Quotes About Grew

No matter where its seed fell, it made a tree which struggled to reach the sky. It grew in boarded-up lots and out of neglected rubbish heaps, and it was the only tree that grew out of cement. It grew lushly, but only in the tenements districts.... That was the kind of tree it was. It liked poor people.

She grew up hard and she grew up fast, in the age of television.

It was not the house that grew dull, but I that grew dull in it. My wife was better than all women, and yet I could not feel it.

I grew up looking at the Sunset Strip, literally. The things that I remember are the Rainbow Room, the Roxy, the Bizarries, Tower, I grew up my whole life going there, Filthy McNasty's and I said, I need these things and now fill it in with other iconic buildings.

I know not why any one but a school boy in his declamation would whine over the Commonwealth of Rome, which grew great only by the misery of the rest of mankind. The Romans, like others, as soon as they were rich, grew corrupt; and in their corruption sold the lives and freedoms of themselves and of one another.

When I was in my early twenties, I fell in love at least 20 times a day. You have to be with someone where you think: if the world was full of people like you, I could not be monogamous. As you get older, you get to know yourself a little more. The older you get, the more you realize what you need. And you also realize how your choice in relationships is influenced by how you grew up. Now I feel like I've explored the dynamic of how I grew up, and I'm free to find someone who's really going to be a wonderful companion.

Money is both the generation and corruption of purchased honor; honor is both the child and slave of potent money: the credit which honor hath lost, money hath found. When honor grew mercenary, money grew honorable. The way to be truly noble is to contemn both.

When I grew up there was no web, blogging or tweeting. In fact, where I grew up there was not even television! I met a lot of my friends in school and in college, and they are still my friends today.

When I grew up, all of our news, weather, and sports came from America. The people where I grew up rooted for American teams as opposed to Canadian teams.

We would go down to Riverside, California, which is very poor now, but that's where my grandfather grew up. He grew up during the Depression in Riverside.

I grew up in the business since I was three years old so I've always kind of been in front of the camera and grew up in commercials and I knew that I wanted to do it no matter what, I just loved it.

You can listen to a birdsong, and from the content of the birdsong, you will be able to determine whether or not the bird grew up in a noise-polluted environment or whether it grew up in a pristine, clean environment. Isn't that incredible?

I was a very lucky kid, because I grew up affluent Santa Barbara, California. My experience as a child was probably so different from people I met later who grew up in the rural South, where many doors were closed to them.

You want to do things that you watched when you grew up. I grew up on The Sound of Music, Mary Poppins and Singin' in the Rain. I watched those, over and over again, so of course, I want to do musicals.

In Australia, I grew up watching 'The Mickey Mouse Club,' my son grew up watching 'Sesame Street,' my grandson's growing up watching 'Dora The Explorer.' So we are sort of saturated with American culture from the day we're born, and to those of those who do have an ear for it, it's second nature.

I grew up in a utopia, I did. California when I was a child was a child's paradise, I was healthy, well fed, well clothed, well housed. I went to school and there were libraries with all the world in them and after school I played in orange groves and in Little League and in the band and down at the beach and every day was an adventure. . . . I grew up in utopia.

I grew up with the Blind Boys' music. My family owns a music store in Claremont, California, called The Claremont Folk Music Center. I grew up with a heavy diet of gospel, folk, and blues because those are kind of the cornerstones of traditional American music.

I grew up in a middle to upper-class house with fairly liberal sentiments, but to me it was always very obvious that the society I grew up in was not ideal and needed to change. Since I was a kid it was apparent it was going to change. It wasn't sustainable the way it was going on.

I grew up with baseball; I played in Little League and went to games with my dad. But I, as I grew up, became more of a basketball fanatic than a baseball one.

I grew up under Thatcher. I grew up believing that I was fundamentally powerless. Then gradually over the years it occurred to me that this was actually a very convenient myth for the state.

When I grew up, you'd see shorts before movies. I know it happened a lot more before I started going to the cinema.

Canada has been a breeding ground for great comedic actors, sketch artists and stand-up comedians. We grew up with a different perspective on the world.

I don't need any explanation about what you do with your life. You and I...we grew up together,and that's it. Yeah, we shared a lot of stuff back then, and we were there for each other when it mattered. But neither one of us can fit into the clothes we used to wear , and this relationship between us is just the same. It doesn't fit in our lives any longer. We don't...fit anymore. And listen., I didn't mean to get pissy in the truck, but I think you need to be clear on this. You and I? We have a past. That's it. That's ...all we'll ever have" (Blay to Qhuinn).

My mother was very involved with me. And we had a dialogue constantly. And it was like an umbilical cord. As long as the words were flowing back and forth we were connected and feeding each other. And I probably grew up very afraid of losing that connection.

Many of her thoughts were perfect syllogisms; unluckily they always remained thoughts. Only a few were irrational assumptions; but, unfortunately, they were the ones which most frequently grew into deeds

I grew up definitely a feminist, but I didn't call myself a feminist until I took my first women's studies class in college.

A person can learn a lot from a dog, even a loopy one like ours. Marley taught me about living each day with unbridled exuberance and joy, about seizing the moment and following your heart. He taught me to appreciate the simple things-a walk in the woods, a fresh snowfall, a nap in a shaft of winter sunlight. And as he grew old and achy, he taught me about optimism in the face of adversity. Mostly, he taught me about friendship and selflessness and, above all else, unwavering loyalty.

I grew up in the era of the concept album. What I do now is pick up on singles, and they are their own complete stories; you don't necessarily have to hear the rest of the album because I don't think albums are created like that anymore. They get songs from all over the place.

Everything has added up to a load that I'm getting tired of carrying. It's gotten so complicated. It's the three failed marriages, and having kids that grew up without me, and it's the personal criticism, of being Mr. Nice Guy, or of divorcing my wife by fax, all that stuff, the journalism, some of which I find insulting.

Michael Sanchez and I grew up in New Jersey, not far from here, playing soccer together. When I was in high school, I worked to start an organization to help senior citizens, which I learned a great deal from.

I just think giving back is in tandem with the way in which I was raised, with the, 'It takes a village to raise a child' mentality. Sometimes with the knowledge you have, you just don't know how powerful it is. I think I'm in a reasonably interesting position to recognise that. Plus we're now living in a completely different time to the one in which I grew up in. Because of my peers as well, it's the whole reason I'm doing what I'm doing. In terms of putting things back into the community, it's almost like running my sound system again.

At an early school, when I was about 5, they asked what we wanted to be when we grew up. Everyone said silly things, and I said I wanted to be an actress. So that was what I wanted to be, but what I was, of course, was a writer.

I grew up in a very musical household. My brother had KISS and Van Halen records, but my parents loved country and show tunes, so I had all of those records when a kid. I pretty much knew exactly what I was going to do at a young age. I loved album covers, I loved listening to a record and staring at the art while listening to it. When I got older and discovered paining, drawing and PhotoShop, I was able to do both simultaneously; I enjoy making both.

As things grew for me I felt like I was losing myself and wanted to stay true to myself as well. I didn't want to lose any connection I had with the audience. I felt small on a big stage and I felt like I was peaking generically to an audience.

I grew up in a show business family, so we've always had a great sense of balance, being so close to my parents. I've always known what is and isn't reality. Even my older brothers' early success 10 years ago didn't change me since there was such an age difference.

With these Funny or Die videos, I do everything for them. I write them, act in them, and co-direct them with my buddy Brian McGinn, who I grew up with. We also edit them together. We're working on a small scale of Internet videos, but we're slowly trying to make them become a bigger thing.

When her muzzle grew more white than brown, the chipmunk forgot that she and the squirrel had had nothing to talk about. She forgot the definition of "jazz" as well and came to think of it as every beautiful thing she had ever failed to appreciate: the taste of warm rain; the smell of a baby; the din of a swollen river, rushing past her tree and onward to infinity.

I started to understand what the song could be about. The ache of nostalgia even for things we don't like, the commitment to keep moving despite that ache. It made me think of how I relate to my privilege - as a white person, as someone who grew up upper middle class.

The boundaries became constrictive in what I was doing, and if my faith grew, it was because I pressed some of the boundaries in ways I hadn't felt comfortable or responsible doing that before.

Those rosy memories we all share are actually memories from our favorite TV shows. We've confused our own childhoods with episodes of "Ozzie and Harriet," "Father Knows Best," and "The Brady Bunch." In real life, Ozzie had a very visible mistress for years, Bud and Kitten on "Father Knows Best" grew up to become major druggies, and Mom on "The Brady Bunch" dated her fifteen-year-old fictional son.

I grew up in the Bronx. The Bronx teaches you to survive. It's like, 'Bring it on!'

I grew up reading genre writers, and to the degree that Eric Ambler and Graham Greene are genre writers, I'm a genre writer.

Memories, even hard memories, grew soft like peaches as they grow older.

And they were all, when their souls grew warm, poets.

My parents are artists, so I grew up with my mom having bonfires, seven guitars, and talented musicians and artists around like Jack Hirschman.

The world I grew up in had both a literal and mythological quality. We were on the borders of several worlds - the larger black world bordered us on one side. More distantly, there was the larger white world. We interacted with some, but not others. If you think of it as an internal geography, it is a land, a contested space with these very charged historical, cultural, and emotional borders.

I grew up in a completely bookless household. It was my father's boast that he had never read a book from end to end. I don't remember any of his ladies being bookish. So I was entirely dependent on my schoolteachers for my early reading with the exception of The Wind in the Willows, which a stepmother read to me when I was in hospital.

The rivalry between the Lakers and Celtics endured for about eight years, and the interest grew each year.