Quotes About Identity

In this society, the norm of masculinity is phallic aggression. Male sexuality is, by definition, intensely and rigidly phallic. A man's identity is located in his conception of himself as the possessor of a phallus; a man's worth is located in his pride in phallic identity. The main characteristic of phallic identity is that worth is entirely contingent on the possession of a phallus. Since men have no other criteria for worth, no other notion of identity, those who do not have phalluses are not recognized as fully human.

Identity is very personal...identity is political. My identity is what is and it is what it's gonna be. And I don't think that any information will change that profoundly...I [already] know that I am a Black woman, and a Black woman who has mixed some heritage, like most African Americans.

It's as if all identity has been stolen from them, except their identity as slaves.

We have taken a physical identity so that we may express our divine identity. And every moment in our life provides us with an opportunity to do that.

Ego loves identity. Drag mocks identity. Ego hates drag

I feel like I spent so much time trying to understand my identity and my identity as an artist. But when all is said and done, at this age, I feel the most like I felt when I was 11. And all those talents I had when I was 11 and 12 - I'm letting them sort of happen again. I can't speak for men, but for women - we go back to a kind of pre-adolescent state when we were superfree and supercool.

Committing yourself is a way of finding out who you are. A man finds his identity by identifying. A man's identity is not best thought of as the way in which he is separated from his fellows but the way in which he is united with them.

I'd say that my identity is really a culinary identity, so the way I relate to my national heritage is through its cuisine.

Teaching a practice can also be a hindrance if it becomes one's identity. To be a spiritual teacher is a temporary function. I'm a spiritual teacher when somebody comes to me and some teaching happens, but the moment they leave I'm no longer a spiritual teacher. If I carry the identity of spiritual teacher, it will cause suffering.

I think it's pretty clear that the internet as a whole has not had a strong notion of identity. And identity means, 'Who am I?' Fundamentally, what Facebook has done has built a way to figure out who people are...

Sometimes identity can be your salvation. It can be liberating to find your place in the world, but at some point, identity can hold you back.

We no longer just take religious identity from our parents, so what's going on? Why are people going to this series, why are people reading so many books about religion? It's because they want answers. The answers are no longer just passed down from generation to generation. It's harder for people. In effect, you have to roll up your sleeve and ask the questions. But if you do it, if you forge your own identity, it can be much more personal and much more meaningful to you.

Language is the expression of ideas, and if the people of one country cannot preserve an identity of ideas they cannot retain an identity of language.

I was confident about America and the idea that in America people can become American without masking their ethnic identity.

David Frum has been saying - [Donald] Trump is all about conservatism as identity, not conservatism as ideology.

Taste, like identity, has value only when there are differences.

Without a sense of identity, there can be no real struggle.

We've organized human potential and have been better at using human potential better than any country on the face of the Earth. That's because we've recognized that our national creed, our national identity, is that it doesn't matter where you're from, it matters where you're going. You can come from hard circumstances and do great things. We've got to make that true for a whole variety of people who no longer feel that.

Identity is gradual, cumulative; because there is no need for it to manifest itself, it shows itself intermittently, the way a star hints at the pulse of its being by means of its flickering light. But at what moment in this oscillation is our true self manifested? In the darkness or the twinkle?

When I was thinking about all the things that the world had forgotten, it made me think about people who have actually really forgotten everything, and how much of our identity is wrapped up in those memories, and how much of our experience makes us who we are, and remembering those experiences makes us who we are.

I knew I wanted to play around with genre-esque imagery, and the identity theft stuff came in the middle, when I was figuring out how the characters were connected to those images.

Every day I go forth to seek my identity, feeling greatly blessed by the things I don't find it in.

Distinction between species and specimen is very much like the distinction between images and actual pictures, or, you know, objects that have a definite material identity. The classifications, the categories, the stereotypes, and the images are on one side, and the material pictures, statues, texts, and so forth are on the other.

I believe that one of the most sound ideas in dramatic writing is that in order to create the universal, you must pay very great attention to the specific. Universality, I think, emerges from truthful identity of what is.

I very much related to the idea of sexual identity and how it doesn't have to be black and white. When I first came out, there would be butch people in baseball caps, and that wasn't me, and then there were girls in heels and dresses, and that didn't feel like that was me either. But after a while I learned there's a lot of ground in between.

So when I was about 13 or 14, I realized I was attracted to women and then made the assumption that I was a lesbian, and didn't realize that that wasn't the case. It was the fact that I was a man and a heterosexual man. The issue wasn't my sexual orientation, but rather my gender identity.

I feel that we're dividing along class lines for the first time in our history. Now one thing that has happened in this reaction to globalization is that the elites are not respectful of the values of those who are ordinary citizens, so we seem to be dividing ourselves into ever-smaller identity groups, each with its own narrative, each with its own grievance, and that's a problem.

I don't create blurs. Blurring is not the most important thing; nor is it an identity tag for my pictures.

For me fashion is an expression of art that is very closely related both to me and to my body. I see it as an expression of identity combined with desire, moods and a cultural setting.

I was able to look at football as something that God was allowing me to do, not something that should define me. I couldn't take my identity from this sport.

For the duration of its collective life, or the time during which its identity may be assumed, each class resembles a hotel or an omnibus, always full, but always of different people.

You have your identity when you find out, not what you can keep your mind ON, but what you can't keep your mind OFF.

...it's my hypothesis that the individual is not a pre-given entity which is seized on by the exercise of power. The individual, with his identity and characteristics, is the product of a relation of power exercised over bodies, multiplicities, movements, desires, forces.

Systematically identity top designers as early as possible. The best are often not the most experienced.

Yes, your home is your castle, but it is also your identity and your possibility to be open to others.

And the associated danger for the identity of Europe cannot be ignored out of a wrongly understood sense of respect... The Catholic side sees this clearly and says as much.

When I was a teenager, black pride became newly popular again. Suddenly a lot of black people were wearing the fake kente cloth and red black and green and Bob Marley. That was sort of my window into finding my own identity as a black person.

I could name you a dozen superheroes whose powers I'd like to have. But if I could have any power in the world, it would be the power to read or watch a creative work and absorb the technical skill of the people who made it. Because then I could have even more fun writing. That's my core identity.

Identity in the form of continuity of personality is an extremely important characteristic of the individual.

Because you are obsessed with the idea of past, present, and future, you are forced to think of reincarnations as strung out one before the other. Indeed we speak of past lives because you are used to the time sequence concept... You have dominant egos, all part of an inner identity, dominant in various existences. But the separate existences exist simultaneously. Only the egos involved make the time distinction... a thousand years in your past or in your future - all exist now.

2010 is not just a choice between Republicans and Democrats. 2010 is not just a choice between liberals and conservatives. 2010 is a referendum on the very identity of our nation.

Because so many poets have chosen a political idiom right now in the US and so many poets have assigned value and inherent knowledge to their racial identity and used that as a form of argumentation, I'm thinking now's a good time to buy low for my own poems and write poems that are deeply in the interior and the psyche. There are plenty of people out there working on subjects of political poetry, partisan poetry, all the way through to crossing the threshold of propaganda. I start thinking now's a good time for me to start writing about the myths of my own psyche.

There was [ in New York] - some of it was this perception of the Midwest that I realized in this multicultural city that - and I don't think it's as true as it was - but everyone was kind of like, what, are you Jewish? Are you Italian? What are you? You know, are you black? Are you da-da-da? Are you Puerto Rican? And so I ended up - my ethnic identity was Midwestern, was white bread. And so it informed a lot of my stand-up.

An un-named song is like an un-named child, it has no identity.

Your identity is like your shadow: not always visible and yet always present.

I've been working a lot with identity and roots, being part of your roots. I went into this topic where I was trying to break the stereotype of Arabic language. The non-translation work, this is where I make the switch, where you don't need to translate.

Your voice is your identity. If you don't use it- you're halfway to Asphodel already.

We all need a past - that's where our sense of identity comes from.