Don't get ahead of yourself. Companies need time to figure out what they want to be.

I don't take off as many days as most other producers and songwriters, so I'm working every single day, and I do songs every day. So it's just about finding time, scheduling, getting in and cutting the records. I make it happen and that's the name of the game. It's no excuses - you gotta figure it out.

Figure out where you're going before you go there: he was told that a long time ago.

The individual writer is a lonely figure in the wilderness of agents, editors, chain bookstores, and dwindling numbers of independents. The stronger MWA can be, the better it can serve us, and the more respect it can bring to bear in dealing with the problems most of us face every day.

Despair makes a despicable figure, and descends from a mean original. 'Tis the offspring of fear, of laziness and impatience; it argues a defect of spirit and resolution, and oftentimes of honesty, too. I would not despair unless I saw misfortune recorded in the book of fate, and signed and sealed by necessity.

For me, the most important thing is to continue to play well and to be a positive figure and hopefully a role model for kids as well.

I think there were moments on Snow White where I wished there was a little bit more of a sick humor toward Ravenna. But maybe the tone of the movie couldn't really support that. So you always have to kind of figure out where you are and adapt to it.

I would argue [princess] Margaret is the tragic figure of the century.

A lot of times, when you're acting, you have to explain things to the audience, and it's boring work to do that. It's really hard to make that interesting. I like the discovery of characters. I think people are smart. Audiences are intelligent and can figure things out by just watching behaviors.

Things go wrong for me, all the time, with technology. I'm not familiar enough with it, and I'm too old school a brain to be able to figure it out. I'm dumb. Anything that I have to attack with my thumbs, for any period of time, makes me feel stupid. So, I try to avoid it, as much as possible, to protect my thumbs.

There's a difference between the blues of the New Orleans guys and anyone else and the difference is in a chord, but I can't figure the name of it. It's a different chord, and they all make it.

The nearest figure to myself would be Shakespeare.

A lonely man is a lonesome thing, a stone, a bone, a stick, a receptacle for Gilbey's gin, a stooped figure sitting at the edge of a hotel bed, heaving copious sighs like the autumn wind.

I have yet to figure out whether it is I am that am crazy, or the world.

...There are also those who inadvertently grant power to another man's words by continuously trying to spite him. If a man gets to the point where he can simply say, 'The sky is blue,' and people indignantly rush up trying to refute him saying, 'No, the sky is light blue,' then, whether they realize it or not, he has become an authority figure even to such adversaries.

The original item looked like a little hand cart with the figure of a man mounted on a platform between the wheels. The man's outstretched arm always pointed south.

I wanted to write a book that showed how the subjectification of the "the murderer" has changed little in over a hundred years, and to argue that this "exceptional figure" serves a conservative function in modern culture that bears closer interrogation than it has commonly received.

I like having to figure out how to pull things off, how to sell it, how to make it look real, but not just real, make it look better.

Because startups often accidentally build something nobody wants, it doesn’t matter much if they do it on time and on budget. The goal of a startup is to figure out the right thing to build - the thing customers want and will pay for - as quickly as possible.

My life has a superb cast, but I cannot figure out the plot.

Every time I get on an airplane I figure it's gonna get blown up. You live on the edge.

I have the face of an ageing choirboy and the build of an undernourished featherweight. If you can figure out my success on the screen you're a better man than I.

The shaman is a very peculiar figure. He is critical to the functioning of the psychological and social life of his community, but in a way he is always peripheral to it. He lives at the edge of the village. He is only called upon in matters of great social crisis. He is feared and respected. And this might be a description of these hallucinogenic substances.

Genius of AND. Embrace both extremes on a number of dimensions at the same time. Instead of choosing a OR B, figure out how to have A AND B-purpose AND profit, continuity AND change, freedom AND responsibility, etc.

It almost seems like God is transforming into just a strictly spiritual advisor, a personal-transformation type of figure more than an explainer of the world, you know?

Making it to the NFL is a huge accomplishment. Making it in the NFL is a huge accomplishment, but I haven't done that yet. No matter how many games we've played, it's still hard to figure out when you've made it in the NFL.

I was stealing all the bases, and when you had to go to arbitration they said, 'You know, only the big boys make the money.' So I got to try and figure out how to hit a home run, too.