Quotes About Kid

I'd like to have a kid, and I'd like to be driving around. I know a kid is going to be a big part of my life. I can trust my kid. I know my kid would be in the backseat of my car, and when I say You wanna get some ice-cream? he's going to be happy. My brother has kids. I see that trick work, the ice cream trick.

If you are a kid in Beverly Hills, (I am not putting down people who live in Beverly Hills) if that kid knows private school and a credit card... you can't say the kid is taking life for granted. He is taking the life that was given to him.

Always remember your kid’s name. Always remember where you put your kid. Don’t let your kid drive until their feet can reach the pedals. Use the right size diapers…for yourself. And, when in doubt, make funny faces.

I never really took into account the number of homeless families. As a kid, we used to feed the hungry at my church every other Saturday, and one day this kid from my school was there. Somewhere between that moment of realization and appreciation for what my Dad sacrificed for us to have, and me becoming "Anthony Mackie" I lost it. This movie [Shelter] really made me realize that, and it was very humbling and very sickening to see that within myself.

Peter (Parker) is not that evolved. Peter wants to tell the world he's a good guy: ' Like me, I'm nice.' He's a 19 year-old kid. He's a kid struggling with being misunderstood. We've all been misunderstood. That's universal too. I like being Peter.

For a seriously autistic kid, the best prognosis might be getting into a mainstream school without being too much of a shadow. For a moderately autistic kid the best prognosis is full recovery.

In the Sixties, it was mods and rockers, and hippies and casuals, whereas in the early Eighties, there was Goths, punks, mods, skinheads, New Romantics, casuals, metal heads... the streets looked completely different. You go into town now and you can't tell one kid from another - you don't know what they're into. You can sort of tell a skateboard kid because his trousers are half way down his legs, but that's about it. Back then, people wore their hearts on their sleeves. It was a really bold time.

Having a kid made me realize, "I have to take care of this kid, but I can't have the luxury of dropping everything in the world and spending every waking moment with him. I've got to work."

I think anybody who has been abused as a kid - and I was abused as a kid, by various people - will say it's irrational because violence is irrational.

The new millennium sucks! What a disappointment! What's the difference between the old millennium and the new millennium? Nothing! It's the same load of crap with a '2' in the front. When I was a kid, I am old enough so that when I was a kid, I looked forward to the new millennium. When I was young, I said, 'I'm gonna live through a change! A massive change! Things are gonna be different! Things are gonna be great!' Screwed again! No flying cars! No flying cars!

Talking about the fact that I get depressed or that I've had some suicidal issues in my life is not easy. I don't know of many comedians who are going all in on that. In some sense, I think I've maybe sacrificed some momentum doing that. In another sense, I'm in a place where if I can talk about that and if it helps some kid in a way that gives them some help that wasn't available to me when I was a kid, then I gotta do that. Put being a good person first. If you have a platform, use it for stuff that's noble and good and worth putting out in the world.

People get burned out in big families, you can even see it in the naming of children. Like the first kid, "You were named after Grandma." The seventh kid, "You were named after a sandwich I had. Now get your brother, Reuben."

I was the kid in the class who was looking for the angles to question things or make wise-ass remarks, not knowing enough to be afraid of being myself or showing intelligence. But I wasn't the only kid like that in my classes because of where I grew up. I'm really thankful I grew up in a town where there were a lot of other mutant kids. I'm from Boulder, Colorado, which went through a lot of dramatic changes when I was growing up.

I was a really crazy kid. I'm still a crazy kid. That's the nice thing about being in a rock band. You can feel 14 forever.

People will tell me, "Oh, my kid watches your show on their iPad, over and over again until they memorize." And I'm like, "Wow, I was that kid watching other shows. That's the coolest!"

it's weird how much people change. for example, when i was a kid i loved all of these things..and over time all of them just fell away, one after another, replaced by friends and IMing and cell phones and boys and clothes. it's kind of sad, if you think about it. like there's no continuity in people at all. like something ruptures when you hit twelve, or thirteen, or whatever the age is when you're no longer a kid but a "young adult," and after that you're a totally different person. maybe even a less happy person. maybe even a worse one.

Back when I was on my first assignment as a seeker, I was way out in Arizona. Brought in this kid named Clarisse.” “Clarisse?” “Sibling of yours,” Hedge said. “Ares kid. Violent. Rude. Lots of potential.

There were some super-lean years, yeah. I'm six feet four. And I entered into this period all of a sudden when I was too big to play a kid and I was too young to play an adult. Like, I couldn't play the lawyer, but I couldn't play the high school kid anymore.

I would visit Vegas every year when I was a kid. Vegas, to a kid, is a playground, as much as it is to adults. I discovered the magic store in a hotel and would spend hours and hours in there.

If you were a young kid, 19, 20 years old who has two children and a third one on the way and refuses to leave them. A kid who was on welfare, because he refused to steal anybody's property or take anybody's money. You found life a lot tougher.

When you're a kid, you live carefree. You notice things that go on around you, but you live like a kid with no worries until you get to that certain age where trials and tribulations come and you gotta fight and stay on your toes. That's when survival instincts kick in.

Before the whole Disney realm had undergone this huge revamping, as a kid, I always saw myself doing these dramatic indie parts. And then I fell in love with doing comedy and doing kid shows and really working for kids.

A kid of your age---any kid---could get hold of matches if she wanted to, burn up the house or whatever. But not many do. Why would they want to?

He is the straight to video sequel to your summer hit movie. He is the verse to that song on the radio you have to hum cause you can’t remember the words. You couldn’t break this kid’s heart, he is so far beyond that. This is the kind of kid who blew out the candles on hope all alone for too many birthdays to remember. And no one has ever fallen in love with anyone with a smile that’s dripping with “please die”.

And for a lot of people, they want it all to be fuzzy and warm and cosmic, but it's no different with a horse than with a kid...You can't always be the kid's best friend. First you have to be the parent.

I grew up on a set. The guys I hung around with were crew guys: the camera department, the prop guys. I was like the third kid through the door when I was a kid actor on Leave It To Beaver. I was always one of five guys who would have a couple lines. I was a journeymen actor in my first career, so I was appreciative of the journeymen on the set.

It may come as a surprise to people, but I'm actually quite boring and normal. What do I do? I read books. I drive my kid to school. I have lunch with my wife. I pick my kid up from school. I go home.

It's so hard to find the time. I only have one kid and it's hard with one kid. I can't imagine people who have more than that.

You know there's always that kid in your class — and every class has one — the kid who draws all the time and is really good? That was not me. I was a lousy draftsman. But as soon as I figured out that I could make things come alive, like using the corners of my math book to make flipbooks, I was hooked.

As a kid, I was searching for my tribe of other people who saw through the matrix. Even as a kid I could never buy into the status quo. I just thought it was a joke; I couldn't believe other people weren't laughing at it.

I wasn't a kid when I came out. Soulja Boy was 16. I'm saying that when he came out he was a kid so it was naturally a show for him. It's not about the music right away. It's a show for him. Not that he's not putting enough effort into his music, but how much effort can a 16 year old put into his music because as you mature and get older even the songs he's doing now has evolved and he's looking back.

For me as a kid, reading cyberpunk was like seeing the world for the first time. Gibson's Neuromancer wasn't just stylistically stunning; it felt like the template for a future that we were actively building. I remember reading Sterling's Islands in the Net and suddenly understanding the disruptive potential of technology once it got out into the street. Cyberpunk felt urgent. It wasn't the future 15 minutes out - it was the future sideswiping you and leaving you in a full-body cast as it passed by.

It caused more problems as a young kid, because the simple process of perceiving words on a piece of paper was hard for me. Many people think dyslexic people see things backwards. They don't see things backwards.

The thought of attention made me want to hide in a closet. I wasn't a kid who liked attention. I liked solitude and I still kind of do.

Dad loves my stuff. No matter how many times my voice cracks or I miss a tap, he doesn't care. He's like some businessman making it to his kid's recital.

When I was a kid, I had this idea that I would have a beard when I got older. I thought it'd be nice to rub my chin.

I'd never gotten to do an accent for anything that I've done, so that was really appealing because I love doing accents. Ever since I was a kid, I made it my business to try to mimic foreign accents, so it was really fun to be able to do that. I was really working on the accent to try to make it really good.

I had a real passion for performing. I craved the attention. I was a goofy kid just like I am a goofy adult. So as soon as I got the bug of getting laughs and getting on stage I just couldn't stop.

When someone is not playing well it's natural to want to make a change. I've just learned to drown out all the noise and make a decision based on the merits and what each individual kid has earned the right to do.

What does all this mean finally, I kept asking like a college kid. Why does it make me want to cry? Maybe it’s that we are all outsiders, we are all making our own unusual way through a wilderness of normality that is just a myth.

I grew up in the '80s. I was a kid, but all my favorite movies came out of that period.

To me, acting is very therapeutic. I get out a lot of anger and frustration. It's maybe hard to believe, but as a kid I really had a lot of self-doubts. My father was very ill - he was an alcoholic - so there were a lot of things that built up for me. And because I was going to a Catholic school in a small German town, a lot of it was suppressed. I was angry and didn't know how to get it out.

I haven't watched anything I've been in since I've done it. I have never put in a movie at home that I've been in. Why? I don't know. I would feel like Norma Desmond. And I have a kid, so time is at a premium.

Stuff happens when you are a kid, it scars you inside for life.

Imagine a 15-year-old kid saying, 'I have two moms - it's cool.' I don't fear that at all.

There's this idea, particularly in pop music and a lot of these pop father/manager types, that you're selling the person instead of the song. You basically want to create something that the fans relate to because it's exactly like them. So there's a lot of art that's made to be in the image of the audience, but then the audience is imitating this version of themselves. It's a really weird cultural feedback loop, and it's kind of strange to watch. It's a new thing since I was a kid, really a different thing.

I used to hang out a lot in jazz clubs, and the groups took to a kid like me who wasn't afraid to get up and sing with a jazz band. Then I started to hang out in rock clubs and learned to carry off different styles.

I started acting as a kid and doing advertising campaigns. I was probably 8 years old, and I really liked the attention.