Quotes About Letters

Eight years ago, I was drawn into Keats's world by Andrew Motion's biography. Soon I was reading back and forth between Keats's letters and his poems. The letters were fresh, intimate and irreverent, as though he were present and speaking. The Keats spell went very deep for me.

Miracles are a retelling in small letters of the very same story which is written across the whole world in letters too large for some of us to see.

I had a fan who had a fictional relationship with me. She wrote letters to me and then wrote return letters to herself (from me). In her mind, we were married and had two children. Her parents finally uncovered this delusional life she was living and she got help.

The creation of all those symbols and logotypes which are an ever more striking feature of the world in which we live calls for a new and fresh approach to lettering in the part of the designer. In these logotypes the combination of letters can be more or less obvious; but only deliberately contrived encounters of elements and confrontations of values can lead beyond the letters to new forms of expression.

It is not quite true that there are no good letters written in America: among my own circle of correspondents there, there are ladies and gentlemen whose letters would stand a comparison with any for frankness, grace, and epistolary beauty of every kind. But I am not aware of any medium between this excellence and the boarding-school insignificance which characterizes the rest.

The Greeks according to official history used letters for hundreds, for tens, and ones.It was extremely complicated. If you talk about Archimedes, you should use Greek letters.

When we were children, letters were like fun toys. We played with them through our building blocks. We colored them in books. We danced and sang along with TV puppets while learning C was for “cookie.” Soon, letters turned into words. Words turned into sentences. Sentences turned into thoughts. And along the way, we stopped playing with them and stopped marveling at A through Z.

The shapes of letters do not derive their beauty from any sensual or sentimental reminiscences. No one can say that the O’s roundness appeals to us only because it is like that of an apple or of a girl’s breast or of the full moon. Letters are things, not pictures of things.

I was always looking for the most dramatic emphasis. One example would be the letter writing, or the reading of the letters. If you remember from the book, they find the letters and then in the most undramatic way they take them downstairs, they get approval, they sit at a table during the day with their own author, across from each other.

My first two books, Letters to a Young Brother and Letters to a Young Sister, were... distributed pretty widely. Judges in juvenile justice facilities started citing the book as required reading.

We live our lives from A-Z, but forget the other 24 letters in between.

I do everything by hand... Even if I'm doing really big letters and I spend a lot of time going over the line and over the line and trying to make it straight, I'll never be able to make it straight. From a distance it might look straight, but when you get close up, you can always see the line waver. And I think that's where the beauty is.

Algebra messed up one of those divisions between things that help you make sense of the world and keep it tidy. Letters make words; figures make numbers. They had no business getting tangled up together.

If anything, I've found nonfiction a little easier. You don't have to make anything up. Of course, that's the inherent difficulty as well: when you hit an information black hole, you don't get to make it up. That hasn't come up too often with this project though. I'm lucky to have tons of primary source material , reams of letters and diaries and memoirs.

That rewriting of literary history is most obvious in the case of The Yage Letters, where I was able to show that the true history inverts the official one.

When I work I have a sculptor's sense of the shape of the words I'm making. I use a machine with larger than average letters: the bigger the better.

In many of the more relaxed civilizations on the Outer Eastern Rim of the Galaxy, the Hitch-Hiker's Guide has already supplanted the great Encyclopaedia Galactica as the standard repository of all knowledge and wisdom, for though it has many omissions and contains much that is apocryphal, or at least wildly inaccurate, it scores over the older, more pedestrian work in two important respects. First, it is slightly cheaper; and secondly it has the words DON'T PANIC inscribed in large friendly letters on its cover.

Every week I get letters from people worldwide who feel that the possibilian point of view represents their understanding better than either religion or neo-atheism.

Who else but me is ever going to read these letters?

Nigel gave the lamp a cautious buff and small smoking red letters appeared in the air. "Hi," Nigel read aloud, "Do not put down the lamp because your custom is important to us. Please leave a wish after the tone and, very shortly, it will be our command. In the meantime, have a nice eternity."

The only thing I'd rather own than Windows is English. Then I'd be able to charge you an upgrade fee every time I add new letters like N and T.

P. G. Wodehouse... used, when in town, to solve the problem of the long walk to the post-office by the simple expedient of tossing his letters out of his window: his belief that the average human, finding a stamped and addressed envelope on the pavement, would naturally pop it into the nearest pillar-box was never once, in decades, shown to be unfounded.

If you must reread old love letters, better pick a room without mirrors.

Scared and sacred are spelled with the same letters. Awful proceeds from the same root word as awesome. Terrify and terrific. Every negative experience holds the seed of transformation.

The entire merit of a man can never be made known; nor the sum of his demerits, if he have them. We are only known by our names; as letters sealed up, we but read each other's superscriptions.

M is for magic. All the letters are, if you put them together properly. You can make magic with them, and dreams, and, I hope, even a few surprises.

I am persuaded that without knowledge of literature pure theology cannot at all endure. . . . When letters have declined and lain prostrate, theology, too, has wretchedly fallen and lain prostrate. . . . It is my desire that there shall be as many poets and rhetoricians as possible, because I see that by these studies as by no other means, people are wonderfully fitted for the grasping of sacred truth and for handling it skillfully and happily.

Since I was 20 years old, I've been a kind of corporation. I'd wake up in the morning and my job was to be 'Bonnie Raitt' in capital letters.

It's not easy to start over in a new place,' he said. 'Exile is not for everyone. Someone has to stay behind, to receive the letters and greet family members when they come back.

You can't open your presents 'til you write your thank-you letters.

Perhaps there's another, much larger story behind the printed one, a story that changes just as our own world does. And the letters on the page tell us only as much as we'd see peering through a keyhole. Perhaps the story in the book is just the lid on a pan: It always stays the same, but underneath there's a whole world that goes on - developing and changing like our own world.

Along the way [Mozart] got married; fathered seven children (two of whom survived into adulthood); performed as a pianist; violinist; and conductor; maintained a successful teaching studio; wrote thousands of letters; traveled widely; attended the theater religiously; played cards, billiards, and bocce; and rode horseback for exercise. Not bad for someone portrayed as a giggling idiot in the movies.

When other helpers fail and comforts flee, when the senses decay and the mind moves in a narrower and narrower circle, when the grasshopper is a burden and the postman brings no letters, and even the Royal Family is no longer quite what it was, an obituary column stands fast.

Pico Iyer describes his writing as "intimate letters to a stranger," and I think that is what the writing process is. It begins with a question, and then you follow this path of exploration.

Feedback is a pleasant thing. I get a lot of letters from unexpected people in unexpected places.

In my heart there may be doubt that I deserve the Nobel award over other men of letters whom I hold in respect and reverence, but there is no question of my pleasure and pride in having it for myself.

I teach art at a famous art school, and yet I don't have really the least notion what post-modernism means, but we have people in the letters and science department that understand it quite well and the students go there if they want to understand what this term that is being bandied about is all about, but I've never understood it.

It seems to me that on one page I recognized a portion of an old diary of mine which mysteriously disappeared shortly after my marriage, and, also, scraps of letters which, though considerably edited, sound to me vaguely familiar. In fact, Mr. Fitzgerald (I believe that is how he spells his name) seems to believe that plagiarism begins at home.

I just started doing this one-man show, and I wanted to be able to score it, so I bought a guitar, and got a keyboard and got a harmonica. I remember when I started that I didn't understand why a harmonica had different letters on them.

People were usually much better in their letters than in reality. They were much like poets in this way.

As a teenager I wrote to R.A. Lafferty. And he responded, too, with letters that were like R.A. Lafferty short stories, filled with elliptical answers to straight questions and simple answers to complicated ones.

'Particularly' is particularly difficult because the 'L' and the 'R' are totally different, like totally different letters. I would spend hours in front of the mirror with my dialect coach to observe my tongue. You don't think, when you speak, about all the things that happen in your jaw and your mouth, how everything reacts, so you have to watch all those things and realise we have a totally different use of our tongue and jaws.

Father asks frequently in his letters whether I fancy any Ayorthaian young lady or any in our acquaintance at home. I say no I suppose I'm confessing another fault: pride. I don't want him to know that I love if my affections are not returned

There would be this algebraic equation with an equals sign in the middle, and all the components would have different letters of the alphabet. It would come out right with x+z^2+t/q=y+co, and the co would be clothes off!

Whatever is unnamed, undepicted in images, whatever is omitted from biography, censored in collections of letters, whatever is misnamed as something else, made difficult-to-come-by, whatever is buried in the memory by the collapse of meaning under an inadequate or lying language - this will become, not merely unspoken, but unspeakable.

I was astonished to find that the positions my grandfather had defended were now overgrown and entangled with trees and thorns. I suppose I had developed a sense of reverence for the locations he described in his memoirs and letters - the forts and the high emplacements. I had expected them to have been preserved in some way.

When I was younger, my mother and I, we'd have these crazy, crazy fights. Everyone would storm out mad, and the only way that I'd be able to express myself was to write her. We would write letters back and forth for days. When I'm writing, I feel uninterrupted. I write what I'm going through and how I see it.

I read every single letter. Some just break my heart. I've cried over letters that have come in, from young women and older women alike, saying to me, "You know, you made me want to stop crash dieting and just be healthy. You are my role model. I want to be like you."